Chords for De La Soul - Ring Ring Ring (Ha Ha Hey) (Official Music Video) [HD]
Tempo:
104.1 bpm
Chords used:
Fm
Bb
F
G
Db
Tuning:Standard Tuning (EADGBE)Capo:+0fret
![De La Soul - Ring Ring Ring (Ha Ha Hey) (Official Music Video) [HD] chords](https://i.ytimg.com/vi/hm6Kkje7bBM/mqdefault.jpg)
Jam Along & Learn...
[D] Yes, this [Ab] is Ms.
call on the [Ab] area code 215 -222 [Db]
-4209 and I'm calling in reference to the music business.
[Fm]
[Bb] [Fm]
[Bb] [Fm] Hey, how you doing?
[Bb] can't get through.
[Bb] back to you.
call on the [Ab] area code 215 -222 [Db]
-4209 and I'm calling in reference to the music business.
[Fm]
[Bb] [Fm]
[Bb] [Fm] Hey, how you doing?
[Bb] can't get through.
[Bb] back to you.
100% ➙ 104BPM
Fm
Bb
F
G
Db
Fm
Bb
F
_ _ _ _ _ _ [D] Yes, this [Ab] is Ms.
Renee [G] King.
I'm from Philadelphia.
[A] I'd like for you to give me a call on the [Ab] area code 215 _ -222 [Db]
-4209 and I'm calling in reference to the music business.
Thank you.
_ _ _ [Fm] _ _ _ _ _
[Bb] _ _ [Fm] _ _ _ _ _ _
[Bb] _ _ [Fm] Hey, how you doing?
Sorry, I [Bb] can't get through.
[Fm] What's your name?
[G] And your number?
And I'll get [Bb] back to you.
Hey, [Gm] how are you doing?
[Fm] Sorry, I [Bb] can't get through.
What's your name?
[G] And your number?
[Eb] And I'll get back to you.
Once [G] again, it's another [Fm] out-handed scene and [F] I can't stand it.
I wanna [G] be down with the [Fm] day, bro.
Knockin' on [Bb] my door sayin' ayo yo.
Knockin' on [G] my door sayin' ayo [F] yo.
I got a funky new tune with a fly banjo.
I can't understand what the problem is.
I find it hard enough dealing with my own biz.
How'd they get my name in the bar?
Damn, it's not me.
They get [Fm] one of them.
I don't pay no [G] man.
I gotta slip out [Fm] tight.
You wanna call [Bb] me up?
Take my number, man.
It's [Fm] 2222-222.
I got an S [F]-machine that can talk to you.
Hey, [C] how you doing?
Sorry, I [Ebm] can't get through.
[Fm] What's your name?
And your number?
And I'll [Bb] get back to you.
Check [Fm] it, X-50O style and it's the new.
But [F] nothing's new by being off-line.
Or should I say a flop?
Cause I'm on every block.
There's Harry, Dick, and Tom with a demo in his mouth.
Now I'm with Pope and those who want to help themselves and flaunt enough.
That's doggy, I'm with y'all.
But it's not the mood to [B] hear the tales among the Z's and Pals among the dealt-makers.
[F] I'm with y'all.
I be like, [Fm] yo, Blackness claiming the tape.
Well, actually, show that time is [G] near.
I just made it.
The songs created in nation.
Ask me some wick-wick-wack situations like this.
I [Bb] know, hey, they give me smiles.
[Bb] Kool-Aid, wide ass.
[Fm] _
[Bb] Straightest piece.
I be like, hell, yeah.
I slip [G] them into the public [F] home so I don't get any warmer yet.
I know what they call it.
Hey, how you doing?
Sorry, I can't get through.
What's your name?
And your number?
And I'll get back to you.
_ Hey, how you doing?
Sorry, I can't get through.
What's your name?
And your number?
[D] And I'll [A] get back to you.
Check it out.
[Gb] Party after drugga [F] on the Dixon NAB.
Never been to a gambling quite a while.
The big gal catch up on the latest styles.
Got piles and piles of them.
Six by the miles.
All I want to do is cut on the Dax.
Twelve brothers, mission repeat.
Mother mother took the stakes.
A believer of good and blood.
What Moses say and I be like, [Gb] yo, G-Pastor's on the production.
Now woe is me to the third [Db] degree.
[C] Baseballs are funny so I make like them.
Check.
[G] But I'm getting used to this anymore.
Peace getting raped and getting burped through.
I see it cause there's no escape from the punch of the parka.
Attached to my success scent like a stalker.
Make way to my radius, ball [Fm] fly guy.
Try to get my back, they force like Luke Scott.
Me, myself, and I go to this act daily.
[F] And really, do I not?
No matter how I dodge, some jacko always nails me.
No matter what the plot.
When we're at our own tour, they be like, yo, [Fm] I gotta take a player back at the hotel.
I be like, oh, swell.
Unveil the numeric code from guys in my room.
[F] And tell them to call me at noon.
But of course, there ain't no answering machine [Fm] in my room.
But a pretty [Bb] young girl for a swung-on tour.
[Fm] And if it means my room alone, she'll answer the phone.
[Bb] And with the business, she'll be flat like a phone.
[Fm] Hey, if I did the right thing, dial up my ring ring.
