Chords for Daft Punk - The Collaborators - Episode 4 - Pharrell Williams (Official Video)

Tempo:
116.95 bpm
Chords used:

E

F#m

D

Bm

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Daft Punk - The Collaborators - Episode 4 - Pharrell Williams (Official Video) chords
Start Jamming...
[D]
[F#m] [E]
[Bm] [D]
[F#m] [E]
[Bm] The robots music [D] is the [F#m] power to [E] separate itself from [G] all else that exists.
They're [F#] not bound by time [D] and space.
[F#m] [E]
[Bm] [D]
[F#m] I [E]
[D]
saw the robots at [N] a [Fm] Madonna party, and they were just [D#] like,
well, we're doing something,
[F] and we can't take our eyes off of it right now.
And I was like, OK.
I was like, but listen, whatever you're [E] doing,
just know that anything you guys need, I'm always there.
If you just want me to play a tambourine, I'll do it.
So the [N] robots sort of reached out, and they kept [A] trying to figure out when we were going to be [B] in Paris.
And so [C#] finally I ended up in Paris.
They were like, well, what have you been working on?
[A] And I played them some [F#] of the stuff that I had been working [A] on.
And I was like, yeah, [G] I'm kind of like in [F#] this Niles Rodgers place right [G] now.
[F#m] And they looked at each other.
[D#]
I was like, what?
You guys [G#m] don't like that?
And they were like, OK, so this is what we want you to write to.
[B] So they play it.
[G] Niles Rodgers is actually playing in the [A] track.
[F#]
It's [Bm] crazy because, you know, [D] two sides of the Atlantic, [F#m] we were both like in the same [E] place.
It's like, let's go back to that [G] magical time where [Bm] music and the [D] liveliness of music [F#m] is what moved people.
[E] [C]
Because I [G#] was just so tired and so extremely jet lagged, they gave me this tablet that you put in water,
you know, more on the holistic [F#] side, doesn't have like the [G] crash or whatever.
And they were explaining all this to me.
So I'm like, all right, cool.
So I take it.
[D#m] And as soon as I take it, I'm like, [F] oh,
it was like a burst of energy.
But by [F#] the time I got on the [D#] plane back to America, I had forgotten [N] everything.
And still to this day, I can't figure out as is it, you know, was it really the jet lag or did the robot sort of hit me with the men in black?
Like, you will remember nothing after this.
[G#] And so I got to hear it with like [F#] the freshest of ears [G] and I was just [D#] blown away.
I was like, wow, I love that.
And I [Bm] can't believe I'm on it.
[D] It was like the only click track they had was [F#] like, you know, the human heartbeat.
[E] And that's what makes it really [Bm] interesting, because these are robots.
[D] [F#m]
[E] I heard [Bm]
[D] Get Lucky.
[C#] It just reminded me of like some kind of exotic island.
[B] Not sure if it was on this planet or not, [D] but [A] it just felt like a place where [G#] it was forever four in the [E] morning.
[G] Because you're on an island, you could sort of see the sun rising in the sky.
It's like, you know, that [F#m] peachy color.
[E] [F#] The music was [G] as alive as [D] the air was, you [G] know, so the air was something [F#] that you were gentle and kind and thankful to.
It's like [D] being in that world.
It's like the only thing that really matters is that you've met [F#m] this girl [E] at this party.
[B] Getting Lucky is not just sleeping with her, [E] but meeting someone for the first time and [F#m] it just clicking.
[E] There's no better [G#] fortune in this existence to me.
[N]
Do you have like some kind of idealized vision of how you would listen to this for the first time or who you would listen to it with?
Oh, definitely my girl. Of course.
Where would you be?
I don't know.
Maybe in a car, pulled up to the side of a beach and just let it play.
This music is very like, you know, it's beyond 3D.
It's like 4D.
It's in your [Bm] mind.
You don't need [F#m] MDMA for this [E] music because [G] the music is so incredibly vivid.
[D] [F#m]
People lost respect for [E] the groove.
Everything is just so, [G] you know, synthetic that like it doesn't [D] really,
