Chords for Carole King - Welcome To My Living Room - The Rehearsals (Live)
Tempo:
104.1 bpm
Chords used:
A
F
Bb
B
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
How are we doing?
You're going on tour, Ruth.
Well, we'll see.
[F] I don't [B] count my chickens before they hatch.
You mean you haven't [F] passed the audition yet?
No, I don't know.
[D]
Until it's half way over.
[F] Well, here's the thing.
We are actually going on tour.
We are actually going to do this.
It's not too late for something to happen.
How good it's going to be is not [B] in question, actually.
And when's the last [Db] time you were on tour?
Ten years ago.
Wow.
Do you still remember how to do it?
Yeah.
[A]
[Ab] [A]
Singing.
[G] Singing.
Oh, it's on the [A] ba ba ba.
Singing.
[Gb] Singing.
[G]
Yes.
It's on the ba ba ba.
Ba ba.
One, [A] two, three, four.
[Bm]
[A] That sort of works.
[E]
I've got a few things.
[Ab] Gary.
When we go to
[B] When we're going into the bridge,
[Ab]
don't anticipate
[Bb] the ching ching [Ab] ching feel.
In other words
I think that was me.
I started playing the 70s [B] thing to her.
Okay, that was [Bbm] you.
Sorry.
I didn't think I made any mistakes.
No, [Bb] you didn't actually.
That was [Dm] really good.
[Cm] Stumbling down.
Stumbling down.
[Ab] Stumbling down. Stumbling [Cm] [Cm] down.
[C]
Like that.
Great.
[G] All that [D]
you've got to plan.
[A] When people can be so cold.
[D] They'll hurt you.
They'll [G] hurt you.
And go down.
And [Gbm] take your soul
if [Gb] you let them.
[B]
You want me to [Bm] take the back half of that?
Yeah, but don't you
I'll say, but don't you [E] let them.
Take that bridge again.
[G] And it's good to know.
And change [D] the melody.
Put it in your kit.
I'm trying to sing my melody.
[A] When people can be so cold.
They'll hurt you.
And desert [G] you.
They'll [Gbm] take your soul.
If [B] you let them.
If you let them.
But [Bm] don't you [A] let them.
[D]
But don't you let them.
[Gb] And then E.
[E]
Don't you let them.
[Bb] So can we take it out from that chorus?
Because everything [Em] else
[Bbm] Actually, take it from the
the second [Cm] chorus.
Like the first
[F] It's a double chorus.
Cold [A] facts and nothing.
We're at my house, my studio.
[Ab] Called Rude Stude Recording.
[Fm] Here in North Hollywood, California.
[E] And how many days are you doing this?
[F] This is the second of two.
[Bb] So we're done as of right now.
Really?
And then we move to the pro place.
And what happens next?
We move on to the professional place.
[F] Christian is going to be there doing the [Bb] sound for us.
Christian.
That's where we'll do our actual
What do they call it?
[D] Our real production.
[Bb] These [Bm] are just our get it together vocal [Abm] rehearsals.
And we'll have an [Gb] actual piano.
[F] A real piano that sounds like a piano.
And that happens tomorrow?
Yes.
And where is that?
At Center State.
In North Hollywood?
[F] Right by the airport.
[Bb]
We better play loud then.
We'll have to play loud to be over top
the other rock bands that are recording next door.
Sort of like the Brill Building but [A] with bigger rooms.
Yeah.
A lot more concrete.
[Bb]
I've got to give you my [Bbm] contact info.
Yeah.
If you ever have a problem where it's backing out
it won't stay stiff.
Just take a little bit of a toothpick
jam it down the hole with [Cm] super glue in.
Way [C] down.
[F] [Bb]
It's two pages.
Being big like that.
You have the real [B] hard [Bbm] adjustments
so that it gives that cherished effect
which we don't want.
Christian and Brendan back-tag all the band here
that's flying with something.
You don't happen to have the chorus?
I've got the rubber stripes.
Oh you know what I have?
[G] Okay.
Yeah, I'll let you know.
[A] All I have is a subtle amount of chorus
and then some reverb.
Okay.
Chains
[F] Baby's got me locked up in [Bb]
chains
And they ain't the kind
that you can [B] see
You've got to be real [E] for me
[A]
You're going on tour, Ruth.
Well, we'll see.
[F] I don't [B] count my chickens before they hatch.
You mean you haven't [F] passed the audition yet?
No, I don't know.
[D]
Until it's half way over.
[F] Well, here's the thing.
