Chords for Dear Rouge - That's It, That's All (Feat. Lights) - Spirit Track by Track
Tempo:
68.2 bpm
Chords used:
A
D
Dm
C#m
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
Track 12!
That's All, featuring Lights.
We were with Dan Klenner, we were with [D] Lights.
with Dan in Trackland and the [A] sonic texture of the song,
and Lights go through lyrics.
edit over and over again,
Pretty close.
you guys were riffing.
That's All, featuring Lights.
We were with Dan Klenner, we were with [D] Lights.
with Dan in Trackland and the [A] sonic texture of the song,
and Lights go through lyrics.
edit over and over again,
Pretty close.
you guys were riffing.
100% ➙ 68BPM
A
D
Dm
C#m
E
A
D
Dm
Track 12!
_ Sorry.
It's not that easy to do with your hands.
Track 12, That's It, That's All, featuring Lights.
[A] That's It, That's All was probably the quickest written [C#m] song on the album.
We were with Dan Klenner, we were with [D] Lights.
I remember I was more of a [Dm] byproduct.
I was with Dan in Trackland and the [A] sonic texture of the song,
and we were thinking about that.
I was [C#m] able to witness you and Lights go through lyrics.
[D] I would say that song, obviously [A#] we tweak and edit over and over again,
but the guts [A] of the song was there within [D] an hour or two.
Pretty close.
[A] I was watching you guys.
I didn't even want to suggest that much [D] because you guys were riffing.
It was the first time we'd [A] written with her.
You guys went back and forth and I was like, this is [E] amazing.
It felt so natural that she had to [D] sing.
We made that decision that she would be featured on the track because she was writing.
[Dm]
It felt so much like a collaboration.
She was like, [A] oh yeah, I've got to sing it.
It was almost like two hours, [E] it was just a blip.
It felt like a little [D] moment.
It did feel like when [Dm] we were writing That's It, That's All,
that it was the cap [A] on the record.
Lights has been so inspirational [C#m] to us and to me and such a supporter of our band.
[D] Also, just having her there and being able to work on [Dm] this with her,
it felt like we were also in the same [A] place at that moment.
We were going through a lot and [C#m] this is mid-COVID.
_ _ [D] Feeling a sense of letting go [Dm] and realizing how much we couldn't control.
I think we [A] were both there and just wrote from that place.
[C#m] With the piano backing it and how it all came [D] together.
I've been friends with Dheeraj for a while.
Hang out at festivals or [Dm] random nights.
We just had a long friendship.
Then once I got [A] a text from Danielle just being like,
yo, we should write sometime.
We were trying to make it happen [D] for a long time.
Finally, the stars aligned.
We were in the city at the [A] same time.
We all went to Daniel Klenner's [D] place and just vibed on some ideas.
It [A] was really natural and cool.
We're similar in a lot of ways [E] in the way our creative process goes.
I look at Dheeraj and I'm like, [D] that's me but split in two parts.
Drew and Danny are this [Dm] perfect combo of creativity.
Both bringing different sides [A] of the brain.
You see them work together [E] in a group form.
He sat there for a couple days [D] and just listened to things that we liked.
We jammed up [Dm] piano and threw back some like [A] Robin style stuff.
Got really emotional with stuff and then really [C#m] tuned in to a moment.
[D] Basically the last day, we had this moment of [Dm] getting into this deep discussion
about _ [A] insecurities and our weaknesses and flaws and learning [Em] how to learn to love yourself.
It's been sort of a big thing that [D] a lot of people have honed in on over the course of the last couple years.
[Dm] Danny and I were on the same page in a lot of ways.
[A] We just started to sing about that really cool intimate moment and everything really flowed [Em] from there.
It was just a really natural [D] writing process about something that was really raw and real.
[Dm] Poetic and emotive and powerful and [A] hopeful and yet evolving. _
That's it.
That's all.
[E] That was the song.
It was really fun.
It was fun [D] to duet with another girl.
