Chords for Chris Thile - Two February 18th, 1924 Loar Mandolins
Tempo:
124.8 bpm
Chords used:
G
A
D
Bb
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
So there's the early batch of February 18th and there's the later batch of [Bb] February 18th.
The serial numbers [F] jump way up.
This is 75702 and this is [Ab] 75310, which is [Gm] six serial numbers away from mine.
[G]
[Dm]
[A]
[G]
[A] [Bbm] Let's go to Mercy Lord.
[G] [Gb]
[Ab] [Dm]
[G]
[Gm]
[D]
[Bbm]
[Gm]
The easiest way I [Ab] can describe [Bb] what
[D] the
One thing that happens to them is that they seem
[A] They almost seem to do the DJ [Bbm] smiley face EQ, like on FM radio.
[Ab] What does that do?
[Bb] [F] Where they turn the lows up and the highs up [Ab] and then the middle is [Eb] scooped out a little bit.
And [E] that's how these things tend [C] to sound.
This one [G] doesn't have it nearly as much.
[Bb] [G]
And [Cm]
[G] also less
But like, more of a core.
[D]
[A]
[G]
[N]
[G] [D] [C]
[Am] [A]
Also, loved.
Like, actually [C] played, clearly.
This is like
[Bb] [Eb] These early batch, [N]
like
[Bb]
[Gm] They're so
[G] [Em]
They're not gonna take your [G] head off, but they're [Dm] like so
They're so gorgeous.
[Cm] Like, why you would play them.
Some of the medleys that
[D] I feel like a lot of the little people gravitate towards.
[Ab] [B]
[N]
[Dm] But it's like
You mean Coachie on that?
[A]
[Em] Absolutely.
But then a lot of the subtlety of like, [A] why you would
Like, why you would play them.
[N]
[G]
This [C]
[D]
[A]
[N]
[E]
[E] [N]
is the finest instrument I've played.
[D]
[A] [G] I probably could hit a chord on mine.
[G] [Dbm]
[Bm] [E]
Or certainly has as much potential.
[C]
Yeah, I think [Em] that's fair.
[A]
Oh, this is
This is [C] a beauty.
Although [Gm] it's set up a little too light, so it's [Em] got more to give.
[G]
[A]
[Em] [Am] [E]
[G]
[G] It's so balanced.
[Am] This [N] is six.
Six numbers off of mine, but there's a bunch of weird ones in between
Like, I think
I think they haven't found everything in between this in mine.
But like, Laura's personal Laura is one before mine.
And it's totally
I mean, he was just
He was just going nuts.
The one he made for himself.
It's crazy.
The serial numbers [F] jump way up.
This is 75702 and this is [Ab] 75310, which is [Gm] six serial numbers away from mine.
[G]
[Dm]
[A]
[G]
[A] [Bbm] Let's go to Mercy Lord.
[G] [Gb]
[Ab] [Dm]
[G]
[Gm]
[D]
[Bbm]
[Gm]
The easiest way I [Ab] can describe [Bb] what
[D] the
One thing that happens to them is that they seem
[A] They almost seem to do the DJ [Bbm] smiley face EQ, like on FM radio.
[Ab] What does that do?
[Bb] [F] Where they turn the lows up and the highs up [Ab] and then the middle is [Eb] scooped out a little bit.
And [E] that's how these things tend [C] to sound.
This one [G] doesn't have it nearly as much.
[Bb] [G]
And [Cm]
[G] also less
But like, more of a core.
[D]
[A]
[G]
[N]
[G] [D] [C]
[Am] [A]
Also, loved.
Like, actually [C] played, clearly.
This is like
[Bb] [Eb] These early batch, [N]
like
[Bb]
[Gm] They're so
[G] [Em]
They're not gonna take your [G] head off, but they're [Dm] like so
They're so gorgeous.
[Cm] Like, why you would play them.
Some of the medleys that
[D] I feel like a lot of the little people gravitate towards.
[Ab] [B]
[N]
[Dm] But it's like
You mean Coachie on that?
[A]
[Em] Absolutely.
But then a lot of the subtlety of like, [A] why you would
Like, why you would play them.
[N]
[G]
This [C]
[D]
[A]
[N]
[E]
[E] [N]
is the finest instrument I've played.