We are actually going on tour.
We are actually going to do this.
It's not too late for something to happen.
How good it's going to be is not [B] in question, actually.
And when's the last [Db] time you were on tour?
Ten years ago.
Wow.
Do you still remember how to do it?
Yeah.
[A]
[Ab] [A]
Singing.
[G] Singing.
Oh, it's on the [A] ba ba ba.
Singing.
[Gb] Singing.
[G]
Yes.
It's on the ba ba ba.
Ba ba.
One, [A] two, three, four.
[Bm]
[A] That sort of works.
[E]
I've got a few things.
[Ab] Gary.
When we go to
[B] When we're going into the bridge,
[Ab]
don't anticipate
[Bb] the ching ching [Ab] ching feel.
In other words
I think that was me.
I started playing the 70s [B] thing to her.
Okay, that was [Bbm] you.
Sorry.
I didn't think I made any mistakes.
No, [Bb] you didn't actually.
That was [Dm] really good.
[Cm] Stumbling down.
Stumbling down.
[Ab] Stumbling down. Stumbling [Cm] [Cm] down.
[C]
Like that.
Great.
[G] All that [D]
you've got to plan.
[A] When people can be so cold.
[D] They'll hurt you.
They'll [G] hurt you.
And go down.
And [Gbm] take your soul
if [Gb] you let them.
[B]
You want me to [Bm] take the back half of that?
Yeah, but don't you
I'll say, but don't you [E] let them.
Take that bridge again.
[G] And it's good to know.
And change [D] the melody.
Put it in your kit.
I'm trying to sing my melody.
[A] When people can be so cold.
They'll hurt you.
And desert [G] you.
They'll [Gbm] take your soul.
If [B] you let them.
If you let them.
But [Bm] don't you [A] let them.
[D]
But don't you let them.
[Gb] And then E.
[E]
Don't you let them.
[Bb] So can we take it out from that chorus?
Because everything [Em] else
[Bbm] Actually, take it from the
the second [Cm] chorus.
Like the first
[F] It's a double chorus.
Cold [A] facts and nothing.
We're at my house, my studio.
[Ab] Called Rude Stude Recording.
[Fm] Here in North Hollywood, California.
[E] And how many days are you doing this?
[F] This is the second of two.
[Bb] So we're done as of right now.
Really?
And then we move to the pro place.
And what happens next?
We move on to the professional place.
[F] Christian is going to be there doing the [Bb] sound for us.
Christian.
That's where we'll do our actual
What do they call it?
[D] Our real production.
[Bb] These [Bm] are just our get it together vocal [Abm] rehearsals.
And we'll have an [Gb] actual piano.
[F] A real piano that sounds like a piano.
And that happens tomorrow?
Yes.
And where is that?
At Center State.
In North Hollywood?
[F] Right by the airport.
[Bb]
We better play loud then.
We'll have to play loud to be over top
the other rock bands that are recording next door.
Sort of like the Brill Building but [A] with bigger rooms.
Yeah.
A lot more concrete.
[Bb]
I've got to give you my [Bbm] contact info.
Yeah.
If you ever have a problem where it's backing out
it won't stay stiff.
Just take a little bit of a toothpick
jam it down the hole with [Cm] super glue in.
Way [C] down.
[F] [Bb]
It's two pages.
Being big like that.
You have the real [B] hard [Bbm] adjustments
so that it gives that cherished effect
which we don't want.
Christian and Brendan back-tag all the band here
that's flying with something.
You don't happen to have the chorus?
I've got the rubber stripes.
Oh you know what I have?
[G] Okay.
Yeah, I'll let you know.
[A] All I have is a subtle amount of chorus
and then some reverb.
Okay.
Chains
[F] Baby's got me locked up in [Bb]
chains
And they ain't the kind
that you can [B] see
You've got to be real [E] for me
[A]
100% ➙ 104BPM
A
F
Bb
B
G
A
F
Bb
_ _ _ _ _ _ _ _
_ _ _ _ How are we doing?
You're going on tour, Ruth.
Well, we'll see.
[F] I don't [B] count my chickens before they hatch.
You mean you haven't [F] passed the audition yet?
No, I don't know.
_ _ [D] _
Until it's half way over.
_ [F] Well, here's the thing.
We are actually going on tour.
We are actually going to do this.
It's not too late for something to happen.
How good _ it's going to be is not [B] in question, actually.
And when's the last [Db] time you were on tour?
Ten years ago.
Wow.
Do you still remember how to do it?
