Chords for Daniel Lanois in Studio part 1
Tempo:
120.3 bpm
Chords used:
E
G
A
Bm
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
The most potent way to tell a story is to first to have lived it and
if you've lived it then you're speaking the truth and
when you speak the truth a listener will feel that it's true and
Therefore [Gm] your story will be more contagious
[Abm] And I think that's what listeners look for in songs.
[G] They want to feel that
The writer the singer [A] has lived it [Gbm] and then
They can sort of they can experience the same feeling by entering the song themselves
[A] [E]
[Bm] [A] [E]
[Bm] [A] [E]
[Bm] [A] [E]
[Bm] [Am] Falls [E] on me, but I feel [B] no cold
[A] You're like a fleece [E] like a new [Bm] soul
[A] I'm standing [E] on the ledge not feeling the fall
[B] Well, you know [F] the first thing I should say is
[G] This song is called.
Here's [D] what is and
[Bb] I [G] invited Oliver Black to do a [E] performance with me.
So they're a great regional band
[D] [A]
[G] Well, [D] [A]
[E] [Bm]
[A] [E] [Bb]
I find that
Everybody I've worked [E] with is is hungry for
signature [Eb]
and innovation
[Em] Because it's a wonderful [Eb] feeling to [Gb] make a recording that has something specific about it [Bb] that gives it an
[Eb]
Identifiable bit of personality like when we were working on here is what is today?
I asked how the drummer to find a little
from
Phil that would give the song
[D] Specific from identity and we found one and it's really [Em] kind of jumps out of [B] that spawn and it kicks the course into play
[F] [N]
[Bm] [G] [D]
[A] [E]
[Bm] [A]
[E] [Bm]
[Em] I
Think [Bm]
[G] innovation [D] [A]
[G] [D]
[Gb] is the thing that all artists have in common and we hope to stumble onto it
And you never know.
How are [F] you gonna stumble onto it?
You just try
[G] the presence [D] of camaraderie
[E]
usually [Gb] something
Will come up in this original [G] but it needs to be part of your appetite
[Bm] [D] [Bm]
[Em] [G]
[D]
[Bm] [A] [Ab] Of this record frame
You [Bb] have a sense
Of the chain.
I'm not fighting anymore
Gonna let [Ab] all go the melting of a man like the Sun
Not fighting anymore
This old [C] town
[Am]
Don't know me [Bb] anyhow
We don't [F] Talk
[C]
[Am]
[Bb] [Db]
[N]
[E]
[Abm] [C] Fighting [F] many less I see the [Dm] scene
[Bb]
[F]
[Dm] [Ab]
[C]
[Dm] [Bb]
I
[F]
[C]
[N] [Bb] Believe nothing
[Dm]
[Bb] [F]
[Eb]
[C]
[Ab] Feel as a
It's a very big [G] word in a way.
I mean, that's what you want to end up with in the end
But how to get it?
I think there are a number of ways you can get it
obviously
[Ab]
congregating [G] a group and
delivering something live off the floor
Where everybody's in agreement
About the working of the parts.
That's a certain kind of feel this undisputed
There's another kind of feel where you could say, okay, let's build it up electronically and in anticipation of a band playing a song
You build an electronic beginning and this [Gb] is something that I do
[F] With Eno because he's a master of that and we've done that a few times.
We for example
YouTube's beautiful day has that in [Gb] it where the it's a little electro beginning and
Then [F] we superimpose all the live [Gb] playing on top of that.
So it's I
Think the moral of the story is you can't apply one rule to all [Gm] situations, you know
you have to have the [Gb] flexibility to to move with the
[F] tone of the [G] moment
all artists
have a code [Gb] of ethics
They're operating by [Eb] and they were all driven [Gb] by
by
commitment and commitment in itself is
[G] It's quite a serious decision, you know
you come up as a kid and you decide to embrace music [Bb] and
and [Eb] it's not something that one takes lightly because it becomes a way of life and therefore
and and as
Performers we witness the raising of the spirit, you know the capacity that [B] music has to [D] change the feeling of a room
[F] So we can't help but be spiritual
if you've lived it then you're speaking the truth and
when you speak the truth a listener will feel that it's true and
Therefore [Gm] your story will be more contagious
[Abm] And I think that's what listeners look for in songs.
[G] They want to feel that
The writer the singer [A] has lived it [Gbm] and then
They can sort of they can experience the same feeling by entering the song themselves
[A] [E]
[Bm] [A] [E]
[Bm] [A] [E]
[Bm] [A] [E]
[Bm] [Am] Falls [E] on me, but I feel [B] no cold
[A] You're like a fleece [E] like a new [Bm] soul
[A] I'm standing [E] on the ledge not feeling the fall
[B] Well, you know [F] the first thing I should say is
[G] This song is called.