[F#m] [E] it's just missing the gut.
[Bm]
[D]
[F#m] [E]
[F#m] Somewhere outside of the ether that we exist in [F] is [G] a multitude [A#] of [G] realms of possibility [A] and alternate [Bm] directions.
And I think they [F#m] just went in those libraries and just dusted [E] off those things.
It's kind of like the mid [G]-70s, early 80s [Am] of a different [F#] universe and dimension, [E] not of this one.
[D] It couldn't have come in a better year.
It's like 2013 where everything is completely [F#m] different.
[E] Things are not in a box in the [G] way that they used to be.
And if they are, it's kind of like, that's like the corniest thing ever.
Like, please don't talk [F#m] to me.
I don't want to catch your mentality.
[E] Like, [Bm] that's what this music is to me.
[D] This music represents like the freedom of like [F#m] all human beings.
[E]
[A] I [Bm] think that this record [G] really belongs to this [D] [D#] oblonged bit of rock that we live on as humans.
You know, 7 billion people now.
This is for like, this is for the globe.
[C#]
[G] A six-year-old can enjoy this [N] album like a 33-year-old.
It's like a 66-year-old, because it is music.
Where do they go from here, you think?
We're lucky to hang out on the planet.
They could just get back on the spaceship that brought them here and go.
And leave us.
But they're gracious.
They're nice [F#m] robots.
They chose to [E] stay.
[Bm] [D]
[F#m] We're up all night to get [E] lucky.
We're up all night to get [Bm] lucky.
We've [D] come too far to [F#m] give up who [E] we are.
[Bm] So [D] let's raise the bar and [F#m] our cups to [E] the stars.
[Bm] She's up all night to the [D] sun.
I'm up all night to get [F#m] some.
She's up all night for good [E] fun.
I'm up all night to get [Bm] lucky.
We're up all night to the [D] sun.
We're up all night to get [F#m] some.
We're up all night for good
Key:  
E
2311
F#m
123111112
D
1321
Bm
13421112
G
2131
E
2311
F#m
123111112
D
1321
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_ _ _ _ [D] _ _ _ _
[F#m] _ _ _ _ [E] _ _ _ _
[Bm] _ _ _ _ [D] _ _ _ _
[F#m] _ _ _ _ [E] _ _ _ _
[Bm] _ The robots music [D] is the [F#m] power to [E] separate itself from [G] all else that exists.
They're [F#] not bound by time [D] and space. _ _ _
[F#m] _ _ _ [E] _ _ _ _ _
[Bm] _ _ _ [D] _ _ _ _ _
[F#m] I _ _ [E] _ _ _ _
[D] _ _ _ _ _ _ _
saw the robots at _ [N] a [Fm] Madonna party, and they were just [D#] like,
well, _ we're doing something, _
[F] and we can't take our eyes off of it right now.
And I was like, OK.
I was like, but listen, whatever you're [E] doing,
just know that anything you guys need, I'm always there.
If you just want me to play a tambourine, I'll do it. _
_ So the [N] robots sort of reached out, and they kept [A] trying to figure out when we were going to be [B] in Paris.
And so [C#] finally I ended up in Paris.
They were like, well, what have you been working on? _
[A] And I played them some [F#] of the stuff that I had been working [A] on.
And I was like, yeah, [G] I'm kind of like in [F#] this Niles Rodgers place right [G] now.
[F#m] And they looked at each other.
[D#]
I was like, what?
You guys [G#m] don't like that?
And they were like, OK, so this is what we want you to write to.
_ _ [B] _ So they play it.
_ _ _ _ _ [G] Niles Rodgers is actually playing in the [A] track.
[F#] _ _
It's [Bm] crazy because, you know, [D] two sides of the Atlantic, [F#m] we were both like in the same [E] place.
It's like, let's go back to that [G] magical time where [Bm] music _ and the [D] liveliness of music [F#m] is what moved people.
_ _ [E] _ _ [C] _
_ _ _ _ _ Because I [G#] was just so tired and so extremely jet lagged, they gave me this tablet that you put in water,
you know, more on the holistic [F#] side, doesn't have like the [G] crash or whatever.
And they were explaining all this to me.
So I'm like, all right, cool.
So I take it.
[D#m] And as soon as I take it, I'm like, _ [F] _ oh,
_ it was like a burst of energy.
But by [F#] the time I got on the [D#] plane back to America, I had forgotten [N] everything.