Yeah.
[A] _ _ _ _
_ _ _ _ _ [Ab] _ _ [A] _
Singing.
[G] Singing.
Oh, it's on the [A] ba ba ba. _ _
Singing.
[Gb] _ _ Singing.
_ _ [G] _
_ Yes.
_ _ It's on the ba ba ba.
Ba ba.
One, [A] two, three, four.
_ _ [Bm] _
_ [A] _ _ That sort of works.
[E] _
I've got a few things.
[Ab] Gary.
When we go _ to_
_ _ [B] When we're going into the bridge,
[Ab] _ _
don't anticipate
[Bb] the ching ching [Ab] ching feel.
In other words_
I think that was me.
I started playing the 70s [B] thing to her.
Okay, that was [Bbm] you.
Sorry.
I didn't think I made any mistakes.
No, [Bb] you didn't actually.
That was [Dm] really good.
_ _ _ _ _ _ _ _
_ [Cm] Stumbling down. _ _ _
Stumbling down.
_ _ _ _ [Ab] Stumbling down. _ Stumbling [Cm] _ _ _ [Cm] down.
_ _ _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Like that.
Great. _
_ [G] _ _ _ All that [D]
you've got to plan.
[A] When people can be so cold.
_ _ [D] _ They'll hurt you.
They'll [G] hurt you.
And go down.
And [Gbm] take your soul
if [Gb] you let them.
[B]
You want me to [Bm] take the back half of that?
Yeah, but don't you_
I'll say, but don't you [E] let them.
Take that bridge again.
[G] And it's good to know.
And change [D] the melody.
Put it in your kit.
I'm trying to sing my melody.
_ [A] When people can be so cold.
_ They'll hurt _ you.
And desert [G] you. _
They'll [Gbm] take your soul.
If [B] you let them.
_ If you let them.
But [Bm] don't you [A] let them.
[D] _
_ But don't you let them.
[Gb] And then E.
[E] _
Don't you let them. _ _ _ _
_ _ _ _ [Bb] _ _ So can we take it out from that chorus?
Because everything [Em] else_
[Bbm] Actually, take it from the
the _ second [Cm] chorus.
Like the first_
[F] It's a double chorus.
_ Cold [A] facts and nothing.
_ _ _ _ _ _ _ _
_ We're at my house, my studio.
[Ab] Called Rude Stude Recording.
[Fm] Here in North Hollywood, _ California.
[E] And how many days are you doing this?
[F] This is the second of two.
[Bb] So we're done as of right now.
Really?
And then we move to the pro place.
And what happens next?
We move on to the professional place.
[F] Christian is going to be there doing the [Bb] sound for us.
Christian.
That's where we'll do our _ actual_
What do they call it?
[D] Our real production.
[Bb] These [Bm] are just our get it together vocal [Abm] rehearsals.
And we'll have an [Gb] actual piano.
[F] A real piano that sounds like a piano.
And that happens tomorrow?
Yes.
And where is that?
At Center State.
In North Hollywood?
_ [F] Right by the airport.
_ [Bb] _
We better play loud then.
_ We'll have to play loud to be over top
the other rock bands that are recording next door.
Sort of like the Brill Building but [A] with bigger rooms.
Yeah.
A lot more concrete.
[Bb] _ _ _
_ _ _ I've got to give you my [Bbm] contact info.
Yeah.
If _ _ _ _ _ you ever have a problem where it's backing out
it won't stay stiff.
Just take a little bit of a toothpick
jam it down the hole with [Cm] super glue in.
Way [C] down.
_ [F] _ _ [Bb] _
_ It's two pages.
Being big like that.
You have the real _ _ _ [B] hard [Bbm] adjustments
so that it gives that cherished effect
which we don't want.
Christian and Brendan back-tag all the band here
that's flying with something.
You don't happen to have the chorus?
I've got the rubber stripes.
Oh you know what I have?
[G] _ _ Okay.
Yeah, I'll let you know.
_ [A] All I have is a subtle amount of chorus
and then some reverb.
Okay. _
Chains
[F] _ _ Baby's got me locked up in [Bb]
chains
And they ain't the kind _
that you can [B] see
_ _ You've got to be real [E] for me
_ _ [A] _ _
_ _ _ _ How are we doing?
You're going on tour, Ruth.
Well, we'll see.
[F] I don't [B] count my chickens before they hatch.
You mean you haven't [F] passed the audition yet?
No, I don't know.
_ _ [D] _
Until it's half way over.