Now you're waking on the cheapest save.
I would love if you sing a tune [Eb] that's true instead of fronting on the [F] street.
So no problemo, [Fm] lay it down.
And [Bb] at the end, it's [Fm] ring on time.
Please, oh please, don't press rewind.
Cause [Bb] I was laying down the line.
I'm [Fm] saying hi, you're new here, and you [F] decide you can't get through.
Call me by your name.
And your [Fm] number.
And [Bb] don't get back to me.
_ [F] _ _ _ [Em] _ _ [Cm] _ _ _ [Fm] _ _ _ [Db] _ _
[F] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Renee [G] King.
I'm from Philadelphia.
[A] I'd like for you to give me a call on the [Ab] area code 215 _ -222 [Db]
-4209 and I'm calling in reference to the music business.
Thank you.
_ _ _ [Fm] _ _ _ _ _
[Bb] _ _ [Fm] _ _ _ _ _ _
[Bb] _ _ [Fm] Hey, how you doing?
Sorry, I [Bb] can't get through.
[Fm] What's your name?
[G] And your number?
And I'll get [Bb] back to you.
Hey, [Gm] how are you doing?
[Fm] Sorry, I [Bb] can't get through.
What's your name?
[G] And your number?
[Eb] And I'll get back to you.
Once [G] again, it's another [Fm] out-handed scene and [F] I can't stand it.
I wanna [G] be down with the [Fm] day, bro.
Knockin' on [Bb] my door sayin' ayo yo.
Knockin' on [G] my door sayin' ayo [F] yo.
I got a funky new tune with a fly banjo.
I can't understand what the problem is.
I find it hard enough dealing with my own biz.
How'd they get my name in the bar?
Damn, it's not me.
They get [Fm] one of them.
I don't pay no [G] man.
I gotta slip out [Fm] tight.
You wanna call [Bb] me up?
Take my number, man.
It's [Fm] 2222-222.
I got an S [F]-machine that can talk to you.
Hey, [C] how you doing?
Sorry, I [Ebm] can't get through.
[Fm] What's your name?
And your number?
And I'll [Bb] get back to you.
Check [Fm] it, X-50O style and it's the new.
But [F] nothing's new by being off-line.
Or should I say a flop?
Cause I'm on every block.
There's Harry, Dick, and Tom with a demo in his mouth.
Now I'm with Pope and those who want to help themselves and flaunt enough.
That's doggy, I'm with y'all.
But it's not the mood to [B] hear the tales among the Z's and Pals among the dealt-makers.
[F] I'm with y'all.
I be like, [Fm] yo, Blackness claiming the tape.
Well, actually, show that time is [G] near.
I just made it.
The songs created in nation.
Ask me some wick-wick-wack situations like this.
I [Bb] know, hey, they give me smiles.
[Bb] Kool-Aid, wide ass.
[Fm] _
[Bb] Straightest piece.
I be like, hell, yeah.
I slip [G] them into the public [F] home so I don't get any warmer yet.
I know what they call it.
Hey, how you doing?
Sorry, I can't get through.
What's your name?
And your number?
And I'll get back to you.
_ Hey, how you doing?
Sorry, I can't get through.
What's your name?
And your number?
[D] And I'll [A] get back to you.
Check it out.
[Gb] Party after drugga [F] on the Dixon NAB.
Never been to a gambling quite a while.
The big gal catch up on the latest styles.
Got piles and piles of them.
Six by the miles.
All I want to do is cut on the Dax.
Twelve brothers, mission repeat.
Mother mother took the stakes.
A believer of good and blood.
What Moses say and I be like, [Gb] yo, G-Pastor's on the production.
Now woe is me to the third [Db] degree.
[C] Baseballs are funny so I make like them.
Check.
[G] But I'm getting used to this anymore.
Peace getting raped and getting burped through.
I see it cause there's no escape from the punch of the parka.
Attached to my success scent like a stalker.
Make way to my radius, ball [Fm] fly guy.
Try to get my back, they force like Luke Scott.
Me, myself, and I go to this act daily.
[F] And really, do I not?
No matter how I dodge, some jacko always nails me.
No matter what the plot.
When we're at our own tour, they be like, yo, [Fm] I gotta take a player back at the hotel.
I be like, oh, swell.
Unveil the numeric code from guys in my room.
[F] And tell them to call me at noon.
But of course, there ain't no answering machine [Fm] in my room.
But a pretty [Bb] young girl for a swung-on tour.
[Fm] And if it means my room alone, she'll answer the phone.
[Bb] And with the business, she'll be flat like a phone.
[Fm] Hey, if I did the right thing, dial up my ring ring.
Now you're waking on the cheapest save.
I would love if you sing a tune [Eb] that's true instead of fronting on the [F] street.
So no problemo, [Fm] lay it down.
And [Bb] at the end, it's [Fm] ring on time.
Please, oh please, don't press rewind.
Cause [Bb] I was laying down the line.
I'm [Fm] saying hi, you're new here, and you [F] decide you can't get through.
Call me by your name.
And your [Fm] number.
And [Bb] don't get back to me.
_ [F] _ _ _ [Em] _ _ [Cm] _ _ _ [Fm] _ _ _ [Db] _ _
[F] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _