Chords for Cardi B - Up (Behind The Scenes) [Part 1]

_ _ _ _ _ [Am] _ _ _
_ _ _ _ _ _ _ [G] _
_ _ _ _ It's [Am] like at the end of the day it's a pandemic so [C] it's just like alright things are slow
so you know who's a real hustler?
You are here getting your shit.
_ _ You gotta make it happen.
_ [Am] You think a business who shake a fucking ass on slow, good nights [C] is gonna pass on easy money?
No.
[Am] _ _ [C] No.
_ [E] _
_ _ [F#] _ _ _ [G] _ _ [F#] _
[E] No.
_ _ _ _ _ [G] _
_ _ [E] _ _ _ [F#] _ _ [E] _
_ _ [F#] _ _ _ _ _ _
_ _ _ [G] _ _ [E] _ _ _
_ _ _ _ _ [F#] No.
[E]
Party back, you know you bitches fucked.
Say my face, [D#] bomb ass tight.
Raps stack up, shat [N] height.
Jewelry on me, flashlight.
I been listening last night.
Hit them with that good, good.
Make a nigga act right.
Bro, boy, don't do it, girl.
My up, let's do it again.
Hi, what's up, y'all?
Sean Bankhead here.
So look, we are at about day 23 of rehearsal
for the new Cardi B record,
[G#] making sure the choreography is correct
and it's going up and making sure that shit is stuck.
My vision is,
Once upon a time when I came back, I was suckling.
Came from a big, cool [C] nigga.
I said my face, bomb.
[C#] All of that.
[C] _
_ [C#] _ I want to be in the cemetery. _
And the pink [E] team starts to_
I know that's right.
Big fan.
[F#m] _ _ [F#] _
When it goes, I know [C#] that's right.
_ That's going to be the doll head.
_ [N] And then it's going to go to big bad bus
and not the family dance.
And then it goes,
cause they ain't fucking with me.
That's going to be the_
Like she [D] has to hit this like [F#] that moment.
[E] _ _ _ [C#] _ And hold them up.
Spread your fingers.
_ Like open, like ah.
There you go.
Yep.
You _ _ _ want me now or you want me?
_ [N] Oh, my knees. _
Shit.
_ _ _ _ Now these are the worst knees ever.
I didn't even suck dick on my knees.
I just lay on the side like this.
[B] Like if I could get a knee back,
I would love that.
But I don't.
_ _ I don't.
I've got it yet. _
_ _ Okay, hold on.
We're out of here.
[Em] Hold on, hold on. [G#] It's coming.
It's coming.
She did it.
She did it.
_ _ So we want to look at the carpet, right?
Here we go.
So, Devin got a copy of the carpet.
How about you guys are going to run that?
Cause in her mind_ Yeah.
_ [D] I just wanted to make sure that_
[Em] At the end, we could start the circle
only on the [G#m] part that goes like this.
[G#]
He made it on a butt.
I said I'm glad.
Like right there, just a little clip.
Like, oh [C] shit, what the fuck is coming? And then_ Yeah.
Then we're in a circle.
You know what?
No, this is actually a leg harness.
Yeah.
So look, it goes like a circle. _
Do [Em] you guys know what she's wearing?
Yeah, I don't know what she's wearing.
_ That's for the pink belt.
[E] You step into it.
For the car.
For the car.
And then you [Bm] lock your legs in like this.
_ _ Look at that.
This is what you want to wear?
And then it pulls up.
I don't want [N] nothing to happen here. _ _ _
_ _ So she does this the whole time, right? Yep.
You feel okay?
Yeah.
_ If it was heels, I would have had a problem.
Are we good?
[F] Is that what we said?
No harness, we're [E] good.
I mean, listen, there's [B] going to be crash pads underneath there as well.
All right, I think that's it, [C#] guys.
Thank you. You're welcome.
Thank you.
All right, bye.
_ _ _ _ [E] _ _
_ _ _ There's no real consistent [F] look.
It's just like having fun [D#] and fashion.
[C] It's different aesthetics.
[C#] We got some early 2000 aesthetics.
We got some [D] couture.
We, of course, have some super sexy moments.
A lot of different visions.
It's like it's a little mixed media.
It's a little bit of something [A#] everywhere.
Oh, my hair.
_ _ And I'm waiting for the sleep.
What are you going to think of me while I'm not here?
Excellent.
Oh, my God.
I feel like auntie's fucking chewing my fucking hair.
You put the powder in?
No.
I did.
Put the powder in the shoe.
Oh, well, fuck [A#] it.
Okay.
I'm not taking them off again.
Just fine.
[D] _ _ [E] _ _ _ _
_ _ [G] _ _ _ _ _ [F#] _
_ _ [G] _ _ [F#] _ _ [E] _ _
_ _ _ _ _ [Gm] _ _ [Em] _
_ _ _ _ _ _ _ [F#] _
This is up.
This is up.
This is up.
[G#] You got to play it safe.
No face, no cake.
_ _ _ All right, I'm going to head [C] out.
Fuck.
I [A#] hate you.
I don't want to head out.
I don't want to head out.
I can't breathe.
[A#m] Fuck, huh?
What the fuck are you [F] doing?
_ _ _ _ [C#] _ _ _
_ _ [F] _ _ _ _ _ [A#] _
_ One, [A] two, three.
[F] _ Five, [Fm] six.
_ [C#] _ _ _ _ _
[F] Today's the first day of the video shoot.
And [A#m] it's 3.44 p.m.
And this is my second look.
We got to do [C] four looks.
And I've been [B] very upset, very [C#] cranky because I've been up since 4.30 in the morning and
I got here [F] at 6 o'clock.
And I really hate when [C] people make me do that [C#] because I cannot perform my best when I'm
tired and [F] sleepy and croggy.
_ But I [C#] guess I gotta make it fucking work.
See, like I'm [F] not even in the mood because _ I don't know, like [C#] I just don't like fucking
with my sleep.
I need my sleep like I need my dick.
[F] _ Late.
I like [C#] dick at night.
_ Like if I could [D] be here at least like 10 o'clock [C#] and at 4am or 3am, I'm fine [F] with that.
But I hate early mornings.
_ [C#]
I just [A] hate it.
I hate it here.
[F#] _ [E] MAAAASSS!
If it's up, then it's up.
If it's up, then it's up.
AHAHA! _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Look, once upon a [G] time, [E] I'm Suggily.
Came from a bitch who nigga wanna fuck on me.
I said my face [F#] bomb ass, racks, stack of shacks, high jury on me.
I'm a flashlight, I've been [F#] listening since last night.
Hit em with that [G] good good, make a nigga act right.
Broke boys from desert, no pussy.
Fake bag, bustin' out the Bentley band.
Take a man, but [E] let's see y'all get party back and all these [F#] bitches fuck.
It's fake bags, bustin' out the Bentley band.
Take a man, I'm from back, party back and all you bitches fuck.
If it's up, then it's up, then it's up, then it's up.
If it's up, then it's up,