Chords for Donald Fagen
Tempo:
99.075 bpm
Chords used:
D
G
E
A
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I'd like to thank those who are in charge for scheduling me right behind Phil Woods.
Pretty thoughtful.
[D]
[A] [E]
[A]
[Em] [D] [G]
[G] [C]
[Am]
[F] [F#] [G]
[D] [C]
[F] [G]
[F] [F#] [G]
[E] [B]
[E] [B] [A]
[E]
[E] [A]
[C#]
[A]
[Em] [Dm]
[G]
[F] [D] [E]
[D]
[Dm]
[D]
[G] [D]
[F] [G]
[B]
[B] [E]
[A]
[D] [G]
[Dm]
[G] [Gm]
[D]
[F] [F#]
[D]
[D]
[Am]
[F] [F#] [D]
[B]
[E]
[A] I'm going to be back to life once [C#] more when the [G] cold wind blows.
I know where [Dm] the dark is blown.
I'll be standing [D#] back in [Cm] the fire [E] room.
[D]
[G] [E]
[F]
[D] [G]
[D] [E]
[Gm]
[F]
[F#] [G]
When [B] the summer's gone, I'll get ready.
[E] Make that labyrinth run.
[A] Gotta have time in [D] the sun.
Time in the sun.
When the cold wind blows, [D] when the [Dm] dark is through,
[G] [E] I'll be dripping [D#] back to your water [D] room.
[Dm] When
[G] the cold wind [E] blows, I know where the [F] dark is blown.
[Dm]
[D] I'll be [G] dripping back [Cm] to your fire [D] room.
[G] When the cold wind blows, [D] I know where the [G] dark is blown.
[E] I'll be dripping back [D#] to your fire [E] room.
[D]
[Dm] [G] [Em]
[F] [F#] [Gm] [D]
[A] [Gm] [G]
[N]
So, yeah, Marilyn Monroe up here, Jay Zemmert, and Adam Rogers on the drum.
To you, this [C#] jazz wall, and add [F#] your name to it, and you should have been there all the time.
Thank you [N] very much.
So, frankly, I really [D] appreciate it.
I'm very up front on quite a few songs.
And there's a group of jazz [B] purists who [A] probably, [N] I hope it's a minority of people who would probably boycott my induction.
But I really thank you for this.
I think the jazz, whatever jazz virtues come through my music and music I did with my partner, Walter Becker, and we're still doing it, by the way.
Probably comes from my mother, who was a singer when she was in her youth and in the swing era.
[A] She [N] was kind of the Shirley Temple of the Catskills.
She sang professionally in summers from the age five to 15.
And it was through her taste and love of jazz that I got my training.
Her favorite singers were Billie Holiday and Francis Faye [G#] and [F#] Nito [G#]
Day.
So I heard all that.
She used to sing around the house all the time.
[D#] And I also want to thank, well, you know, [F] also my partner couldn't be here today, Walter Becker.
But, you know, [A#] I'm sure he'll be up here one day.
[D#] I'd just like to thank him for, because we kind of developed [A] all of it together.
[A#] And I'd just like to thank ASCAP and [N] thank everybody for coming.
Pretty thoughtful.
[D]
[A] [E]
[A]
[Em] [D] [G]
[G] [C]
[Am]
[F] [F#] [G]
[D] [C]
[F] [G]
[F] [F#] [G]
[E] [B]
[E] [B] [A]
[E]
[E] [A]
[C#]
[A]
[Em] [Dm]
[G]
[F] [D] [E]
[D]
[Dm]
[D]
[G] [D]
[F] [G]
[B]
[B] [E]
[A]
[D] [G]
[Dm]
[G] [Gm]
[D]
[F] [F#]
[D]
[D]
[Am]
[F] [F#] [D]
[B]
[E]
[A] I'm going to be back to life once [C#] more when the [G] cold wind blows.
I know where [Dm] the dark is blown.
