Chords for Daft Punk - Memory Tapes - Episode 1 - Julian Casablancas (Official Video)
Tempo:
110.3 bpm
Chords used:
Gb
Ab
G
Eb
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Gb]
[Eb] [Fm]
[Bbm] [Gb] [Ebm]
[Ab] [Db]
[Bbm] [Gb] [Ebm]
So quiet [Ab] in here.
[F]
Like this is officially the last Daft Punk song ever.
Okay.
It's like-
Way to be dramatic.
I mean, sorry.
I'm just [Gb] kidding.
[G]
[Ab] So before [A] Instant Crush, they were doing this [F] track and [Gb] I thought it was cool and [G] they were
like, yeah, we're not going to do anything with that.
[Ab] And so I [A] thought, well, can I play?
[Gb] May I play?
I sang the [G] demo and I was like, I [F] wouldn't generally kind of have this kind of grandiose
ambition thought, but I just thought because they work with all these huge name people,
because I was like, maybe Stevie Wonder wants to sing the song.
You know, I thought [Gm] that'd be cool.
And they were just like, no, [Ab] no, no, you do it.
[A] I don't [Gb] want any water.
[Eb]
[Ab] Take me as I [A]
am.
[C] That was great.
What about that?
[Db] That's perfect.
It's a super [A] idea.
All we used [Gb] to do is [Eb] not [D] show.
[Gb] I don't want any water.
[Bbm] [Gb]
[Bbm] [Ab] It's good.
Not bad.
It's good.
Is it getting [Bbm] better?
Is it [Ebm] getting better?
Yeah, we have like a big mosh pit.
Yeah, yeah.
It's getting better.
[Eb] What was the first thing you did?
The first time was cool.
I was just [E] curious.
Get Lucky was obviously the big song from that record, but Instant Crush was [Gb] really
the sleeper indie hit.
I would argue Instant [G] Crush was really the main.
The [Ab] main.
That was the blockbuster?
The real [Gb] heads know.
[Db] [Eb]
They played [Bbm] me two different songs.
One was the verse [Ab] of Instant Crush [Db] and one was the chorus [Fm] of Instant Crush.
I think [Gb] I was like, can we just put them together?
[Eb] I don't know if they secretly were setting me up and intended me to say [Bb] that or if [Bbm] they
were like, [Bb] what a brilliant idea you just had.
I [E] was in my composition [E] and guitar.
I had all these [Em] tiny
That's crazy.
[Gbm]
[Dm] I mean, yeah, these are
[N] What are the options?
Yeah, these.
There's another option here.
They had told me that there was something about a summer crush, whatever, just like
kind of innocent young thing.
[Gb] And so I felt like, okay, got that vibe.
Paul Williams had wrote lyrics.
And then I took a stab at
I think I wrote out a whole bunch of lyrics that made sense with what they [G] wanted.
But then the way music works sometimes, it's [Gb] almost like gibberish made more [Db] sense.
They wanted me to kind of do my Strokes-y.
And I was like, no, no, no, I want to [Bbm]
be a [Ab] cyborg.
[Eb] [Bbm]
[Bb] Yeah, the vocoder sounds, whatever, [Gb] all those things, [Db]
it was ironically [Ebm] or whatever, more like me.
[Bbm] So when we did the video, I wanted to be like Robocop or something.
[Gb] [Ebm]
[Ab] [Bbm]
[Gb] [Ebm]
[Ab] [Fm] [Bbm]
[Gb] The making of the video was [Ebm] fun.
The filming of it was really fun.
[Ab] But the editing [Gb] process was [Bbm] very brutal.
Possibly ended my friendship with Warren.
[G] What were you disagreeing about?
I think I wanted to seem a little more like wild [Gb] or something, kind of being a little
more [E] aggressive, I think.
[Gb] And I think that they were just like, didn't really know what to do with that.
And they kept more like the calm [Ab] takes or something.
And I don't think I [G] like [A] dancing on any [G] level, like even watching it.
[A]
I mean, it's [G] impressive, I guess, if someone dances [Ab] well.
I don't know.
