Chords for CHICAGO - The Peter Cetera Years
Tempo:
154.7 bpm
Chords used:
Eb
Bb
F
C
Gb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bb] 21 top 40 hits, 5 straight number one albums, sold out tours, Grammy awards.
But after a decade of success, they were shocked by the death of their lead guitarist, Terry Kath.
Management and record company changes meant they faced new challenges in the 80s.
And then they came back stronger than ever.
In fact, according to chart statistics, Chicago is one of the most successful American rock
groups of the [B] past 35 years.
[Abm]
[Ebm] [Db] [Ebm]
Our [Db] [Abm]
[Db] [Gb]
[B] first number one hit in the world.
I'm [Gb] doing my [Abm] pool, San Fernando Valley.
I'm [Gb] just sort of, here's a leaf here and there.
And I go, hey, racket back with the ball of wax.
KHJ, and here comes a breaker for you on [Gbm] KHJ.
[G] [E]
[Gb] And it's a true story.
[B] By hand to God.
I'm going, Jacqueline, this McCartney's got a [Em] song out.
[Gb] This sounds [E] familiar.
She goes, you stupid fool.
You were down at the session or whatever.
It's if you leave me now.
She's thinking this could be a hit.
When [Abm] if you leave me now came out.
[E] That song was [Gb] so popular [B]
for such a long period [Bbm] that we [Eb] came [F] with more ballads.
I mean, you want to follow up on that kind of that type of success.
[Bb]
[Cm] [Gm]
[F] [Eb]
[Bb] [Eb] Another [Bb]
gold single that Jimmy [F] Panko wrote, Just You and Me.
[Eb] And I said to Jimmy, I says, is this any [F] good?
Just forget about it.
[Cm] I do remember we had an enormous fight [Eb] and I sat at the piano and [Ab]
this song [F] started just pouring out of [Bbm] me.
You [Gb] are my love.
And the lyrics happened.
[Ab] The [B] idea.
[Bbm] I just sat there and I started singing this song and playing it.
[B] And I ran in and [Gb] I grabbed my girlfriend.
I [F] said, you got to come on here and listen to this.
We got to fight more [Bbm] often.
This is incredible.
[Gb] You can do it live.
And it's fun for the [Eb] audience because they get to if [E] they come to a show, [A] they can see it.
The side of the band that they don't hear on [D] radio [Bb] or on TV.
[Eb] [Bb]
[Eb] [Bb]
[C] [Bb] Everything [Eb]
[C] [F]
[Bb] [Eb]
[C] [F]
[Gm] was in balance [Eb]
and maybe [C] our mental capacities [Eb]
were on the road, just playing and then moving here and doing this.
[C] Going to Europe and coming back [F] and doing another album and writing songs.
[A] You know, I mean, [Eb]
[Bb] whirlwind.
[Eb] [Bb]
[Eb] [Bb] [Eb]
[C] [F]
[Bb] [Eb]
[C] [F] They come to our Chicago concert and they [C] walk out with a smile.
We've done our job.
You believe in you [Eb]
and I know you [Bb] believe in me.
Oh [F] yeah.
[Eb]
[Bb] [F] Oh yeah.
[C]
Now we realize.
[G] [Eb]
[Bb]
Oh [F] yes.
[Gm]
Oh [F] yeah.
[Am]
[F] Peter Cetera is one of the [Dm] finest singers in the world.
[C] Mr.
McCartney, [A]
you are too.
[Am] But I'd say [G] if I ranked singers in the top five, Peter would be right up there.
[C] I know we really tried.
[Eb] It was about a relationship [Bb] as well that the relationship among the people of the band can also kind of be correlated with the song at the [Em] same time.
About that time I [Eb] said, you know, [Dbm] [G]
[Abm] Terry would have said it this way.
[Db] We on a record and it's going to sell a million.
[Dbm] [Fm]
Wrong old great saxophone breath.
I [N] think to a certain degree, the band has been swayed by the comfort of our personal lives, our [Cm] comfort in our personal lives and [Eb] just what's easy to do.
We come up with an uptempo song that we thought was going to [Db] be a hit or at least in [Bbm] our minds, [Eb] we got a chance to do it.
