Chords for David Allan Coe - Pantera & Coe [A Live at Billy Bob's Texas Short]
Tempo:
124.8 bpm
Chords used:
A
D
E
F
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
My tribute to the outlaw, [Dm] David [Bm] Allen.
Mona Lisa lost her [A] smile.
A man with nothing [F] ain't got nothing to lose.
Jack [E] Daniels if you please.
Cowboys do more dope than rock and rollers.
[A]
Sweeties come down by eggs.
They got [D] lots of [A] booze.
The very first time I met David Allen Coe,
I came out here, I've always been a fan of his music.
He's always been a hell of a songwriter,
the best country and [Bb] western outlaw [E] songwriter ever.
[A]
And [D] I wanted [E] to come back and say hi to the cat,
meet him and say, you know, [A] what's up dude, you know?
Just shake [E] his hand and say I met David Allen Coe, you know?
[A]
Man came back and he said, [D] sit down, you know?
It was right there, [B] there was a couch in here
and we sat down and we talked for like [E] two hours,
nonstop and [A] we had so much in common it was ridiculous, [D] you know?
Because what we are to heavy metal,
we are [B] the rebels and the hell raisers [C] of heavy metal
[E] and that's what he is to country and western.
And just all the values and stuff that we,
the way we see shit in life was just right on the money.
We hit it off like that.
[F] You know, the whole thing with us [A] jamming together is like I said,
[D] met him, we hung out, found out how much shit [Gb] we had in [A] common
and just on [D] his spare time off and our [Em] spare time off,
whenever we [A] could hook up, we'd hook up.
I got [E] a studio in the back of my house.
We just go down there and just start [Bm] laying, you know,
just start fresh out of nowhere [E] and say, hey man,
you got an idea or this or that,
break [Dbm] the acoustic guitar out and start jamming.
It was a trip, man, because we didn't know what [Ebm] to expect.
[Bm] Right.
We had no idea where it was going.
[E] First time the dude showed up to actually jam, you know,
we were [A] like, man, you know, this is going to be a trip
because we've always done [E] Pantera and our thing.
We know how we work, but then having another person there
and finding out how they work,
and the first song we wrote was Nothing to Lose.
Yeah.
And it was just
[Dbm] Steamroller.
We wrote three songs the first two days he [D] was there, you know,
and after [Db] that, you know, every time [Bm] he'd come down,
it was like two or three songs [E] and it just fell into place, man.
It was easy.
I mean, he's a great songwriter and [A] obviously, you know,
we've done pretty [E] well with the kind of music that we do
and [A] all of us together, man, it worked pretty good.
[C] One of the reasons why David Allen Coe is a legend [F] is
anybody that can tell you that they taught Charles [Gm] Manson
how to play guitar while they were in prison together
has been somewhere, you know,
[Bb] and the main reason, [D] of course, is his songwriting.
[Eb] You know, the songs are timeless, they'll live on
past all of us forever, you know,
[F] and he's just a really
[Bb] an outlaw.
You know, he's an outlaw.
He's against the system, you know.
He's [D] totally into his own thing,
[Bb] and fuck anybody else if they don't [Em] like it.
When he was writing [A] one of the songs,
I don't remember which one, [A] but he had his notepad
and he was in the [Dm] studio and he was writing.
He was all intense.
[D]
And [A] we took this sound effects CD that we had
and just stuck it in the CD player
and [E] it has these dogs [D] barking,
and bees flying,
and we all just walked out of the room
and kind of [A] dimmed the lights down
and he's sitting there and he's so intense writing the lyrics.
So into it.
He doesn't [Am] even realize what's going on
and all this
Cars honking and everything.
And he just totally
He's writing this shit and he [Am] finally gets done
and he's like,
What the hell's going on in [A] here?
What's all that going on?
[D]
Man, he's one of the most humane, loving,
caring, honest people I've ever [Dm] met in my life.
And it's been nothing but beautiful shit since then, man,
since I met him.
[Bb] All right.
David, brother, [Gb] here's to you.
[F] A man with nothing, he ain't got nothing to lose.
[Fm] Are you laid back or have you been
bombed out for like three days or something?
I've been bombed out my whole life.
What are you talking about?
Get up there.
All right.