[D]
[A] [G] I probably could hit a chord on mine.
[G] [Dbm]
[Bm] [E]
Or certainly has as much potential.
[C]
Yeah, I think [Em] that's fair.
[A]
Oh, this is
This is [C] a beauty.
Although [Gm] it's set up a little too light, so it's [Em] got more to give.
[G]
[A]
[Em] [Am] [E]
[G]
[G] It's so balanced.
[Am] This [N] is six.
Six numbers off of mine, but there's a bunch of weird ones in between
Like, I think
I think they haven't found everything in between this in mine.
But like, Laura's personal Laura is one before mine.
And it's totally
I mean, he was just
He was just going nuts.
The one he made for himself.
It's crazy.
Key:
G
A
D
Bb
Ab
G
A
D
_ _ _ _ _ _ _ _
_ So there's the early batch of February 18th and there's the later batch of [Bb] February _ 18th.
The serial numbers [F] jump way up.
This is _ _ _ 75702 and this is [Ab] 75310, _ which is _ [Gm] six serial numbers away from mine.
_ _ [G] _
_ _ _ _ _ _ _ _
_ [Dm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ [A] _ _ _ _ [Bbm] Let's go to Mercy Lord.
[G] _ _ _ _ [Gb] _ _ _ _
_ [Ab] _ _ _ _ [Dm] _ _ _
_ _ _ _ [G] _ _ _ _
_ [Gm] _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ [Bbm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Gm] _ _ _ _ _ _
The easiest way I [Ab] can describe [Bb] what _ _
_ _ _ [D] the_
One thing that happens to them is that they seem_
_ _ _ [A] They almost seem to do the DJ [Bbm] smiley face EQ, like on FM radio.
[Ab] What does that do?
[Bb] _ _ [F] Where they turn the lows up and the highs up [Ab] and then the middle is [Eb] scooped out a little bit.
And [E] that's how these things tend [C] to sound.
This one [G] doesn't have it nearly as much. _ _ _ _
_ [Bb] _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ And _ _ _ _ _ _ _ [Cm] _
_ [G] also less_ _ _ _
But like, more of a core. _ _ _
_ _ _ _ _ _ _ [D] _
_ _ _ _ [A] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ [N] _ _ _ _ _
_ [G] _ _ _ _ [D] _ _ [C] _
_ [Am] _ _ _ [A] _ _ _
Also, loved.
Like, actually [C] played, clearly.
This is _ like_ _ _ _ _
_ [Bb] _ _ [Eb] These early batch, [N] _
_ _ _ _ like_
_ [Bb] _
_ [Gm] _ _ _ They're so_ _
_ _ _ _ [G] _ _ [Em] _ _
_ _ _ _ _ _ They're not gonna take your [G] head off, _ but they're [Dm] like _ so_
They're so gorgeous.
[Cm] Like, why you would play them.
_ _ Some of the medleys that_
[D] I feel like a lot of the little people gravitate towards.
[Ab] _ _ [B] _
_ _ _ [N] _ _ _ _ _
[Dm] But it's _ like_ _ _ _
You mean Coachie on that?
_ _ _ [A] _
[Em] Absolutely.
_ _ But then a lot of the subtlety of like, [A] why you would_
Like, why you would play them.
[N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ This _ _ _ [C] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [A] _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ _ [E] _ _ _ _ _
_ _ _ _ [E] _ _ _ [N]
is the finest instrument _ I've played.
[D] _
_ [A] _ _ [G] _ I probably could hit a chord on mine.
_ _ [G] _ _ _ _ [Dbm] _
_ [Bm] _ _ _ _ _ [E] _ _
_ _ _ _ _ Or certainly has as much potential.
_ _ _ [C] _
_ _ _ Yeah, I think [Em] that's fair. _
_ _ _ _ _ _ _ [A] _
Oh, this is_
This is [C] a beauty.
Although [Gm] it's set up a little too light, so it's [Em] got more to give.
[G] _
_ _ _ _ [A] _ _ _ _
_ [Em] _ _ [Am] _ _ _ _ [E] _
_ _ [G] _ _ _ _ _ _
_ _ [G] _ It's so balanced. _ _
_ _ _ _ _ _ _ _
_ [Am] _ This [N] is six.