And [Bbm] people wouldn't play that because [Ab] they said it didn't sound like Chicago.
The first time I heard that, I went, [Eb]
you're [Gb] kidding, aren't you?
What do you mean it doesn't sound like Chicago?
[B] And then I [Gb] realized that they had decided what we sound like.
And that's the way it was going to be.
Unfortunately, along the way, Peter decided that he wasn't happy and we wished him well.
And, you know, he [Db] just he wanted to try the solo thing.
And Lord knows, I [Gb] can understand it now.
I was real mad about that.
We all were, [C] you know, it was you know, here was another link to [D] the band.
And this was a band that, you [A] know, that's do us part [G] type thing.
[A] We're [E] determined to make to break [G] new ground.
She's this [D] young buck come along named Jason Chef.
Man, he's got a [Dm] marvelous voice.
[Gm]
[F] [Gm] I'm [C] [Dm] saying
[Gm] [Dm] I'm
[C]
[Dm] [Gm] [Dm]
[E] [Dm]
[Am] [Bb] [C] [Dm]
[C] I'm
[Dm]
[Gm] [F]
[Gm] saying
[C] [F] [Gm] I'm
[Dm] [C] [Dm] saying [Gm] I'm I'm I'm
[F] [Am] [Gm] [Dm] [C] [Bb] [Am]
[Bb] [N]
But after a decade of success, they were shocked by the death of their lead guitarist, Terry Kath.
Management and record company changes meant they faced new challenges in the 80s.
And then they came back stronger than ever.
In fact, according to chart statistics, Chicago is one of the most successful American rock
groups of the [B] past 35 years.
[Abm]
[Ebm] [Db] [Ebm]
Our [Db] [Abm]
[Db] [Gb]
[B] first number one hit in the world.
I'm [Gb] doing my [Abm] pool, San Fernando Valley.
I'm [Gb] just sort of, here's a leaf here and there.
And I go, hey, racket back with the ball of wax.
KHJ, and here comes a breaker for you on [Gbm] KHJ.
[G] [E]
[Gb] And it's a true story.
[B] By hand to God.
I'm going, Jacqueline, this McCartney's got a [Em] song out.
[Gb] This sounds [E] familiar.
She goes, you stupid fool.
You were down at the session or whatever.
It's if you leave me now.
She's thinking this could be a hit.
When [Abm] if you leave me now came out.
[E] That song was [Gb] so popular [B]
for such a long period [Bbm] that we [Eb] came [F] with more ballads.
I mean, you want to follow up on that kind of that type of success.
[Bb]
[Cm] [Gm]
[F] [Eb]
[Bb] [Eb] Another [Bb]
gold single that Jimmy [F] Panko wrote, Just You and Me.
[Eb] And I said to Jimmy, I says, is this any [F] good?
Just forget about it.
[Cm] I do remember we had an enormous fight [Eb] and I sat at the piano and [Ab]
this song [F] started just pouring out of [Bbm] me.
You [Gb] are my love.
And the lyrics happened.
[Ab] The [B] idea.
[Bbm] I just sat there and I started singing this song and playing it.
[B] And I ran in and [Gb] I grabbed my girlfriend.
I [F] said, you got to come on here and listen to this.
We got to fight more [Bbm] often.
This is incredible.
[Gb] You can do it live.
And it's fun for the [Eb] audience because they get to if [E] they come to a show, [A] they can see it.
The side of the band that they don't hear on [D] radio [Bb] or on TV.
[Eb] [Bb]
[Eb] [Bb]
[C] [Bb] Everything [Eb]
[C] [F]
[Bb] [Eb]
[C] [F]
[Gm] was in balance [Eb]
and maybe [C] our mental capacities [Eb]
were on the road, just playing and then moving here and doing this.
[C] Going to Europe and coming back [F] and doing another album and writing songs.
[A] You know, I mean, [Eb]
[Bb] whirlwind.
[Eb] [Bb]
[Eb] [Bb] [Eb]
[C] [F]
[Bb] [Eb]
[C] [F] They come to our Chicago concert and they [C] walk out with a smile.
We've done our job.
You believe in you [Eb]
and I know you [Bb] believe in me.
