Chords for dotted 8th DELAY TUTORIAL - Run like Hell style - Pink Floyd David Gilmour - U2 The Edge
Tempo:
138.9 bpm
Chords used:
E
Em
A
G
Abm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Em] Yes, absolutely.
[E]
[A] [E]
Same thing, but without the delay.
[G] [A] [E]
[G] So [N] the basic idea is pretty straightforward and simple,
but [G] when you keep your time and play it against the delay set to dotted [C] eighth notes,
it really starts to blossom.
It's a [G] trademark technique of David Gilmour, The Edge.
And aside from keeping your time,
the main challenge is defining the delay time as dotted eighth notes in the first place.
When you hear the echo, [E] you tend to think of the repeats as quarter notes, like this.
[Em]
That's cool too, but it's [Abm] hard to get into the dotted eighth thing from there.
Now [Am] the same thing, but [Abm] different tempo, so that the delay produces dotted [Em] eighth.
[E]
[Em]
[G]
[E] So if you want to work out the tempo, first of all you should roll back the repeats to one.
And then [N] dial in a medium delay time.
I'll bring it up to the maximum, which is six.
[E]
[G] And now you want the delayed signal to echo after a dotted eighth note,
which is as long as three sixteenth notes.
[A]
[G] You [N] can listen to the original and repeated note and think of them as number one, number four,
or four sixteenth [A] notes.
[Abm] [G]
[A] [E]
[N]
So the echoed note is right before the next [E] downbeat.
[A] [Em]
[A]
[N]
So you can think of the [G] repeated note as the sixteenth pickup for the next downbeat.
[E]
[G] So there's your tempo.
[E]
[G] That's the way to work out your tempo.
I think you're getting the idea.
Now we can [C]
speed up a little bit.
[E]
[A] [E]
[A] [E]
When
[Em]
[E]
[A] you're
[Em] solid with the tempo, you can bring up the delay again, the repeats again.
[Am] [G]
[Em]
There you go.
[A] [E]
[Em]
[Dbm]
[A]
[Abm] [A] [E]
[Dbm] [Abm] [Dbm]
[Em]
[Am]
[Em]
[Bm]
[Em] [Bm] [Em]
[E]
[A] [E]
Same thing, but without the delay.
[G] [A] [E]
[G] So [N] the basic idea is pretty straightforward and simple,
but [G] when you keep your time and play it against the delay set to dotted [C] eighth notes,
it really starts to blossom.
It's a [G] trademark technique of David Gilmour, The Edge.
And aside from keeping your time,
the main challenge is defining the delay time as dotted eighth notes in the first place.
When you hear the echo, [E] you tend to think of the repeats as quarter notes, like this.
[Em]
That's cool too, but it's [Abm] hard to get into the dotted eighth thing from there.
Now [Am] the same thing, but [Abm] different tempo, so that the delay produces dotted [Em] eighth.
[E]
[Em]
[G]
[E] So if you want to work out the tempo, first of all you should roll back the repeats to one.
And then [N] dial in a medium delay time.
I'll bring it up to the maximum, which is six.
[E]
[G] And now you want the delayed signal to echo after a dotted eighth note,
which is as long as three sixteenth notes.
[A]
[G] You [N] can listen to the original and repeated note and think of them as number one, number four,
or four sixteenth [A] notes.
[Abm] [G]
[A] [E]
[N]
So the echoed note is right before the next [E] downbeat.
[A] [Em]
[A]
[N]
So you can think of the [G] repeated note as the sixteenth pickup for the next downbeat.
[E]
[G] So there's your tempo.
[E]
[G] That's the way to work out your tempo.
I think you're getting the idea.
Now we can [C]
speed up a little bit.
[E]
[A] [E]
[A] [E]
When
[Em]
[E]
[A] you're
[Em] solid with the tempo, you can bring up the delay again, the repeats again.
[Am] [G]
[Em]
There you go.
[A] [E]
[Em]
[Dbm]
[A]
[Abm] [A] [E]
[Dbm] [Abm] [Dbm]
[Em]
[Am]
[Em]
[Bm]
[Em] [Bm] [Em]
Key:
E
Em
A
G
Abm
E
Em
A
[Em] Yes, absolutely. _ _ _ _ _
[E] _ _ _ _ _ _ _ _
[A] _ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Same _ _ _ _ _ _ thing, but without the delay. _ _ _
[G] _ [A] _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ So [N] the basic idea is pretty _ straightforward and simple,
but [G] when you keep your time and play it against the delay set to dotted [C] eighth notes,
it really starts to blossom.
_ It's a [G] trademark technique of David Gilmour, The Edge. _
_ _ And aside from keeping your time,
_ _ _ the main challenge is defining the delay time as dotted eighth notes in the first place.
