Chords for Czifra Együttes: Széki táncok (Elődöntős produkció)
Tempo:
96.5 bpm
Chords used:
A
D
E
G
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[G]
[D] [A]
[A] [D]
[G]
[A] [D]
I'm going [E] to get the ball.
[A]
[D] [A]
[D] [A]
[G] [E]
[A] I'm going to get the ball.
[D]
[G] [D]
[F]
[E] [A] [F]
[A] [D] I'm [F] going [E] [Am] [F]
[D]
[A] [D]
[A] [A]
[D] [F] [A]
[D] [E] [A] [F] to get the ball.
[Dm]
[F] I'm [A] [E]
[F] [A]
going to get the ball.
[A] I'm going to get the ball.
[D]
[E] [G]
[C]
[A] [G] [C]
[E] [D] [A]
[D] [Eb] [G]
[C] [E]
[E] [G] [C]
[A]
[D] [A]
[D]
[A] [D] [A]
[D]
[A]
[N]
The number one, we could see his speed.
The code is-9. And what a speed, [E] the hegedus burned out. I call this to the baroque walking on two legs. But what does Zsurawski Zoltán say about this? [N] Congratulations to the boys, I think we could see high-level dance. It's not a problem that we saw Páva, a little [Abm] over [D]-choreographed thing, [G] but I [Gb] was very happy to see [A] you dance. You brought the highest level from [D] the cantor dance. Here is a fashion show in the male costumes, the [A] light-blue, green, green-beard. [D] Here are the beards, there is a rose of a vine. [G] I think the companies will be [G] proud of you, because they [A] danced their dances at a high level. I would like to thank you [D] for your [E] appreciation. I see [Gbm] two dancers from the professional team. [E] It's not my job [A] to decide if they can come or not. [D] I don't want to deal with this. [E] I'm very happy for your dance. It was very serious work. [E] This is how it should be [A] prepared, this is how it should be presented. I would like to see such [D] a shining dancer on TV and on the Hungarian dance [G] stages. Thank you [E] very much. László [A] Píószegi. [D] I was thinking about what [G] we [D] want to see and hear in the dance stages and in the popular music concerts. [Dm] [E] Virtuosity, of course, because part of popular dance [F] is not invented, [A] but you refer to Tamás Márton's [Dm] cantor dance. [E] We would also like [F] to see our annual traditions, and we would [Bb] like to see how faithful you can be to this shining stage. [D] But [B] then I realized that I would like [D] to see the joy on the stage, the over-emotional joy that I saw, for example, when Gábor Kurdi was dancing. [A] [D] It was so [Dm] good to see that he enjoys what he does, he [E] loves what he does. In your [A] case, I [Dm] missed this, that you love it, you [A] know it, [Dm] but the effort, the technical [A] implementation, the will to do everything that you can, [Dm] that's what I missed. And [A] that's why I would like to assure you that you [E] will probably achieve more with this. Thank you. I don't ask anything, because four cultural
[D] [A]
[A] [D]
[G]
[A] [D]
I'm going [E] to get the ball.
[A]
[D] [A]
[D] [A]
[G] [E]
[A] I'm going to get the ball.
[D]
[G] [D]
[F]
[E] [A] [F]
[A] [D] I'm [F] going [E] [Am] [F]
[D]
[A] [D]
[A] [A]
[D] [F] [A]
[D] [E] [A] [F] to get the ball.
[Dm]
[F] I'm [A] [E]
[F] [A]
going to get the ball.
[A] I'm going to get the ball.
[D]
[E] [G]
[C]
[A] [G] [C]
[E] [D] [A]
[D] [Eb] [G]
[C] [E]
[E] [G] [C]
[A]
[D] [A]
[D]
[A] [D] [A]
[D]
[A]
[N]
The number one, we could see his speed.
