Chords for Daz Dillinger Says Dr. Dre Took His Ideas To Create "The Chronic"
Tempo:
150 bpm
Chords used:
D
A
Ab
G
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[N] Is there any Dr.
Dre beat, [Ab] or any Daz Dillinger beat that gets confused for a Dr.
Dre beat?
I [A] did Ain't No Fun, I did a [D] slew [Ab] of songs, Rat-A-Tat-Tat.
I mean, a [G] bunch of songs I probably just got [Gb] programmed, drummed, [F] programmed on something like that.
[Dm]
[A] Yeah, it was a clobbering game [F] back then.
Mic, mic, mic, mic, mic.
[B] Take that, take that.
I was putting my records out, and when [A]
you go into the store, my records would be right [G] next to their records.
And they was wondering, [Em] how you do [A] that?
And I'm telling them, pricing and [D] positioning.
[A] You know, you gotta go in there to the store and say, [D] I want my record in the front.
Here go an extra couple of dollars.
Here [Bb] go this, this, this, this.
[D] You know what I'm saying?
They was wondering [Am] how I do that.
So I've been doing [D] that for years.
The [A] formula, that's how I eat.
You know what I'm saying?
[D] I take [B] $600, make $10,000 out of it.
You know what I'm saying?
Make $5, make $50 out of it.
It's [D] about pressing.
Whoever controls the pressing, [E] controls the money.
With all that intel that you have, what drives you to still make music?
You could be [G] head of black music at Columbia.
I don't want to be [B] working at [C] McDonald's and all that.
I've seen a lot of rappers [B] nowadays, I [Bb] look at McDonald's, I'm [A] like, man, what is you working [D] in [E] here for?
Give me a [Gb] couple of [Em] cheeseburgers.
You know what I [D] mean?
[Am] [D] Which rappers are these?
[A] I forgot [B] their name.
[D]
[E] [Ab] [A] Gerardo McDonald, [D] the new rapper.
[A] Why not [C] an executive role?
Do what Jeezy did at [Gbm] Atlantic, or be the head of black music.
I just don't want to be dealing with a lot of [Am] people's problems.
[B] You [C] get artists, they spend their money up and they come back and,
[Am] hey, this is the [A] business.
You got 100 niggas, you got this, [Dbm] you got that.
I tried that before.
And [Bb] we done all
At [B] the position [Bb] where we at now, [Ab] from Fugue, [D]
Shootouts, everything.
I'm just [Ab] tired of it.
So I just continue to be my artist and instead of me signing you, I'm going to give you the game.
All right, I got one last [D] series.
This one [B] is Chronic vs Doggystyle.
So [A] this argument happens all the time [D] in hip hop.
So I got [Ab] to compartmentalize a little bit.
[G] So I want to get Dav [D] Zillinger's expertise on Chronic vs Doggystyle.
[Ab]
So [C] start out with the beats.
What's better, Chronic or Doggystyle?
Why?
[D]
I think the Chronic.
That's when [G] we started off and then it got [Dm] better.
It got better, so that would be Doggystyle, right?
[C] Yeah, but it's still a mixture.
Some songs on the [Bb] Chronic was, you know,
[G] see, you know what I'm saying?
But I would say Doggystyle.
You know what I'm saying?
Because it was more newer, it was more energetic and faster [Em] beats and it had Snoop on [Dm]
it instead
of Dr.
Dre.
We [A] wrote everything that was on Dr.
Dre's album.
Right.
But then we performed as us [Bb] on the Doggystyle [D] album.
[F] But people didn't know our face.
They only [Dm] knew our music.
[Ab] So we would ride [Dm] by, people bumping the music.
Yeah, that's hard.
And we hearing ourselves rapping, they don't even know it's [G] us.
[B] Until we started talking, that's what it was [Am] before, you know what I'm saying?
So people would ride by playing our music and walk right by.
We'd be right in the club.
[C] They wouldn't even let us in the club, but they playing our music in the back, you know what I mean?
[Bb] Wow.
This was back [A] in the 90s.
[D] Wow.
Ice [E]-T got us in.
He's like, y'all [D] playing this music?
Look, and got us in the club.
So you say the beats on Chronic are better, but the lyrics on Doggystyle?
No, everything is [Bb] better on the [Dm] Doggystyle.
Right.
On the Chronic, we was just help putting it together.
Right.
[Gb] On the Doggystyle, we actually [G] created and put it together.
