Chords for Davey Graham "She Moves Through the Fair" AKA "White Summer"

[D] _ The Irish melody, [E] she moves through the [D] pan.
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_ _ _ [Bm] It _ _ _
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was _ _ _ _ improvisational, [F#m] but it was also using the guitar in a way I'd never heard it used before.
It just blew me away.
[C] I couldn't figure [D] out how he'd done it.
_ [G] The guy who played it to me, a guy called Gordon Keefe, [D] _ _ [F#] Gordon explained to me that
the guitar tuned [Dm] differently.
[G] _ _ [C] _
[D] And that was something that had never occurred [G] to me.
What Daly was getting away [D] from was the idea that you had to be orchestral.
[G] He was playing [D] melodically rather than [C] harmonically.
And the chords are suggested [D] rather than imposed.
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[Cm] _ _ _ _ _ _ _ [C]
By fusing the two strands of the folk movement, folk [Gm] roots new roots became a defining moment
for [C] British folk music.
_ _ _ _ I think it was influential _ [A#] in the sense of opening [Cm] people's ears to the wider possibilities
of what was being done.
I think [N] without that album, we wouldn't have had Pentangle, we wouldn't have had _ Fairport's
Leech and Leaf.
[C#] _
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_ _ _ _ While Davy Graham and Shirley Collins' [A] fusions were well received critically, they barely [B] registered commercially. _ _
[C#] _ _ _ [B] _ [G#] But over in America, a mighty [C#] wind was blowing. _ _ _ _