I just don't understand [E] dancing.
But you danced in the video.
[F] Did I?
Well, I was just [Gm] pretending.
You know, Warren [Gb] always works really [D] too hard.
So hopefully I'm less of a pain in the ass than I used to be.
And the [A] Grammy goes to [F] Random Access Memories.
[Bm] That's awesome!
Featured [D] artist, Julian Casablancas.
DJ Khaled.
I [Ab] know, it was cool, honestly, just watching at home.
If it was in New York, I probably would have gone.
I didn't really know what to expect.
But they [Gb] literally, I think, said my name first when they were [G] like, you know, Julian
Casablancas, they were just like featuring the people, I guess.
So it was kind of like, whoa, I did not see that [N]
coming on many levels.
It was cool, though.
Were you [C] sad when you heard they were [G] breaking up?
I mean, A, do I believe it, is the question.
[Gb]
I think I don't believe it.
Working with them was such a breeze that I think it kind of showed [F] me
how collaboration should work.
[Gb] You're genuinely kind of liking what the other person's doing
and you're feeding off each other.
They're a pretty funny pair because [G] there's Tomas, [Fm] who's like, you know,
technical [Gb]
oriented, kind of getting super excited [G] and turning [Ab] knobs
and all that stuff.
And then [A] there's Guiman, who's more [Db] kind of, you know, the kind [Gb] of
[Eb] French brooding dude.
[Ab] And, you know, he's [A] like, yeah, it's cool.
[C] Or like, it's [Gb] not like he's like, you know.
I mean, [G] he's really got like really [Ab] good tastes.
[F] Infinity Repeating [Db]
is [Gb] a [G] appropriate song [Ab]
to [F] end Daft Punk [Gb] on forever.
[G] What do you [Ab] want from me?
You want the real [F] or you want the lie?
[Gb]
You can't [G] handle the truth!
[Ab] I mean, they could put [F] on those helmets at any time.
[A] They could be 80 years old and be [Gb] like, all right, let's do it, man.
[Eb] And then like get out there.
[Ab]
[A] [F] And I wouldn't [Gb] be surprised.
I'd be like, I knew it!
[Eb] [Ab]
[A] [Gb]
[Eb] Thank [Ab] you for watching.
I'll see you on the other [F] side.
[Gb]
I don't know what I'm doing. [Eb] Yay!
[Ab] [Ab] [A] [F] [Gb]
[Eb] [Ab]
[F] [Gb]
[Eb] [Ab]
[F] [Gb]
[G] [Eb] [Ab]
[Eb] [Fm]
[Bbm] [Gb] [Ebm]
[Ab] [Db]
[Bbm] [Gb] [Ebm]
So quiet [Ab] in here.
[F]
Like this is officially the last Daft Punk song ever.
Okay.
It's like-
Way to be dramatic.
I mean, sorry.
I'm just [Gb] kidding.
[G]
[Ab] So before [A] Instant Crush, they were doing this [F] track and [Gb] I thought it was cool and [G] they were
like, yeah, we're not going to do anything with that.
[Ab] And so I [A] thought, well, can I play?
[Gb] May I play?
I sang the [G] demo and I was like, I [F] wouldn't generally kind of have this kind of grandiose
ambition thought, but I just thought because they work with all these huge name people,
because I was like, maybe Stevie Wonder wants to sing the song.
You know, I thought [Gm] that'd be cool.
And they were just like, no, [Ab] no, no, you do it.
[A] I don't [Gb] want any water.
[Eb]
[Ab] Take me as I [A]
am.
[C] That was great.
What about that?
[Db] That's perfect.
It's a super [A] idea.
All we used [Gb] to do is [Eb] not [D] show.
[Gb] I don't want any water.
[Bbm] [Gb]
[Bbm] [Ab] It's good.
Not bad.
It's good.
Is it getting [Bbm] better?
Is it [Ebm] getting better?
Yeah, we have like a big mosh pit.
Yeah, yeah.
It's getting better.
[Eb] What was the first thing you did?
The first time was cool.
I was just [E] curious.
