Chords for Damon Albarn & Yukimi Nagano Interview - DAZED & CONFUZED (2010)
Tempo:
137.25 bpm
Chords used:
Cm
F
Ab
B
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
I'd heard about Little Dragon, my partner was really into a couple of songs at that
see them play, you know, I could listen to the music
and we just, we, you know, we just became friends.
[N]
Every time something nice, refreshing comes up, there's a frisson of excitement about
it can actually develop into something that profoundly changes the
debatable, but I mean, because at the end of the day it's about people
possess, you know, and that changes constantly.
see them play, you know, I could listen to the music
and we just, we, you know, we just became friends.
[N]
Every time something nice, refreshing comes up, there's a frisson of excitement about
it can actually develop into something that profoundly changes the
debatable, but I mean, because at the end of the day it's about people
possess, you know, and that changes constantly.
100% ➙ 137BPM
Cm
F
Ab
B
A
Cm
F
Ab
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ I'd heard about Little Dragon, my partner was really _ into a couple of songs at that
time and we just sort of, I went to see them play, you know, I could listen to the music
a lot and we just, we, you know, _ _ _ we just became friends.
[Cm] _ _ _ _ [F] _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Every time something _ nice, _ _ refreshing comes up, there's a frisson of excitement about
it, I mean, whether _ _ it can actually develop into something that profoundly changes the
nature of music is debatable, but I mean, because at the end of the day it's about people
playing together and the spirit that they _ _ possess, you know, and that changes _ _ constantly.
_ Now that's the wonderful thing about it, it reflects the people that are participating.
Well I think what it teaches you, the internet, is that you can't rely on it, _ nothing is static,
_ you know, once you've gotten to something, don't expect it to be there in a couple of
years time, or it to be sustaining you, you know.
So we're either driving ourselves inexorably
_ [Ab] to extinction, _ [N] _
we're learning something _ essential along the way and we're going to _ sort all
the shit out, I don't know.
I feel [B] a little bit disconnected, like I'm not one of those [A] blog freaks who keeps looking
online all the time, but [N]
yeah, I mean, I guess it's just sort of modern days, like it's just
more accessible, you know, I don't know, I never really was one to buy magazines either,
so if you're on the internet all the time I guess you can find a bunch of new bands
and stay connected, but yeah, actually I guess it's helped us, but I'm not really aware of it.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Sometimes it kind of does, it does terrify me how much music there is out there, maybe
there's always been that kind of, _ that amount of music, it's just we become more self-conscious
about its existence.
I like that it's kind of unpredictable, it's kind of a power of its own, you can't really
control it, you know, like you said, there might be someone just uploading a song that
they just did in their bedroom and then all of a sudden, you know, _ everything's happening
for them, I don't know, I think that's kind of, yeah, it is a bit scary, but at the same
time it's really, _ I don't know, I can't really see how too much music could be a bad thing
in a way, because too little music would be more of a, it's kind of like a trivial problem.
Yeah, _ yeah, _ it's not
_ _ _ _ _ _ _ _
_ _ _ I'd heard about Little Dragon, my partner was really _ into a couple of songs at that
time and we just sort of, I went to see them play, you know, I could listen to the music
a lot and we just, we, you know, _ _ _ we just became friends.
[Cm] _ _ _ _ [F] _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ Every time something _ nice, _ _ refreshing comes up, there's a frisson of excitement about
it, I mean, whether _ _ it can actually develop into something that profoundly changes the
nature of music is debatable, but I mean, because at the end of the day it's about people
playing together and the spirit that they _ _ possess, you know, and that changes _ _ constantly.
_ Now that's the wonderful thing about it, it reflects the people that are participating.
Well I think what it teaches you, the internet, is that you can't rely on it, _ nothing is static,
_ you know, once you've gotten to something, don't expect it to be there in a couple of
years time, or it to be sustaining you, you know.
So we're either driving ourselves inexorably
_ [Ab] to extinction, _ [N] _
we're learning something _ essential along the way and we're going to _ sort all
the shit out, I don't know.
I feel [B] a little bit disconnected, like I'm not one of those [A] blog freaks who keeps looking
online all the time, but [N]
yeah, I mean, I guess it's just sort of modern days, like it's just
more accessible, you know, I don't know, I never really was one to buy magazines either,
so if you're on the internet all the time I guess you can find a bunch of new bands
and stay connected, but yeah, actually I guess it's helped us, but I'm not really aware of it.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Sometimes it kind of does, it does terrify me how much music there is out there, maybe
there's always been that kind of, _ that amount of music, it's just we become more self-conscious
about its existence.
I like that it's kind of unpredictable, it's kind of a power of its own, you can't really
control it, you know, like you said, there might be someone just uploading a song that
they just did in their bedroom and then all of a sudden, you know, _ everything's happening
for them, I don't know, I think that's kind of, yeah, it is a bit scary, but at the same
time it's really, _ I don't know, I can't really see how too much music could be a bad thing
in a way, because too little music would be more of a, it's kind of like a trivial problem.
Yeah, _ yeah, _ it's not