Instead of Dre taking our ideas and putting it down, that's when we was just [F] all learning
in the first album.
[Gb] Then the Doggystyle, the Murder was the case.
[G] That's when I started producing everything.
[F]
I was learning.
Yeah.
I had a bunch [Dm] of doing that, you know what I mean?
[D] What about the Dadz Dillinger versus Chronic or Doggystyle?
I mean, you know, they gonna beat me out.
But I learned.
[Ab] I'm a student of the game.
I'm Dr.
Dre's first student.
[G] You know what I mean?
So [Gb] everything that I do is like perfection.
You know, sometimes Corrupted, they're [B] like, man, you're switching the song up on his men.
And I'm [A] like, hey, you gotta get the [Abm] kick right.
You know, it might sound like that, but then you gotta get the frequencies.
[G] You know what I mean?
[F] So [Ab] as far as [C] mentality of the album, the attitude, the Dadz Dillinger [A] album.
It was just a [Dm] hardcore [A]
for that [Gb] time.
Right.
Right after Jupiter got killed.
So a lot of that.
Lastly, Impact, Chronic or [Dm] Doggystyle?
[C] The Impact, I think Doggystyle.
Chronic [Ab] was an introduction, but [D] Doggystyle blew that ass right out the, you know [G] what I mean?
It was wet.
[D]
[Am] [C] So, you know, I'm just happy to be a student of the game.
I [Gb] appreciate everybody for always loving my music and [Ab] continues to love my music.
New Dadz and [G] Mataz album produced by [Ab] Dadz.
30 new songs
[Bb] independently [Ab] on my own label.
You know what I'm saying?
Everything that you see, I put together, [F] you know, with the help of [Ab] Empire.
You know what I mean?
And we're just going to continue to ride this train of stack these cabooses up.
[D] And [A] shout out to [Ab] HipHopDX, DX the HipHop.
You did bringing [Bb] this news and me towards y'all [Ab] and that [A] internet.
Hit me up at Dadz [C] Dillinger.
You hear me?
[A] And DadzandMataz.com if [Ab] you want them hard copy CDs.
Shout out to everybody overseas, the NCs
Dre beat, [Ab] or any Daz Dillinger beat that gets confused for a Dr.
Dre beat?
I [A] did Ain't No Fun, I did a [D] slew [Ab] of songs, Rat-A-Tat-Tat.
I mean, a [G] bunch of songs I probably just got [Gb] programmed, drummed, [F] programmed on something like that.
[Dm]
[A] Yeah, it was a clobbering game [F] back then.
Mic, mic, mic, mic, mic.
[B] Take that, take that.
I was putting my records out, and when [A]
you go into the store, my records would be right [G] next to their records.
And they was wondering, [Em] how you do [A] that?
And I'm telling them, pricing and [D] positioning.
[A] You know, you gotta go in there to the store and say, [D] I want my record in the front.
Here go an extra couple of dollars.
Here [Bb] go this, this, this, this.
[D] You know what I'm saying?
They was wondering [Am] how I do that.
So I've been doing [D] that for years.
The [A] formula, that's how I eat.
You know what I'm saying?
[D] I take [B] $600, make $10,000 out of it.
You know what I'm saying?
Make $5, make $50 out of it.
It's [D] about pressing.
Whoever controls the pressing, [E] controls the money.
With all that intel that you have, what drives you to still make music?
You could be [G] head of black music at Columbia.
I don't want to be [B] working at [C] McDonald's and all that.
I've seen a lot of rappers [B] nowadays, I [Bb] look at McDonald's, I'm [A] like, man, what is you working [D] in [E] here for?
Give me a [Gb] couple of [Em] cheeseburgers.
You know what I [D] mean?
[Am] [D] Which rappers are these?
[A] I forgot [B] their name.
[D]
[E] [Ab] [A] Gerardo McDonald, [D] the new rapper.
[A] Why not [C] an executive role?
Do what Jeezy did at [Gbm] Atlantic, or be the head of black music.
I just don't want to be dealing with a lot of [Am] people's problems.
[B] You [C] get artists, they spend their money up and they come back and,
[Am] hey, this is the [A] business.
You got 100 niggas, you got this, [Dbm] you got that.
I tried that before.
And [Bb] we done all
At [B] the position [Bb] where we at now, [Ab] from Fugue, [D]
Shootouts, everything.
I'm just [Ab] tired of it.
So I just continue to be my artist and instead of me signing you, I'm going to give you the game.