Great show.
Fantastic.
[Gm]
Best one yet, ain't it?
[G] Crowd love.
Crowd
[D] Love.
[Bm] Kill it.
This is good shit.
Kill it.
[Eb] You can't say love on [G] the camera, Don.
You can say fuck, but you can't say love.
Amen.
[D] They say if you tattoo a woman's name on you,
she'll leave you.
The bitch said, [Bbm] I'm not leaving, motherfucker.
I don't [Dm] care how many times you tattoo my name on you.
[C] What happens when I got DAC tattooed on my leg?
That means we love each other.
That means he ain't gone.
He's not gone. Yeah.
[F] DAC.
Right there it is.
With the black tooth.
[Fm] Hell yeah, right above the black beard.
And if your camera will go through my heart,
you'll [C] see Pantera right on my heart
if you can get past that skin.
Right on.
It'll say Pantera right on my heart
there on the inside underneath that skin there.
[F] Pantera forever and ever.
Rubble [F] meets rubble.
Rubble meets rubble.
And that is [Fm] rubble.
[N]
Mona Lisa lost her [A] smile.
A man with nothing [F] ain't got nothing to lose.
Jack [E] Daniels if you please.
Cowboys do more dope than rock and rollers.
[A]
Sweeties come down by eggs.
They got [D] lots of [A] booze.
The very first time I met David Allen Coe,
I came out here, I've always been a fan of his music.
He's always been a hell of a songwriter,
the best country and [Bb] western outlaw [E] songwriter ever.
[A]
And [D] I wanted [E] to come back and say hi to the cat,
meet him and say, you know, [A] what's up dude, you know?
Just shake [E] his hand and say I met David Allen Coe, you know?
[A]
Man came back and he said, [D] sit down, you know?
It was right there, [B] there was a couch in here
and we sat down and we talked for like [E] two hours,
nonstop and [A] we had so much in common it was ridiculous, [D] you know?
Because what we are to heavy metal,
we are [B] the rebels and the hell raisers [C] of heavy metal
[E] and that's what he is to country and western.
And just all the values and stuff that we,
the way we see shit in life was just right on the money.
We hit it off like that.
[F] You know, the whole thing with us [A] jamming together is like I said,
[D] met him, we hung out, found out how much shit [Gb] we had in [A] common
and just on [D] his spare time off and our [Em] spare time off,
whenever we [A] could hook up, we'd hook up.
I got [E] a studio in the back of my house.
We just go down there and just start [Bm] laying, you know,
just start fresh out of nowhere [E] and say, hey man,
you got an idea or this or that,
break [Dbm] the acoustic guitar out and start jamming.
It was a trip, man, because we didn't know what [Ebm] to expect.
[Bm] Right.
We had no idea where it was going.
[E] First time the dude showed up to actually jam, you know,
we were [A] like, man, you know, this is going to be a trip
because we've always done [E] Pantera and our thing.
We know how we work, but then having another person there
and finding out how they work,
and the first song we wrote was Nothing to Lose.
Yeah.
And it was just
[Dbm] Steamroller.
We wrote three songs the first two days he [D] was there, you know,
and after [Db] that, you know, every time [Bm] he'd come down,
it was like two or three songs [E] and it just fell into place, man.
It was easy.
I mean, he's a great songwriter and [A] obviously, you know,
we've done pretty [E] well with the kind of music that we do
and [A] all of us together, man, it worked pretty good.
[C] One of the reasons why David Allen Coe is a legend [F] is
anybody that can tell you that they taught Charles [Gm] Manson
how to play guitar while they were in prison together
has been somewhere, you know,
[Bb] and the main reason, [D] of course, is his songwriting.
[Eb] You know, the songs are timeless, they'll live on
past all of us forever, you know,
[F] and he's just a really
[Bb] an outlaw.
You know, he's an outlaw.
He's against the system, you know.
He's [D] totally into his own thing,
[Bb] and fuck anybody else if they don't [Em] like it.
When he was writing [A] one of the songs,
I don't remember which one, [A] but he had his notepad
and he was in the [Dm] studio and he was writing.
He was all intense.
