Chords for David Gilmour's delay sounds (part 2)

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_ _ Hi, this is Bjørn from Gilmerich.com. Thank you for watching and please subscribe to my channel.
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_ Today I'm going to address some of the questions you guys sent me after the last video I did with David Gilmer's delay sounds.
_ _ And _ you asked, how can we set up accurate time settings without the display on the pedal?
_ So what I usually do is that I open up _ GarageBand or Logic or whatever, open a plugin and set the exact time settings that I need and _ match that with the pedal.
Just hit your strings and when those two match, your pedal and the plugin, you got it.
Do some markings [Em] on your pedal and you're good to go.
_ [N] _ The TC Flashback that I often use has the tone print editor.
You can just dial in your preferred settings and make your own tone prints _ for each song that you can beam in.
Or as a reference, just make the markings on several tone prints.
_ So we also talked about Run Like Hell and David often refers to these triplets that he's using.
I'm not sure if that's the correct term, but what he essentially does is that he's setting up two different delays. _
One with 380 milliseconds and 7 repeats and a unity mix with a guitar, which is what we used on the last clip. _
And he sets up a second delay placed after the first with _ 507 milliseconds, 7 repeats and a very low mix, about 10%.
_ [G] What this does is that it sort [N] of emulates the old tape machines with multiple heads.
_ You get a _ punchy, bouncy sort of delay.
So I'm going to show you how this sounds and compare it with the last clip that we did.
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_ _ _ _ [N] got a lot of feedback for my Benson simulation in the last clip, so thank you for that.
And my point was that you have to have a fairly high mix on your pedal.
Go beyond 12 o'clock on the level _ [F] and set it up for 310 milliseconds, which is the fixed time setting on the single head on the Benson.
_ _ [G] _ And about 7 or 8 repeats.
_ _ [E] And what you're trying to achieve [N] is _ sort of a reverb-like character.
_ A pedal that I often use, and I'm going to do a little plugging now, is the Heartbeat from FX Amplification.
I did a review of that a year ago.
And this is sort of a Memory Man sort of analog delay, but it has the ability to crank the preamp, just like on the Benson.
And it has a very big _ _ reverb-like tone.
And when you set the mix high, you get that _ _ _ _ 1970s, 71, 72 David Gilmour sound.
And in this clip, I'm going to [B] exaggerate what I do on the fretboard, so you can hear how the delay pops up and melts into the playing.
And it just sounds wonderful. _ _ _ _ _ _ _
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