Here's [D] what is and
[Bb] I [G] invited Oliver Black to do a [E] performance with me.
So they're a great regional band
[D] [A]
[G] Well, [D] [A]
[E] [Bm]
[A] [E] [Bb]
I find that
Everybody I've worked [E] with is is hungry for
signature [Eb]
and innovation
[Em] Because it's a wonderful [Eb] feeling to [Gb] make a recording that has something specific about it [Bb] that gives it an
[Eb]
Identifiable bit of personality like when we were working on here is what is today?
I asked how the drummer to find a little
from
Phil that would give the song
[D] Specific from identity and we found one and it's really [Em] kind of jumps out of [B] that spawn and it kicks the course into play
[F] [N]
[Bm] [G] [D]
[A] [E]
[Bm] [A]
[E] [Bm]
[Em] I
Think [Bm]
[G] innovation [D] [A]
[G] [D]
[Gb] is the thing that all artists have in common and we hope to stumble onto it
And you never know.
How are [F] you gonna stumble onto it?
You just try
[G] the presence [D] of camaraderie
[E]
usually [Gb] something
Will come up in this original [G] but it needs to be part of your appetite
[Bm] [D] [Bm]
[Em] [G]
[D]
[Bm] [A] [Ab] Of this record frame
You [Bb] have a sense
Of the chain.
I'm not fighting anymore
Gonna let [Ab] all go the melting of a man like the Sun
Not fighting anymore
This old [C] town
[Am]
Don't know me [Bb] anyhow
We don't [F] Talk
[C]
[Am]
[Bb] [Db]
[N]
[E]
[Abm] [C] Fighting [F] many less I see the [Dm] scene
[Bb]
[F]
[Dm] [Ab]
[C]
[Dm] [Bb]
I
[F]
[C]
[N] [Bb] Believe nothing
[Dm]
[Bb] [F]
[Eb]
[C]
[Ab] Feel as a
It's a very big [G] word in a way.
I mean, that's what you want to end up with in the end
But how to get it?
I think there are a number of ways you can get it
obviously
[Ab]
congregating [G] a group and
delivering something live off the floor
Where everybody's in agreement
About the working of the parts.
That's a certain kind of feel this undisputed
There's another kind of feel where you could say, okay, let's build it up electronically and in anticipation of a band playing a song
You build an electronic beginning and this [Gb] is something that I do
[F] With Eno because he's a master of that and we've done that a few times.
We for example
YouTube's beautiful day has that in [Gb] it where the it's a little electro beginning and
Then [F] we superimpose all the live [Gb] playing on top of that.
So it's I
Think the moral of the story is you can't apply one rule to all [Gm] situations, you know
you have to have the [Gb] flexibility to to move with the
[F] tone of the [G] moment
all artists
have a code [Gb] of ethics
They're operating by [Eb] and they were all driven [Gb] by
by
commitment and commitment in itself is
[G] It's quite a serious decision, you know
you come up as a kid and you decide to embrace music [Bb] and
and [Eb] it's not something that one takes lightly because it becomes a way of life and therefore
and and as
Performers we witness the raising of the spirit, you know the capacity that [B] music has to [D] change the feeling of a room
[F] So we can't help but be spiritual
Key:
E
G
A
Bm
F
E
G
A
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ The most potent way to tell a story is to first to have lived it and
_ if you've lived it then you're speaking the truth and
when you speak the truth a listener will feel that it's true and
_ _ _ Therefore [Gm] your story will be more contagious
_ [Abm] And I think that's what listeners look for in songs.
[G] They want to feel that _ _
The writer the singer [A] has lived it [Gbm] and then
They can sort of they can experience the same feeling by entering the song themselves
[A] _ _ _ [E] _ _
_ [Bm] _ _ _ [A] _ _ [E] _ _
_ [Bm] _ _ _ [A] _ _ _ [E] _
_ [Bm] _ _ _ _ [A] _ _ [E] _
_ _ [Bm] _ _ _ [Am] _ Falls [E] on me, but I feel [B] no cold
_ [A] You're like a fleece [E] like a new [Bm] soul
_ [A] I'm standing [E] on the ledge not feeling the fall
[B] _ Well, you know [F] the first thing I should say is
[G] This _ _ song is called.
Here's [D] what is and
_ _ [Bb] I [G] invited Oliver Black to do a [E] performance with me.