The code is-9. And what a speed, [E] the hegedus burned out. I call this to the baroque walking on two legs. But what does Zsurawski Zoltán say about this? [N] Congratulations to the boys, I think we could see high-level dance. It's not a problem that we saw Páva, a little [Abm] over [D]-choreographed thing, [G] but I [Gb] was very happy to see [A] you dance. You brought the highest level from [D] the cantor dance. Here is a fashion show in the male costumes, the [A] light-blue, green, green-beard. [D] Here are the beards, there is a rose of a vine. [G] I think the companies will be [G] proud of you, because they [A] danced their dances at a high level. I would like to thank you [D] for your [E] appreciation. I see [Gbm] two dancers from the professional team. [E] It's not my job [A] to decide if they can come or not. [D] I don't want to deal with this. [E] I'm very happy for your dance. It was very serious work. [E] This is how it should be [A] prepared, this is how it should be presented. I would like to see such [D] a shining dancer on TV and on the Hungarian dance [G] stages. Thank you [E] very much. László [A] Píószegi. [D] I was thinking about what [G] we [D] want to see and hear in the dance stages and in the popular music concerts. [Dm] [E] Virtuosity, of course, because part of popular dance [F] is not invented, [A] but you refer to Tamás Márton's [Dm] cantor dance. [E] We would also like [F] to see our annual traditions, and we would [Bb] like to see how faithful you can be to this shining stage. [D] But [B] then I realized that I would like [D] to see the joy on the stage, the over-emotional joy that I saw, for example, when Gábor Kurdi was dancing. [A] [D] It was so [Dm] good to see that he enjoys what he does, he [E] loves what he does. In your [A] case, I [Dm] missed this, that you love it, you [A] know it, [Dm] but the effort, the technical [A] implementation, the will to do everything that you can, [Dm] that's what I missed. And [A] that's why I would like to assure you that you [E] will probably achieve more with this. Thank you. I don't ask anything, because four cultural
Key:
A
D
E
G
F
A
D
E
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
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_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ [D] _ _ _ _ [A] _ _
[A] _ _ _ _ [D] _ _ _ _
_ _ _ _ [G] _ _ _ _
[A] _ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I'm going _ [E] _ _ _ to get the ball.
[A] _
_ _ _ _ [D] _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ [A] _
_ _ [G] _ _ [E] _ _ _
[A] I'm going to get the ball.
_ _ [D] _ _ _ _
_ _ [G] _ _ [D] _ _ _ _
_ _ _ _ _ _ _ [F] _
_ _ [E] _ _ [A] _ _ [F] _ _
_ _ [A] _ _ [D] _ I'm [F] going _ _ [E] _ _ [Am] _ _ [F] _ _
_ _ _ _ [D] _ _ _ _
_ [A] _ _ _ _ _ [D] _ _
_ _ _ _ [A] _ _ _ [A] _
_ [D] _ _ _ [F] _ _ [A] _ _
[D] _ [E] _ _ _ [A] _ [F] to get the ball.
_ _ _ _ _ _ [Dm] _
[F] I'm _ [A] _ _ _ [E] _ _
_ _ [F] _ _ _ [A] _ _ _
_ _ _ _ _ going to get the ball. _
_ _ _ _ _ _ _ _
_ _ _ [A] I'm going to get the ball.
[D] _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ [G] _
_ _ [C] _ _ _ _ _ _
[A] _ [G] _ _ _ [C] _ _ _ _
_ [E] _ _ _ [D] _ _ [A] _ _
_ [D] _ _ _ [Eb] _ _ _ [G] _
_ [C] _ _ _ _ _ [E] _ _
[E] _ [G] _ _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
_ _ _ _ [D] _ _ [A] _ _
_ _ [D] _ _ _ _ _ _
[A] _ _ _ _ [D] _ [A] _ _ _
_ _ _ _ _ _ [D] _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ The number one, we could see his speed.
The code is-9. _ And what a speed, [E] the hegedus burned out. I call this to the baroque walking on two legs. But what does Zsurawski Zoltán say about this? [N] Congratulations to the boys, I think we could see high-level dance. It's not a problem that we saw Páva, a little [Abm] over [D]-choreographed thing, [G] but I [Gb] was very happy to see [A] you dance. You brought the highest level from [D] the cantor dance. _ _ _ _ Here is a fashion show in the male costumes, the [A] light-blue, green, green-beard. [D] Here are the beards, there is a rose of a vine. _ _ [G] I think the companies will be [G] proud of you, because they [A] danced their dances at a high level. I would like to thank you [D] _ for your [E] appreciation. I see [Gbm] two dancers from the professional team. [E] It's not my job [A] to decide if they can come or not. [D] I don't want to deal with this. [E] I'm very happy for your dance. It was very serious work. [E] This is how it should be [A] prepared, this is how it should be presented. I would like to see such [D] a shining dancer on TV and on the Hungarian dance [G] stages. Thank you [E] very much. László _ _ [A] _ Píószegi. [D] I was thinking about what [G] we _ [D] want to see and hear in the dance stages and in the popular music concerts. _ _ _ [Dm] _ _ _ [E] Virtuosity, of course, because part of popular dance [F] is not invented, [A] but you refer to Tamás Márton's [Dm] cantor dance. _ _ _ [E] We would also like [F] to see our annual traditions, and we would [Bb] like to see how faithful you can be to this shining stage. [D] _ _ But [B] then I realized that I would like [D] to see the joy on the stage, the over-emotional joy that I saw, for example, when Gábor Kurdi was dancing. [A] _ [D] It was so [Dm] good to see that he enjoys what he does, he [E] loves what he does. In your [A] case, I [Dm] missed this, that you love it, you [A] know it, [Dm] but the effort, _ _ _ _ the technical [A] implementation, the will to do everything that you can, [Dm] that's what I missed. And [A] that's why I would like to assure you that _ you [E] _ will probably achieve more with this. Thank you. _ I don't ask anything, because four cultural
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [G] _
_ _ [D] _ _ _ _ [A] _ _
[A] _ _ _ _ [D] _ _ _ _
_ _ _ _ [G] _ _ _ _
[A] _ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ I'm going _ [E] _ _ _ to get the ball.
[A] _
_ _ _ _ [D] _ _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ [A] _
_ _ [G] _ _ [E] _ _ _
[A] I'm going to get the ball.
_ _ [D] _ _ _ _
_ _ [G] _ _ [D] _ _ _ _
_ _ _ _ _ _ _ [F] _
_ _ [E] _ _ [A] _ _ [F] _ _
_ _ [A] _ _ [D] _ I'm [F] going _ _ [E] _ _ [Am] _ _ [F] _ _
_ _ _ _ [D] _ _ _ _
_ [A] _ _ _ _ _ [D] _ _
_ _ _ _ [A] _ _ _ [A] _
_ [D] _ _ _ [F] _ _ [A] _ _
[D] _ [E] _ _ _ [A] _ [F] to get the ball.
_ _ _ _ _ _ [Dm] _
[F] I'm _ [A] _ _ _ [E] _ _
_ _ [F] _ _ _ [A] _ _ _
_ _ _ _ _ going to get the ball. _
_ _ _ _ _ _ _ _
_ _ _ [A] I'm going to get the ball.
[D] _
_ _ _ _ _ _ _ _
_ _ _ _ [E] _ _ _ [G] _
_ _ [C] _ _ _ _ _ _
[A] _ [G] _ _ _ [C] _ _ _ _
_ [E] _ _ _ [D] _ _ [A] _ _
_ [D] _ _ _ [Eb] _ _ _ [G] _
_ [C] _ _ _ _ _ [E] _ _
[E] _ [G] _ _ _ [C] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A] _ _ _ _
_ _ _ _ [D] _ _ [A] _ _
_ _ [D] _ _ _ _ _ _
[A] _ _ _ _ [D] _ [A] _ _ _
_ _ _ _ _ _ [D] _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N] _
_ _ The number one, we could see his speed.
The code is-9. _ And what a speed, [E] the hegedus burned out. I call this to the baroque walking on two legs. But what does Zsurawski Zoltán say about this? [N] Congratulations to the boys, I think we could see high-level dance. It's not a problem that we saw Páva, a little [Abm] over [D]-choreographed thing, [G] but I [Gb] was very happy to see [A] you dance. You brought the highest level from [D] the cantor dance. _ _ _ _ Here is a fashion show in the male costumes, the [A] light-blue, green, green-beard. [D] Here are the beards, there is a rose of a vine. _ _ [G] I think the companies will be [G] proud of you, because they [A] danced their dances at a high level. I would like to thank you [D] _ for your [E] appreciation. I see [Gbm] two dancers from the professional team. [E] It's not my job [A] to decide if they can come or not. [D] I don't want to deal with this. [E] I'm very happy for your dance. It was very serious work. [E] This is how it should be [A] prepared, this is how it should be presented. I would like to see such [D] a shining dancer on TV and on the Hungarian dance [G] stages. Thank you [E] very much. László _ _ [A] _ Píószegi. [D] I was thinking about what [G] we _ [D] want to see and hear in the dance stages and in the popular music concerts. _ _ _ [Dm] _ _ _ [E] Virtuosity, of course, because part of popular dance [F] is not invented, [A] but you refer to Tamás Márton's [Dm] cantor dance. _ _ _ [E] We would also like [F] to see our annual traditions, and we would [Bb] like to see how faithful you can be to this shining stage. [D] _ _ But [B] then I realized that I would like [D] to see the joy on the stage, the over-emotional joy that I saw, for example, when Gábor Kurdi was dancing. [A] _ [D] It was so [Dm] good to see that he enjoys what he does, he [E] loves what he does. In your [A] case, I [Dm] missed this, that you love it, you [A] know it, [Dm] but the effort, _ _ _ _ the technical [A] implementation, the will to do everything that you can, [Dm] that's what I missed. And [A] that's why I would like to assure you that _ you [E] _ will probably achieve more with this. Thank you. _ I don't ask anything, because four cultural