Chords for Carnatic Music journey | Part 1
Tempo:
85.55 bpm
Chords used:
Eb
Ab
Gb
G
Abm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Eb] [Abm] Your journey of Carnatic music [Eb] begins with the Sarali Varise.
These are simple patterns which will make you familiar with all the 7 swaras and their positions.
[Ab] Sarika Maa Pada Nisa, Sa Nidappa Maa [Gb] Gari Sa
After Sarali [Eb] Varise, we move on to the next set [Bbm] of exercises [Ab] [G] called [Eb] Janta Varise.
These involve double and triple swara patterns and add a lot of strength and emphasis [Ab] to the voice.
Sa Sa Re Re Ga Ga Ma Ma Re Re Ga Ga Ma Ma Pa Pa
[Eb] And then we learn the Dattu Varise, which are zigzag swara [Ab] patterns that help us jump from one note to [Ebm] another.
These sequences [Eb] greatly improve our pitch [Gb] and swara [Ab] sthanam.
Sa Ma Ga Ma Re Ga Sa Re Sa Ga Re Ga Sa Re Ga Ma Re Pa [N] Ma
After Dattu Varise, we start exploring the upper range of our voice through [Eb] special exercises called Tarasthai Varise.
Here, we progressively add one high note at a time and gradually open up our range.
[Ab]
[Eb] And finally, we conclude the basic exercises with Alankarams, which expose us to different talas.
[Gb] Here, [Ab] we also learn [G] more about [Eb] the components of a tala, [G] namely Angas, [Ab]
Jatis and Gati.
Sa Re Ga Ma Re Ga Ma Pa Ga Ma [Eb] Pa Da
These are simple patterns which will make you familiar with all the 7 swaras and their positions.
[Ab] Sarika Maa Pada Nisa, Sa Nidappa Maa [Gb] Gari Sa
After Sarali [Eb] Varise, we move on to the next set [Bbm] of exercises [Ab] [G] called [Eb] Janta Varise.
These involve double and triple swara patterns and add a lot of strength and emphasis [Ab] to the voice.
Sa Sa Re Re Ga Ga Ma Ma Re Re Ga Ga Ma Ma Pa Pa
[Eb] And then we learn the Dattu Varise, which are zigzag swara [Ab] patterns that help us jump from one note to [Ebm] another.
These sequences [Eb] greatly improve our pitch [Gb] and swara [Ab] sthanam.
Sa Ma Ga Ma Re Ga Sa Re Sa Ga Re Ga Sa Re Ga Ma Re Pa [N] Ma
After Dattu Varise, we start exploring the upper range of our voice through [Eb] special exercises called Tarasthai Varise.
Here, we progressively add one high note at a time and gradually open up our range.
[Ab]
[Eb] And finally, we conclude the basic exercises with Alankarams, which expose us to different talas.
[Gb] Here, [Ab] we also learn [G] more about [Eb] the components of a tala, [G] namely Angas, [Ab]
Jatis and Gati.
Sa Re Ga Ma Re Ga Ma Pa Ga Ma [Eb] Pa Da
Key:
Eb
Ab
Gb
G
Abm
Eb
Ab
Gb
[Eb] [Abm] Your journey of Carnatic music [Eb] begins with the Sarali Varise.
These are simple patterns which will make you familiar with all the 7 swaras and their positions.
_ [Ab] _ _ _ Sarika Maa Pada Nisa, Sa _ Nidappa Maa [Gb] Gari Sa
After Sarali [Eb] Varise, we move on to the next set [Bbm] of exercises [Ab] [G] called [Eb] Janta Varise.
_ These involve double and triple swara patterns and add a lot of strength and emphasis [Ab] to the voice.
Sa Sa Re Re Ga Ga Ma Ma Re Re Ga Ga Ma Ma Pa Pa
[Eb] And then we learn the Dattu Varise, which are zigzag swara [Ab] patterns that help us jump from one note to [Ebm] another.
These sequences [Eb] greatly improve our pitch [Gb] and swara [Ab] sthanam.
Sa Ma Ga Ma Re Ga Sa Re Sa Ga Re Ga Sa Re Ga Ma Re Pa [N] Ma
After Dattu Varise, we start exploring the upper range of our voice through [Eb] special exercises called Tarasthai Varise.
Here, we progressively add one high note at a time and gradually open up our range.
[Ab] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Eb] And finally, we conclude the basic exercises with Alankarams, which expose us to different talas.
[Gb] Here, [Ab] we also learn [G] more about [Eb] the components of a tala, [G] namely Angas, [Ab]
Jatis and Gati.
Sa Re Ga Ma Re Ga Ma Pa Ga Ma [Eb] Pa Da _ _ _ _
_ _ _ _ _ _ _ _
These are simple patterns which will make you familiar with all the 7 swaras and their positions.
_ [Ab] _ _ _ Sarika Maa Pada Nisa, Sa _ Nidappa Maa [Gb] Gari Sa
After Sarali [Eb] Varise, we move on to the next set [Bbm] of exercises [Ab] [G] called [Eb] Janta Varise.
_ These involve double and triple swara patterns and add a lot of strength and emphasis [Ab] to the voice.
Sa Sa Re Re Ga Ga Ma Ma Re Re Ga Ga Ma Ma Pa Pa
[Eb] And then we learn the Dattu Varise, which are zigzag swara [Ab] patterns that help us jump from one note to [Ebm] another.
These sequences [Eb] greatly improve our pitch [Gb] and swara [Ab] sthanam.
Sa Ma Ga Ma Re Ga Sa Re Sa Ga Re Ga Sa Re Ga Ma Re Pa [N] Ma
After Dattu Varise, we start exploring the upper range of our voice through [Eb] special exercises called Tarasthai Varise.
Here, we progressively add one high note at a time and gradually open up our range.
[Ab] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Eb] And finally, we conclude the basic exercises with Alankarams, which expose us to different talas.
[Gb] Here, [Ab] we also learn [G] more about [Eb] the components of a tala, [G] namely Angas, [Ab]
Jatis and Gati.
Sa Re Ga Ma Re Ga Ma Pa Ga Ma [Eb] Pa Da _ _ _ _
_ _ _ _ _ _ _ _