Chords for Dailey & Vincent - Jessie Baker - Impressions
Tempo:
88.325 bpm
Chords used:
G
B
E
C
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
We hear that you can sound a lot [E] like Lester Flatt.
[B]
[N] How many of you remember Flatt and Scruggs?
[G#] Happy to hear you again.
Good evening.
[C] [G] Curley, [N] step up here.
Ladies and gentlemen, would you put your hands together for Lester Flatt?
What about it?
Thank you, boys.
Thank you so much.
It's good to be on this part of the country again.
It's been a long time since I've been down here in Georgia.
Thank you all so much.
I'm really proud of these boys.
I'm glad they let me come up here and [G] sing one with them from time to time.
[Bm] I'll get my picks on here.
Well, [G] you know, I'm going to do [A] one that I recorded with my partner Earl Scruggs several years ago.
This mic is [G] still too short for me.
I tell you what, [B]
I love you.
You know I do.
You do shorter names, Earl.
All right, here we are.
We're going to do [G] one.
There we go.
There it is right there.
All right, we're going to do one that I recorded many years ago.
This one's called I [C#m] Wonder How Little Folks Are.
[G] I wonder [C] how little [G] folks are.
Can you see [C] what I've done?
I wonder if it's great for me.
[G] All the boys who went away [A] and left you still very [D] sorrowful.
Well, [G] you can't have [C] it at all.
[G] Blame the fool.
You can almost see [C] and almost hear them cry.
[G] Eyes like history, but goodbye.
[A] How little folks [G] are.
Thank you folks.
[B] Now [N]
we [G] also hear that you do a little performance.
[B] Is there anything to it?
If you miss this, [A] you're going to walk home.
[E]
I told Mary about a time when [B] she cried and forgave me.
Mary took me [E] back again.
Just as if I wanted my freedom, I'd let me free [A]
evermore.
But I don't want to be, [E] and I don't want [B] to see Mary cry [E] anymore.
[B] Oh, little woman, little woman, [E] let me be.
Little woman, let me be.
Leave me alone.
I want to go home.
[E] [B]
[B]
[N] How many of you remember Flatt and Scruggs?
[G#] Happy to hear you again.
Good evening.
[C] [G] Curley, [N] step up here.
Ladies and gentlemen, would you put your hands together for Lester Flatt?
What about it?
Thank you, boys.
Thank you so much.
It's good to be on this part of the country again.
It's been a long time since I've been down here in Georgia.
Thank you all so much.
I'm really proud of these boys.
I'm glad they let me come up here and [G] sing one with them from time to time.
[Bm] I'll get my picks on here.
Well, [G] you know, I'm going to do [A] one that I recorded with my partner Earl Scruggs several years ago.
This mic is [G] still too short for me.
I tell you what, [B]
I love you.
You know I do.
You do shorter names, Earl.
All right, here we are.
We're going to do [G] one.
There we go.
There it is right there.
All right, we're going to do one that I recorded many years ago.
This one's called I [C#m] Wonder How Little Folks Are.
[G] I wonder [C] how little [G] folks are.
Can you see [C] what I've done?
I wonder if it's great for me.
[G] All the boys who went away [A] and left you still very [D] sorrowful.
Well, [G] you can't have [C] it at all.
[G] Blame the fool.
You can almost see [C] and almost hear them cry.
[G] Eyes like history, but goodbye.
[A] How little folks [G] are.
Thank you folks.
[B] Now [N]
we [G] also hear that you do a little performance.
[B] Is there anything to it?
If you miss this, [A] you're going to walk home.
[E]
I told Mary about a time when [B] she cried and forgave me.
Mary took me [E] back again.
Just as if I wanted my freedom, I'd let me free [A]
evermore.
But I don't want to be, [E] and I don't want [B] to see Mary cry [E] anymore.
[B] Oh, little woman, little woman, [E] let me be.
Little woman, let me be.
Leave me alone.
I want to go home.
[E] [B]
Key:
G
B
E
C
A
G
B
E
We hear that you can sound a lot [E] like Lester Flatt.
[B] _
[N] How many of you remember Flatt and Scruggs?
_ _ [G#] Happy to hear you again.
Good evening.