Get Lucky was obviously the big song from that record, but Instant Crush was [Gb] really
the sleeper indie hit.
I would argue Instant [G] Crush was really the main.
The [Ab] main.
That was the blockbuster?
The real [Gb] heads know.
[Db] [Eb]
They played [Bbm] me two different songs.
One was the verse [Ab] of Instant Crush [Db] and one was the chorus [Fm] of Instant Crush.
I think [Gb] I was like, can we just put them together?
[Eb] I don't know if they secretly were setting me up and intended me to say [Bb] that or if [Bbm] they
were like, [Bb] what a brilliant idea you just had.
I [E] was in my composition [E] and guitar.
I had all these [Em] tiny
That's crazy.
[Gbm]
[Dm] I mean, yeah, these are
[N] What are the options?
Yeah, these.
There's another option here.
They had told me that there was something about a summer crush, whatever, just like
kind of innocent young thing.
[Gb] And so I felt like, okay, got that vibe.
Paul Williams had wrote lyrics.
And then I took a stab at
I think I wrote out a whole bunch of lyrics that made sense with what they [G] wanted.
But then the way music works sometimes, it's [Gb] almost like gibberish made more [Db] sense.
They wanted me to kind of do my Strokes-y.
And I was like, no, no, no, I want to [Bbm]
be a [Ab] cyborg.
[Eb] [Bbm]
[Bb] Yeah, the vocoder sounds, whatever, [Gb] all those things, [Db]
it was ironically [Ebm] or whatever, more like me.
[Bbm] So when we did the video, I wanted to be like Robocop or something.
[Gb] [Ebm]
[Ab] [Bbm]
[Gb] [Ebm]
[Ab] [Fm] [Bbm]
[Gb] The making of the video was [Ebm] fun.
The filming of it was really fun.
[Ab] But the editing [Gb] process was [Bbm] very brutal.
Possibly ended my friendship with Warren.
[G] What were you disagreeing about?
I think I wanted to seem a little more like wild [Gb] or something, kind of being a little
more [E] aggressive, I think.
[Gb] And I think that they were just like, didn't really know what to do with that.
And they kept more like the calm [Ab] takes or something.
And I don't think I [G] like [A] dancing on any [G] level, like even watching it.
[A]
I mean, it's [G] impressive, I guess, if someone dances [Ab] well.
I don't know.
I just don't understand [E] dancing.
But you danced in the video.
[F] Did I?
Well, I was just [Gm] pretending.
You know, Warren [Gb] always works really [D] too hard.
So hopefully I'm less of a pain in the ass than I used to be.
And the [A] Grammy goes to [F] Random Access Memories.
[Bm] That's awesome!
Featured [D] artist, Julian Casablancas.
DJ Khaled.
I [Ab] know, it was cool, honestly, just watching at home.
If it was in New York, I probably would have gone.
I didn't really know what to expect.
But they [Gb] literally, I think, said my name first when they were [G] like, you know, Julian
Casablancas, they were just like featuring the people, I guess.
So it was kind of like, whoa, I did not see that [N]
coming on many levels.
It was cool, though.
Were you [C] sad when you heard they were [G] breaking up?
I mean, A, do I believe it, is the question.
[Gb]
I think I don't believe it.
Working with them was such a breeze that I think it kind of showed [F] me
how collaboration should work.
[Gb] You're genuinely kind of liking what the other person's doing
and you're feeding off each other.
They're a pretty funny pair because [G] there's Tomas, [Fm] who's like, you know,
technical [Gb]
oriented, kind of getting super excited [G] and turning [Ab] knobs
and all that stuff.
And then [A] there's Guiman, who's more [Db] kind of, you know, the kind [Gb] of
[Eb] French brooding dude.
[Ab] And, you know, he's [A] like, yeah, it's cool.
[C] Or like, it's [Gb] not like he's like, you know.
I mean, [G] he's really got like really [Ab] good tastes.
[F] Infinity Repeating [Db]
is [Gb] a [G] appropriate song [Ab]
to [F] end Daft Punk [Gb] on forever.
[G] What do you [Ab] want from me?
