Chords for Christian Scott Quintet - What's In My Bag?

Tempo:
146 bpm
Chords used:

E

A

B

D

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Christian Scott Quintet - What's In My Bag? chords
Start Jamming...
[D#] [Bm] [D]
[Bm] [E] [F#m]
[F#]
[F#m]
[F#] [Bm]
[E] [Bm] [A]
[Em]
[Am] [E]
This is actually the first [N] record that I ever had.
It's Clifford Brown.
This record is called The Beginning and the End.
[C#]
[E] There's a solo on here to a song called [C#m] Donna Lee
[G#] that he recorded right before he passed away and died.
[N] That's one of the preeminent recordings I've ever signed
for trumpet literature, which is really cool.
[Gm] I'm Matt [C] Stevens.
I play guitar.
This is Jamiah [F] Williams.
He [F#] plays [E] drums.
The first one I have is The Soothsayer, which is a Wayne [G] Shorter record.
[A] [Gm]
[Em] [A#] This is a record that I had in high school.
[F#m] [A#] I've always really enjoyed Wayne Shorter a lot.
[C] [A] That's it.
Here is me [Em] replacing my CD of this [Gm] on vinyl.
Next.
[C] [Dm] This one is Jack [D#] McDuff, [C#] Sophisticated [Dm] Funk.
[A#] [Cm] I've
[Gm] [Dm] never heard this record, but when I go shopping for [Cm] vinyl,
I look for the cover.
It's all about the cover.
[Dm] They don't make them like this [C] anymore.
They don't make women like this, nor [F] do they make covers like [Cm] this.
So I just had to get [F] this one.
I can't wait to rip it [C] open.
I might not even listen to [G] this.
This is [F] just a wall piece.
[D#] This is a [Am] conversation piece for my apartment.
[G] Jack [C] McDuff, Sophisticated Funk.
The new Badu.
[Gm]
[G] [D#]
I always applaud her for her conviction because she's such a great artist.
[Gm] Really, on a lot [F] of levels, I feel like she
[Cm] could be the last great jazz singer,
[A#] which is kind of disheartening [B] a little bit.
[Gm] But just [G] her sensibilities, her ideas [Gm] about music, how she approaches her [F] music,
[Gm] the notes that she sings, her inflections.
I think she's really [Cm] a [Gm] huge light for us.
Right now, hopefully there'll be someone that'll come and [A#] grab the torch for her,
but I [D#] don't really hear it yet.
So [Gm] she's the one right now, Erykah [F#] Badu.
My name's Bill Fletcher.
We're at Amoeba Music,
and I'm the pianist with Christian Scott [Dm] Quintet.
I'm Chris Fun.
I'm with Christian Scott also.
I'm the bassist.
The first one I [A#] got was Mendelssohn, [G] Frederick Mendelssohn, killing classical [F] composer.
[A#] [F]
I guess the story behind him is in college.
[D] [E] I [Dm] had a classical class.
We went through [G] Bach, Mozart, Beethoven.
And I always like finding rare gems that nobody really talks [Dm] about,
but [N] who has the talent and the skill level as the other famous composers.
[F#] I picked the in crowd, Ramsey Lewis.
[G#m]
[D#] My dad used to always have this spinning in my house [C#] growing up when I hated jazz.
[D] And as I got older, [F#m] I realized what it was.
And there's this bass [A#] player on it that gets [F#m] no shine.
His [F#] name is L.D. Young.
[D] And I love him to death because [F#] I find similarities in him and me
[C#] because I heard he had horrible technique like me, [F#m] and he had a killing sound,
and I [N] just really gravitate to [G] this.
Of course, I got Likey Lee's joint.
[D]
[G] It's called Youth [Em] Novels.
[G] And actually, [D] my girlfriend actually turned me on to this.
[E] [G] [A]
Ever since she gave me this album, I [D] actually haven't been able to stop listening to [Gm] it.
It's a really, really, really [E] cool album.
[G] And I listen to it damn near every day, so way [D] to go, Likey Lee, because [E] you made something dope.
[C#m] The Clash.
[A]
I mean, if you don't know about [E] The Clash, you got to get to know [G#m] them.
This one is London Calling.
[E]
[B] It's about [E] four different discs, I see.
I can't wait to [B] listen to this.
This [E] is what we do every night.
[G#m] I wish I could smash [E] my drums like this.
You can, man.
I can?
[Am] Yeah, you can.
Can I do that?
Yeah, the budget just got way bigger.
Christian said it's totally cool [Em] for you to do that now.
[D] This is an Elmore James record [A] that I had on CD.
[D]
My dad [Em] bought me this [D] CD [F#] right when CD players came out.
So, [G] anyways, well, I lost it.
Anyways, I have this on LP now and I'm really [B] excited about it.
Prince's [G#] Planet Earth.
[A#m]
[D#] [Fm]
[A#m] [Fm] Somewhere Here on Earth [C#] is [A#m] a [E] composition that I did on this record.
It's called [G#m] Planet Earth.
It's a Prince record.
[C#] It [A] came out recently and it was one of the coolest, [B] best experiences of [E] my life.
To be in the studio with Prince telling you, like, [G#m] you know,
I want to hear you whisper on the [A] track and, you know, play like Miles and take your time with your phrases.
[G#]
It was cool [B] to be in his company and in his presence and to record with him.
And it's [E] also an amazing album.
So, yeah, Somewhere Here on Earth right here.
[C#m] Israel Hewton, Power of One, [F#m] great gospel singer.
[E]
I [F#m]
[E] think, [C#m] personally, [F#m] his music's going to be probably sung 30 years from now.
So, I think he's a major innovator.
[B] [E] His musicians on here are [A] top notch.
And that's why I got [B] this.
And last, [D] I have John Coltrane, Coltrane Sound.
[A#m] [G#]
[F] [Am] The epitome [E] of lovemaking [F#] music.
Central Park West, track [Bm] two.
Gotta get [D] it.
Put it on for [G#m] the ladies.
[F#] It'll work every [B] time.
Some red wine and number two.
Swan Lake Beast [A] Moms.
[E] [B] [A]
Which [N] you can't go wrong with because these guys are actually really [B] awesome.
And [Am] so, yeah, so that wraps [A] up my visit in the [B] Muba.
And that's what's in my [A] bag, in my basket.
[B] [A] [E]
[B]
[A] [E] [B]
[A] [N]
Key:  
E
2311
A
1231
B
12341112
D
1321
G
2131
E
2311
A
1231
B
12341112
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Chords
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To learn Swan Lake - A Venue Called Rubella chords, begin by getting comfortable with these sequence: A, E, B, A, B, E, F#m, E, C#m and F#m. A strategic approach would be to train at 73 BPM initially, and then accelerate to the song's tempo of 146. Adapt the capo setting considering your vocal range, with reference to the key: G Minor.