All right, I got one last [D] series.
This one [B] is Chronic vs Doggystyle.
So [A] this argument happens all the time [D] in hip hop.
So I got [Ab] to compartmentalize a little bit.
[G] So I want to get Dav [D] Zillinger's expertise on Chronic vs Doggystyle.
[Ab]
So [C] start out with the beats.
What's better, Chronic or Doggystyle?
Why?
[D]
I think the Chronic.
That's when [G] we started off and then it got [Dm] better.
It got better, so that would be Doggystyle, right?
[C] Yeah, but it's still a mixture.
Some songs on the [Bb] Chronic was, you know,
[G] see, you know what I'm saying?
But I would say Doggystyle.
You know what I'm saying?
Because it was more newer, it was more energetic and faster [Em] beats and it had Snoop on [Dm]
it instead
of Dr.
Dre.
We [A] wrote everything that was on Dr.
Dre's album.
Right.
But then we performed as us [Bb] on the Doggystyle [D] album.
[F] But people didn't know our face.
They only [Dm] knew our music.
[Ab] So we would ride [Dm] by, people bumping the music.
Yeah, that's hard.
And we hearing ourselves rapping, they don't even know it's [G] us.
[B] Until we started talking, that's what it was [Am] before, you know what I'm saying?
So people would ride by playing our music and walk right by.
We'd be right in the club.
[C] They wouldn't even let us in the club, but they playing our music in the back, you know what I mean?
[Bb] Wow.
This was back [A] in the 90s.
[D] Wow.
Ice [E]-T got us in.
He's like, y'all [D] playing this music?
Look, and got us in the club.
So you say the beats on Chronic are better, but the lyrics on Doggystyle?
No, everything is [Bb] better on the [Dm] Doggystyle.
Right.
On the Chronic, we was just help putting it together.
Right.
[Gb] On the Doggystyle, we actually [G] created and put it together.
Instead of Dre taking our ideas and putting it down, that's when we was just [F] all learning
in the first album.
[Gb] Then the Doggystyle, the Murder was the case.
[G] That's when I started producing everything.
[F]
I was learning.
Yeah.
I had a bunch [Dm] of doing that, you know what I mean?
[D] What about the Dadz Dillinger versus Chronic or Doggystyle?
I mean, you know, they gonna beat me out.
But I learned.
[Ab] I'm a student of the game.
I'm Dr.
Dre's first student.
[G] You know what I mean?
So [Gb] everything that I do is like perfection.
You know, sometimes Corrupted, they're [B] like, man, you're switching the song up on his men.
And I'm [A] like, hey, you gotta get the [Abm] kick right.
You know, it might sound like that, but then you gotta get the frequencies.
[G] You know what I mean?
[F] So [Ab] as far as [C] mentality of the album, the attitude, the Dadz Dillinger [A] album.
It was just a [Dm] hardcore [A]
for that [Gb] time.
Right.
Right after Jupiter got killed.
So a lot of that.
Lastly, Impact, Chronic or [Dm] Doggystyle?
[C] The Impact, I think Doggystyle.
Chronic [Ab] was an introduction, but [D] Doggystyle blew that ass right out the, you know [G] what I mean?
It was wet.
[D]
[Am] [C] So, you know, I'm just happy to be a student of the game.
I [Gb] appreciate everybody for always loving my music and [Ab] continues to love my music.
New Dadz and [G] Mataz album produced by [Ab] Dadz.
30 new songs
[Bb] independently [Ab] on my own label.
You know what I'm saying?
Everything that you see, I put together, [F] you know, with the help of [Ab] Empire.
You know what I mean?
And we're just going to continue to ride this train of stack these cabooses up.
[D] And [A] shout out to [Ab] HipHopDX, DX the HipHop.
You did bringing [Bb] this news and me towards y'all [Ab] and that [A] internet.
Hit me up at Dadz [C] Dillinger.
You hear me?
[A] And DadzandMataz.com if [Ab] you want them hard copy CDs.
Shout out to everybody overseas, the NCs
Key:
D
A
Ab
G
B
D
A
Ab
[N] Is there any Dr.
Dre beat, [Ab] or any Daz Dillinger beat that gets confused for a Dr.
Dre beat?
I [A] _ did Ain't No Fun, I did a _ [D] _ _ slew [Ab] of songs, Rat-A-Tat-Tat.
I mean, a [G] bunch of songs I probably just got [Gb] programmed, drummed, [F] programmed on something like that.
