Chords for Cliff Richard Talks About 'Move It .(1975)
Tempo:
58.65 bpm
Chords used:
Bb
Eb
A
E
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Come on pretty baby, let's move it and groove it.
Shake my baby, shake my honey beat, don't lose it.
The rhythm is dancing to your heart and soul.
Let me tell you baby, you're cold.
[A] They say it's gonna die but honey beat, let's face it.
When I first made the record, it was to be the B-side of a [G] song that was found for me by my [E] producer, Nori Paramoore.
A song called Schoolboy [B] Crash.
I've got [A] nothing on, a real country music that just drives along.
[E] Well hello movie.
An American record by Bobby Helm and I covered it, you know.
I did the same, I used his arrangement and I sang my version of it.
And when Jack Good, who was a TV producer, was producing a TV show called Oh Boy.
It was the biggest rock and roll show ever in England.
Even I think it's, in its time, it's even bigger than Top of the Pops or any rock and roll show that's ever been since.
He wanted me on the show but he said I do not want him to sing [Ab] Schoolboy Crash.
That's no good for me.
I want movie, I want [Db] rock and roll.
I got myself a crying dog, been sleeping, walking, living dog.
I got to do my best to be the best that she's, living dog.
[E] Living Dog has got to be one of the biggest peaks because it was the first time that I ever had a number one [Db] hit record.
And the first time I ever had a record that [A] went straight into the charts.
I got myself a crying dog, been sleeping, walking, living dog.
Got to do my best to be the best that she's, living [E] dog.
[A] Having established himself with Move It, Cliff's second hit came in [Gb] 1959 with Living Doll,
which originally [A] had appeared during his cameo role in his first [Bbm] film, a drama called Serious Charge.
[Bb]
Got no [Bbm] bags in baggage to slow me down.
[G] I'm traveling so fast my feet [Bb] ain't touching the ground.
Traveling life, [Fm]
[D] traveling life.
Another number one, [Eb] Traveling Light, followed later [F] that year while the newspapers pursued his youthful [Bb] success like Bloodhounds,
seizing on his reputed [Eb] earnings, his home life and his powerful [Bb] teenage sex appeal.
[Eb] Tell me that you love me baby and then you say don't.
Tell me that [B] you'll come on [F] over and then you say [Bb] you won't.
You [Eb] love me like a hurricane and then you start to breeze.
[Eb] I'll get back to New Street right now, please.
[Bb] By his 21st birthday in October [G] 1961, Cliff had already enjoyed 12 [D] top 10 hits and was celebrating [Eb] yet another
when The Girl in Your Arms is The Girl in Your [F] Heart from The Young Ones, the first [Ab] movie featuring Cliff and the Shadows
Shake my baby, shake my honey beat, don't lose it.
The rhythm is dancing to your heart and soul.
Let me tell you baby, you're cold.
[A] They say it's gonna die but honey beat, let's face it.
When I first made the record, it was to be the B-side of a [G] song that was found for me by my [E] producer, Nori Paramoore.
A song called Schoolboy [B] Crash.
I've got [A] nothing on, a real country music that just drives along.
[E] Well hello movie.
An American record by Bobby Helm and I covered it, you know.
I did the same, I used his arrangement and I sang my version of it.
And when Jack Good, who was a TV producer, was producing a TV show called Oh Boy.
It was the biggest rock and roll show ever in England.
Even I think it's, in its time, it's even bigger than Top of the Pops or any rock and roll show that's ever been since.
He wanted me on the show but he said I do not want him to sing [Ab] Schoolboy Crash.
That's no good for me.
I want movie, I want [Db] rock and roll.
I got myself a crying dog, been sleeping, walking, living dog.
I got to do my best to be the best that she's, living dog.
[E] Living Dog has got to be one of the biggest peaks because it was the first time that I ever had a number one [Db] hit record.
And the first time I ever had a record that [A] went straight into the charts.
I got myself a crying dog, been sleeping, walking, living dog.
Got to do my best to be the best that she's, living [E] dog.
[A] Having established himself with Move It, Cliff's second hit came in [Gb] 1959 with Living Doll,
which originally [A] had appeared during his cameo role in his first [Bbm] film, a drama called Serious Charge.
[Bb]
Got no [Bbm] bags in baggage to slow me down.
[G] I'm traveling so fast my feet [Bb] ain't touching the ground.
Traveling life, [Fm]
[D] traveling life.
Another number one, [Eb] Traveling Light, followed later [F] that year while the newspapers pursued his youthful [Bb] success like Bloodhounds,
seizing on his reputed [Eb] earnings, his home life and his powerful [Bb] teenage sex appeal.
[Eb] Tell me that you love me baby and then you say don't.
Tell me that [B] you'll come on [F] over and then you say [Bb] you won't.
You [Eb] love me like a hurricane and then you start to breeze.
[Eb] I'll get back to New Street right now, please.
[Bb] By his 21st birthday in October [G] 1961, Cliff had already enjoyed 12 [D] top 10 hits and was celebrating [Eb] yet another
when The Girl in Your Arms is The Girl in Your [F] Heart from The Young Ones, the first [Ab] movie featuring Cliff and the Shadows
Key:
Bb
Eb
A
E
G
Bb
Eb
A
Come on _ _ _ _ pretty baby, let's move it and groove it.