_ And still to this day, I can't figure out as is it, you know, was it really the jet lag or did the robot sort of hit me with the men in black?
Like, you will remember nothing after this.
_ _ _ [G#] And so I got to hear it with like [F#] the freshest of ears [G] and I was just [D#] blown away.
I was like, wow, I love that.
And I [Bm] can't believe I'm on it. _ _ _
[D] It was like the only click track they had was [F#] like, you know, the human heartbeat.
[E] And that's what makes it really [Bm] interesting, because these are robots. _
[D] _ _ _ _ [F#m] _ _ _ _
[E] _ I heard _ [Bm] _ _ _ _
[D] _ _ Get Lucky.
[C#] It just reminded me of like some kind of exotic island.
[B] Not sure if it was on this planet or not, [D] but [A] it just felt like a place where [G#] it was forever four in the [E] morning.
[G] Because you're on an island, you could sort of see the sun rising in the sky.
It's like, you know, that [F#m] peachy color. _ _
_ [E] _ _ [F#] _ _ The music was [G] as alive as [D] the air was, you [G] know, so the air was something [F#] that you were gentle and kind and thankful to.
It's like [D] being in that world.
It's like the only thing that really matters is that you've met [F#m] this girl [E] at this party.
[B] Getting Lucky is not just sleeping with her, [E] but meeting someone for the first time and [F#m] it just clicking. _ _
[E] There's no better [G#] fortune in this existence to me.
[N] _
_ _ _ _ _ Do you have like some kind of idealized vision of how you would listen to this for the first time or who you would listen to it with?
Oh, definitely my girl. Of course. _ _
Where would you be?
I don't know. _
_ Maybe in a car, pulled up to the side of a beach and _ just let it play. _
_ _ _ This music is very like, you know, it's beyond 3D.
It's like 4D.
It's in your [Bm] mind.
You don't need _ [F#m] MDMA for this [E] music because [G] the music is so incredibly vivid.
[D] _ _ _ [F#m] _
People lost respect for [E] the groove.
Everything is just so, [G] you know, synthetic that like it doesn't [D] really, _ _
[F#m] _ _ [E] it's just missing the gut.
_ [Bm] _
_ _ _ [D] _ _ _ _ _
[F#m] _ _ _ _ [E] _ _ _ _
[F#m] _ Somewhere outside of the ether that we exist in [F] is [G] a multitude [A#] of [G] realms of possibility [A] and alternate [Bm] directions.
And I think they [F#m] just went in those libraries and just dusted [E] off those things. _ _
It's kind of like the mid [G]-70s, early 80s [Am] of a different [F#] universe and dimension, [E] not of this one. _
[D] It couldn't have come in a better year.
It's like 2013 where everything is completely [F#m] different.
_ _ [E] Things are not in a box in the [G] way that they used to be.
And if they are, it's kind of like, that's like the corniest thing ever.
Like, please don't talk [F#m] to me.
I don't want to catch your mentality.
_ [E] _ Like, [Bm] that's what this music is to me.
[D] This music represents like the freedom of like [F#m] all human beings.
[E] _ _ _ _
[A] I [Bm] think that this record [G] really belongs to this [D] _ [D#] oblonged bit of rock that we live on as humans.
You know, 7 billion people now.
This is for like, this is for the globe.
_ _ _ [C#] _ _ _ _
_ _ _ _ [G] A six-year-old can enjoy this [N] album like a 33-year-old.
It's like a 66-year-old, because it is music. _ _ _
Where do they go from here, you think? _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
We're lucky to hang out on the planet.
They could just get back on the spaceship that brought them here and go.
And leave us.
But they're gracious.
They're nice [F#m] robots.
_ They chose to [E] stay.
_ _ _ _ [Bm] _ _ _ [D] _
_ _ _ _ [F#m] We're up all night to get [E] lucky.
We're up all night to get [Bm] lucky.
We've [D] come too far to [F#m] give up who [E] we are.
_ [Bm] So _ [D] let's raise the bar and [F#m] our cups to [E] the stars.
_ _ [Bm] She's up all night to the [D] sun.
I'm up all night to get [F#m] some.
She's up all night for good [E] fun.
I'm up all night to get [Bm] lucky.
We're up all night to the [D] sun.
We're up all night to get [F#m] some.
We're up all night for good