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[D#] _ _ _ [Bm] _ [D] _ _ _ _
[Bm] _ _ _ [E] _ _ _ _ [F#m] _
_ _ _ _ _ [F#] _ _ _
_ _ _ _ [F#m] _ _ _ _
[F#] _ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ _ _
[E] _ _ _ _ [Bm] _ _ [A] _ _
_ _ _ [Em] _ _ _ _ _
_ _ _ [Am] _ _ [E] _ _ _
_ This is actually the first [N] record that I ever had.
It's Clifford Brown.
This record is called The Beginning and the End.
_ _ [C#] _ _ _ _ _
_ _ _ [E] _ _ _ There's a solo on here to a song called [C#m] Donna Lee
[G#] that he recorded right before he passed away and died.
_ _ [N] That's one of the _ preeminent recordings I've ever signed
for trumpet literature, which is really cool.
[Gm] I'm Matt [C] Stevens.
I play guitar.
This is Jamiah [F] Williams.
He [F#] plays [E] drums.
The first one I have is The Soothsayer, which is a Wayne [G] Shorter record.
_ _ _ [A] _ _ [Gm] _ _
[Em] _ _ [A#] _ _ This is a record that I had in high school.
_ [F#m] [A#] I've always really _ _ enjoyed Wayne Shorter a lot.
[C] _ [A] That's it.
Here is me [Em] replacing my CD of this [Gm] on vinyl.
Next.
_ _ [C] _ [Dm] This one is _ Jack [D#] McDuff, _ _ [C#] Sophisticated [Dm] Funk. _
_ _ _ [A#] _ [Cm] I've _ _
[Gm] _ _ _ _ _ _ [Dm] never heard this record, _ but when I go shopping for [Cm] vinyl,
I look for the cover.
It's all about the cover.
[Dm] They don't make them like this [C] anymore.
_ They don't make women like this, nor [F] do they make covers like [Cm] this.
_ So I just had to get [F] this one.
I can't wait to rip it [C] open.
I might not even listen to [G] this.
This is [F] just a wall piece.
[D#] This is a [Am] conversation piece for my apartment. _ _
[G] Jack [C] McDuff, Sophisticated Funk. _ _
The new Badu.
[Gm] _ _ _ _ _ _
[G] _ _ _ _ [D#] _ _ _
I always applaud her for her conviction because she's such a great artist.
_ [Gm] Really, on a lot [F] of levels, I feel like she _
[Cm] could be the last great jazz singer,
[A#] which _ _ is kind of disheartening [B] a little bit.
[Gm] But just [G] her sensibilities, her ideas [Gm] about _ music, how she approaches her [F] music,
[Gm] the notes that she sings, her inflections.
I think she's _ _ _ really [Cm] a [Gm] huge light for us.
Right now, hopefully there'll be someone that'll come and [A#] grab the torch for her,
but I [D#] don't really hear it yet.
So [Gm] she's the one right now, Erykah _ [F#] Badu.
My name's Bill Fletcher.
We're at Amoeba Music,
and I'm the pianist with Christian Scott [Dm] Quintet.
I'm Chris Fun.
I'm with Christian Scott also.
I'm the bassist.
The first one I [A#] got was _ _ Mendelssohn, [G] Frederick Mendelssohn, killing classical [F] composer. _ _
_ _ _ [A#] _ _ [F] _ _ _
_ _ I guess the story behind him is in college.
[D] _ _ [E] I [Dm] had a classical class.
We went through [G] Bach, Mozart, Beethoven. _
And I always like finding rare gems that nobody really talks [Dm] about,
but [N] who has the talent and the skill level as the other famous composers.
[F#] I picked the in crowd, Ramsey Lewis. _
_ _ _ _ [G#m] _ _ _ _
[D#] _ My dad used to always have this spinning in my house [C#] growing up when I hated jazz.
[D] And as I got older, [F#m] I realized what it was.