I'll be standing [D#] back in [Cm] the fire [E] room.
[D]
[G] [E]
[F]
[D] [G]
[D] [E]
[Gm]
[F]
[F#] [G]
When [B] the summer's gone, I'll get ready.
[E] Make that labyrinth run.
[A] Gotta have time in [D] the sun.
Time in the sun.
When the cold wind blows, [D] when the [Dm] dark is through,
[G] [E] I'll be dripping [D#] back to your water [D] room.
[Dm] When
[G] the cold wind [E] blows, I know where the [F] dark is blown.
[Dm]
[D] I'll be [G] dripping back [Cm] to your fire [D] room.
[G] When the cold wind blows, [D] I know where the [G] dark is blown.
[E] I'll be dripping back [D#] to your fire [E] room.
[D]
[Dm] [G] [Em]
[F] [F#] [Gm] [D]
[A] [Gm] [G]
[N]
So, yeah, Marilyn Monroe up here, Jay Zemmert, and Adam Rogers on the drum.
To you, this [C#] jazz wall, and add [F#] your name to it, and you should have been there all the time.
Thank you [N] very much.
So, frankly, I really [D] appreciate it.
I'm very up front on quite a few songs.
And there's a group of jazz [B] purists who [A] probably, [N] I hope it's a minority of people who would probably boycott my induction.
But I really thank you for this.
I think the jazz, whatever jazz virtues come through my music and music I did with my partner, Walter Becker, and we're still doing it, by the way.
Probably comes from my mother, who was a singer when she was in her youth and in the swing era.
[A] She [N] was kind of the Shirley Temple of the Catskills.
She sang professionally in summers from the age five to 15.
And it was through her taste and love of jazz that I got my training.
Her favorite singers were Billie Holiday and Francis Faye [G#] and [F#] Nito [G#]
Day.
So I heard all that.
She used to sing around the house all the time.
[D#] And I also want to thank, well, you know, [F] also my partner couldn't be here today, Walter Becker.
But, you know, [A#] I'm sure he'll be up here one day.
[D#] I'd just like to thank him for, because we kind of developed [A] all of it together.
[A#] And I'd just like to thank ASCAP and [N] thank everybody for coming.
Key:
D
G
E
A
F
D
G
E
I'd like to _ thank those who are in charge for scheduling me right behind Phil Woods.
Pretty thoughtful. _
_ _ _ _ _ _ _ [D] _
_ _ _ _ [A] _ _ _ [E] _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ [D] _ _ _ [G] _ _
_ _ _ [G] _ _ [C] _ _ _
_ _ _ _ _ [Am] _ _ _
_ _ [F] _ _ [F#] _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ [C] _ _ _ _
_ [F] _ _ _ _ [G] _ _ _
_ [F] _ _ [F#] _ _ [G] _ _ _
_ _ _ _ [E] _ _ [B] _ _
_ [E] _ _ [B] _ _ [A] _ _ _
_ _ _ [E] _ _ _ _ _
_ [E] _ _ _ _ [A] _ _ _
_ _ _ _ [C#] _ _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [Em] _ _ [Dm] _ _
[G] _ _ _ _ _ _ _ _
[F] _ _ _ [D] _ _ _ _ [E] _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ [Dm] _ _ _
_ [D] _ _ _ _ _ _ _
[G] _ _ _ _ _ [D] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [F] _ _ _ [G] _ _ _
_ _ _ _ _ [B] _ _ _
_ _ _ [B] _ _ [E] _ _ _
_ _ _ _ _ [A] _ _ _
_ [D] _ _ _ [G] _ _ _ _
_ _ _ _ _ [Dm] _ _ _
_ [G] _ _ _ _ _ _ [Gm] _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ _ [F#] _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ [Am] _ _ _
_ [F] _ _ [F#] _ _ [D] _ _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [A] I'm going to be back to life once [C#] more when the [G] cold wind blows.