Shake my baby, shake my honey beat, don't lose it.
_ The rhythm is dancing to your heart and soul. _ _
Let me tell you baby, you're cold.
_ _ [A] They say it's gonna die but honey beat, let's face it.
When I first made the record, it was to be the B-side of a [G] song that was found for me by my [E] producer, Nori Paramoore.
A song called Schoolboy [B] Crash.
I've got [A] nothing on, a real country music that just drives along.
[E] _ Well hello movie.
An American record by Bobby Helm and I covered it, you know.
I did the same, I used his arrangement and I sang my version of it.
And when Jack Good, who was a TV producer, was producing a TV show called Oh Boy.
It was the biggest rock and roll show ever in England.
Even I think it's, in its time, it's even bigger than Top of the Pops or any rock and roll show that's ever been since.
He wanted me on the show but he said I do not want him to sing [Ab] Schoolboy Crash.
That's no good for me.
I want movie, I want [Db] rock and roll.
I got myself a crying dog, been sleeping, walking, living dog.
I got to do my best to be the best that she's, living dog.
[E] Living Dog has got to be one of the biggest peaks because it was the first time that I ever had a number one [Db] hit record.
And the first time I ever had a record that [A] went straight into the charts.
I got myself a crying dog, been sleeping, walking, living dog.
Got to do my best to be the best that she's, living [E] dog.
_ [A] Having established himself with Move It, Cliff's second hit came in [Gb] 1959 with Living Doll,
which originally [A] had appeared during his cameo role in his first [Bbm] film, a drama called Serious Charge.
_ _ _ [Bb]
Got no [Bbm] bags in baggage to slow me down.
_ [G] I'm traveling so fast my feet [Bb] ain't touching the ground.
_ Traveling life, [Fm] _
[D] traveling life.
Another number one, [Eb] Traveling Light, followed later [F] that year while the newspapers pursued his youthful [Bb] success like Bloodhounds,
seizing on his reputed [Eb] earnings, his home life and his powerful [Bb] teenage sex appeal.
[Eb] Tell me that you love me baby and then you say don't.
Tell me that [B] you'll come on [F] over and then you say [Bb] you won't.
You [Eb] love me like a hurricane and then you start to breeze.
[Eb] I'll get back to New Street right now, please.
[Bb] By his 21st birthday in October [G] 1961, Cliff had already enjoyed 12 [D] top 10 hits and was celebrating [Eb] yet another
when The Girl in Your Arms is The Girl in Your [F] Heart from The Young Ones, the first [Ab] movie featuring Cliff and the Shadows
Shake my baby, shake my honey beat, don't lose it.
_ The rhythm is dancing to your heart and soul. _ _
Let me tell you baby, you're cold.
_ _ [A] They say it's gonna die but honey beat, let's face it.
When I first made the record, it was to be the B-side of a [G] song that was found for me by my [E] producer, Nori Paramoore.
A song called Schoolboy [B] Crash.
I've got [A] nothing on, a real country music that just drives along.
[E] _ Well hello movie.
An American record by Bobby Helm and I covered it, you know.
I did the same, I used his arrangement and I sang my version of it.
And when Jack Good, who was a TV producer, was producing a TV show called Oh Boy.
It was the biggest rock and roll show ever in England.
Even I think it's, in its time, it's even bigger than Top of the Pops or any rock and roll show that's ever been since.
He wanted me on the show but he said I do not want him to sing [Ab] Schoolboy Crash.
That's no good for me.
I want movie, I want [Db] rock and roll.
I got myself a crying dog, been sleeping, walking, living dog.
I got to do my best to be the best that she's, living dog.
[E] Living Dog has got to be one of the biggest peaks because it was the first time that I ever had a number one [Db] hit record.
And the first time I ever had a record that [A] went straight into the charts.
I got myself a crying dog, been sleeping, walking, living dog.
Got to do my best to be the best that she's, living [E] dog.
_ [A] Having established himself with Move It, Cliff's second hit came in [Gb] 1959 with Living Doll,
which originally [A] had appeared during his cameo role in his first [Bbm] film, a drama called Serious Charge.
_ _ _ [Bb]
Got no [Bbm] bags in baggage to slow me down.
_ [G] I'm traveling so fast my feet [Bb] ain't touching the ground.
_ Traveling life, [Fm] _
[D] traveling life.
Another number one, [Eb] Traveling Light, followed later [F] that year while the newspapers pursued his youthful [Bb] success like Bloodhounds,
seizing on his reputed [Eb] earnings, his home life and his powerful [Bb] teenage sex appeal.
[Eb] Tell me that you love me baby and then you say don't.
Tell me that [B] you'll come on [F] over and then you say [Bb] you won't.
You [Eb] love me like a hurricane and then you start to breeze.
[Eb] I'll get back to New Street right now, please.
[Bb] By his 21st birthday in October [G] 1961, Cliff had already enjoyed 12 [D] top 10 hits and was celebrating [Eb] yet another
when The Girl in Your Arms is The Girl in Your [F] Heart from The Young Ones, the first [Ab] movie featuring Cliff and the Shadows