[D]
And [A] we took this sound effects CD that we had
and just stuck it in the CD player
and [E] it has these dogs [D] barking,
and bees flying,
and we all just walked out of the room
and kind of [A] dimmed the lights down
and he's sitting there and he's so intense writing the lyrics.
So into it.
He doesn't [Am] even realize what's going on
and all this
Cars honking and everything.
And he just totally
He's writing this shit and he [Am] finally gets done
and he's like,
What the hell's going on in [A] here?
What's all that going on?
[D]
Man, he's one of the most humane, loving,
caring, honest people I've ever [Dm] met in my life.
And it's been nothing but beautiful shit since then, man,
since I met him.
[Bb] All right.
David, brother, [Gb] here's to you.
[F] A man with nothing, he ain't got nothing to lose.
[Fm] Are you laid back or have you been
bombed out for like three days or something?
I've been bombed out my whole life.
What are you talking about?
Get up there.
All right.
Great show.
Fantastic.
[Gm]
Best one yet, ain't it?
[G] Crowd love.
Crowd
[D] Love.
[Bm] Kill it.
This is good shit.
Kill it.
[Eb] You can't say love on [G] the camera, Don.
You can say fuck, but you can't say love.
Amen.
[D] They say if you tattoo a woman's name on you,
she'll leave you.
The bitch said, [Bbm] I'm not leaving, motherfucker.
I don't [Dm] care how many times you tattoo my name on you.
[C] What happens when I got DAC tattooed on my leg?
That means we love each other.
That means he ain't gone.
He's not gone. Yeah.
[F] DAC.
Right there it is.
With the black tooth.
[Fm] Hell yeah, right above the black beard.
And if your camera will go through my heart,
you'll [C] see Pantera right on my heart
if you can get past that skin.
Right on.
It'll say Pantera right on my heart
there on the inside underneath that skin there.
[F] Pantera forever and ever.
Rubble [F] meets rubble.
Rubble meets rubble.
And that is [Fm] rubble.
[N]
Key:
A
D
E
F
Bm
A
D
E
My tribute to the outlaw, [Dm] David [Bm] Allen.
Mona Lisa lost her [A] smile.
A man with nothing [F] ain't got nothing to lose.
Jack [E] Daniels if you please.
_ _ Cowboys do more dope than rock and rollers.
_ _ [A]
Sweeties come down by eggs. _
They got [D] lots of [A] booze.
The very first time I met David Allen Coe,
I came out here, I've always been a fan of his music.
He's always been a hell of a songwriter,
the best country and [Bb] western outlaw [E] songwriter ever.
_ [A] _
_ And [D] I wanted [E] to come back and say hi to the cat,
meet him and say, you know, [A] what's up dude, you know?
Just shake [E] his hand and say I met David Allen Coe, you know?
_ _ _ [A]
Man came back and he said, [D] sit down, you know?
It was right there, [B] there was a couch in here
and we sat down and we talked for like [E] two hours, _
nonstop and [A] we had so much in common it was ridiculous, [D] you know?
Because what we are to heavy metal,
we are [B] the rebels and the hell raisers [C] of heavy metal
[E] and that's what he is to country and western.
And just all the values and stuff that we,
_ the way we see shit in life was just right on the money.
We hit it off like that.
[F] You know, the whole thing with us [A] jamming together is like I said,
[D] met him, we hung out, found out how much shit [Gb] we had in [A] common
_ _ and just on [D] his spare time off and our [Em] spare time off,
whenever we [A] could hook up, we'd hook up.
I got [E] a studio in the back of my house.
We just go down there and just start [Bm] laying, you know,
just start fresh out of nowhere [E] and say, hey man,
you got an idea or this or that,
break [Dbm] the acoustic guitar out and start jamming.
It was a trip, man, because we didn't know what [Ebm] to expect.
[Bm] Right.
We had no idea where it was going.
[E] First time the dude showed up to actually jam, you know,
we were [A] like, man, you know, this is going to be a trip
because we've always done [E] Pantera and our thing.
We know how we work, but then having another person there
and finding out how they work,
and the first song we wrote was Nothing to Lose.
Yeah.
And it was just_
[Dbm] Steamroller.
We wrote three songs the first two days he [D] was there, you know,
and after [Db] that, you know, every time [Bm] he'd come down,
it was like two or three songs [E] and it just fell into place, man.