I know where [Dm] the dark is blown. _ _ _
I'll be standing _ [D#] back in [Cm] the fire _ [E] _ room.
_ [D] _ _ _
[G] _ _ _ _ _ [E] _ _ _
_ _ _ _ _ [F] _ _ _
_ _ _ _ _ [D] _ [G] _ _
_ _ _ [D] _ _ _ _ [E] _
_ _ _ _ _ [Gm] _ _ _
_ _ _ _ [F] _ _ _ _
_ [F#] _ _ _ [G] _ _ _ _
_ When [B] the summer's gone, I'll get ready.
_ _ [E] Make that labyrinth run. _
_ _ [A] Gotta have time in [D] the sun.
Time in the sun.
When the cold wind blows, [D] _ _ when the [Dm] dark is through, _
_ [G] _ [E] I'll be dripping _ [D#] back to your water [D] room.
[Dm] When _ _
_ [G] the cold wind [E] blows, I know where the [F] dark is blown.
[Dm] _ _
[D] I'll be [G] dripping back [Cm] to your fire [D] room.
_ _ _ _ [G] _ When the cold wind _ blows, [D] I know where the [G] dark is blown.
_ _ _ [E] I'll be dripping back [D#] _ to your fire [E] room. _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
[Dm] _ _ _ [G] _ _ [Em] _ _ _
[F] _ [F#] _ _ [Gm] _ _ [D] _ _ _
_ [A] _ _ [Gm] _ _ _ [G] _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ So, yeah, Marilyn Monroe up here, Jay Zemmert, and Adam Rogers on the drum. _ _
To you, this _ [C#] jazz wall, _ _ and add [F#] your name to it, and you should have been there all the time.
Thank you [N] very much. _ _ _ _ _
_ _ _ _ _ _ _ _
So, frankly, I really [D] appreciate it.
I'm very up front on quite a few songs.
And there's a group of jazz [B] purists who [A] probably, [N] I hope it's a minority of people who would probably boycott my induction. _
_ _ But I really thank you for this.
I think _ the jazz, _ whatever jazz virtues come through _ my music and music I did with my partner, Walter Becker, and we're still doing it, by the way. _ _ _ _
_ _ _ _ _ Probably comes from my mother, who was a singer when she was in her youth and in the swing era.
[A] She [N] was kind of the Shirley Temple of the Catskills.
She _ sang professionally in summers from the age five to 15.
And _ it was through her taste and love of jazz that I got my training.
_ _ Her favorite singers were Billie Holiday and Francis Faye [G#] and [F#] Nito _ [G#]
Day.
_ _ So I heard all that.
She used to sing around the house all the time.
[D#] _ And I also want to thank, well, you know, [F] also my partner couldn't be here today, Walter Becker.
But, _ you know, [A#] I'm sure he'll be up here one day.
[D#] I'd just like to thank him for, because we kind of developed [A] all of it together.
[A#] And I'd just like to thank ASCAP and [N] thank everybody for coming. _ _ _ _ _ _
Pretty thoughtful. _
_ _ _ _ _ _ _ [D] _
_ _ _ _ [A] _ _ _ [E] _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ [D] _ _ _ [G] _ _
_ _ _ [G] _ _ [C] _ _ _
_ _ _ _ _ [Am] _ _ _
_ _ [F] _ _ [F#] _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ _ [C] _ _ _ _
_ [F] _ _ _ _ [G] _ _ _
_ [F] _ _ [F#] _ _ [G] _ _ _
_ _ _ _ [E] _ _ [B] _ _
_ [E] _ _ [B] _ _ [A] _ _ _
_ _ _ [E] _ _ _ _ _
_ [E] _ _ _ _ [A] _ _ _
_ _ _ _ [C#] _ _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ [Em] _ _ [Dm] _ _
[G] _ _ _ _ _ _ _ _
[F] _ _ _ [D] _ _ _ _ [E] _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ [Dm] _ _ _
_ [D] _ _ _ _ _ _ _
[G] _ _ _ _ _ [D] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [F] _ _ _ [G] _ _ _
_ _ _ _ _ [B] _ _ _
_ _ _ [B] _ _ [E] _ _ _
_ _ _ _ _ [A] _ _ _
_ [D] _ _ _ [G] _ _ _ _
_ _ _ _ _ [Dm] _ _ _
_ [G] _ _ _ _ _ _ [Gm] _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ _ [F#] _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ [Am] _ _ _
_ [F] _ _ [F#] _ _ [D] _ _ _
_ _ _ _ _ [B] _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [A] I'm going to be back to life once [C#] more when the [G] cold wind blows.