You want the real [F] or you want the lie?
[Gb]
You can't [G] handle the truth!
[Ab] I mean, they could put [F] on those helmets at any time.
[A] They could be 80 years old and be [Gb] like, all right, let's do it, man.
[Eb] And then like get out there.
[Ab]
[A] [F] And I wouldn't [Gb] be surprised.
I'd be like, I knew it!
[Eb] [Ab]
[A] [Gb]
[Eb] Thank [Ab] you for watching.
I'll see you on the other [F] side.
[Gb]
I don't know what I'm doing. [Eb] Yay!
[Ab] [Ab] [A] [F] [Gb]
[Eb] [Ab]
[F] [Gb]
[Eb] [Ab]
[F] [Gb]
[G] [Eb] [Ab]
Key:
Gb
Ab
G
Eb
F
Gb
Ab
G
_ _ _ [Gb] _ _ _ _ _
[Eb] _ _ _ _ _ [Fm] _ _ _
[Bbm] _ _ _ [Gb] _ _ _ _ [Ebm] _
_ _ _ [Ab] _ _ _ [Db] _ _
[Bbm] _ _ _ [Gb] _ _ _ _ [Ebm] _
_ So quiet [Ab] in here.
_ [F] _ _ _
_ Like this is officially the last Daft Punk song _ ever.
_ _ _ Okay.
It's like-
Way to be dramatic.
I mean, sorry.
I'm just [Gb] kidding.
_ _ _ [G] _
_ _ _ [Ab] _ So before [A] Instant Crush, they were doing this [F] track and [Gb] I thought it was cool and [G] they were
like, yeah, we're not going to do anything with that.
[Ab] And so I [A] thought, well, can I play?
[Gb] May I play?
_ I sang the [G] demo and I was like, I [F] wouldn't generally kind of have this kind of _ _ _ grandiose
ambition thought, but I just thought because they work with all these huge name people,
because I was like, maybe Stevie Wonder wants to sing the song.
You know, I thought [Gm] that'd be cool.
And they were just like, no, [Ab] no, no, you do it.
_ _ [A] I _ don't [Gb] want any water.
[Eb] _ _
_ _ [Ab] Take me as I [A] _
am.
[C] _ That was great.
What about that?
[Db] That's perfect.
_ It's a super [A] idea.
All we used [Gb] to do is [Eb] not [D] show.
[Gb] I don't want any water. _ _ _ _ _
[Bbm] _ _ _ _ _ _ _ [Gb] _
_ _ _ [Bbm] _ _ _ [Ab] It's good.
Not bad.
It's good.
Is it getting [Bbm] better?
Is it [Ebm] getting better?
Yeah, we have like a big mosh pit.
Yeah, yeah.
It's getting better.
[Eb] What was the first thing you did?
The first time was cool.
I was just [E] curious.
Get Lucky was obviously the big song from that record, but Instant Crush was [Gb] really
the sleeper indie hit.
_ I would argue Instant [G] Crush was really the main.
The [Ab] main.
That was the blockbuster?
_ The real [Gb] heads know. _
_ _ [Db] _ _ _ _ [Eb] _ _
They played [Bbm] me two different songs. _
One was the verse [Ab] of Instant Crush [Db] and one was the chorus [Fm] of Instant Crush.
I think [Gb] I was like, can we just put them together?
[Eb] I don't know if they secretly were setting me up and intended me to say [Bb] that or _ if _ [Bbm] they
were like, [Bb] what a brilliant idea you just had.
_ _ I [E] was in my composition [E] and guitar.
_ I had all these _ [Em] tiny_
That's crazy.
_ [Gbm] _
_ _ [Dm] I mean, yeah, these are_
[N] What are the options?
Yeah, these.
There's another option here.
They had told me that there was something about a summer crush, _ whatever, just like
kind of innocent young thing.
[Gb] And so I felt like, okay, got that vibe.
_ Paul Williams had wrote lyrics.
And then I took a stab at_
_ I think I wrote out a whole bunch of lyrics that _ made sense with what they [G] wanted.
But then the way music works sometimes, it's [Gb] almost like gibberish made more [Db] sense.
