Chords for chris rea looking for the summer david letterman show long
Tempo:
96.95 bpm
Chords used:
Bm
Em
A
G
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F]
[D] [G] [F]
[N]
Hey, you guys ready?
One of the most embarrassing nights of my life.
Harry Reasoner's there, Mike Wallace is there, and I'm thinking,
Oh, it'll be cute, Mike and I'll both kiss Harry.
And Mike says he don't want to kiss Harry,
and so I'm kind of there getting ready to kiss Harry.
And I have to pretend like I didn't want to kiss him either.
It was just
I don't know, it was just odd.
The whole thing just left a bad taste in my mouth.
Like, why did I want to kiss him in the first place?
Hell is wrong with me.
Our next guest is a talented songwriter and performer.
I have here, ladies and gentlemen, a copy of his newest album in CD format.
It's entitled Aubergine.
Please welcome back to the program, Chris Rhea.
Chris!
[Bm]
[G]
[Em] [F#m]
[Bm]
The demon to the April Fains
[G] Changes clearly take a place
[Em] [F#m]
She's looking for [Bm] the summer
The eyes take on a certain gaze
[G] Leave behind the springtime [Bm] daze
[Em] [F#m]
She's looking for [Bm] the summer
[C#m] [D] This ain't no game of catch
You can't [A] tell
[Bm] The [D] implications how [G] you know so
[Em] Oh, [A]
she's looking for [Bm] the summer
[A] Time [G]
[Em] [F#m]
[Bm]
[C#m] [D] has come [A] and they must go
[Bm] Play the passion [A] out that [G] haunts you so
[Em] Oh, [A]
looking for the [Bm] summer
Remember love, how it was the same
[A] [G] Scratched and hurt each other's growing pains
[Em] [F#m]
We were looking for [Bm] the summer
[A] [D] Still I stand [A] this very day
[Bm] With a [A] burning wish [G] to fly away
[D] [Em] I'm [F#m] still, I'm [Em] still looking
[F#m]
I'm still [Em] looking
[F#m]
I'm looking [Bm] for the summer
[A] [G]
[F#m] [Em]
[F#m]
[Bm]
[B] [N] Oh, I'm still looking
I'm still looking
Oh, geez, now this is like kissing Harry Reisner.
How you been?
Oh, very well.
I'm wondering who Harry is.
Harry Isner.
Harry Reisner, yeah.
Harry Reisner, who's he?
Ah, never mind.
It's just so making a difference who he is.
You just pay attention to your own little group and we'll worry about Harry.
No, Harry, Harry is a
He's one of them guys that likes you, is he?
Well
Everybody tells me how much everybody likes you.
Well, I'm America's most beloved entertainer.
Did you have a good time at the Formula One race up there in Montreal?
I certainly did, yeah.
Pretty exciting, wasn't it?
I was very surprised how easy it was to get in.
Really?
Yeah, there's nobody there.
You know, here's a tip for you.
If you enjoy going to Formula One races,
try to go to Phoenix, go to the United States Grand Prix.
That's even easier.
There's nobody there.
You just walk right in, walk right out.
It's like a bad movie.
You just get in, you get out.
It's great.
No crowds.
I couldn't believe it.
Yeah.
Listen, how come we couldn't hear Road to Hell?
I know, but I wanted to hear a little more.
Oh, God.
Look, it's just you're looking at a
Okay, we can play it.
We will play it.
We will play Road to Hell now.
But we can't.
Zorro says we have to do a commercial.
I'm going to
All right, we'll do a commercial and then come back here.
[Am] Thanks.
[Dm] [Am]
[E] Here.
Come on.
Harry.
Right now?
Yeah, [Am] now.
[C] [Am]
[Am]
[E] [Am]
[C] Oh, God.
[D] [G] [F]
[N]
Hey, you guys ready?
One of the most embarrassing nights of my life.
Harry Reasoner's there, Mike Wallace is there, and I'm thinking,
Oh, it'll be cute, Mike and I'll both kiss Harry.
And Mike says he don't want to kiss Harry,
and so I'm kind of there getting ready to kiss Harry.
And I have to pretend like I didn't want to kiss him either.
It was just
I don't know, it was just odd.
The whole thing just left a bad taste in my mouth.