When you hear the echo, _ [E] you tend to think of the repeats as quarter notes, like this. _
_ _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
That's cool too, but it's [Abm] hard to get into the dotted eighth thing from there.
Now [Am] the same thing, but [Abm] different tempo, so that the delay produces dotted [Em] eighth.
_ _ [E] _ _
_ _ [Em] _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
[E] _ _ _ _ _ So if you want to work out the tempo, first of all you should _ _ roll back the repeats to one.
_ _ And then [N] dial in a medium delay time. _ _
I'll bring it up to the maximum, which is six.
_ [E] _ _
_ _ _ _ [G] _ And now you want the delayed signal to echo after a dotted eighth note,
_ which is as long as three sixteenth notes.
_ _ [A] _ _ _ _ _
[G] _ _ _ You [N] can listen to the original and repeated note and think of them as number one, number four,
or four sixteenth [A] notes.
_ _ _ [Abm] _ [G] _ _ _ _
[A] _ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ [N] _ _ _ _ _
So _ _ _ the echoed note is right before the next [E] downbeat. _ _ _ _
_ _ _ _ [A] _ _ _ [Em] _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ [N] _ _
So you can think of the [G] repeated note as the sixteenth pickup for the next downbeat.
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ So there's your tempo.
[E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ That's the way to work out your tempo.
I think you're getting the idea.
_ _ _ Now we can [C] _ _
speed up a little bit.
_ [E] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ [E] _
_ _ _ _ _ When _
_ _ [Em] _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ [A] you're _ _
[Em] _ _ _ _ _ solid with the tempo, you can bring up the delay again, the repeats again.
[Am] _ _ _ [G] _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ There you go. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ [E] _ _ _ _
_ _ [Em] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Dbm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ _ _
[Abm] _ _ [A] _ _ _ [E] _ _ _
[Dbm] _ _ _ [Abm] _ _ [Dbm] _ _ _
_ _ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Am] _ _ _ _ _ _ _ _
_ _ [Em] _ _ _ _ _ _
_ _ _ _ _ [Bm] _ _ _
_ [Em] _ _ _ [Bm] _ _ [Em] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ _ _
[A] _ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Same _ _ _ _ _ _ thing, but without the delay. _ _ _
[G] _ [A] _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ So [N] the basic idea is pretty _ straightforward and simple,
but [G] when you keep your time and play it against the delay set to dotted [C] eighth notes,
it really starts to blossom.
_ It's a [G] trademark technique of David Gilmour, The Edge. _
_ _ And aside from keeping your time,
_ _ _ the main challenge is defining the delay time as dotted eighth notes in the first place.
When you hear the echo, _ [E] you tend to think of the repeats as quarter notes, like this. _
_ _ _ _ _ _ _ _
_ _ _ _ [Em] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
That's cool too, but it's [Abm] hard to get into the dotted eighth thing from there.
Now [Am] the same thing, but [Abm] different tempo, so that the delay produces dotted [Em] eighth.
_ _ [E] _ _
_ _ [Em] _ _ _ _ _ _
[G] _ _ _ _ _ _ _ _
[E] _ _ _ _ _ So if you want to work out the tempo, first of all you should _ _ roll back the repeats to one.
_ _ And then [N] dial in a medium delay time. _ _
I'll bring it up to the maximum, which is six.
_ [E] _ _
_ _ _ _ [G] _ And now you want the delayed signal to echo after a dotted eighth note,
_ which is as long as three sixteenth notes.
_ _ [A] _ _ _ _ _
[G] _ _ _ You [N] can listen to the original and repeated note and think of them as number one, number four,
or four sixteenth [A] notes.
_ _ _ [Abm] _ [G] _ _ _ _
[A] _ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ [N] _ _ _ _ _
So _ _ _ the echoed note is right before the next [E] downbeat. _ _ _ _
_ _ _ _ [A] _ _ _ [Em] _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ [N] _ _
So you can think of the [G] repeated note as the sixteenth pickup for the next downbeat.
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ So there's your tempo.
[E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ That's the way to work out your tempo.
I think you're getting the idea.
_ _ _ Now we can [C] _ _
speed up a little bit.
_ [E] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ [E] _
_ _ _ _ _ When _
_ _ [Em] _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ [A] you're _ _
[Em] _ _ _ _ _ solid with the tempo, you can bring up the delay again, the repeats again.
[Am] _ _ _ [G] _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ There you go. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ [E] _ _ _ _
_ _ [Em] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Dbm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ _ _
[Abm] _ _ [A] _ _ _ [E] _ _ _
[Dbm] _ _ _ [Abm] _ _ [Dbm] _ _ _
_ _ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Am] _ _ _ _ _ _ _ _
_ _ [Em] _ _ _ _ _ _
_ _ _ _ _ [Bm] _ _ _
_ [Em] _ _ _ [Bm] _ _ [Em] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _