Chords for Dan Fogelberg - ABC Interview with Tim Weisberg
Tempo:
94.85 bpm
Chords used:
G
C
E
Am
A
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Em] It's my marriage.
It's [C] [G]
given me [C] the peace in my life to [Em] think about.
[B]
[Em]
[A] [E] The world music influence, I'm not really sure where it came from.
I've [B] always been a musician like [E] the brand.
[A] [E] I take risks musically and try different areas, [B] whether it's jazz or [E] bluegrass or [A] rock or folk or whatever.
[E] And I think [B] over the last five or six years especially, [A] well the late 80s into the [E] 90s,
I was listening to people like Bruce Coburn, who was a great musician and writer.
And he uses a lot of influences from the world.
It's me and it's autumn and the birds to [A] sound just begun to turn.
Part of it is absorbing, listening to some other artists.
And part of it is just my own natural growth and my own travel.
[E] It's life [A] and it's dying [E] and after [A] then they'll come [D] return.
[G]
I'm a full electric [C] band.
I [G] do different tours.
I do completely [C] solo acoustic by myself tours.
[Gb] [G] I do acoustic [Am] band tours, which we did.
[G]
There's a lot of [C] fun.
It's different.
But this is the ensemble that I prefer.
We can do all the music.
And people are really enjoying this tour because for the first [G] time I think I'm doing every hit that I ever recorded.
We're just [C] playing [Gm] this material.
[D]
[Em]
[Am] [F]
[G] [Am] [C]
[Am] [F]
[G] Jazz [C] [G]
[D] cloudist Tim Weisberg [G] finds the two [C] collaborating more [E] than ever on world music.
[Dm] Here are Dan and Tim talking about their [C] new record, No Resemblance Whatsoever.
The last album we did [Ab] together was called Twin Thunders in the West.
It's 1978.
So using a new math that they taught [C] me years ago, I think it makes it about 17 years.
After I finished my last album, River of Fault, which was a real long involved personal project.
And I was kind of sick of writing lyrics.
[Fm] And so I just kind of went into my music career
[C] and decided to go just go and play just for fun.
Just to compose and remember why I like music.
And in doing this, I started composing some piano pieces.
And one of them struck me to be a perfect vehicle to turn the play on.
I started looking around and realizing I had more of this kind of stuff.
Once [G] I realized it wasn't just a hit and miss kind of well, [Bb] come on to my album and play on one of my [E] songs.
That there was [Am] a possibility we could actually [G] do another one of [C] these projects.
I started writing specifically [G] for him, for his instrument, for the flute.
[Bb] Which was a great deal of fun for me.
Things [D] happen.
[Am] I was like, God, I wish I was [D] bigger and bolder.
Off you [G] go.
[F]
[G] We really enjoyed doing [C] the record.
I think the biggest [G] difference was the approach that I took
as far as doing [Ab] the tracks.
[F] On the first one, I brought [C] in a band, a small band.
And we did [Gm] a small rhythm track.
[F] I'd go in and overdub a bunch of [C] stuff.
Then we had the finished track and then Tim would play [G] the flute or I'd do the vocal and be finished.
On [Am] this one, we got a really great live group of [G] musicians.
[Cm] Vinnie Caliuta [Gb] and Michael [G] Landau and Alec.
So we just went in and cut it live, really.
The whole thing was done in 10 [C] days.
[F] And these guys [Am] were so good that [G] we only did the songs maybe two, three times a piece.
And there [Dm] was.
Well, that's where I was after that.
[G] And so it was just [F] a little lot of [G] [Am]
fun.
It's [C] [G]
given me [C] the peace in my life to [Em] think about.
[B]
[Em]
[A] [E] The world music influence, I'm not really sure where it came from.
I've [B] always been a musician like [E] the brand.
[A] [E] I take risks musically and try different areas, [B] whether it's jazz or [E] bluegrass or [A] rock or folk or whatever.
[E] And I think [B] over the last five or six years especially, [A] well the late 80s into the [E] 90s,
I was listening to people like Bruce Coburn, who was a great musician and writer.
And he uses a lot of influences from the world.
It's me and it's autumn and the birds to [A] sound just begun to turn.
Part of it is absorbing, listening to some other artists.
And part of it is just my own natural growth and my own travel.
[E] It's life [A] and it's dying [E] and after [A] then they'll come [D] return.
[G]
I'm a full electric [C] band.
I [G] do different tours.
I do completely [C] solo acoustic by myself tours.
[Gb] [G] I do acoustic [Am] band tours, which we did.
[G]
There's a lot of [C] fun.
It's different.
But this is the ensemble that I prefer.
We can do all the music.
And people are really enjoying this tour because for the first [G] time I think I'm doing every hit that I ever recorded.
We're just [C] playing [Gm] this material.
[D]
[Em]
[Am] [F]
[G] [Am] [C]
[Am] [F]
[G] Jazz [C] [G]
[D] cloudist Tim Weisberg [G] finds the two [C] collaborating more [E] than ever on world music.
[Dm] Here are Dan and Tim talking about their [C] new record, No Resemblance Whatsoever.
The last album we did [Ab] together was called Twin Thunders in the West.
It's 1978.
So using a new math that they taught [C] me years ago, I think it makes it about 17 years.
After I finished my last album, River of Fault, which was a real long involved personal project.
And I was kind of sick of writing lyrics.
[Fm] And so I just kind of went into my music career
[C] and decided to go just go and play just for fun.
Just to compose and remember why I like music.
And in doing this, I started composing some piano pieces.
And one of them struck me to be a perfect vehicle to turn the play on.
I started looking around and realizing I had more of this kind of stuff.
Once [G] I realized it wasn't just a hit and miss kind of well, [Bb] come on to my album and play on one of my [E] songs.
That there was [Am] a possibility we could actually [G] do another one of [C] these projects.
I started writing specifically [G] for him, for his instrument, for the flute.
[Bb] Which was a great deal of fun for me.
Things [D] happen.
[Am] I was like, God, I wish I was [D] bigger and bolder.
Off you [G] go.
[F]
[G] We really enjoyed doing [C] the record.
I think the biggest [G] difference was the approach that I took
as far as doing [Ab] the tracks.
[F] On the first one, I brought [C] in a band, a small band.
And we did [Gm] a small rhythm track.
[F] I'd go in and overdub a bunch of [C] stuff.
Then we had the finished track and then Tim would play [G] the flute or I'd do the vocal and be finished.
On [Am] this one, we got a really great live group of [G] musicians.
[Cm] Vinnie Caliuta [Gb] and Michael [G] Landau and Alec.
So we just went in and cut it live, really.
The whole thing was done in 10 [C] days.
[F] And these guys [Am] were so good that [G] we only did the songs maybe two, three times a piece.
And there [Dm] was.
Well, that's where I was after that.
[G] And so it was just [F] a little lot of [G] [Am]
fun.
Key:
G
C
E
Am
A
G
C
E
[Em] _ It's my marriage.
It's _ [C] _ [G] _
_ given me [C] the peace in my life to [Em] think about.
[B] _
_ _ _ _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
[A] _ _ [E] _ The world music influence, I'm not really sure where it came from.
I've [B] always been a musician like [E] the brand.
[A] _ _ [E] I take risks musically and try different areas, [B] whether it's jazz or [E] bluegrass or [A] rock or folk or whatever.
[E] And I think [B] over the last five or six years especially, [A] well the late 80s into the [E] 90s,
I was listening to people like Bruce Coburn, who was a great musician and writer.
And he uses a lot of influences from the world.
It's me and it's autumn and the birds to [A] sound just begun to turn.
Part of it is absorbing, listening to some other artists.
And part of it is just my own natural growth and my own travel.
[E] It's life [A] and it's dying [E] and after [A] then they'll come [D] return.
_ [G]
I'm a full electric [C] band.
I [G] do different tours.
I do completely [C] solo acoustic by myself tours.
[Gb] _ [G] I do acoustic [Am] band tours, which we did.
[G]
There's a lot of [C] fun.
It's different.
But this is the ensemble that I prefer.
We can do all the music.
And people are really enjoying this tour because for the first [G] time I think I'm doing every hit that I ever recorded.
We're just [C] playing [Gm] this material.
_ _ [D] _ _ _
_ _ _ _ _ _ _ [Em] _
_ [Am] _ _ _ _ [F] _ _ _
_ [G] _ _ _ _ [Am] _ _ [C] _
_ [Am] _ _ _ _ [F] _ _ _
_ [G] Jazz _ [C] _ _ _ [G] _
_ [D] _ _ _ _ cloudist Tim Weisberg [G] finds the two [C] collaborating more [E] than ever on world music.
[Dm] Here are Dan and Tim talking about their [C] new record, No Resemblance Whatsoever.
_ _ _ The last album we did [Ab] together was called Twin Thunders in the West.
It's 1978.
So using a new math that they taught [C] me years ago, I think it makes it about 17 years.
After I finished my last album, River of Fault, which was a real long involved personal project.
And I was kind of sick of writing lyrics.
[Fm] And so I just kind of went into my music career
_ [C] and decided to go just go and play just for fun.
Just to compose and remember why I like music.
And in doing this, I started composing some piano pieces.
And one of them struck me to be a perfect vehicle to turn the play on.
I started looking around and realizing I had more of this kind of stuff.
Once [G] I realized it wasn't just a hit and miss kind of well, [Bb] come on to my album and play on one of my [E] songs.
That there was [Am] a possibility we could actually [G] do another one of [C] these projects.
I started writing specifically [G] for him, for his instrument, for the flute.
[Bb] Which was a great deal of fun for me.
Things [D] happen.