Like, why did I want to kiss him in the first place?
Hell is wrong with me.
Our next guest is a talented songwriter and performer.
I have here, ladies and gentlemen, a copy of his newest album in CD format.
It's entitled Aubergine.
Please welcome back to the program, Chris Rhea.
Chris!
[Bm]
[G]
[Em] [F#m]
[Bm]
The demon to the April Fains
[G] Changes clearly take a place
[Em] [F#m]
She's looking for [Bm] the summer
The eyes take on a certain gaze
[G] Leave behind the springtime [Bm] daze
[Em] [F#m]
She's looking for [Bm] the summer
[C#m] [D] This ain't no game of catch
You can't [A] tell
[Bm] The [D] implications how [G] you know so
[Em] Oh, [A]
she's looking for [Bm] the summer
[A] Time [G]
[Em] [F#m]
[Bm]
[C#m] [D] has come [A] and they must go
[Bm] Play the passion [A] out that [G] haunts you so
[Em] Oh, [A]
looking for the [Bm] summer
Remember love, how it was the same
[A] [G] Scratched and hurt each other's growing pains
[Em] [F#m]
We were looking for [Bm] the summer
[A] [D] Still I stand [A] this very day
[Bm] With a [A] burning wish [G] to fly away
[D] [Em] I'm [F#m] still, I'm [Em] still looking
[F#m]
I'm still [Em] looking
[F#m]
I'm looking [Bm] for the summer
[A] [G]
[F#m] [Em]
[F#m]
[Bm]
[B] [N] Oh, I'm still looking
I'm still looking
Oh, geez, now this is like kissing Harry Reisner.
How you been?
Oh, very well.
I'm wondering who Harry is.
Harry Isner.
Harry Reisner, yeah.
Harry Reisner, who's he?
Ah, never mind.
It's just so making a difference who he is.
You just pay attention to your own little group and we'll worry about Harry.
No, Harry, Harry is a
He's one of them guys that likes you, is he?
Well
Everybody tells me how much everybody likes you.
Well, I'm America's most beloved entertainer.
Did you have a good time at the Formula One race up there in Montreal?
I certainly did, yeah.
Pretty exciting, wasn't it?
I was very surprised how easy it was to get in.
Really?
Yeah, there's nobody there.
You know, here's a tip for you.
If you enjoy going to Formula One races,
try to go to Phoenix, go to the United States Grand Prix.
That's even easier.
There's nobody there.
You just walk right in, walk right out.
It's like a bad movie.
You just get in, you get out.
It's great.
No crowds.
I couldn't believe it.
Yeah.
Listen, how come we couldn't hear Road to Hell?
I know, but I wanted to hear a little more.
Oh, God.
Look, it's just you're looking at a
Okay, we can play it.
We will play it.
We will play Road to Hell now.
But we can't.
Zorro says we have to do a commercial.
I'm going to
All right, we'll do a commercial and then come back here.
[Am] Thanks.
[Dm] [Am]
[E] Here.
Come on.
Harry.
Right now?
Yeah, [Am] now.
[C] [Am]
[Am]
[E] [Am]
[C] Oh, God.
Key:
Bm
Em
A
G
F#m
Bm
Em
A
_ _ _ _ _ _ _ [F] _
_ _ [D] _ _ _ _ [G] _ [F] _
_ [N] _ _ _ _ _ _
Hey, you guys ready?
One of the most embarrassing nights of my life.
Harry Reasoner's there, Mike Wallace is there, and I'm thinking,
Oh, it'll be cute, Mike and I'll both kiss Harry.
_ And Mike says he don't want to kiss Harry,
and so I'm kind of there getting ready to kiss Harry.
And I have to pretend like I didn't want to kiss him either.
It was just_
I don't know, it was just odd.
The whole thing just left a bad taste in my mouth.
Like, why did I want to kiss him in the first place? _
Hell is wrong with me. _ _ _ _
Our next guest is a talented songwriter and performer.
I have here, ladies and gentlemen, a copy of his newest album in CD format.
It's entitled Aubergine.
Please welcome back to the program, Chris Rhea.
