Chords for Carole King - Welcome To My Living Room - The Rehearsals (Live)
Tempo:
104.1 bpm
Chords used:
A
F
Bb
B
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
How are we doing?
Ruth.
before they hatch.
Until it's half way over.
are actually going on tour.
something to happen.
[B] in question, actually.
still remember how to do it?
Ruth.
before they hatch.
Until it's half way over.
are actually going on tour.
something to happen.
[B] in question, actually.
still remember how to do it?
100% ➙ 104BPM
A
F
Bb
B
G
A
F
Bb
_ _ _ _ _ _ _ _
_ _ _ _ How are we doing?
You're going on tour, Ruth.
Well, we'll see.
[F] I don't [B] count my chickens before they hatch.
You mean you haven't [F] passed the audition yet?
No, I don't know.
_ _ [D] _
Until it's half way over.
_ [F] Well, here's the thing.
We are actually going on tour.
We are actually going to do this.
It's not too late for something to happen.
How good _ it's going to be is not [B] in question, actually.
And when's the last [Db] time you were on tour?
Ten years ago.
Wow.
Do you still remember how to do it?
Yeah.
[A] _ _ _ _
_ _ _ _ _ [Ab] _ _ [A] _
Singing.
[G] Singing.
Oh, it's on the [A] ba ba ba. _ _
Singing.
[Gb] _ _ Singing.
_ _ [G] _
_ Yes.
_ _ It's on the ba ba ba.
Ba ba.
One, [A] two, three, four.
_ _ [Bm] _
_ [A] _ _ That sort of works.
[E] _
I've got a few things.
[Ab] Gary.
When we go _ to_
_ _ [B] When we're going into the bridge,
[Ab] _ _
don't anticipate
[Bb] the ching ching [Ab] ching feel.
In other words_
I think that was me.
I started playing the 70s [B] thing to her.
Okay, that was [Bbm] you.
Sorry.
I didn't think I made any mistakes.
No, [Bb] you didn't actually.
That was [Dm] really good.
_ _ _ _ _ _ _ _
_ [Cm] Stumbling down. _ _ _
Stumbling down.
_ _ _ _ [Ab] Stumbling down. _ Stumbling [Cm] _ _ _ [Cm] down.
_ _ _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Like that.
Great. _
_ [G] _ _ _ All that [D]
you've got to plan.
[A] When people can be so cold.
_ _ [D] _ They'll hurt you.
They'll [G] hurt you.
And go down.
And [Gbm] take your soul
if [Gb] you let them.
[B]
You want me to [Bm] take the back half of that?
Yeah, but don't you_
I'll say, but don't you [E] let them.
Take that bridge again.
[G] And it's good to know.
And change [D] the melody.
Put it in your kit.
I'm trying to sing my melody.
_ [A] When people can be so cold.
_ They'll hurt _ you.
And desert [G] you. _
They'll [Gbm] take your soul.
If [B] you let them.
_ If you let them.
But [Bm] don't you [A] let them.
[D] _
_ But don't you let them.
[Gb] And then E.
[E] _
Don't you let them. _ _ _ _
_ _ _ _ [Bb] _ _ So can we take it out from that chorus?
Because everything [Em] else_
[Bbm] Actually, take it from the
the _ second [Cm] chorus.
Like the first_
[F] It's a double chorus.
_ Cold [A] facts and nothing.
_ _ _ _ _ _ _ _
_ We're at my house, my studio.
[Ab] Called Rude Stude Recording.
[Fm] Here in North Hollywood, _ California.
[E] And how many days are you doing this?
[F] This is the second of two.
[Bb] So we're done as of right now.
Really?
And then we move to the pro place.
And what happens next?
We move on to the professional place.
[F] Christian is going to be there doing the [Bb] sound for us.
Christian.
That's where we'll do our _ actual_
What do they call it?
[D] Our real production.
[Bb] These [Bm] are just our get it together vocal [Abm] rehearsals.
And we'll have an [Gb] actual piano.
[F] A real piano that sounds like a piano.
And that happens tomorrow?
Yes.
And where is that?
At Center State.
In North Hollywood?
_ [F] Right by the airport.
_ [Bb] _
We better play loud then.
_ We'll have to play loud to be over top
the other rock bands that are recording next door.
Sort of like the Brill Building but [A] with bigger rooms.
Yeah.
A lot more concrete.
[Bb] _ _ _
_ _ _ I've got to give you my [Bbm] contact info.
Yeah.
If _ _ _ _ _ you ever have a problem where it's backing out
it won't stay stiff.
Just take a little bit of a toothpick
jam it down the hole with [Cm] super glue in.
Way [C] down.
_ [F] _ _ [Bb] _
_ It's two pages.
Being big like that.
You have the real _ _ _ [B] hard [Bbm] adjustments
so that it gives that cherished effect
which we don't want.
Christian and Brendan back-tag all the band here
that's flying with something.
You don't happen to have the chorus?
I've got the rubber stripes.
Oh you know what I have?
[G] _ _ Okay.