I really love dueting with girls.
It kind of turns the idea of a duet on its head.
It's not a love song.
It's a self [A]-love song.
It is such a good end to the story [E] of the album.
It's fun knowing [D] the track is going to be the album ender before [Dm] you record any of the songs for the album.
[A] You kind of have it there in that spot.
I think [C#m] that we tried to, while recording it, embrace that feeling. _ _
_ Sorry.
It's not that easy to do with your hands.
Track 12, That's It, That's All, featuring Lights.
[A] That's It, That's All was probably the quickest written [C#m] song on the album.
We were with Dan Klenner, we were with [D] Lights.
I remember I was more of a [Dm] byproduct.
I was with Dan in Trackland and the [A] sonic texture of the song,
and we were thinking about that.
I was [C#m] able to witness you and Lights go through lyrics.
[D] I would say that song, obviously [A#] we tweak and edit over and over again,
but the guts [A] of the song was there within [D] an hour or two.
Pretty close.
[A] I was watching you guys.
I didn't even want to suggest that much [D] because you guys were riffing.
It was the first time we'd [A] written with her.
You guys went back and forth and I was like, this is [E] amazing.
It felt so natural that she had to [D] sing.
We made that decision that she would be featured on the track because she was writing.
[Dm]
It felt so much like a collaboration.
She was like, [A] oh yeah, I've got to sing it.
It was almost like two hours, [E] it was just a blip.
It felt like a little [D] moment.
It did feel like when [Dm] we were writing That's It, That's All,
that it was the cap [A] on the record.
Lights has been so inspirational [C#m] to us and to me and such a supporter of our band.
[D] Also, just having her there and being able to work on [Dm] this with her,
it felt like we were also in the same [A] place at that moment.
We were going through a lot and [C#m] this is mid-COVID.
_ _ [D] Feeling a sense of letting go [Dm] and realizing how much we couldn't control.
I think we [A] were both there and just wrote from that place.
[C#m] With the piano backing it and how it all came [D] together.
I've been friends with Dheeraj for a while.
Hang out at festivals or [Dm] random nights.
We just had a long friendship.
Then once I got [A] a text from Danielle just being like,
yo, we should write sometime.
We were trying to make it happen [D] for a long time.
Finally, the stars aligned.
We were in the city at the [A] same time.
We all went to Daniel Klenner's [D] place and just vibed on some ideas.
It [A] was really natural and cool.
We're similar in a lot of ways [E] in the way our creative process goes.
I look at Dheeraj and I'm like, [D] that's me but split in two parts.
Drew and Danny are this [Dm] perfect combo of creativity.
Both bringing different sides [A] of the brain.
You see them work together [E] in a group form.
He sat there for a couple days [D] and just listened to things that we liked.
We jammed up [Dm] piano and threw back some like [A] Robin style stuff.
Got really emotional with stuff and then really [C#m] tuned in to a moment.
[D] Basically the last day, we had this moment of [Dm] getting into this deep discussion
about _ [A] insecurities and our weaknesses and flaws and learning [Em] how to learn to love yourself.
It's been sort of a big thing that [D] a lot of people have honed in on over the course of the last couple years.
[Dm] Danny and I were on the same page in a lot of ways.
[A] We just started to sing about that really cool intimate moment and everything really flowed [Em] from there.
It was just a really natural [D] writing process about something that was really raw and real.
[Dm] Poetic and emotive and powerful and [A] hopeful and yet evolving. _
That's it.
That's all.
[E] That was the song.
It was really fun.
It was fun [D] to duet with another girl.
I really love dueting with girls.
It kind of turns the idea of a duet on its head.
It's not a love song.
It's a self [A]-love song.
It is such a good end to the story [E] of the album.
It's fun knowing [D] the track is going to be the album ender before [Dm] you record any of the songs for the album.
[A] You kind of have it there in that spot.
I think [C#m] that we tried to, while recording it, embrace that feeling. _ _