Chris! _ _
_ _ _ [Bm] _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ [Em] _ _ _ _ [F#m] _
_ _ _ [Bm] _ _ _ _ _
_ _ _ _ The demon to the April Fains
_ [G] _ _ Changes clearly take a place
_ [Em] _ _ _ _ [F#m] _
She's looking for [Bm] the summer _ _ _ _
_ _ _ The eyes take on a certain gaze
[G] _ _ Leave behind the springtime [Bm] daze
[Em] _ _ _ _ [F#m] _
She's looking for [Bm] the summer _ _ _ _
_ _ [C#m] _ [D] _ This ain't no game of catch
You can't [A] tell
_ _ [Bm] The [D] implications how [G] you know so
_ [Em] _ _ _ Oh, [A] _
she's looking for [Bm] the summer _ _ _ _
_ _ _ _ _ _ _ _
_ [A] Time [G] _ _ _ _ _
_ _ _ [Em] _ _ _ _ [F#m] _
_ _ _ [Bm] _ _ _ _ _
_ _ [C#m] _ [D] _ _ has come [A] and they must go
_ [Bm] Play the passion [A] out that [G] haunts you so
_ _ [Em] _ Oh, _ [A] _
looking for the [Bm] summer _ _ _ _
_ _ _ _ Remember love, how it was the same
[A] _ [G] Scratched and hurt each other's growing pains
_ [Em] _ _ _ _ [F#m] _
We were looking for [Bm] the summer _ _
_ _ [A] _ [D] _ Still I stand [A] this very day
_ [Bm] With a [A] burning wish [G] to fly away
[D] _ [Em] _ _ I'm [F#m] still, _ I'm [Em] still looking
_ _ [F#m] _
I'm still [Em] looking
_ _ [F#m] _
_ I'm _ looking [Bm] for the summer
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ [G] _
_ _ _ _ _ _ [F#m] _ [Em] _
_ _ _ [F#m] _ _ _ _ _
_ [Bm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ [N] Oh, _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ I'm _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ still _ looking _
_ I'm still looking
Oh, geez, now this is like kissing Harry Reisner.
_ How you been?
Oh, very well.
I'm wondering who Harry is.
Harry Isner.
Harry Reisner, yeah.
Harry Reisner, who's he?
Ah, never mind. _
_ It's just so making a difference who he is.
You just pay attention to your own little group and we'll worry about Harry.
No, Harry, Harry is a_
He's one of them guys that likes you, is he?
_ _ Well_
Everybody tells me how much everybody likes you.
Well, I'm America's most beloved entertainer. _ _
Did _ _ _ _ _ _ _ you have a good time at the Formula One race up there in Montreal?
I certainly did, yeah.
Pretty exciting, wasn't it?
I was very surprised how easy it was to get in.
Really?
Yeah, there's nobody there.
You know, here's a tip for you.
If you enjoy going to Formula One races,
try to go to Phoenix, go to the United States Grand Prix.
That's even easier.
There's nobody there.
You just walk right in, walk right out.
It's like a bad movie.
You just get in, you get out.
It's great.
No crowds.
I couldn't believe it.
Yeah.
Listen, how come we couldn't hear Road to Hell?
_ I know, but I wanted to hear a little more.
Oh, God.
Look, it's just you're looking at _ a_
Okay, we can play it.
We will play it.
We will play Road to Hell now.
_ _ _ But we can't.
Zorro says we have to do a commercial.
I'm going to_
All right, we'll do a commercial and then come back here.
[Am] Thanks. _ _ _ _
_ _ _ [Dm] _ _ _ _ [Am] _
_ _ [E] _ _ _ Here.
Come on.
Harry.
Right now?
Yeah, [Am] now. _ _ _ _ _
_ _ _ _ _ [C] _ _ [Am] _
_ _ _ _ [Am] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ [Am] _ _
_ _ _ [C] Oh, God. _ _
_ _ [D] _ _ _ _ [G] _ [F] _
_ [N] _ _ _ _ _ _
Hey, you guys ready?
One of the most embarrassing nights of my life.
Harry Reasoner's there, Mike Wallace is there, and I'm thinking,
Oh, it'll be cute, Mike and I'll both kiss Harry.
_ And Mike says he don't want to kiss Harry,
and so I'm kind of there getting ready to kiss Harry.
And I have to pretend like I didn't want to kiss him either.
It was just_
I don't know, it was just odd.