And there's this bass [A#] player on it that gets [F#m] no shine.
His [F#] name is L.D. Young.
[D] And I love him to death because [F#] I find similarities in him and me
[C#] because I heard he had horrible technique like me, [F#m] and he had a killing sound,
and I [N] just really gravitate to [G] this.
Of course, I got Likey Lee's joint. _ _
[D] _ _ _ _ _ _ _ _
_ [G] _ It's called Youth [Em] Novels.
[G] And actually, _ _ [D] my girlfriend actually turned me on to this.
[E] _ _ _ [G] _ _ [A]
Ever since she gave me this album, I [D] actually haven't been able to stop listening to [Gm] it.
It's a really, really, really [E] cool _ _ album.
[G] And I listen to it damn near every day, so way [D] to go, Likey Lee, because [E] you made something dope. _ _ _
[C#m] The Clash.
_ [A] _ _
I mean, if you don't know about [E] The Clash, you got to get to know [G#m] them.
This one is London Calling. _ _ _ _
_ [E] _ _ _ _ _ _
[B] It's about [E] four different discs, I see.
I can't wait to [B] listen to this.
This [E] is what we do every night.
[G#m] I wish I could smash [E] my drums like this.
You can, man.
I can?
[Am] Yeah, you can.
Can I do that?
Yeah, the budget just got way bigger.
Christian said it's totally cool [Em] for you to do that now.
_ [D] This is an Elmore James record [A] that I had on CD.
_ _ _ [D] _ _ _ _ _
_ _ _ My dad [Em] bought me this [D] CD [F#] right when CD players came out. _
So, [G] _ anyways, _ well, I lost it.
Anyways, I have this on LP now and I'm really [B] excited about it.
Prince's [G#] _ Planet Earth.
_ [A#m] _
[D#] _ _ [Fm] _ _ _ _ _ _
[A#m] _ [Fm] Somewhere Here on Earth [C#] is [A#m] a [E] composition that I did on this record.
It's called [G#m] Planet Earth.
It's a Prince record.
[C#] It [A] came out recently and it was one of the coolest, [B] best experiences of [E] my life.
To be in the studio with Prince telling you, like, [G#m] you know,
I want to hear you whisper on the [A] track and, you know, play like Miles and take your time with your phrases.
_ [G#]
It was cool [B] to be in his company and in his presence and to record with him.
And it's [E] also an amazing album.
So, yeah, Somewhere Here on Earth right here.
_ [C#m] _ Israel Hewton, Power of One, [F#m] great gospel singer.
_ _ [E] _ _ _
I _ [F#m] _ _ _ _ _
[E] think, [C#m] personally, [F#m] _ his music's going to be probably sung 30 years from now.
So, I think he's a major innovator.
[B] _ [E] His musicians on here are [A] top notch.
And that's why I got [B] this.
And last, [D] I have John Coltrane, Coltrane _ Sound.
[A#m] _ _ _ [G#] _ _ _ _
[F] _ _ [Am] _ _ _ The epitome [E] of lovemaking [F#] music.
_ Central Park West, track [Bm] two.
Gotta get [D] it.
Put it on for [G#m] the ladies.
_ [F#] It'll work every [B] time.
Some red wine and number two.
Swan Lake Beast [A] Moms. _ _ _
[E] _ _ [B] _ _ _ _ _ [A] _
Which [N] you can't go wrong with because these guys are actually really [B] awesome.
_ And [Am] so, yeah, so that wraps [A] up my visit in the [B] Muba.
And that's what's in my [A] bag, in my basket.
_ _ _ _ [B] _ _ _ _ _ _ [A] _ _ _ [E] _
_ _ _ [B] _ _ _ _ _
_ [A] _ _ _ [E] _ _ _ [B] _
_ _ _ _ _ [A] _ _ [N] _

Facts about this song

This song is part of Beast Moans album.