So they're a great regional band
[D] _ _ [A] _ _ _
[G] Well, _ [D] _ _ [A] _ _ _ _
_ _ _ [E] _ _ [Bm] _ _ _
_ [A] _ _ [E] _ _ _ [Bb] _ _
_ _ _ _ _ _ _ _
_ I find that
_ _ Everybody I've worked [E] with is is hungry for
signature [Eb]
and innovation
[Em] Because it's a wonderful [Eb] feeling to [Gb] make a recording that has something specific about it [Bb] that gives it an
[Eb] _
Identifiable bit of personality like when we were working on here is what is today?
I asked how the drummer to find a little
from
_ Phil that would give the song
_ _ _ [D] Specific from identity and we found one and it's really [Em] kind of jumps out of [B] that spawn and it kicks the course into play
[F] _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ [G] _ _ [D] _ _
_ [A] _ _ _ _ _ [E] _ _
[Bm] _ _ _ _ [A] _ _ _ _
_ _ [E] _ _ [Bm] _ _ _ _
[Em] I
Think _ _ [Bm] _ _
_ [G] innovation _ [D] _ _ _ [A] _
_ _ _ [G] _ _ [D] _ _ _
[Gb] is the thing that all artists have in common and we hope to stumble onto it
And you never know.
How are [F] you gonna stumble onto it?
You just try
[G] the presence [D] of camaraderie
[E] _
usually [Gb] something
Will come up in this original [G] but it needs to be part of your appetite
[Bm] _ [D] _ _ _ [Bm] _
_ _ _ [Em] _ _ _ _ [G] _
_ _ _ _ [D] _ _ _ _
[Bm] _ _ _ _ [A] _ _ [Ab] Of this record frame
You [Bb] have a sense
Of the chain.
I'm not fighting anymore
Gonna let [Ab] all go the melting of a man like the Sun
_ _ Not fighting anymore _
_ _ _ _ _ This old [C] town
_ _ [Am] _ _ _ _
Don't know me [Bb] anyhow
_ We don't [F] _ Talk
_ _ _ [C] _
_ _ _ _ _ [Am] _ _ _
_ _ _ _ [Bb] _ _ _ [Db] _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ [Abm] _ _ [C] Fighting _ [F] many less I see the [Dm] scene
_ _ _ _ _ [Bb] _ _
_ _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ _
[Dm] _ _ _ _ _ [Ab] _ _ _
_ _ _ _ _ _ [C] _ _
_ _ _ _ [Dm] _ _ _ [Bb] _
_ _ _ _ I
[F] _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ _
_ [N] _ _ _ _ [Bb] _ Believe nothing
_ _ [Dm] _ _ _ _ _
_ [Bb] _ _ _ _ _ [F] _ _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ _
[Ab] Feel as a
It's a very big [G] word in a way.
I mean, that's what you want to end up with in the end
But how to get it?
I think there are a number of ways you can get it
obviously
[Ab] _
_ congregating [G] a group and
delivering something live off the floor
_ _ _ _ Where everybody's in agreement
About the working of the parts.
That's a certain kind of feel this undisputed
_ There's another kind of feel where you could say, okay, let's build it up electronically and in anticipation of a band playing a song
You build an electronic beginning and this [Gb] is something that I do
[F] With Eno because he's a master of that and we've done that a few times.
We for example
YouTube's beautiful day has that in [Gb] it where the it's a little electro beginning and
Then [F] we superimpose all the live [Gb] playing on top of that.
So it's I
Think the moral of the story is you can't apply one rule to all [Gm] situations, you know
you have to have the [Gb] flexibility to to move with the
[F] tone of the [G] moment _ _ _
_ _ _ _ _ _ all artists
_ _ have a code [Gb] of ethics
_ They're operating by [Eb] and they were all driven [Gb] by
_ by
_ _ commitment and commitment in itself is _ _ _
[G] It's quite a serious decision, you know
you come up as a kid and you decide to embrace music [Bb] and
and [Eb] it's not something that one takes lightly because it becomes a way of life and therefore _ _
and and as
Performers we witness the raising of the spirit, you know the capacity that [B] music has to [D] change the feeling of a room
[F] So we can't help but be spiritual
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ The most potent way to tell a story is to first to have lived it and
_ if you've lived it then you're speaking the truth and
when you speak the truth a listener will feel that it's true and
_ _ _ Therefore [Gm] your story will be more contagious
_ [Abm] And I think that's what listeners look for in songs.
[G] They want to feel that _ _
The writer the singer [A] has lived it [Gbm] and then
They can sort of they can experience the same feeling by entering the song themselves
[A] _ _ _ [E] _ _
_ [Bm] _ _ _ [A] _ _ [E] _ _
_ [Bm] _ _ _ [A] _ _ _ [E] _
_ [Bm] _ _ _ _ [A] _ _ [E] _
_ _ [Bm] _ _ _ [Am] _ Falls [E] on me, but I feel [B] no cold
_ [A] You're like a fleece [E] like a new [Bm] soul
_ [A] I'm standing [E] on the ledge not feeling the fall
[B] _ Well, you know [F] the first thing I should say is
[G] This _ _ song is called.