I know where [Dm] the dark is blown. _ _ _
I'll be standing _ [D#] back in [Cm] the fire _ [E] _ room.
_ [D] _ _ _
[G] _ _ _ _ _ [E] _ _ _
_ _ _ _ _ [F] _ _ _
_ _ _ _ _ [D] _ [G] _ _
_ _ _ [D] _ _ _ _ [E] _
_ _ _ _ _ [Gm] _ _ _
_ _ _ _ [F] _ _ _ _
_ [F#] _ _ _ [G] _ _ _ _
_ When [B] the summer's gone, I'll get ready.
_ _ [E] Make that labyrinth run. _
_ _ [A] Gotta have time in [D] the sun.
Time in the sun.
When the cold wind blows, [D] _ _ when the [Dm] dark is through, _
_ [G] _ [E] I'll be dripping _ [D#] back to your water [D] room.
[Dm] When _ _
_ [G] the cold wind [E] blows, I know where the [F] dark is blown.
[Dm] _ _
[D] I'll be [G] dripping back [Cm] to your fire [D] room.
_ _ _ _ [G] _ When the cold wind _ blows, [D] I know where the [G] dark is blown.
_ _ _ [E] I'll be dripping back [D#] _ to your fire [E] room. _
_ _ _ _ _ _ _ _
_ _ _ _ _ [D] _ _ _
[Dm] _ _ _ [G] _ _ [Em] _ _ _
[F] _ [F#] _ _ [Gm] _ _ [D] _ _ _
_ [A] _ _ [Gm] _ _ _ [G] _ _
_ _ _ _ _ [N] _ _ _
_ _ _ _ _ _ _ _
_ So, yeah, Marilyn Monroe up here, Jay Zemmert, and Adam Rogers on the drum. _ _
To you, this _ [C#] jazz wall, _ _ and add [F#] your name to it, and you should have been there all the time.
Thank you [N] very much. _ _ _ _ _
_ _ _ _ _ _ _ _
So, frankly, I really [D] appreciate it.
I'm very up front on quite a few songs.
And there's a group of jazz [B] purists who [A] probably, [N] I hope it's a minority of people who would probably boycott my induction. _
_ _ But I really thank you for this.
I think _ the jazz, _ whatever jazz virtues come through _ my music and music I did with my partner, Walter Becker, and we're still doing it, by the way. _ _ _ _
_ _ _ _ _ Probably comes from my mother, who was a singer when she was in her youth and in the swing era.
[A] She [N] was kind of the Shirley Temple of the Catskills.
She _ sang professionally in summers from the age five to 15.
And _ it was through her taste and love of jazz that I got my training.
_ _ Her favorite singers were Billie Holiday and Francis Faye [G#] and [F#] Nito _ [G#]
Day.
_ _ So I heard all that.
She used to sing around the house all the time.
[D#] _ And I also want to thank, well, you know, [F] also my partner couldn't be here today, Walter Becker.
But, _ you know, [A#] I'm sure he'll be up here one day.
[D#] I'd just like to thank him for, because we kind of developed [A] all of it together.
[A#] And I'd just like to thank ASCAP and [N] thank everybody for coming. _ _ _ _ _ _