_ [F] Well, here's the thing.
We are actually going on tour.
We are actually going to do this.
It's not too late for something to happen.
How good _ it's going to be is not [B] in question, actually.
And when's the last [Db] time you were on tour?
Ten years ago.
Wow.
Do you still remember how to do it?
Yeah.
[A] _ _ _ _
_ _ _ _ _ [Ab] _ _ [A] _
Singing.
[G] Singing.
Oh, it's on the [A] ba ba ba. _ _
Singing.
[Gb] _ _ Singing.
_ _ [G] _
_ Yes.
_ _ It's on the ba ba ba.
Ba ba.
One, [A] two, three, four.
_ _ [Bm] _
_ [A] _ _ That sort of works.
[E] _
I've got a few things.
[Ab] Gary.
When we go _ to_
_ _ [B] When we're going into the bridge,
[Ab] _ _
don't anticipate
[Bb] the ching ching [Ab] ching feel.
In other words_
I think that was me.
I started playing the 70s [B] thing to her.
Okay, that was [Bbm] you.
Sorry.
I didn't think I made any mistakes.
No, [Bb] you didn't actually.
That was [Dm] really good.
_ _ _ _ _ _ _ _
_ [Cm] Stumbling down. _ _ _
Stumbling down.
_ _ _ _ [Ab] Stumbling down. _ Stumbling [Cm] _ _ _ [Cm] down.
_ _ _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Like that.
Great. _
_ [G] _ _ _ All that [D]
you've got to plan.
[A] When people can be so cold.
_ _ [D] _ They'll hurt you.
They'll [G] hurt you.
And go down.
And [Gbm] take your soul
if [Gb] you let them.
[B]
You want me to [Bm] take the back half of that?
Yeah, but don't you_
I'll say, but don't you [E] let them.
Take that bridge again.
[G] And it's good to know.
And change [D] the melody.
Put it in your kit.
I'm trying to sing my melody.
_ [A] When people can be so cold.
_ They'll hurt _ you.
And desert [G] you. _
They'll [Gbm] take your soul.
If [B] you let them.
_ If you let them.
But [Bm] don't you [A] let them.
[D] _
_ But don't you let them.
[Gb] And then E.
[E] _
Don't you let them. _ _ _ _
_ _ _ _ [Bb] _ _ So can we take it out from that chorus?
Because everything [Em] else_
[Bbm] Actually, take it from the
the _ second [Cm] chorus.
Like the first_
[F] It's a double chorus.
_ Cold [A] facts and nothing.
_ _ _ _ _ _ _ _
_ We're at my house, my studio.
[Ab] Called Rude Stude Recording.
[Fm] Here in North Hollywood, _ California.
[E] And how many days are you doing this?
[F] This is the second of two.
[Bb] So we're done as of right now.
Really?
And then we move to the pro place.
And what happens next?
We move on to the professional place.
[F] Christian is going to be there doing the [Bb] sound for us.
Christian.
That's where we'll do our _ actual_
What do they call it?
[D] Our real production.
[Bb] These [Bm] are just our get it together vocal [Abm] rehearsals.
And we'll have an [Gb] actual piano.
[F] A real piano that sounds like a piano.
And that happens tomorrow?
Yes.
And where is that?
At Center State.
In North Hollywood?
_ [F] Right by the airport.
_ [Bb] _
We better play loud then.
_ We'll have to play loud to be over top
the other rock bands that are recording next door.
Sort of like the Brill Building but [A] with bigger rooms.
Yeah.
A lot more concrete.
[Bb] _ _ _
_ _ _ I've got to give you my [Bbm] contact info.
Yeah.
If _ _ _ _ _ you ever have a problem where it's backing out
it won't stay stiff.
Just take a little bit of a toothpick
jam it down the hole with [Cm] super glue in.
Way [C] down.
_ [F] _ _ [Bb] _
_ It's two pages.
Being big like that.
You have the real _ _ _ [B] hard [Bbm] adjustments
so that it gives that cherished effect
which we don't want.
Christian and Brendan back-tag all the band here
that's flying with something.
You don't happen to have the chorus?
I've got the rubber stripes.
Oh you know what I have?
[G] _ _ Okay.
Yeah, I'll let you know.
_ [A] All I have is a subtle amount of chorus
and then some reverb.
Okay. _
Chains
[F] _ _ Baby's got me locked up in [Bb]
chains
And they ain't the kind _
that you can [B] see
_ _ You've got to be real [E] for me
_ _ [A] _ _