Here's [D] what is and
_ _ [Bb] I [G] invited Oliver Black to do a [E] performance with me.
So they're a great regional band
[D] _ _ [A] _ _ _
[G] Well, _ [D] _ _ [A] _ _ _ _
_ _ _ [E] _ _ [Bm] _ _ _
_ [A] _ _ [E] _ _ _ [Bb] _ _
_ _ _ _ _ _ _ _
_ I find that
_ _ Everybody I've worked [E] with is is hungry for
signature [Eb]
and innovation
[Em] Because it's a wonderful [Eb] feeling to [Gb] make a recording that has something specific about it [Bb] that gives it an
[Eb] _
Identifiable bit of personality like when we were working on here is what is today?
I asked how the drummer to find a little
from
_ Phil that would give the song
_ _ _ [D] Specific from identity and we found one and it's really [Em] kind of jumps out of [B] that spawn and it kicks the course into play
[F] _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ [G] _ _ [D] _ _
_ [A] _ _ _ _ _ [E] _ _
[Bm] _ _ _ _ [A] _ _ _ _
_ _ [E] _ _ [Bm] _ _ _ _
[Em] I
Think _ _ [Bm] _ _
_ [G] innovation _ [D] _ _ _ [A] _
_ _ _ [G] _ _ [D] _ _ _
[Gb] is the thing that all artists have in common and we hope to stumble onto it
And you never know.
How are [F] you gonna stumble onto it?
You just try
[G] the presence [D] of camaraderie
[E] _
usually [Gb] something
Will come up in this original [G] but it needs to be part of your appetite
[Bm] _ [D] _ _ _ [Bm] _
_ _ _ [Em] _ _ _ _ [G] _
_ _ _ _ [D] _ _ _ _
[Bm] _ _ _ _ [A] _ _ [Ab] Of this record frame
You [Bb] have a sense
Of the chain.
I'm not fighting anymore
Gonna let [Ab] all go the melting of a man like the Sun
_ _ Not fighting anymore _
_ _ _ _ _ This old [C] town
_ _ [Am] _ _ _ _
Don't know me [Bb] anyhow
_ We don't [F] _ Talk
_ _ _ [C] _
_ _ _ _ _ [Am] _ _ _
_ _ _ _ [Bb] _ _ _ [Db] _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ [Abm] _ _ [C] Fighting _ [F] many less I see the [Dm] scene
_ _ _ _ _ [Bb] _ _
_ _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ _
[Dm] _ _ _ _ _ [Ab] _ _ _
_ _ _ _ _ _ [C] _ _
_ _ _ _ [Dm] _ _ _ [Bb] _
_ _ _ _ I
[F] _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ _
_ [N] _ _ _ _ [Bb] _ Believe nothing
_ _ [Dm] _ _ _ _ _
_ [Bb] _ _ _ _ _ [F] _ _
_ _ _ _ _ _ [Eb] _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ _
[Ab] Feel as a
It's a very big [G] word in a way.
I mean, that's what you want to end up with in the end
But how to get it?
I think there are a number of ways you can get it
obviously
[Ab] _
_ congregating [G] a group and
delivering something live off the floor
_ _ _ _ Where everybody's in agreement
About the working of the parts.
That's a certain kind of feel this undisputed
_ There's another kind of feel where you could say, okay, let's build it up electronically and in anticipation of a band playing a song
You build an electronic beginning and this [Gb] is something that I do
[F] With Eno because he's a master of that and we've done that a few times.
We for example
YouTube's beautiful day has that in [Gb] it where the it's a little electro beginning and
Then [F] we superimpose all the live [Gb] playing on top of that.
So it's I
Think the moral of the story is you can't apply one rule to all [Gm] situations, you know
you have to have the [Gb] flexibility to to move with the
[F] tone of the [G] moment _ _ _
_ _ _ _ _ _ all artists
_ _ have a code [Gb] of ethics
_ They're operating by [Eb] and they were all driven [Gb] by
_ by
_ _ commitment and commitment in itself is _ _ _
[G] It's quite a serious decision, you know
you come up as a kid and you decide to embrace music [Bb] and
and [Eb] it's not something that one takes lightly because it becomes a way of life and therefore _ _
and and as
Performers we witness the raising of the spirit, you know the capacity that [B] music has to [D] change the feeling of a room
[F] So we can't help but be spiritual