Chords for Don Barnes & Jeff Carlisi of 38 Special on streets of New York
Tempo:
126.05 bpm
Chords used:
C
E
B
D#
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] [C] This is your [E] real Yankee Frankie.
You ever played one before?
It [Dm] actually came out [D#] off sounding like Robin Hood.
We actually called out [N] drummers one day and said,
do that little Robin Hood part there.
We said, hey, that's it.
Sounds just like it.
I notice you [F]
haven't done anything like that [N] since.
We're going to do another one called Maid Marian.
How about a little John?
Also, one thing Don had said before as far as the relationship that we have with Jim,
and you [F] know, question what we do [N] because it just happens in the spirit of magic,
is that because of songs like Hold On Loosely and Caught Up In You,
which some people [Fm] say is formula, [C] it's really not because [F#m] we're just,
we're not thinking in terms of what kind of songs we're going to write.
We [N] actually create the formula right there.
We like to call it style instead of formula because that's the way we write.
It's not like, okay, we'll plug all these things in here and create these kinds of songs.
You don't question it.
That's what we do.
That's for some reason Don and myself, we want to make those songs.
You don't want to analyze too much of a relationship like that
because you start picking apart and you realize,
yeah, you're working something along.
I guess maybe the magic leads.
If you could show a little bit of difference, character difference,
it shows that you're an individual as a man and as a person.
[F#] [B] I think that wins people over a [N] lot more.
A lot of groups come and talk to us about how do you keep people together
when a person has a conflict.
I think, well, you know, there's no such thing as really a conflict.
You still feel the same way.
You see eye to eye on your goals as long as your goals are similar.
I think it's parallel to that.
We played another group before, years before, around Jacksonville.
We used to try to blow each other off the stage with our competition bands and all that.
It finally ended up where the ones that didn't have enough strength to stick with it
would fall along the wayside.
We just picked all the best people together, the band together,
and said, we'll win.
We'll win by this.
All those people want to join the band now.
Yeah, they're all kicking themselves.
That's usually the way it works.
Stay around it until they make it.
You guys need three drummers?
Yeah.
Jeff Garlisi, how do you like New York?
New York's my kind of town.
In New York, I think audiences tend to be a little bit more critical
just because so much [F#m] music in such a trendy city.
How you doing?
Thank you.
Crazy man.
From Jacksonville.
You can drive all the way up here.
[D#]
Okay, go ahead.
[F#m] Meet the whole team.
Let's go over and [A] talk to her.
We're making a racket.
Hi, how [C] are you?
I'm Italian.
We're from Jacksonville, Florida, and your [N] name is?
Tanya?
Lippo.
Lippo.
I'm Lippo from Salerno.
We're coming from Salerno.
My father was from Palermo, and my mother was from Messina.
Oh, yeah, good place.
Garlisi's my name.
Meet my nephew, Engineer.
Engineer.
Oh, yeah?
Yes.
Well, thank you.
Enjoy your stay in New York.
Bye-bye, man.
See you later.
Meet all kinds.
Okay.
You want to meet all kinds.
It just happens that I wore my [G] [D#] [A#] Italian [C#] World [N] Cup championship soccer shirt [C] today.
I thought it was going to say Italian Stallion.
He [N] won that.
[Dm]
[F] This is TV?
Yeah, [E] this is TV.
This is probably the best hot [F#] dog you've ever had.
Your hot dog, Dan, is going to be [B] seen next.
Thanks for that.
You realize that?
I want to [G#] see the dance.
Well, as we stroll down Madison Avenue eating a hot dog, [Gm] 38 Specials [G#] offer their sound check.
And I take this [B] time to thank them.
[E] [Bm]
[E]
[C#] [B]
You ever played one before?
It [Dm] actually came out [D#] off sounding like Robin Hood.
We actually called out [N] drummers one day and said,
do that little Robin Hood part there.
We said, hey, that's it.
Sounds just like it.
I notice you [F]
haven't done anything like that [N] since.
We're going to do another one called Maid Marian.
How about a little John?
Also, one thing Don had said before as far as the relationship that we have with Jim,
and you [F] know, question what we do [N] because it just happens in the spirit of magic,
is that because of songs like Hold On Loosely and Caught Up In You,
which some people [Fm] say is formula, [C] it's really not because [F#m] we're just,
we're not thinking in terms of what kind of songs we're going to write.
We [N] actually create the formula right there.
We like to call it style instead of formula because that's the way we write.
It's not like, okay, we'll plug all these things in here and create these kinds of songs.
You don't question it.
That's what we do.
That's for some reason Don and myself, we want to make those songs.
You don't want to analyze too much of a relationship like that
because you start picking apart and you realize,
yeah, you're working something along.
I guess maybe the magic leads.
If you could show a little bit of difference, character difference,
it shows that you're an individual as a man and as a person.
[F#] [B] I think that wins people over a [N] lot more.
A lot of groups come and talk to us about how do you keep people together
when a person has a conflict.