Oh [F] yeah.
[Eb]
[Bb] [F] Oh yeah.
[C]
Now we realize.
[G] [Eb]
[Bb]
Oh [F] yes.
[Gm]
Oh [F] yeah.
[Am]
[F] Peter Cetera is one of the [Dm] finest singers in the world.
[C] Mr.
McCartney, [A]
you are too.
[Am] But I'd say [G] if I ranked singers in the top five, Peter would be right up there.
[C] I know we really tried.
[Eb] It was about a relationship [Bb] as well that the relationship among the people of the band can also kind of be correlated with the song at the [Em] same time.
About that time I [Eb] said, you know, [Dbm] [G]
[Abm] Terry would have said it this way.
[Db] We on a record and it's going to sell a million.
[Dbm] [Fm]
Wrong old great saxophone breath.
I [N] think to a certain degree, the band has been swayed by the comfort of our personal lives, our [Cm] comfort in our personal lives and [Eb] just what's easy to do.
We come up with an uptempo song that we thought was going to [Db] be a hit or at least in [Bbm] our minds, [Eb] we got a chance to do it.
And [Bbm] people wouldn't play that because [Ab] they said it didn't sound like Chicago.
The first time I heard that, I went, [Eb]
you're [Gb] kidding, aren't you?
What do you mean it doesn't sound like Chicago?
[B] And then I [Gb] realized that they had decided what we sound like.
And that's the way it was going to be.
Unfortunately, along the way, Peter decided that he wasn't happy and we wished him well.
And, you know, he [Db] just he wanted to try the solo thing.
And Lord knows, I [Gb] can understand it now.
I was real mad about that.
We all were, [C] you know, it was you know, here was another link to [D] the band.
And this was a band that, you [A] know, that's do us part [G] type thing.
[A] We're [E] determined to make to break [G] new ground.
She's this [D] young buck come along named Jason Chef.
Man, he's got a [Dm] marvelous voice.
[Gm]
[F] [Gm] I'm [C] [Dm] saying
[Gm] [Dm] I'm
[C]
[Dm] [Gm] [Dm]
[E] [Dm]
[Am] [Bb] [C] [Dm]
[C] I'm
[Dm]
[Gm] [F]
[Gm] saying
[C] [F] [Gm] I'm
[Dm] [C] [Dm] saying [Gm] I'm I'm I'm
[F] [Am] [Gm] [Dm] [C] [Bb] [Am]
[Bb] [N]
Key:
Eb
Bb
F
C
Gb
Eb
Bb
F
[Bb] _ _ _ 21 top 40 hits, 5 straight number one albums, sold out tours, Grammy awards.
But after a decade of success, _ they were shocked by the death of their lead guitarist, Terry Kath.
_ _ Management and record company changes meant they faced new challenges in the 80s.
_ And then they came back stronger than ever. _
In fact, according to chart statistics, Chicago is one of the most successful American rock
groups of the [B] past 35 years. _ _ _ _
_ _ _ _ [Abm] _ _ _ _
_ _ [Ebm] _ _ _ _ [Db] _ [Ebm] _
_ Our _ _ [Db] _ [Abm] _ _
_ [Db] _ _ _ [Gb] _ _ _ _
[B] _ _ _ _ first _ number one hit in the world. _ _ _ _
I'm [Gb] doing my [Abm] pool, San Fernando Valley.
I'm [Gb] just sort of, here's a leaf here and there.
And I go, hey, racket back with the ball of wax.
KHJ, and here comes a breaker for you on [Gbm] KHJ. _ _ _ _ _
_ _ _ [G] _ [E] _ _ _ _
[Gb] And it's a true story.
[B] By hand to God.
_ I'm going, Jacqueline, this _ McCartney's got a [Em] song out.
[Gb] This sounds [E] familiar.
She goes, you stupid fool.
You were down at the session or whatever.
It's if you leave me now.
She's thinking this could be a hit.
When [Abm] if you leave me now came out. _ _
[E] That song was [Gb] so popular _ _ [B]
for such a long period _ [Bbm] that we _ [Eb] came [F] with more ballads.
I mean, you want to follow up on that kind of that type of success.