[Dm] _
_ [A] _ _ Yeah, it _ was a clobbering game [F] back then.
Mic, mic, mic, mic, mic.
[B] Take that, take that.
I was putting my records out, and when [A]
you go into the store, my records would be right [G] next to their records.
And they was wondering, [Em] how you do [A] that?
And I'm telling them, pricing and [D] positioning.
_ [A] You know, you gotta go in there to the store and say, [D] I want my record in the front.
Here go an extra couple of dollars.
Here [Bb] go this, this, this, this.
[D] You know what I'm saying?
They was wondering [Am] how I do that.
So I've been doing [D] that for years.
The [A] formula, that's how I eat.
You know what I'm saying?
[D] I take [B] $600, make $10,000 out of it.
You know what I'm saying?
Make $5, make $50 out of it.
_ It's [D] about pressing.
Whoever controls the pressing, [E] controls the money.
With all that intel that you have, what drives you to still make music?
You could be _ [G] head of black music at Columbia.
I don't want to be [B] working at [C] McDonald's and all that.
I've seen a lot of rappers _ [B] nowadays, I [Bb] look at McDonald's, I'm [A] like, man, what is you working [D] in [E] here for?
Give me a [Gb] couple of [Em] cheeseburgers.
You know what I [D] mean?
[Am] _ _ [D] Which rappers are these?
_ [A] I forgot [B] their name.
[D] _ _
[E] _ _ _ _ [Ab] _ [A] Gerardo McDonald, [D] the new rapper.
_ _ _ _ [A] Why not [C] an executive role?
_ _ Do what Jeezy did at [Gbm] Atlantic, or be the head of black music.
I just don't want to be dealing with a lot of [Am] people's problems.
_ [B] You [C] get artists, they spend their money up and they come back and,
_ [Am] _ _ _ hey, this is the [A] business.
You got 100 niggas, you got this, [Dbm] you got that.
I tried that before.
And [Bb] we done all_
At [B] _ the position [Bb] where we at now, [Ab] from Fugue, _ [D] _
Shootouts, everything.
_ I'm just [Ab] tired of it.
So I just continue to be my artist and instead of me signing you, I'm going to give you the game.
All right, I got one last [D] _ series.
This one [B] is Chronic vs Doggystyle.
So [A] this argument happens all the time [D] in hip hop.
So I got [Ab] to compartmentalize a little bit.
[G] So I want to get Dav [D] Zillinger's expertise _ on Chronic vs Doggystyle.
_ _ [Ab]
So [C] start out with the beats.
What's better, Chronic or Doggystyle?
Why?
[D] _ _ _ _
_ I think the Chronic.
_ That's when [G] we started off and then it got [Dm] better.
It got better, so that would be Doggystyle, right?
[C] Yeah, but it's still a mixture.
Some songs on the [Bb] Chronic was, you know, _
[G] see, you know what I'm saying?
But _ _ I would say Doggystyle.
You know what I'm saying?
Because it was more newer, it was more energetic and faster [Em] beats and it had Snoop on [Dm]
it instead
of Dr.
Dre.
_ _ We [A] wrote everything that was on Dr.
Dre's album.
Right.
But then we performed as us [Bb] on the Doggystyle [D] album.
_ [F] But people didn't know our face.
They only [Dm] knew our music.
[Ab] So we would ride [Dm] by, people bumping the music.
Yeah, that's hard.
And _ we hearing ourselves rapping, they don't even know it's [G] us.
[B] Until we started talking, that's what it was [Am] before, you know what I'm saying?
So people would ride by playing our music and walk right by.
We'd be right in the club.
[C] They wouldn't even let us in the club, but they playing our music in the back, you know what I mean?
[Bb] Wow.
This was back [A] in the 90s.
[D] Wow.
_ Ice [E]-T got us in.
He's like, y'all [D] playing this music?
Look, and got us in the club. _ _
So you say the beats on Chronic are better, but the lyrics on Doggystyle?
No, everything is [Bb] better on the [Dm] Doggystyle.
Right.
On the Chronic, we was just help putting it together.
Right.
[Gb] On the Doggystyle, we actually [G] created and put it together.
Instead of Dre taking our ideas and putting it down, that's when we was just [F] all learning
in the first album.
_ [Gb] Then the Doggystyle, the Murder was the case.
_ [G] That's when I started producing everything.
[F]
I was learning.
Yeah.