The whole thing just left a bad taste in my mouth.
Like, why did I want to kiss him in the first place? _
Hell is wrong with me. _ _ _ _
Our next guest is a talented songwriter and performer.
I have here, ladies and gentlemen, a copy of his newest album in CD format.
It's entitled Aubergine.
Please welcome back to the program, Chris Rhea.
Chris! _ _
_ _ _ [Bm] _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ [Em] _ _ _ _ [F#m] _
_ _ _ [Bm] _ _ _ _ _
_ _ _ _ The demon to the April Fains
_ [G] _ _ Changes clearly take a place
_ [Em] _ _ _ _ [F#m] _
She's looking for [Bm] the summer _ _ _ _
_ _ _ The eyes take on a certain gaze
[G] _ _ Leave behind the springtime [Bm] daze
[Em] _ _ _ _ [F#m] _
She's looking for [Bm] the summer _ _ _ _
_ _ [C#m] _ [D] _ This ain't no game of catch
You can't [A] tell
_ _ [Bm] The [D] implications how [G] you know so
_ [Em] _ _ _ Oh, [A] _
she's looking for [Bm] the summer _ _ _ _
_ _ _ _ _ _ _ _
_ [A] Time [G] _ _ _ _ _
_ _ _ [Em] _ _ _ _ [F#m] _
_ _ _ [Bm] _ _ _ _ _
_ _ [C#m] _ [D] _ _ has come [A] and they must go
_ [Bm] Play the passion [A] out that [G] haunts you so
_ _ [Em] _ Oh, _ [A] _
looking for the [Bm] summer _ _ _ _
_ _ _ _ Remember love, how it was the same
[A] _ [G] Scratched and hurt each other's growing pains
_ [Em] _ _ _ _ [F#m] _
We were looking for [Bm] the summer _ _
_ _ [A] _ [D] _ Still I stand [A] this very day
_ [Bm] With a [A] burning wish [G] to fly away
[D] _ [Em] _ _ I'm [F#m] still, _ I'm [Em] still looking
_ _ [F#m] _
I'm still [Em] looking
_ _ [F#m] _
_ I'm _ looking [Bm] for the summer
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ [G] _
_ _ _ _ _ _ [F#m] _ [Em] _
_ _ _ [F#m] _ _ _ _ _
_ [Bm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[B] _ [N] Oh, _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ I'm _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ still _ looking _
_ I'm still looking
Oh, geez, now this is like kissing Harry Reisner.
_ How you been?
Oh, very well.
I'm wondering who Harry is.
Harry Isner.
Harry Reisner, yeah.
Harry Reisner, who's he?
Ah, never mind. _
_ It's just so making a difference who he is.
You just pay attention to your own little group and we'll worry about Harry.
No, Harry, Harry is a_
He's one of them guys that likes you, is he?
_ _ Well_
Everybody tells me how much everybody likes you.
Well, I'm America's most beloved entertainer. _ _
Did _ _ _ _ _ _ _ you have a good time at the Formula One race up there in Montreal?
I certainly did, yeah.
Pretty exciting, wasn't it?
I was very surprised how easy it was to get in.
Really?
Yeah, there's nobody there.
You know, here's a tip for you.
If you enjoy going to Formula One races,
try to go to Phoenix, go to the United States Grand Prix.
That's even easier.
There's nobody there.
You just walk right in, walk right out.
It's like a bad movie.
You just get in, you get out.
It's great.
No crowds.
I couldn't believe it.
Yeah.
Listen, how come we couldn't hear Road to Hell?
_ I know, but I wanted to hear a little more.
Oh, God.
Look, it's just you're looking at _ a_
Okay, we can play it.
We will play it.
We will play Road to Hell now.
_ _ _ But we can't.
Zorro says we have to do a commercial.
I'm going to_
All right, we'll do a commercial and then come back here.
[Am] Thanks. _ _ _ _
_ _ _ [Dm] _ _ _ _ [Am] _
_ _ [E] _ _ _ Here.
Come on.
Harry.
Right now?
Yeah, [Am] now. _ _ _ _ _
_ _ _ _ _ [C] _ _ [Am] _
_ _ _ _ [Am] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ [Am] _ _
_ _ _ [C] Oh, God. _ _