They wanted me to kind of do my Strokes-y.
And I was like, no, no, no, I want to [Bbm]
be a _ [Ab] cyborg. _ _
_ _ [Eb] _ _ _ _ [Bbm] _ _
_ _ _ [Bb] Yeah, the _ vocoder sounds, whatever, [Gb] all those things, _ [Db] _ _
it was ironically [Ebm] or whatever, more like me.
[Bbm] So when we did the video, I wanted to be like Robocop or something. _ _
_ [Gb] _ _ _ _ [Ebm] _ _ _
_ [Ab] _ _ _ _ _ [Bbm] _ _
_ [Gb] _ _ _ _ [Ebm] _ _ _
_ _ [Ab] _ _ [Fm] _ _ [Bbm] _ _
_ [Gb] The making of the video was [Ebm] fun.
The filming of it was really fun.
[Ab] But the editing [Gb] process was [Bbm] very brutal.
Possibly ended my friendship with Warren.
[G] What were you disagreeing about?
I think I wanted to seem a little more like wild [Gb] or something, kind of being a little
more [E] aggressive, I think.
[Gb] And I think that they were just like, didn't really know what to do with that.
And they kept more like the calm [Ab] takes or something.
And I don't think I [G] like [A] dancing on any [G] level, like even watching it.
[A] _
I mean, it's [G] impressive, I guess, if someone dances [Ab] well.
I don't know.
I just don't understand [E] dancing.
But you danced in the video. _
[F] _ Did I?
Well, I was just [Gm] pretending. _ _
_ You know, Warren [Gb] always works really [D] too hard.
So hopefully I'm less of a pain in the ass than I used to be. _ _
And the [A] Grammy goes to _ [F] Random Access Memories.
[Bm] That's awesome!
_ Featured [D] artist, Julian Casablancas.
DJ Khaled.
I [Ab] know, it was cool, honestly, just watching at home.
If it was in New York, I probably would have gone.
I didn't really know what to expect.
But they [Gb] literally, I think, said my name first when they were [G] like, you know, Julian
Casablancas, they were just like featuring the people, I guess.
So _ it was kind of like, whoa, I did not see that [N]
coming on many levels.
It was cool, though. _ _ _ _
_ Were you [C] sad when you heard they were [G] breaking up? _
I mean, A, do I believe it, is the question.
_ _ _ _ _ [Gb] _ _
I think I don't believe it.
_ Working with them was such a breeze that I think it kind of showed [F] me _
how collaboration should work.
_ [Gb] _ You're genuinely kind of liking what the other person's doing
and you're feeding off each other.
They're a pretty funny pair because [G] there's Tomas, [Fm] who's like, you know,
technical [Gb]
oriented, kind of getting super excited [G] and turning [Ab] knobs
and all that stuff.
And then [A] there's Guiman, who's more [Db] kind of, you know, the kind [Gb] of
_ [Eb] French brooding dude.
[Ab] And, _ you know, he's [A] like, yeah, it's cool.
[C] Or like, it's [Gb] not like he's like, you know.
I mean, [G] he's really got like really [Ab] good tastes.
_ _ [F] _ Infinity Repeating [Db]
is [Gb] a [G] appropriate _ song [Ab]
to _ [F] end _ Daft Punk [Gb] on forever.
_ _ [G] _ _ What do you [Ab] want from me?
You want the real [F] or you want the lie?
_ _ [Gb] _
You can't [G] handle the truth!
_ [Ab] I mean, they could put [F] on those helmets at any time.
[A] They could be 80 years old and be [Gb] like, all right, let's do it, man.
[Eb] And then like get out there.
[Ab] _
_ _ _ [A] _ [F] And I wouldn't [Gb] be surprised.
I'd be like, I knew it!
[Eb] _ _ _ _ [Ab] _
_ _ _ [A] _ _ _ _ [Gb] _
_ _ _ [Eb] _ _ Thank [Ab] you for watching.
I'll see you on the other [F] side.
_ _ [Gb]
I don't know what I'm doing. _ [Eb] _ Yay!