Six numbers off of mine, but there's a bunch of weird ones in _ _ between_
Like, I think_
_ I think they haven't found everything in between this in mine.
But like, Laura's personal Laura is one before mine.
And it's totally_
I mean, he was just_
He was just going nuts.
_ The one he made for himself.
It's crazy.
_ So there's the early batch of February 18th and there's the later batch of [Bb] February _ 18th.
The serial numbers [F] jump way up.
This is _ _ _ 75702 and this is [Ab] 75310, _ which is _ [Gm] six serial numbers away from mine.
_ _ [G] _
_ _ _ _ _ _ _ _
_ [Dm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ [A] _ _ _ _ [Bbm] Let's go to Mercy Lord.
[G] _ _ _ _ [Gb] _ _ _ _
_ [Ab] _ _ _ _ [Dm] _ _ _
_ _ _ _ [G] _ _ _ _
_ [Gm] _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ [Bbm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Gm] _ _ _ _ _ _
The easiest way I [Ab] can describe [Bb] what _ _
_ _ _ [D] the_
One thing that happens to them is that they seem_
_ _ _ [A] They almost seem to do the DJ [Bbm] smiley face EQ, like on FM radio.
[Ab] What does that do?
[Bb] _ _ [F] Where they turn the lows up and the highs up [Ab] and then the middle is [Eb] scooped out a little bit.
And [E] that's how these things tend [C] to sound.
This one [G] doesn't have it nearly as much. _ _ _ _
_ [Bb] _ _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ And _ _ _ _ _ _ _ [Cm] _
_ [G] also less_ _ _ _
But like, more of a core. _ _ _
_ _ _ _ _ _ _ [D] _
_ _ _ _ [A] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ [N] _ _ _ _ _
_ [G] _ _ _ _ [D] _ _ [C] _
_ [Am] _ _ _ [A] _ _ _
Also, loved.
Like, actually [C] played, clearly.
This is _ like_ _ _ _ _
_ [Bb] _ _ [Eb] These early batch, [N] _
_ _ _ _ like_
_ [Bb] _
_ [Gm] _ _ _ They're so_ _
_ _ _ _ [G] _ _ [Em] _ _
_ _ _ _ _ _ They're not gonna take your [G] head off, _ but they're [Dm] like _ so_
They're so gorgeous.
[Cm] Like, why you would play them.
_ _ Some of the medleys that_
[D] I feel like a lot of the little people gravitate towards.
[Ab] _ _ [B] _
_ _ _ [N] _ _ _ _ _
[Dm] But it's _ like_ _ _ _
You mean Coachie on that?
_ _ _ [A] _
[Em] Absolutely.
_ _ But then a lot of the subtlety of like, [A] why you would_
Like, why you would play them.
[N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ This _ _ _ [C] _
_ _ _ _ [D] _ _ _ _
_ _ _ _ [A] _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ _ [E] _ _ _ _ _
_ _ _ _ [E] _ _ _ [N]
is the finest instrument _ I've played.
[D] _
_ [A] _ _ [G] _ I probably could hit a chord on mine.
_ _ [G] _ _ _ _ [Dbm] _
_ [Bm] _ _ _ _ _ [E] _ _
_ _ _ _ _ Or certainly has as much potential.
_ _ _ [C] _
_ _ _ Yeah, I think [Em] that's fair. _
_ _ _ _ _ _ _ [A] _
Oh, this is_
This is [C] a beauty.
Although [Gm] it's set up a little too light, so it's [Em] got more to give.
[G] _
_ _ _ _ [A] _ _ _ _
_ [Em] _ _ [Am] _ _ _ _ [E] _
_ _ [G] _ _ _ _ _ _
_ _ [G] _ It's so balanced. _ _
_ _ _ _ _ _ _ _
_ [Am] _ This [N] is six.
Six numbers off of mine, but there's a bunch of weird ones in _ _ between_
Like, I think_
_ I think they haven't found everything in between this in mine.
But like, Laura's personal Laura is one before mine.
And it's totally_
I mean, he was just_
He was just going nuts.
_ The one he made for himself.
It's crazy.