Chords for DYSCARNATE - 'And So It Came To Pass' Studio Diary - Guitar & Bass

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[D] _ I'm [Bb] _ _ _ _ _
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[Dm] _ _ _ [D] going to run through some of the gear that we got on the album.
Start off with the guitars.
I've got a [Ab] Budnett's Prestige _ RG220A.
Fucking awesome guitar.
[Gb] _ Neck through.
Got a Seymour Duncan Blackout II in there as well.
It's fucking [Eb] awesome.
I used to [G] use EMG 81s but this is far better.
A lot heavier tone, a lot more output.
I've been using this guitar for over three years now.
And yeah, love it.
Although I have just picked up an endorsement with Jackson [Gb] Guitars.
So I'm really stoked to be picking up a guitar from them pretty soon.
So I'll take that on tour and we'll [G] get one of those.
Bass guitar.
Warwick Corvette.
Five [Ab] string double buck.
Again, really awesome bass.
_ Really nice active pickups, active system in there.
_ [Gm] Loads of sustain, loads of low end. _
Yeah, really nice bass.
Henry loves using it.
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_ _ _ [Bb] Bass amp.
[Ab] _ Using a Peavey 5150 and a Mesa [G] Dual Rec.
Mixing the two up, sounds great.
The Peavey's got a lot of [Gb] distortion, a lot of overdrive.
So it gives it a bit of a tone.
And the Mesa as well, mixed with it.
A lot of clarity on the notes.
So you hear all the picking detail [G] and all that kind of stuff.
Yeah, really great mix.
Bass amp.
We're using Ampeg SVT 3.0. Real good.
_ [C] The sounds amp.
Bass [A] driver.
That's got a [Gb] real stomping tone that [G] we mix with the clean tone. _
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_ _ [N] _ Guitar rig set up.
It's quite simple pedal wise.
Straight into the DI, just to record a clean tone into the desk.
Got the Lela Sunday driver.
That just matches all the impedances between pedals and the cables to the amp.
So that [Gb] the tone is straight when the guitar is putting out.
So it's perfect for recording.
Max on OD808.
Two-tone amp. _ _
_ The [Ab] mids and the highs and just makes it. _ _
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