_ [Ab] _ _ [Ab] _ _ [A] _ [F] _ _ [Gb] _ _
_ _ [Eb] _ _ _ _ [Ab] _ _
_ _ _ [F] _ _ _ _ [Gb] _
_ _ _ [Eb] _ _ _ _ [Ab] _
_ _ _ [F] _ _ _ _ [Gb] _
_ _ _ [G] _ _ [Eb] _ _ [Ab] _
[Eb] _ _ _ _ _ [Fm] _ _ _
[Bbm] _ _ _ [Gb] _ _ _ _ [Ebm] _
_ _ _ [Ab] _ _ _ [Db] _ _
[Bbm] _ _ _ [Gb] _ _ _ _ [Ebm] _
_ So quiet [Ab] in here.
_ [F] _ _ _
_ Like this is officially the last Daft Punk song _ ever.
_ _ _ Okay.
It's like-
Way to be dramatic.
I mean, sorry.
I'm just [Gb] kidding.
_ _ _ [G] _
_ _ _ [Ab] _ So before [A] Instant Crush, they were doing this [F] track and [Gb] I thought it was cool and [G] they were
like, yeah, we're not going to do anything with that.
[Ab] And so I [A] thought, well, can I play?
[Gb] May I play?
_ I sang the [G] demo and I was like, I [F] wouldn't generally kind of have this kind of _ _ _ grandiose
ambition thought, but I just thought because they work with all these huge name people,
because I was like, maybe Stevie Wonder wants to sing the song.
You know, I thought [Gm] that'd be cool.
And they were just like, no, [Ab] no, no, you do it.
_ _ [A] I _ don't [Gb] want any water.
[Eb] _ _
_ _ [Ab] Take me as I [A] _
am.
[C] _ That was great.
What about that?
[Db] That's perfect.
_ It's a super [A] idea.
All we used [Gb] to do is [Eb] not [D] show.
[Gb] I don't want any water. _ _ _ _ _
[Bbm] _ _ _ _ _ _ _ [Gb] _
_ _ _ [Bbm] _ _ _ [Ab] It's good.
Not bad.
It's good.
Is it getting [Bbm] better?
Is it [Ebm] getting better?
Yeah, we have like a big mosh pit.
Yeah, yeah.
It's getting better.
[Eb] What was the first thing you did?
The first time was cool.
I was just [E] curious.
Get Lucky was obviously the big song from that record, but Instant Crush was [Gb] really
the sleeper indie hit.
_ I would argue Instant [G] Crush was really the main.
The [Ab] main.
That was the blockbuster?
_ The real [Gb] heads know. _
_ _ [Db] _ _ _ _ [Eb] _ _
They played [Bbm] me two different songs. _
One was the verse [Ab] of Instant Crush [Db] and one was the chorus [Fm] of Instant Crush.
I think [Gb] I was like, can we just put them together?
[Eb] I don't know if they secretly were setting me up and intended me to say [Bb] that or _ if _ [Bbm] they
were like, [Bb] what a brilliant idea you just had.
_ _ I [E] was in my composition [E] and guitar.
_ I had all these _ [Em] tiny_
That's crazy.
_ [Gbm] _
_ _ [Dm] I mean, yeah, these are_
[N] What are the options?
Yeah, these.
There's another option here.
They had told me that there was something about a summer crush, _ whatever, just like
kind of innocent young thing.
[Gb] And so I felt like, okay, got that vibe.
_ Paul Williams had wrote lyrics.
And then I took a stab at_
_ I think I wrote out a whole bunch of lyrics that _ made sense with what they [G] wanted.
But then the way music works sometimes, it's [Gb] almost like gibberish made more [Db] sense.
They wanted me to kind of do my Strokes-y.
And I was like, no, no, no, I want to [Bbm]
be a _ [Ab] cyborg. _ _
_ _ [Eb] _ _ _ _ [Bbm] _ _
_ _ _ [Bb] Yeah, the _ vocoder sounds, whatever, [Gb] all those things, _ [Db] _ _
it was ironically [Ebm] or whatever, more like me.