_ [Bb] _ _
_ _ _ [Cm] _ _ _ _ [Gm] _
_ [F] _ _ _ _ _ [Eb] _ _
_ _ _ [Bb] _ _ [Eb] Another [Bb]
gold single that Jimmy [F] Panko wrote, Just You and Me. _ _
[Eb] And I said to Jimmy, I says, is this any [F] good?
Just forget about it.
[Cm] I do remember we had an enormous fight [Eb] and I sat at the piano and [Ab] _
_ _ this song [F] started just _ pouring out of [Bbm] me. _ _
You _ _ _ _ [Gb] are my love.
And _ the lyrics happened.
[Ab] The [B] idea.
_ [Bbm] I just sat there and I started singing this song and playing it.
[B] And I ran in and [Gb] I grabbed my girlfriend.
I [F] said, you got to come on here and listen to this.
We got to fight more [Bbm] often.
This is incredible.
_ [Gb] You can do it live.
And it's fun for the [Eb] audience because they get to if [E] they come to a show, [A] they can see it.
The side of the band that they don't hear on [D] radio [Bb] or on TV.
_ [Eb] _ [Bb] _ _
_ _ _ _ _ [Eb] _ [Bb] _ _
[C] _ _ [Bb] _ _ Everything _ [Eb] _
_ _ _ [C] _ _ _ _ [F] _
_ _ _ [Bb] _ _ _ _ [Eb] _
_ _ _ [C] _ _ _ _ [F] _
_ _ _ [Gm] was in balance [Eb]
and maybe [C] our mental capacities [Eb] _
were on the road, just _ playing and then moving here and doing this.
[C] Going to Europe and coming back [F] and doing another album and writing songs.
[A] _ You know, I mean, _ _ [Eb] _ _ _ _ _
_ _ [Bb] whirlwind. _ _ _ _
_ _ _ _ _ _ [Eb] _ [Bb] _
_ _ [Eb] _ [Bb] _ _ _ _ [Eb] _
_ _ _ [C] _ _ _ _ [F] _
_ _ _ [Bb] _ _ _ _ [Eb] _
_ _ _ [C] _ _ _ [F] They come to our Chicago concert and they [C] walk out with a smile.
We've done our job.
You believe in you [Eb]
and I know you [Bb] believe in me.
Oh [F] _ yeah.
_ _ [Eb] _
[Bb] _ [F] Oh yeah.
_ _ [C] _
_ Now we realize.
_ [G] _ [Eb] _
_ _ _ [Bb] _ _ _ _ _
Oh [F] yes.
_ _ [Gm] _
Oh [F] _ yeah.
_ _ [Am] _ _
_ _ _ _ [F] Peter Cetera is one of the [Dm] finest singers in the world.
_ [C] Mr.
McCartney, [A] _
you are too.
[Am] But I'd say [G] if I ranked singers in the top five, Peter would be right up there. _
_ [C] _ I know we really tried.
_ [Eb] It was about a relationship [Bb] as well that _ _ the relationship among the people of the band can also kind of be correlated _ with the song at the [Em] same time.
About that time I [Eb] said, _ _ _ _ you know, [Dbm] _ _ [G]
[Abm] Terry would have said it this way.
[Db] We on a record and it's going to sell a million.
_ _ [Dbm] _ _ [Fm]
Wrong old great saxophone breath.
I [N] think to a certain degree, the band _ _ _ has been _ swayed by the comfort of our personal lives, our [Cm] comfort in our personal lives and _ [Eb] _ just what's easy to do.
We come up with an uptempo song that we thought was going to [Db] be a hit or at least in [Bbm] our minds, [Eb] we got a chance to do it.
And _ [Bbm] people wouldn't play that because [Ab] they said it didn't sound like Chicago.
The first time I heard that, I went, [Eb] _ _
_ _ you're [Gb] kidding, aren't you? _
_ What do you mean it doesn't sound like Chicago? _
_ [B] And then I [Gb] realized that they had decided _ _ what we sound like.
_ And that's the way it was going to be.
Unfortunately, along the way, Peter decided that he wasn't happy and we wished him well. _
And, you know, he [Db] just he wanted to try the solo thing.
And Lord knows, I [Gb] can understand it now.