[C] _ _ _ [G] Curley, [N] step up here.
Ladies and gentlemen, would you put your hands together for Lester Flatt?
What about it?
Thank you, boys.
Thank you so much. _
It's good to be on this part of the country again.
It's been a long time since I've been down here in Georgia.
_ Thank you all so much.
I'm really proud of these boys.
I'm glad they let me come up here and [G] sing one with them from time to time.
_ [Bm] I'll get my picks on here.
_ Well, [G] you know, _ I'm going to do [A] one that I recorded with my partner Earl Scruggs several years ago.
This mic is [G] still too short for me.
I tell you what, _ [B] _
I love you.
You know I do.
You do shorter names, Earl.
_ _ All right, here we are.
We're going to do [G] one.
_ There we go.
_ There it is right there.
All right, we're going to do one that I recorded many years ago.
This one's called I [C#m] Wonder How Little Folks Are.
[G] I wonder _ _ _ _ _ _ [C] how little [G] folks are. _ _ _
_ Can you see [C] what I've done? _
I wonder if it's great for me.
[G] All the boys who went away [A] and left you still very [D] _ sorrowful.
Well, [G] you can't have [C] it at all.
[G] Blame the fool.
You can almost see [C] and _ _ _ almost hear them cry.
[G] Eyes like history, but goodbye.
[A] _ How little folks [G] are. _ _ _
Thank you folks.
[B] Now [N] _ _ _ _
_ _ _ _ _ _ we [G] also hear that you do a little performance.
[B] Is there anything to it?
If you miss this, [A] you're going to walk home.
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
I told Mary about a time when [B] _ _ _ she cried and forgave me.
Mary took me [E] back again.
Just as if I wanted my freedom, I'd let me free [A]
evermore.
But I don't want to be, [E] and I don't want [B] to see Mary cry [E] anymore.
_ [B] Oh, little woman, _ little woman, [E] let me be.
Little woman, let me be.
Leave me alone.
I want to go home.
[E] _ _ _ [B] _ _ _ _ _ _ _ _ _ _ _ _
[B] _
[N] How many of you remember Flatt and Scruggs?
_ _ [G#] Happy to hear you again.
Good evening.
[C] _ _ _ [G] Curley, [N] step up here.
Ladies and gentlemen, would you put your hands together for Lester Flatt?
What about it?
Thank you, boys.
Thank you so much. _
It's good to be on this part of the country again.
It's been a long time since I've been down here in Georgia.
_ Thank you all so much.
I'm really proud of these boys.
I'm glad they let me come up here and [G] sing one with them from time to time.
_ [Bm] I'll get my picks on here.
_ Well, [G] you know, _ I'm going to do [A] one that I recorded with my partner Earl Scruggs several years ago.
This mic is [G] still too short for me.
I tell you what, _ [B] _
I love you.
You know I do.
You do shorter names, Earl.
_ _ All right, here we are.
We're going to do [G] one.
_ There we go.
_ There it is right there.
All right, we're going to do one that I recorded many years ago.
This one's called I [C#m] Wonder How Little Folks Are.
[G] I wonder _ _ _ _ _ _ [C] how little [G] folks are. _ _ _
_ Can you see [C] what I've done? _
I wonder if it's great for me.
[G] All the boys who went away [A] and left you still very [D] _ sorrowful.
Well, [G] you can't have [C] it at all.
[G] Blame the fool.
You can almost see [C] and _ _ _ almost hear them cry.
[G] Eyes like history, but goodbye.
[A] _ How little folks [G] are. _ _ _
Thank you folks.
[B] Now [N] _ _ _ _
_ _ _ _ _ _ we [G] also hear that you do a little performance.
[B] Is there anything to it?
If you miss this, [A] you're going to walk home.
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
I told Mary about a time when [B] _ _ _ she cried and forgave me.
Mary took me [E] back again.
Just as if I wanted my freedom, I'd let me free [A]
evermore.
But I don't want to be, [E] and I don't want [B] to see Mary cry [E] anymore.
_ [B] Oh, little woman, _ little woman, [E] let me be.
Little woman, let me be.
Leave me alone.
I want to go home.
[E] _ _ _ [B] _ _ _ _ _ _ _ _ _ _ _ _