It was easy.
I mean, he's a great songwriter and [A] obviously, you know,
we've done pretty [E] well with the kind of music that we do
and [A] all of us together, man, it worked pretty good.
_ [C] One of the reasons why David Allen Coe is a legend [F] is _
_ anybody that can tell you that they taught Charles [Gm] Manson
how to play guitar while they were in prison together
has been somewhere, you know,
[Bb] and _ the main reason, [D] of course, is his songwriting.
[Eb] You know, the songs are timeless, they'll live on
past all of us forever, you know,
_ [F] and he's just a really_
[Bb] an outlaw.
You know, he's an outlaw.
He's against the system, you know.
He's [D] totally into his own thing,
[Bb] and fuck anybody else if they don't [Em] like it.
When he was writing [A] one of the songs,
I don't remember which one, [A] but he had his notepad
and he was in the [Dm] studio and he was writing.
He was all intense.
[D] _
And [A] we took this sound effects CD that we had
and just stuck it in the CD player
and [E] it has these dogs [D] barking,
and bees flying,
and we all just walked out of the room
and kind of [A] dimmed the lights down
and he's sitting there and he's so intense writing the lyrics.
So into it.
He doesn't [Am] even realize what's going on
and all _ this_
Cars honking and everything.
And he just totally_
He's writing this shit and he [Am] finally gets done
and he's like,
_ What the hell's going on in [A] here?
What's all that going on?
_ _ [D]
Man, he's one of the most humane, loving,
caring, honest people I've ever [Dm] met in my life.
And it's been nothing but beautiful shit since then, man,
since I met him.
_ [Bb] All right.
David, brother, [Gb] here's to you. _ _
_ _ _ [F] _ A man with nothing, he ain't got nothing to lose.
[Fm] _ _ Are you laid back or have you been
bombed out for like three days or something?
I've been bombed out my whole life.
What are you talking about? _
_ Get up there.
All right.
Great show.
Fantastic.
_ [Gm]
Best one yet, ain't it?
[G] Crowd love.
Crowd_
_ [D] Love. _ _
[Bm] Kill it.
This is good shit.
Kill it.
[Eb] You can't say love on [G] the camera, Don.
You can say fuck, but you can't say love.
Amen.
_ [D] _ They say if you tattoo a woman's name on you,
she'll leave you.
The bitch said, [Bbm] I'm not leaving, motherfucker.
I don't [Dm] care how many times you tattoo my name on you.
[C] What happens when I got DAC tattooed on my leg?
That means we love each other.
That means he ain't gone.
He's not gone. Yeah.
_ _ [F] DAC.
Right there it is.
With the black tooth.
[Fm] Hell yeah, right above the black beard. _ _
And if your camera will go through my heart,
you'll [C] see Pantera right on my heart
if you can get past that skin.
Right on.
It'll say Pantera right on my heart
there on the inside underneath that skin there.
_ [F] Pantera forever and ever.
Rubble [F] meets rubble.
Rubble meets rubble.
And that is [Fm] _ rubble. _ _
_ _ _ _ _ _
_ _ _ _ _ [N] _
Mona Lisa lost her [A] smile.
A man with nothing [F] ain't got nothing to lose.
Jack [E] Daniels if you please.
_ _ Cowboys do more dope than rock and rollers.
_ _ [A]
Sweeties come down by eggs. _
They got [D] lots of [A] booze.
The very first time I met David Allen Coe,
I came out here, I've always been a fan of his music.
He's always been a hell of a songwriter,
the best country and [Bb] western outlaw [E] songwriter ever.
_ [A] _
_ And [D] I wanted [E] to come back and say hi to the cat,
meet him and say, you know, [A] what's up dude, you know?
Just shake [E] his hand and say I met David Allen Coe, you know?
_ _ _ [A]
Man came back and he said, [D] sit down, you know?
It was right there, [B] there was a couch in here
and we sat down and we talked for like [E] two hours, _
nonstop and [A] we had so much in common it was ridiculous, [D] you know?
Because what we are to heavy metal,
we are [B] the rebels and the hell raisers [C] of heavy metal
[E] and that's what he is to country and western.
And just all the values and stuff that we,
_ the way we see shit in life was just right on the money.