I was real mad about that.
We all were, [C] you know, it was you know, here was another link to [D] the band.
And this was a band that, you [A] know, that's do us part [G] type thing.
[A] We're [E] determined to make to break [G] new ground. _
She's this [D] young buck come along named Jason Chef.
Man, he's got a [Dm] marvelous voice.
_ _ _ [Gm] _
_ _ _ [F] _ _ [Gm] I'm _ _ [C] _ [Dm] saying
_ _ [Gm] _ _ _ [Dm] I'm
_ [C] _ _ _ _
_ [Dm] _ _ _ [Gm] _ _ _ [Dm] _
_ _ _ [E] _ _ _ _ [Dm] _
_ [Am] _ _ [Bb] _ _ [C] _ _ [Dm] _
_ _ _ [C] I'm
_ [Dm] _ _
_ [Gm] _ _ _ _ [F] _ _
[Gm] saying
_ _ [C] _ [F] _ _ _ _ [Gm] _ _ I'm
[Dm] _ _ [C] _ _ _ _ _ [Dm] saying [Gm] I'm I'm I'm
_ [F] _ _ [Am] _ [Gm] _ [Dm] _ _ _ _ _ [C] _ _ [Bb] _ _ [Am] _
_ [Bb] _ _ _ _ _ [N] _ _
But after a decade of success, _ they were shocked by the death of their lead guitarist, Terry Kath.
_ _ Management and record company changes meant they faced new challenges in the 80s.
_ And then they came back stronger than ever. _
In fact, according to chart statistics, Chicago is one of the most successful American rock
groups of the [B] past 35 years. _ _ _ _
_ _ _ _ [Abm] _ _ _ _
_ _ [Ebm] _ _ _ _ [Db] _ [Ebm] _
_ Our _ _ [Db] _ [Abm] _ _
_ [Db] _ _ _ [Gb] _ _ _ _
[B] _ _ _ _ first _ number one hit in the world. _ _ _ _
I'm [Gb] doing my [Abm] pool, San Fernando Valley.
I'm [Gb] just sort of, here's a leaf here and there.
And I go, hey, racket back with the ball of wax.
KHJ, and here comes a breaker for you on [Gbm] KHJ. _ _ _ _ _
_ _ _ [G] _ [E] _ _ _ _
[Gb] And it's a true story.
[B] By hand to God.
_ I'm going, Jacqueline, this _ McCartney's got a [Em] song out.
[Gb] This sounds [E] familiar.
She goes, you stupid fool.
You were down at the session or whatever.
It's if you leave me now.
She's thinking this could be a hit.
When [Abm] if you leave me now came out. _ _
[E] That song was [Gb] so popular _ _ [B]
for such a long period _ [Bbm] that we _ [Eb] came [F] with more ballads.
I mean, you want to follow up on that kind of that type of success.
_ [Bb] _ _
_ _ _ [Cm] _ _ _ _ [Gm] _
_ [F] _ _ _ _ _ [Eb] _ _
_ _ _ [Bb] _ _ [Eb] Another [Bb]
gold single that Jimmy [F] Panko wrote, Just You and Me. _ _
[Eb] And I said to Jimmy, I says, is this any [F] good?
Just forget about it.
[Cm] I do remember we had an enormous fight [Eb] and I sat at the piano and [Ab] _
_ _ this song [F] started just _ pouring out of [Bbm] me. _ _
You _ _ _ _ [Gb] are my love.
And _ the lyrics happened.
[Ab] The [B] idea.
_ [Bbm] I just sat there and I started singing this song and playing it.
[B] And I ran in and [Gb] I grabbed my girlfriend.
I [F] said, you got to come on here and listen to this.
We got to fight more [Bbm] often.
This is incredible.
_ [Gb] You can do it live.
And it's fun for the [Eb] audience because they get to if [E] they come to a show, [A] they can see it.
The side of the band that they don't hear on [D] radio [Bb] or on TV.