I had a bunch [Dm] _ of doing that, you know what I mean?
_ [D] _ What about the Dadz Dillinger versus Chronic or Doggystyle? _ _ _
I mean, you know, they gonna beat me out.
_ But I learned.
[Ab] I'm a student of the game.
I'm Dr.
Dre's first student.
_ [G] You know what I mean?
So _ _ [Gb] everything that I do is like perfection.
You know, _ sometimes Corrupted, they're [B] like, man, you're switching the song up on his men.
And I'm [A] like, hey, you gotta get the [Abm] kick right.
You know, it might sound like that, but then you gotta get the frequencies.
_ [G] You know what I mean?
[F] So _ _ _ _ [Ab] _ _ as far as [C] mentality of the album, the attitude, the Dadz Dillinger [A] album.
It was just a [Dm] hardcore _ _ [A]
for that [Gb] time.
Right.
Right after Jupiter got killed.
So _ _ a lot of that.
Lastly, Impact, Chronic or [Dm] Doggystyle?
_ [C] The Impact, I think Doggystyle.
Chronic [Ab] was an introduction, but [D] Doggystyle _ blew that ass right out the, you know [G] what I mean?
It was wet.
[D] _ _ _
_ [Am] _ _ [C] So, you know, I'm just happy to be a student of the game.
I [Gb] appreciate everybody for always loving my music and [Ab] continues to love my music.
New Dadz and [G] Mataz album produced by [Ab] Dadz.
30 new songs _
[Bb] independently [Ab] on my own label.
You know what I'm saying?
Everything that you see, I put together, [F] you know, with the help of [Ab] Empire.
You know what I mean?
And _ we're just going to continue to ride this train of stack these cabooses up.
[D] _ _ And [A] shout out to _ [Ab] HipHopDX, DX the HipHop.
You did bringing [Bb] this news and me towards y'all [Ab] and that [A] internet.
Hit me up at Dadz [C] Dillinger.
You hear me?
[A] And DadzandMataz.com if [Ab] you want them hard copy CDs.
Shout out to everybody overseas, the NCs
Dre beat, [Ab] or any Daz Dillinger beat that gets confused for a Dr.
Dre beat?
I [A] _ did Ain't No Fun, I did a _ [D] _ _ slew [Ab] of songs, Rat-A-Tat-Tat.
I mean, a [G] bunch of songs I probably just got [Gb] programmed, drummed, [F] programmed on something like that.
[Dm] _
_ [A] _ _ Yeah, it _ was a clobbering game [F] back then.
Mic, mic, mic, mic, mic.
[B] Take that, take that.
I was putting my records out, and when [A]
you go into the store, my records would be right [G] next to their records.
And they was wondering, [Em] how you do [A] that?
And I'm telling them, pricing and [D] positioning.
_ [A] You know, you gotta go in there to the store and say, [D] I want my record in the front.
Here go an extra couple of dollars.
Here [Bb] go this, this, this, this.
[D] You know what I'm saying?
They was wondering [Am] how I do that.
So I've been doing [D] that for years.
The [A] formula, that's how I eat.
You know what I'm saying?
[D] I take [B] $600, make $10,000 out of it.
You know what I'm saying?
Make $5, make $50 out of it.
_ It's [D] about pressing.
Whoever controls the pressing, [E] controls the money.
With all that intel that you have, what drives you to still make music?
You could be _ [G] head of black music at Columbia.
I don't want to be [B] working at [C] McDonald's and all that.
I've seen a lot of rappers _ [B] nowadays, I [Bb] look at McDonald's, I'm [A] like, man, what is you working [D] in [E] here for?
Give me a [Gb] couple of [Em] cheeseburgers.
You know what I [D] mean?
[Am] _ _ [D] Which rappers are these?
_ [A] I forgot [B] their name.
[D] _ _
[E] _ _ _ _ [Ab] _ [A] Gerardo McDonald, [D] the new rapper.
_ _ _ _ [A] Why not [C] an executive role?
_ _ Do what Jeezy did at [Gbm] Atlantic, or be the head of black music.
I just don't want to be dealing with a lot of [Am] people's problems.
_ [B] You [C] get artists, they spend their money up and they come back and,
_ [Am] _ _ _ hey, this is the [A] business.
You got 100 niggas, you got this, [Dbm] you got that.
I tried that before.
And [Bb] we done all_
At [B] _ the position [Bb] where we at now, [Ab] from Fugue, _ [D] _
Shootouts, everything.