We hit it off like that.
[F] You know, the whole thing with us [A] jamming together is like I said,
[D] met him, we hung out, found out how much shit [Gb] we had in [A] common
_ _ and just on [D] his spare time off and our [Em] spare time off,
whenever we [A] could hook up, we'd hook up.
I got [E] a studio in the back of my house.
We just go down there and just start [Bm] laying, you know,
just start fresh out of nowhere [E] and say, hey man,
you got an idea or this or that,
break [Dbm] the acoustic guitar out and start jamming.
It was a trip, man, because we didn't know what [Ebm] to expect.
[Bm] Right.
We had no idea where it was going.
[E] First time the dude showed up to actually jam, you know,
we were [A] like, man, you know, this is going to be a trip
because we've always done [E] Pantera and our thing.
We know how we work, but then having another person there
and finding out how they work,
and the first song we wrote was Nothing to Lose.
Yeah.
And it was just_
[Dbm] Steamroller.
We wrote three songs the first two days he [D] was there, you know,
and after [Db] that, you know, every time [Bm] he'd come down,
it was like two or three songs [E] and it just fell into place, man.
It was easy.
I mean, he's a great songwriter and [A] obviously, you know,
we've done pretty [E] well with the kind of music that we do
and [A] all of us together, man, it worked pretty good.
_ [C] One of the reasons why David Allen Coe is a legend [F] is _
_ anybody that can tell you that they taught Charles [Gm] Manson
how to play guitar while they were in prison together
has been somewhere, you know,
[Bb] and _ the main reason, [D] of course, is his songwriting.
[Eb] You know, the songs are timeless, they'll live on
past all of us forever, you know,
_ [F] and he's just a really_
[Bb] an outlaw.
You know, he's an outlaw.
He's against the system, you know.
He's [D] totally into his own thing,
[Bb] and fuck anybody else if they don't [Em] like it.
When he was writing [A] one of the songs,
I don't remember which one, [A] but he had his notepad
and he was in the [Dm] studio and he was writing.
He was all intense.
[D] _
And [A] we took this sound effects CD that we had
and just stuck it in the CD player
and [E] it has these dogs [D] barking,
and bees flying,
and we all just walked out of the room
and kind of [A] dimmed the lights down
and he's sitting there and he's so intense writing the lyrics.
So into it.
He doesn't [Am] even realize what's going on
and all _ this_
Cars honking and everything.
And he just totally_
He's writing this shit and he [Am] finally gets done
and he's like,
_ What the hell's going on in [A] here?
What's all that going on?
_ _ [D]
Man, he's one of the most humane, loving,
caring, honest people I've ever [Dm] met in my life.
And it's been nothing but beautiful shit since then, man,
since I met him.
_ [Bb] All right.
David, brother, [Gb] here's to you. _ _
_ _ _ [F] _ A man with nothing, he ain't got nothing to lose.
[Fm] _ _ Are you laid back or have you been
bombed out for like three days or something?
I've been bombed out my whole life.
What are you talking about? _
_ Get up there.
All right.
Great show.
Fantastic.
_ [Gm]
Best one yet, ain't it?
[G] Crowd love.
Crowd_
_ [D] Love. _ _
[Bm] Kill it.
This is good shit.
Kill it.
[Eb] You can't say love on [G] the camera, Don.
You can say fuck, but you can't say love.
Amen.
_ [D] _ They say if you tattoo a woman's name on you,
she'll leave you.
The bitch said, [Bbm] I'm not leaving, motherfucker.
I don't [Dm] care how many times you tattoo my name on you.
[C] What happens when I got DAC tattooed on my leg?
That means we love each other.
That means he ain't gone.
He's not gone. Yeah.
_ _ [F] DAC.
Right there it is.
With the black tooth.
[Fm] Hell yeah, right above the black beard. _ _
And if your camera will go through my heart,
you'll [C] see Pantera right on my heart
if you can get past that skin.
Right on.
It'll say Pantera right on my heart
there on the inside underneath that skin there.
_ [F] Pantera forever and ever.
Rubble [F] meets rubble.
Rubble meets rubble.
And that is [Fm] _ rubble. _ _
_ _ _ _ _ _
_ _ _ _ _ [N] _