_ [Eb] _ [Bb] _ _
_ _ _ _ _ [Eb] _ [Bb] _ _
[C] _ _ [Bb] _ _ Everything _ [Eb] _
_ _ _ [C] _ _ _ _ [F] _
_ _ _ [Bb] _ _ _ _ [Eb] _
_ _ _ [C] _ _ _ _ [F] _
_ _ _ [Gm] was in balance [Eb]
and maybe [C] our mental capacities [Eb] _
were on the road, just _ playing and then moving here and doing this.
[C] Going to Europe and coming back [F] and doing another album and writing songs.
[A] _ You know, I mean, _ _ [Eb] _ _ _ _ _
_ _ [Bb] whirlwind. _ _ _ _
_ _ _ _ _ _ [Eb] _ [Bb] _
_ _ [Eb] _ [Bb] _ _ _ _ [Eb] _
_ _ _ [C] _ _ _ _ [F] _
_ _ _ [Bb] _ _ _ _ [Eb] _
_ _ _ [C] _ _ _ [F] They come to our Chicago concert and they [C] walk out with a smile.
We've done our job.
You believe in you [Eb]
and I know you [Bb] believe in me.
Oh [F] _ yeah.
_ _ [Eb] _
[Bb] _ [F] Oh yeah.
_ _ [C] _
_ Now we realize.
_ [G] _ [Eb] _
_ _ _ [Bb] _ _ _ _ _
Oh [F] yes.
_ _ [Gm] _
Oh [F] _ yeah.
_ _ [Am] _ _
_ _ _ _ [F] Peter Cetera is one of the [Dm] finest singers in the world.
_ [C] Mr.
McCartney, [A] _
you are too.
[Am] But I'd say [G] if I ranked singers in the top five, Peter would be right up there. _
_ [C] _ I know we really tried.
_ [Eb] It was about a relationship [Bb] as well that _ _ the relationship among the people of the band can also kind of be correlated _ with the song at the [Em] same time.
About that time I [Eb] said, _ _ _ _ you know, [Dbm] _ _ [G]
[Abm] Terry would have said it this way.
[Db] We on a record and it's going to sell a million.
_ _ [Dbm] _ _ [Fm]
Wrong old great saxophone breath.
I [N] think to a certain degree, the band _ _ _ has been _ swayed by the comfort of our personal lives, our [Cm] comfort in our personal lives and _ [Eb] _ just what's easy to do.
We come up with an uptempo song that we thought was going to [Db] be a hit or at least in [Bbm] our minds, [Eb] we got a chance to do it.
And _ [Bbm] people wouldn't play that because [Ab] they said it didn't sound like Chicago.
The first time I heard that, I went, [Eb] _ _
_ _ you're [Gb] kidding, aren't you? _
_ What do you mean it doesn't sound like Chicago? _
_ [B] And then I [Gb] realized that they had decided _ _ what we sound like.
_ And that's the way it was going to be.
Unfortunately, along the way, Peter decided that he wasn't happy and we wished him well. _
And, you know, he [Db] just he wanted to try the solo thing.
And Lord knows, I [Gb] can understand it now.
I was real mad about that.
We all were, [C] you know, it was you know, here was another link to [D] the band.
And this was a band that, you [A] know, that's do us part [G] type thing.
[A] We're [E] determined to make to break [G] new ground. _
She's this [D] young buck come along named Jason Chef.
Man, he's got a [Dm] marvelous voice.
_ _ _ [Gm] _
_ _ _ [F] _ _ [Gm] I'm _ _ [C] _ [Dm] saying
_ _ [Gm] _ _ _ [Dm] I'm
_ [C] _ _ _ _
_ [Dm] _ _ _ [Gm] _ _ _ [Dm] _
_ _ _ [E] _ _ _ _ [Dm] _
_ [Am] _ _ [Bb] _ _ [C] _ _ [Dm] _
_ _ _ [C] I'm
_ [Dm] _ _
_ [Gm] _ _ _ _ [F] _ _
[Gm] saying
_ _ [C] _ [F] _ _ _ _ [Gm] _ _ I'm
[Dm] _ _ [C] _ _ _ _ _ [Dm] saying [Gm] I'm I'm I'm
_ [F] _ _ [Am] _ [Gm] _ [Dm] _ _ _ _ _ [C] _ _ [Bb] _ _ [Am] _
_ [Bb] _ _ _ _ _ [N] _ _