Chords for Dearg Doom - a history

[C] [Eb] Sunshine boys of Irish pop [F] in the dawn of Celtic [Bb] rock horse lips are [C] next
_ [B] _ Twilight would be [Db] probably impolite for me to suggest that it's one of the great tracks in
[G] Irish rock music certainly Johnny Fiennes guitar riff is one of the great all-time [F] guitar riffs _ _
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_ I
_ We went from the Mississippi Delta
_ _ _ _ So [G] we were _
[C] Toying with the raw materials that we had at our [D] disposal
_ [Bb] And the ones that were indigenous [G] with the native [Dm] traditional tunes that have been knocking around for hundreds of years
So playing those [G] in electric instruments was all part of the experiment essentially
We we modified or [Dm] in another way upon it.
We stole our traditional tunes, and it's a great tune.
It's a great March
So we [G] figured yeah, this is someone really interesting to [N] do and it so often happens the first time you try [Eb] something [Dm] you get it, right? _ _ _ _ _
_ _ _ [G] No real understanding of where this [N] channel doom came from other than
He was an antihero, and there was a great antihero in the Marvel comics called [Dm] dr.
Doom [G] who was the nemesis of the Fantastic [Dm] Four and then?
[Ab] There was this [Db] jug being [C] read being
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[N] _ Monsters bloody red hand so fell together as jarred room
And it just seemed to stick and as well as that it had a sort [Dm] of a feel like a catalystic
resonance to it _ _
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The costumes [D] the costumes are an interesting one it's a little known fact that yeah Cavendish [Dm] is soft furnishings department
Close down as soon as we reverted [C] to leather jackets and jeans
_ [Gb] Yeah, I don't think I didn't would [D] have been half the tune.
It was [C] without
_ [Dm] Yeah, yellow veller
[G] _ Shakespeare [Gm] was a great believer [A] in the busking boot and
[G] I think platform shoes and [Em] and high heel boots were very [Dm] much the busking [C] boot
I mean there was an [E] element of pageantry [A] _ involved
[Dm] So at that time they were made of leather
_ [C] [N] So it was I mean we were never to get any authentic wolf skins
But it was the next step to [Gm] _ basically sort of [Dm] been the survivalists _ _ _ _ _ _
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You know I tend to [Dm] be flippant about
[A] You know [D] the horse lips thing because [Dm] it was fun
[G] But it was also I think it [A] was smart, and I think that
[C] When [D] things like Jared Dune came out that was the first time [C] that
Kids you know who would look to [Dm] top of the pops and see marmalade [C] or Edison like us or ever would see groups like that
could look [Bb] to Ireland [Ab] and see [F] groups that look [G] like that with a music that was recognizably their [F] own and
[Eb] Jared Dune has [A] a long tradition of turning [Dm] wedding
Suppers and wedding dances into [D] man towards the close of the [Gm] evening George born
[D] Once said that it was a really extraordinary thing to see what [F] still happened
Whenever Jared Dune was put on second [Dm] last track during the country at a [Em] wedding
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[G] _ _ _ [F] _ _ [C] [G] a
Unique satisfaction [D] to be had from from hearing is recycled _
[G] By Larry Bullen as I put them under pressure and this was an acknowledgment of [F] my
[G] _ [F] initial gut reaction [A] that there was something timeless and primal about this [C] particular riff [G] [A] and and
_ [G] became [N] what I
_ Pierce probably meant [Gm] it to be _ _
A grand [A] alternative national anthem
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