I think, well, you know, there's no such thing as really a conflict.
You still feel the same way.
You see eye to eye on your goals as long as your goals are similar.
I think it's parallel to that.
We played another group before, years before, around Jacksonville.
We used to try to blow each other off the stage with our competition bands and all that.
It finally ended up where the ones that didn't have enough strength to stick with it
would fall along the wayside.
We just picked all the best people together, the band together,
and said, we'll win.
We'll win by this.
All those people want to join the band now.
Yeah, they're all kicking themselves.
That's usually the way it works.
Stay around it until they make it.
You guys need three drummers?
Yeah.
Jeff Garlisi, how do you like New York?
New York's my kind of town.
In New York, I think audiences tend to be a little bit more critical
just because so much [F#m] music in such a trendy city.
How you doing?
Thank you.
Crazy man.
From Jacksonville.
You can drive all the way up here.
[D#]
Okay, go ahead.
[F#m] Meet the whole team.
Let's go over and [A] talk to her.
We're making a racket.
Hi, how [C] are you?
I'm Italian.
We're from Jacksonville, Florida, and your [N] name is?
Tanya?
Lippo.
Lippo.
I'm Lippo from Salerno.
We're coming from Salerno.
My father was from Palermo, and my mother was from Messina.
Oh, yeah, good place.
Garlisi's my name.
Meet my nephew, Engineer.
Engineer.
Oh, yeah?
Yes.
Well, thank you.
Enjoy your stay in New York.
Bye-bye, man.
See you later.
Meet all kinds.
Okay.
You want to meet all kinds.
It just happens that I wore my [G] [D#] [A#] Italian [C#] World [N] Cup championship soccer shirt [C] today.
I thought it was going to say Italian Stallion.
He [N] won that.
[Dm]
[F] This is TV?
Yeah, [E] this is TV.
This is probably the best hot [F#] dog you've ever had.
Your hot dog, Dan, is going to be [B] seen next.
Thanks for that.
You realize that?
I want to [G#] see the dance.
Well, as we stroll down Madison Avenue eating a hot dog, [Gm] 38 Specials [G#] offer their sound check.
And I take this [B] time to thank them.
[E] [Bm]
[E]
[C#] [B]
Key:
C
E
B
D#
F
C
E
B
_ _ [D] _ _ [C] _ _ This is your [E] real Yankee Frankie.
You ever played one before? _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
It [Dm] actually came out [D#] off sounding like Robin Hood.
We actually called out [N] drummers one day and said,
do that little Robin Hood part there.
We said, hey, that's it.
Sounds just like it.
I _ notice you [F] _
haven't done anything like that [N] since.
We're going to do another one called Maid Marian.
_ _ How about a little John? _ _
Also, one thing Don had said before as far as the relationship that we have with Jim,
and you [F] know, question what we do [N] because it just happens in the spirit of magic,
is that because of songs like Hold On Loosely and Caught Up In You,
which some people [Fm] say is formula, [C] it's really not because [F#m] we're just,
we're not thinking in terms of what kind of songs we're going to write.
We [N] actually create the formula right there.
We like to call it style instead of formula because that's the way we write.
It's not like, okay, we'll plug all these things in here and create these kinds of songs.
You don't question it.
That's what we do.
That's for some reason Don and myself, we want to make those songs.
_ _ You don't want to analyze too much of a relationship like that
because you start picking apart and you realize,
yeah, you're working something along.
I guess maybe the magic leads.
_ If you could show a little bit of difference, character difference,
it shows that you're an individual as a man and as _ a person.
[F#] _ _ [B] I think that wins people over a [N] lot more.
_ A lot of groups come and talk to us about how do you keep people together
when a person has a conflict.
I think, well, you know, there's no such thing as really a conflict.
You still feel the same way.
You see eye to eye on your goals as long as your goals are similar.
I think it's parallel to that.
We played another group before, years before, _ around Jacksonville.
We used to try to blow each other off the stage with our competition bands and all that.
It finally ended up where _ the _ _ ones that didn't have enough strength to stick with it
would fall along the wayside.
We just picked all the best people together, the band together,
and said, we'll win.
We'll win by this.
All those people want to join the band now.
Yeah, they're all kicking themselves.
That's usually the way it works.
Stay around it until they make it.
You guys need three drummers?
Yeah.
_ Jeff Garlisi, how do you like New York?
New York's my kind of town.
In New York, I think audiences tend to be a little bit more critical
just because so much [F#m] music in such a trendy city.
How you doing?
Thank you.
Crazy man.
From Jacksonville.
You can drive all the way up here.
_ _ _ _ _ _ _ [D#]
Okay, go ahead.
[F#m] Meet the whole team.
Let's go over and [A] talk to her.
We're making a racket.
Hi, how [C] are you?
I'm Italian.
We're from Jacksonville, Florida, and your [N] name is?
Tanya?
Lippo.
Lippo.
I'm Lippo from Salerno.
We're coming from Salerno.
My father was from Palermo, and my mother was from Messina.