_ I'm just [Ab] tired of it.
So I just continue to be my artist and instead of me signing you, I'm going to give you the game.
All right, I got one last [D] _ series.
This one [B] is Chronic vs Doggystyle.
So [A] this argument happens all the time [D] in hip hop.
So I got [Ab] to compartmentalize a little bit.
[G] So I want to get Dav [D] Zillinger's expertise _ on Chronic vs Doggystyle.
_ _ [Ab]
So [C] start out with the beats.
What's better, Chronic or Doggystyle?
Why?
[D] _ _ _ _
_ I think the Chronic.
_ That's when [G] we started off and then it got [Dm] better.
It got better, so that would be Doggystyle, right?
[C] Yeah, but it's still a mixture.
Some songs on the [Bb] Chronic was, you know, _
[G] see, you know what I'm saying?
But _ _ I would say Doggystyle.
You know what I'm saying?
Because it was more newer, it was more energetic and faster [Em] beats and it had Snoop on [Dm]
it instead
of Dr.
Dre.
_ _ We [A] wrote everything that was on Dr.
Dre's album.
Right.
But then we performed as us [Bb] on the Doggystyle [D] album.
_ [F] But people didn't know our face.
They only [Dm] knew our music.
[Ab] So we would ride [Dm] by, people bumping the music.
Yeah, that's hard.
And _ we hearing ourselves rapping, they don't even know it's [G] us.
[B] Until we started talking, that's what it was [Am] before, you know what I'm saying?
So people would ride by playing our music and walk right by.
We'd be right in the club.
[C] They wouldn't even let us in the club, but they playing our music in the back, you know what I mean?
[Bb] Wow.
This was back [A] in the 90s.
[D] Wow.
_ Ice [E]-T got us in.
He's like, y'all [D] playing this music?
Look, and got us in the club. _ _
So you say the beats on Chronic are better, but the lyrics on Doggystyle?
No, everything is [Bb] better on the [Dm] Doggystyle.
Right.
On the Chronic, we was just help putting it together.
Right.
[Gb] On the Doggystyle, we actually [G] created and put it together.
Instead of Dre taking our ideas and putting it down, that's when we was just [F] all learning
in the first album.
_ [Gb] Then the Doggystyle, the Murder was the case.
_ [G] That's when I started producing everything.
[F]
I was learning.
Yeah.
I had a bunch [Dm] _ of doing that, you know what I mean?
_ [D] _ What about the Dadz Dillinger versus Chronic or Doggystyle? _ _ _
I mean, you know, they gonna beat me out.
_ But I learned.
[Ab] I'm a student of the game.
I'm Dr.
Dre's first student.
_ [G] You know what I mean?
So _ _ [Gb] everything that I do is like perfection.
You know, _ sometimes Corrupted, they're [B] like, man, you're switching the song up on his men.
And I'm [A] like, hey, you gotta get the [Abm] kick right.
You know, it might sound like that, but then you gotta get the frequencies.
_ [G] You know what I mean?
[F] So _ _ _ _ [Ab] _ _ as far as [C] mentality of the album, the attitude, the Dadz Dillinger [A] album.
It was just a [Dm] hardcore _ _ [A]
for that [Gb] time.
Right.
Right after Jupiter got killed.
So _ _ a lot of that.
Lastly, Impact, Chronic or [Dm] Doggystyle?
_ [C] The Impact, I think Doggystyle.
Chronic [Ab] was an introduction, but [D] Doggystyle _ blew that ass right out the, you know [G] what I mean?
It was wet.
[D] _ _ _
_ [Am] _ _ [C] So, you know, I'm just happy to be a student of the game.
I [Gb] appreciate everybody for always loving my music and [Ab] continues to love my music.
New Dadz and [G] Mataz album produced by [Ab] Dadz.
30 new songs _
[Bb] independently [Ab] on my own label.
You know what I'm saying?
Everything that you see, I put together, [F] you know, with the help of [Ab] Empire.
You know what I mean?
And _ we're just going to continue to ride this train of stack these cabooses up.
[D] _ _ And [A] shout out to _ [Ab] HipHopDX, DX the HipHop.
You did bringing [Bb] this news and me towards y'all [Ab] and that [A] internet.
Hit me up at Dadz [C] Dillinger.
You hear me?
[A] And DadzandMataz.com if [Ab] you want them hard copy CDs.
Shout out to everybody overseas, the NCs