[Bbm] So when we did the video, I wanted to be like Robocop or something. _ _
_ [Gb] _ _ _ _ [Ebm] _ _ _
_ [Ab] _ _ _ _ _ [Bbm] _ _
_ [Gb] _ _ _ _ [Ebm] _ _ _
_ _ [Ab] _ _ [Fm] _ _ [Bbm] _ _
_ [Gb] The making of the video was [Ebm] fun.
The filming of it was really fun.
[Ab] But the editing [Gb] process was [Bbm] very brutal.
Possibly ended my friendship with Warren.
[G] What were you disagreeing about?
I think I wanted to seem a little more like wild [Gb] or something, kind of being a little
more [E] aggressive, I think.
[Gb] And I think that they were just like, didn't really know what to do with that.
And they kept more like the calm [Ab] takes or something.
And I don't think I [G] like [A] dancing on any [G] level, like even watching it.
[A] _
I mean, it's [G] impressive, I guess, if someone dances [Ab] well.
I don't know.
I just don't understand [E] dancing.
But you danced in the video. _
[F] _ Did I?
Well, I was just [Gm] pretending. _ _
_ You know, Warren [Gb] always works really [D] too hard.
So hopefully I'm less of a pain in the ass than I used to be. _ _
And the [A] Grammy goes to _ [F] Random Access Memories.
[Bm] That's awesome!
_ Featured [D] artist, Julian Casablancas.
DJ Khaled.
I [Ab] know, it was cool, honestly, just watching at home.
If it was in New York, I probably would have gone.
I didn't really know what to expect.
But they [Gb] literally, I think, said my name first when they were [G] like, you know, Julian
Casablancas, they were just like featuring the people, I guess.
So _ it was kind of like, whoa, I did not see that [N]
coming on many levels.
It was cool, though. _ _ _ _
_ Were you [C] sad when you heard they were [G] breaking up? _
I mean, A, do I believe it, is the question.
_ _ _ _ _ [Gb] _ _
I think I don't believe it.
_ Working with them was such a breeze that I think it kind of showed [F] me _
how collaboration should work.
_ [Gb] _ You're genuinely kind of liking what the other person's doing
and you're feeding off each other.
They're a pretty funny pair because [G] there's Tomas, [Fm] who's like, you know,
technical [Gb]
oriented, kind of getting super excited [G] and turning [Ab] knobs
and all that stuff.
And then [A] there's Guiman, who's more [Db] kind of, you know, the kind [Gb] of
_ [Eb] French brooding dude.
[Ab] And, _ you know, he's [A] like, yeah, it's cool.
[C] Or like, it's [Gb] not like he's like, you know.
I mean, [G] he's really got like really [Ab] good tastes.
_ _ [F] _ Infinity Repeating [Db]
is [Gb] a [G] appropriate _ song [Ab]
to _ [F] end _ Daft Punk [Gb] on forever.
_ _ [G] _ _ What do you [Ab] want from me?
You want the real [F] or you want the lie?
_ _ [Gb] _
You can't [G] handle the truth!
_ [Ab] I mean, they could put [F] on those helmets at any time.
[A] They could be 80 years old and be [Gb] like, all right, let's do it, man.
[Eb] And then like get out there.
[Ab] _
_ _ _ [A] _ [F] And I wouldn't [Gb] be surprised.
I'd be like, I knew it!
[Eb] _ _ _ _ [Ab] _
_ _ _ [A] _ _ _ _ [Gb] _
_ _ _ [Eb] _ _ Thank [Ab] you for watching.
I'll see you on the other [F] side.
_ _ [Gb]
I don't know what I'm doing. _ [Eb] _ Yay!
_ [Ab] _ _ [Ab] _ _ [A] _ [F] _ _ [Gb] _ _
_ _ [Eb] _ _ _ _ [Ab] _ _
_ _ _ [F] _ _ _ _ [Gb] _
_ _ _ [Eb] _ _ _ _ [Ab] _
_ _ _ [F] _ _ _ _ [Gb] _
_ _ _ [G] _ _ [Eb] _ _ [Ab] _