Oh, yeah, good place.
_ Garlisi's my name.
Meet my nephew, _ Engineer. _
Engineer.
Oh, yeah?
Yes.
Well, _ thank you.
Enjoy your stay in New York.
Bye-bye, man.
See you later. _
Meet all kinds.
Okay.
_ _ You want to meet all kinds.
_ _ It just happens that I wore my [G] _ _ [D#] _ _ _ [A#] Italian [C#] World [N] Cup championship soccer shirt [C] today.
I thought it was going to say Italian Stallion.
He [N] won that.
_ _ _ [Dm] _
_ _ [F] This is TV?
Yeah, [E] this is TV.
This is probably the best hot [F#] dog you've ever had.
Your hot dog, Dan, is going to be [B] seen next.
Thanks for that.
_ You realize that?
I want to [G#] see the dance.
_ _ _ Well, as we stroll down Madison Avenue eating a hot dog, [Gm] _ 38 Specials [G#] offer their sound check.
And I take this [B] time to thank them.
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ [Bm] _
_ _ _ [E] _ _ _ _ _
_ _ _ [C#] _ _ _ [B] _ _
You ever played one before? _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
It [Dm] actually came out [D#] off sounding like Robin Hood.
We actually called out [N] drummers one day and said,
do that little Robin Hood part there.
We said, hey, that's it.
Sounds just like it.
I _ notice you [F] _
haven't done anything like that [N] since.
We're going to do another one called Maid Marian.
_ _ How about a little John? _ _
Also, one thing Don had said before as far as the relationship that we have with Jim,
and you [F] know, question what we do [N] because it just happens in the spirit of magic,
is that because of songs like Hold On Loosely and Caught Up In You,
which some people [Fm] say is formula, [C] it's really not because [F#m] we're just,
we're not thinking in terms of what kind of songs we're going to write.
We [N] actually create the formula right there.
We like to call it style instead of formula because that's the way we write.
It's not like, okay, we'll plug all these things in here and create these kinds of songs.
You don't question it.
That's what we do.
That's for some reason Don and myself, we want to make those songs.
_ _ You don't want to analyze too much of a relationship like that
because you start picking apart and you realize,
yeah, you're working something along.
I guess maybe the magic leads.
_ If you could show a little bit of difference, character difference,
it shows that you're an individual as a man and as _ a person.
[F#] _ _ [B] I think that wins people over a [N] lot more.
_ A lot of groups come and talk to us about how do you keep people together
when a person has a conflict.
I think, well, you know, there's no such thing as really a conflict.
You still feel the same way.
You see eye to eye on your goals as long as your goals are similar.
I think it's parallel to that.
We played another group before, years before, _ around Jacksonville.
We used to try to blow each other off the stage with our competition bands and all that.
It finally ended up where _ the _ _ ones that didn't have enough strength to stick with it
would fall along the wayside.
We just picked all the best people together, the band together,
and said, we'll win.
We'll win by this.
All those people want to join the band now.
Yeah, they're all kicking themselves.
That's usually the way it works.
Stay around it until they make it.
You guys need three drummers?
Yeah.
_ Jeff Garlisi, how do you like New York?
New York's my kind of town.
In New York, I think audiences tend to be a little bit more critical
just because so much [F#m] music in such a trendy city.
How you doing?
Thank you.
Crazy man.
From Jacksonville.
You can drive all the way up here.
_ _ _ _ _ _ _ [D#]
Okay, go ahead.
[F#m] Meet the whole team.
Let's go over and [A] talk to her.
We're making a racket.
Hi, how [C] are you?
I'm Italian.
We're from Jacksonville, Florida, and your [N] name is?
Tanya?
Lippo.
Lippo.
I'm Lippo from Salerno.
We're coming from Salerno.
My father was from Palermo, and my mother was from Messina.
Oh, yeah, good place.
_ Garlisi's my name.
Meet my nephew, _ Engineer. _
Engineer.
Oh, yeah?
Yes.
Well, _ thank you.
Enjoy your stay in New York.
Bye-bye, man.
See you later. _
Meet all kinds.
Okay.
_ _ You want to meet all kinds.
_ _ It just happens that I wore my [G] _ _ [D#] _ _ _ [A#] Italian [C#] World [N] Cup championship soccer shirt [C] today.
I thought it was going to say Italian Stallion.
He [N] won that.
_ _ _ [Dm] _
_ _ [F] This is TV?
Yeah, [E] this is TV.
This is probably the best hot [F#] dog you've ever had.
Your hot dog, Dan, is going to be [B] seen next.
Thanks for that.
_ You realize that?
I want to [G#] see the dance.
_ _ _ Well, as we stroll down Madison Avenue eating a hot dog, [Gm] _ 38 Specials [G#] offer their sound check.
And I take this [B] time to thank them.
_ _ _ _ _ _ _ _
_ _ _ [E] _ _ _ _ [Bm] _
_ _ _ [E] _ _ _ _ _
_ _ _ [C#] _ _ _ [B] _ _