Chords for Donald Fagen
Tempo:
99.075 bpm
Chords used:
D
G
E
A
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
I'd like to thank those who are in charge for scheduling me right behind Phil Woods.
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[Em] [D] [G]
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100% ➙ 99BPM
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I'd like to _ thank those who are in charge for scheduling me right behind Phil Woods.
Pretty thoughtful. _
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_ _ _ _ [E] _ _ _ _
_ _ _ [A] I'm going to be back to life once [C#] more when the [G] cold wind blows.
I know where [Dm] the dark is blown. _ _ _
I'll be standing _ [D#] back in [Cm] the fire _ [E] _ room.
_ [D] _ _ _
[G] _ _ _ _ _ [E] _ _ _
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_ [F#] _ _ _ [G] _ _ _ _
_ When [B] the summer's gone, I'll get ready.
_ _ [E] Make that labyrinth run. _
_ _ [A] Gotta have time in [D] the sun.
Time in the sun.
When the cold wind blows, [D] _ _ when the [Dm] dark is through, _
_ [G] _ [E] I'll be dripping _ [D#] back to your water [D] room.
[Dm] When _ _
_ [G] the cold wind [E] blows, I know where the [F] dark is blown.
[Dm] _ _
[D] I'll be [G] dripping back [Cm] to your fire [D] room.
_ _ _ _ [G] _ When the cold wind _ blows, [D] I know where the [G] dark is blown.
_ _ _ [E] I'll be dripping back [D#] _ to your fire [E] room. _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
[Dm] _ _ _ [G] _ _ [Em] _ _ _
[F] _ [F#] _ _ [Gm] _ _ [D] _ _ _
_ [A] _ _ [Gm] _ _ _ [G] _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ So, yeah, Marilyn Monroe up here, Jay Zemmert, and Adam Rogers on the drum. _ _
To you, this _ [C#] jazz wall, _ _ and add [F#] your name to it, and you should have been there all the time.
Thank you [N] very much. _ _ _ _ _
_ _ _ _ _ _ _ _
So, frankly, I really [D] appreciate it.
I'm very up front on quite a few songs.
And there's a group of jazz [B] purists who [A] probably, [N] I hope it's a minority of people who would probably boycott my induction. _
_ _ But I really thank you for this.
I think _ the jazz, _ whatever jazz virtues come through _ my music and music I did with my partner, Walter Becker, and we're still doing it, by the way. _ _ _ _
_ _ _ _ _ Probably comes from my mother, who was a singer when she was in her youth and in the swing era.
[A] She [N] was kind of the Shirley Temple of the Catskills.
She _ sang professionally in summers from the age five to 15.
And _ it was through her taste and love of jazz that I got my training.
_ _ Her favorite singers were Billie Holiday and Francis Faye [G#] and [F#] Nito _ [G#]
Day.
_ _ So I heard all that.
She used to sing around the house all the time.
[D#] _ And I also want to thank, well, you know, [F] also my partner couldn't be here today, Walter Becker.
But, _ you know, [A#] I'm sure he'll be up here one day.
[D#] I'd just like to thank him for, because we kind of developed [A] all of it together.
[A#] And I'd just like to thank ASCAP and [N] thank everybody for coming. _ _ _ _ _ _
Pretty thoughtful. _
_ _ _ _ _ _ _ [D] _
_ _ _ _ [A] _ _ _ [E] _
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[Em] _ _ _ [D] _ _ _ [G] _ _
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_ _ [F] _ _ [F#] _ _ _ [G] _
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_ [D] _ _ _ [C] _ _ _ _
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_ _ _ _ _ [Am] _ _ _
_ [F] _ _ [F#] _ _ [D] _ _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [A] I'm going to be back to life once [C#] more when the [G] cold wind blows.
I know where [Dm] the dark is blown. _ _ _
I'll be standing _ [D#] back in [Cm] the fire _ [E] _ room.
_ [D] _ _ _
[G] _ _ _ _ _ [E] _ _ _
_ _ _ _ _ [F] _ _ _
_ _ _ _ _ [D] _ [G] _ _
_ _ _ [D] _ _ _ _ [E] _
_ _ _ _ _ [Gm] _ _ _
_ _ _ _ [F] _ _ _ _
_ [F#] _ _ _ [G] _ _ _ _
_ When [B] the summer's gone, I'll get ready.
_ _ [E] Make that labyrinth run. _
_ _ [A] Gotta have time in [D] the sun.
Time in the sun.
When the cold wind blows, [D] _ _ when the [Dm] dark is through, _
_ [G] _ [E] I'll be dripping _ [D#] back to your water [D] room.
[Dm] When _ _
_ [G] the cold wind [E] blows, I know where the [F] dark is blown.
[Dm] _ _
[D] I'll be [G] dripping back [Cm] to your fire [D] room.
_ _ _ _ [G] _ When the cold wind _ blows, [D] I know where the [G] dark is blown.
_ _ _ [E] I'll be dripping back [D#] _ to your fire [E] room. _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
[Dm] _ _ _ [G] _ _ [Em] _ _ _
[F] _ [F#] _ _ [Gm] _ _ [D] _ _ _
_ [A] _ _ [Gm] _ _ _ [G] _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ So, yeah, Marilyn Monroe up here, Jay Zemmert, and Adam Rogers on the drum. _ _
To you, this _ [C#] jazz wall, _ _ and add [F#] your name to it, and you should have been there all the time.
Thank you [N] very much. _ _ _ _ _
_ _ _ _ _ _ _ _
So, frankly, I really [D] appreciate it.
I'm very up front on quite a few songs.
And there's a group of jazz [B] purists who [A] probably, [N] I hope it's a minority of people who would probably boycott my induction. _
_ _ But I really thank you for this.
I think _ the jazz, _ whatever jazz virtues come through _ my music and music I did with my partner, Walter Becker, and we're still doing it, by the way. _ _ _ _
_ _ _ _ _ Probably comes from my mother, who was a singer when she was in her youth and in the swing era.
[A] She [N] was kind of the Shirley Temple of the Catskills.
She _ sang professionally in summers from the age five to 15.
And _ it was through her taste and love of jazz that I got my training.
_ _ Her favorite singers were Billie Holiday and Francis Faye [G#] and [F#] Nito _ [G#]
Day.
_ _ So I heard all that.
She used to sing around the house all the time.
[D#] _ And I also want to thank, well, you know, [F] also my partner couldn't be here today, Walter Becker.
But, _ you know, [A#] I'm sure he'll be up here one day.
[D#] I'd just like to thank him for, because we kind of developed [A] all of it together.
[A#] And I'd just like to thank ASCAP and [N] thank everybody for coming. _ _ _ _ _ _