Chords for Charlie Rich (sun years)

Tempo:
95.45 bpm
Chords used:

Bb

F

Eb

B

Gm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Charlie Rich (sun years) chords
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[Bb] [B] [Gm] Charlie Rich was the last of Sam Phillips' great discoveries.
[Gbm] A moody, introspective man, he had [Eb] been farming with little enthusiasm and even less success.
Probably [Bb] I was playing more jazz than anything else because I had been, since the farming thing fell through, I'd been working some like as a piano bar and those sort of things.
Without his knowledge, Rich's wife took his songs to son where he got a job writing for other artists such as Johnny Cash and Jerry Lee Lewis.
Then in late 1959, he wrote a song that would for many years be a signature [F] hit.
[Bb] [F]
[Bb] [F] [Bb] [F]
[Bb] [F] [Bb] [F]
[Bb] [F] [Bb] I think I wrote it for Jerry [Ab] Lee.
I think Sam Phillips liked it.
The sound of it was really good.
He said, well, why don't Charlie just go?
I didn't know whether that was just to put down for not doing my song or what, you know.
He would tell you all, modestly, modestly, modestly.
I wanted to slap him sometime, but he was a big, handsome [F] man and I was thinking, I'm not kidding.
But I can tell you, when you bring up the name Charlie Rich, I get to preaching.
Lonely Weekends may have been Charlie's one hit for Phillips and he would not achieve stardom until the 1970s.
But his lack of success at Sun [G] never diminished him in Sam's eyes.
Oh, man, he heard all around his head and he saw life from all angles, sides.
He left the label after four years.
Of all the artists that he ever recorded, Sam Phillips said Charlie Rich and Howlin' Wolf.
Remained the [F] [Eb] man [Gb] because he was never able to [E] keep up with [Bb] the times.
[Fm] [Dm] [C]
Key:  
Bb
12341111
F
134211111
Eb
12341116
B
12341112
Gm
123111113
Bb
12341111
F
134211111
Eb
12341116
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[Bb] _ [B] _ [Gm] _ _ _ Charlie Rich was the last of Sam Phillips' great discoveries.
[Gbm] A moody, introspective man, he had [Eb] been farming with little enthusiasm and even less success.
Probably [Bb] I was playing more jazz than anything else because I had been, since the farming thing fell through, I'd been working some like as a piano bar and those sort of things.
Without his knowledge, Rich's wife took his songs to son where he got a job writing for other artists such as Johnny Cash and Jerry Lee Lewis.
Then in late 1959, he wrote a song that would for many years be a signature [F] hit.
_ _ _ [Bb] _ [F] _
[Bb] _ [F] _ [Bb] _ _ _ [F] _ _ _
_ _ [Bb] _ [F] _ [Bb] _ [F] _ _ _
[Bb] _ [F] _ _ [Bb] _ _ _ I think I wrote it for Jerry [Ab] Lee.
I think Sam Phillips liked it.
The sound of it was really good.
He said, well, why don't Charlie just go?
I didn't know whether that was just to put down for not doing my song or what, you know.
He would tell you all, _ modestly, modestly, modestly.
I wanted to slap him sometime, but he was a big, handsome [F] man and I was thinking, I'm not kidding.
But I can tell you, when you bring up the name Charlie Rich, I get to preaching.
Lonely Weekends may have been Charlie's one hit for Phillips and he would not achieve stardom until the 1970s.
But his lack of success at Sun [G] never diminished him in Sam's eyes.
Oh, man, he heard all around his head and he saw life from _ _ all angles, sides. _ _ _
_ _ _ _ _ He left the label after four years.
Of all the artists that he ever recorded, Sam Phillips said Charlie Rich and Howlin' Wolf.
Remained the [F] _ [Eb] man [Gb] because he was never able to [E] keep up with [Bb] the times.
[Fm] _ [Dm] _ [C] _ _ _