Chords for Carol Kaye over haar sessiewerk voor Beach Boys, Sam Cooke en meer | Top 2000 a gogo

I was playing from about 1949 on and I was [F] about 14 I went to work playing [C] music like
_ this kind of stuff, _ [Am] _ _ Goodman stuff.
_ [Bb] _
_ _ _ _ [Bb] _ _ _
[G] And I was making a name for myself, you know, and a fellow
walked in the jazz club where I was playing in 1957, they said you want to do a record date and
I didn't want to because I knew that if I did record dates it would hurt my place in jazz and
I was getting pretty well known in jazz and everything and I didn't want to play rock and
roll but I went and did the date because I needed the money and it was for Sam Cooke and I listened
to him on the way there and I heard that darling you send me [Am] and I knew that [D] he he he [Em] he he sung
real good and so [Gbm] I did the summertime and some [B] other hits with him and then I did Richie [C] Valens
and boom boom boom [G] boom boom _ [C] you [Fm] _ know that kind of stuff.
I [Am] got on a date at Capitol Records 1963 _
_ _ and the bass player didn't show up so they gave me the bass to play and it was at a time that I
was kind of tired of playing this kind of stuff like _ _
_ [G] I was kind of tired [F] of that and then and
and the dinky rock and roll stuff and all that so I got kind of tired of that but as soon as I
picked up the bass and started playing it [E] _
uh oh sorry about that okay then I could play [C] like this
_ _ [Gm] _ _ [C] _ _
_ [E] _ _ [G] _ _ [C] _ _ [Bb] _
_ [C] _ _ [G] _ _ _ [C] _
that was more [Ebm] fun on good vibrations he had me up here like this
_ _ _ _ [Bbm] _ _
_ _ _ _ _ _ [Abm] _ _
_ _ _ _ [Bb] _ _ _ _
[Db] _ _ _ [Gb] _ _ then I joined the string bass but [B] Brian was [Gb] like Phil Spector in the sense that he'd go
one tune for three hours take after take it's like oh then he changed the music then he'd
do this or do [Ab] that but playing one tune for three hours you know it gets a little boring
now we gotta go to the song that that I actually came for really because we we have to talk about
that one before we forget that's Hickey Burr of course and it was by Bill [E] Cosby I was into
double stops then so I just did this I _ _ [G] _ _ _ [E] just kind of played that _ [E] _ [Em] but _ not quite
_ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ [Em] _
yeah Quincy Jones he arranged it but he left my part blank and I asked him I said what do you
want me to do he said well just invent anything which is why they hired me in the first place
because I could invent all kinds of lines on the bass it was easy and then the thing that follows
that is the thing that we know in Holland that _ yeah that _ _ _
_ [E] _ _ _ _ _ _ _
_ [Em] _ _ _ _ _ it _ _ was fun until about 68 69
when some some of the rock groups you [C] know started to feel like cardboard music I said
geez I can't do this anymore I didn't want to play rock and roll anymore and I [B] quit _ _ _ _
[F] _ _ I'm Carol Kay that played on [Gm] thousands of hit records and we [G] cut here you know
bass player okay _ I _ _ _ _ mean Nancy [Abm] Sinatra we did in the back room there we did Bobby Darren in here
I mean we [G] did Frank I mean Frank Sinatra in the main studio here _ _ _ _
_ [E] _ _ [Eb] could I just get them to the door [Eb] without going in okay [N] _ okay that's okay
_ _ _ I made a lot of money for this studio you know _ _ _ sorry _ _ _ _ there _ _ _ _ I mean they're probably cutting
something [G] that will never sell anyway we're the ones that [Bb] made the studio
[E] _ _ _ _ [E] _ _ _ _ _ _