[Am] I was like, God, I wish I was [D] bigger and bolder.
Off you [G] go.
_ _ _ [F] _ _ _
[G] We really enjoyed doing [C] the record.
I think the biggest [G] difference was the approach that I took
as far as doing [Ab] the tracks.
[F] On the first one, I brought [C] in a band, a small band.
And we did [Gm] a small rhythm track.
[F] I'd go in and overdub a bunch of [C] stuff.
Then we had the finished track and then Tim would play [G] the flute or I'd do the vocal and be finished.
On [Am] this one, we got a really great live group of [G] musicians.
[Cm] Vinnie Caliuta [Gb] and Michael [G] Landau and Alec.
_ So we just went in and cut it live, really.
The whole thing was done in 10 [C] days.
[F] _ And these guys [Am] were so good that [G] we only did the songs maybe two, three times a piece.
And there [Dm] was.
Well, that's where I was after that.
[G] And so it _ _ _ was just [F] a little lot of [G] _ _ _ [Am] _ _
_ fun. _ _ _ _ _
_ _ _ _ _ _ _ _
It's _ [C] _ [G] _
_ given me [C] the peace in my life to [Em] think about.
[B] _
_ _ _ _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
[A] _ _ [E] _ The world music influence, I'm not really sure where it came from.
I've [B] always been a musician like [E] the brand.
[A] _ _ [E] I take risks musically and try different areas, [B] whether it's jazz or [E] bluegrass or [A] rock or folk or whatever.
[E] And I think [B] over the last five or six years especially, [A] well the late 80s into the [E] 90s,
I was listening to people like Bruce Coburn, who was a great musician and writer.
And he uses a lot of influences from the world.
It's me and it's autumn and the birds to [A] sound just begun to turn.
Part of it is absorbing, listening to some other artists.
And part of it is just my own natural growth and my own travel.
[E] It's life [A] and it's dying [E] and after [A] then they'll come [D] return.
_ [G]
I'm a full electric [C] band.
I [G] do different tours.
I do completely [C] solo acoustic by myself tours.
[Gb] _ [G] I do acoustic [Am] band tours, which we did.
[G]
There's a lot of [C] fun.
It's different.
But this is the ensemble that I prefer.
We can do all the music.
And people are really enjoying this tour because for the first [G] time I think I'm doing every hit that I ever recorded.
We're just [C] playing [Gm] this material.
_ _ [D] _ _ _
_ _ _ _ _ _ _ [Em] _
_ [Am] _ _ _ _ [F] _ _ _
_ [G] _ _ _ _ [Am] _ _ [C] _
_ [Am] _ _ _ _ [F] _ _ _
_ [G] Jazz _ [C] _ _ _ [G] _
_ [D] _ _ _ _ cloudist Tim Weisberg [G] finds the two [C] collaborating more [E] than ever on world music.
[Dm] Here are Dan and Tim talking about their [C] new record, No Resemblance Whatsoever.
_ _ _ The last album we did [Ab] together was called Twin Thunders in the West.
It's 1978.
So using a new math that they taught [C] me years ago, I think it makes it about 17 years.
After I finished my last album, River of Fault, which was a real long involved personal project.
And I was kind of sick of writing lyrics.
[Fm] And so I just kind of went into my music career
_ [C] and decided to go just go and play just for fun.
Just to compose and remember why I like music.
And in doing this, I started composing some piano pieces.
And one of them struck me to be a perfect vehicle to turn the play on.
I started looking around and realizing I had more of this kind of stuff.
Once [G] I realized it wasn't just a hit and miss kind of well, [Bb] come on to my album and play on one of my [E] songs.
That there was [Am] a possibility we could actually [G] do another one of [C] these projects.
I started writing specifically [G] for him, for his instrument, for the flute.
[Bb] Which was a great deal of fun for me.
Things [D] happen.
[Am] I was like, God, I wish I was [D] bigger and bolder.
Off you [G] go.
_ _ _ [F] _ _ _
[G] We really enjoyed doing [C] the record.
I think the biggest [G] difference was the approach that I took
as far as doing [Ab] the tracks.
[F] On the first one, I brought [C] in a band, a small band.
And we did [Gm] a small rhythm track.
[F] I'd go in and overdub a bunch of [C] stuff.
Then we had the finished track and then Tim would play [G] the flute or I'd do the vocal and be finished.
On [Am] this one, we got a really great live group of [G] musicians.
[Cm] Vinnie Caliuta [Gb] and Michael [G] Landau and Alec.
_ So we just went in and cut it live, really.
The whole thing was done in 10 [C] days.
[F] _ And these guys [Am] were so good that [G] we only did the songs maybe two, three times a piece.
And there [Dm] was.
Well, that's where I was after that.
[G] And so it _ _ _ was just [F] a little lot of [G] _ _ _ [Am] _ _
_ fun. _ _ _ _ _
_ _ _ _ _ _ _ _