Yeah, I'll let you know.
_ [A] All I have is a subtle amount of chorus
and then some reverb.
Okay. _
Chains
[F] _ _ Baby's got me locked up in [Bb]
chains
And they ain't the kind _
that you can [B] see
_ _ You've got to be real [E] for me
_ _ [A] _ _
_ _ _ _ How are we doing?
You're going on tour, Ruth.
Well, we'll see.
[F] I don't [B] count my chickens before they hatch.
You mean you haven't [F] passed the audition yet?
No, I don't know.
_ _ [D] _
Until it's half way over.
_ [F] Well, here's the thing.
We are actually going on tour.
We are actually going to do this.
It's not too late for something to happen.
How good _ it's going to be is not [B] in question, actually.
And when's the last [Db] time you were on tour?
Ten years ago.
Wow.
Do you still remember how to do it?
Yeah.
[A] _ _ _ _
_ _ _ _ _ [Ab] _ _ [A] _
Singing.
[G] Singing.
Oh, it's on the [A] ba ba ba. _ _
Singing.
[Gb] _ _ Singing.
_ _ [G] _
_ Yes.
_ _ It's on the ba ba ba.
Ba ba.
One, [A] two, three, four.
_ _ [Bm] _
_ [A] _ _ That sort of works.
[E] _
I've got a few things.
[Ab] Gary.
When we go _ to_
_ _ [B] When we're going into the bridge,
[Ab] _ _
don't anticipate
[Bb] the ching ching [Ab] ching feel.
In other words_
I think that was me.
I started playing the 70s [B] thing to her.
Okay, that was [Bbm] you.
Sorry.
I didn't think I made any mistakes.
No, [Bb] you didn't actually.
That was [Dm] really good.
_ _ _ _ _ _ _ _
_ [Cm] Stumbling down. _ _ _
Stumbling down.
_ _ _ _ [Ab] Stumbling down. _ Stumbling [Cm] _ _ _ [Cm] down.
_ _ _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Like that.
Great. _
_ [G] _ _ _ All that [D]
you've got to plan.
[A] When people can be so cold.
_ _ [D] _ They'll hurt you.
They'll [G] hurt you.
And go down.
And [Gbm] take your soul
if [Gb] you let them.
[B]
You want me to [Bm] take the back half of that?
Yeah, but don't you_
I'll say, but don't you [E] let them.
Take that bridge again.
[G] And it's good to know.
And change [D] the melody.
Put it in your kit.
I'm trying to sing my melody.
_ [A] When people can be so cold.
_ They'll hurt _ you.
And desert [G] you. _
They'll [Gbm] take your soul.
If [B] you let them.
_ If you let them.
But [Bm] don't you [A] let them.
[D] _
_ But don't you let them.
[Gb] And then E.
[E] _
Don't you let them. _ _ _ _
_ _ _ _ [Bb] _ _ So can we take it out from that chorus?
Because everything [Em] else_
[Bbm] Actually, take it from the
the _ second [Cm] chorus.
Like the first_
[F] It's a double chorus.
_ Cold [A] facts and nothing.
_ _ _ _ _ _ _ _
_ We're at my house, my studio.
[Ab] Called Rude Stude Recording.
[Fm] Here in North Hollywood, _ California.
[E] And how many days are you doing this?
[F] This is the second of two.
[Bb] So we're done as of right now.
Really?
And then we move to the pro place.
And what happens next?
We move on to the professional place.
[F] Christian is going to be there doing the [Bb] sound for us.
Christian.
That's where we'll do our _ actual_
What do they call it?
[D] Our real production.
[Bb] These [Bm] are just our get it together vocal [Abm] rehearsals.
And we'll have an [Gb] actual piano.
[F] A real piano that sounds like a piano.
And that happens tomorrow?
Yes.
And where is that?
At Center State.
In North Hollywood?
_ [F] Right by the airport.
_ [Bb] _
We better play loud then.
_ We'll have to play loud to be over top
the other rock bands that are recording next door.
Sort of like the Brill Building but [A] with bigger rooms.
Yeah.
A lot more concrete.
[Bb] _ _ _
_ _ _ I've got to give you my [Bbm] contact info.
Yeah.
If _ _ _ _ _ you ever have a problem where it's backing out
it won't stay stiff.
Just take a little bit of a toothpick
jam it down the hole with [Cm] super glue in.
Way [C] down.
_ [F] _ _ [Bb] _
_ It's two pages.
Being big like that.
You have the real _ _ _ [B] hard [Bbm] adjustments
so that it gives that cherished effect
which we don't want.
Christian and Brendan back-tag all the band here
that's flying with something.
You don't happen to have the chorus?
I've got the rubber stripes.
Oh you know what I have?
[G] _ _ Okay.
Yeah, I'll let you know.
_ [A] All I have is a subtle amount of chorus
and then some reverb.
Okay. _
Chains
[F] _ _ Baby's got me locked up in [Bb]
chains
And they ain't the kind _
that you can [B] see
_ _ You've got to be real [E] for me
_ _ [A] _ _