Chords for Eddie Cochran - Jerry Capehart talks about Eddie
Tempo:
148.3 bpm
Chords used:
F#
D#
B
G#
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#m]
[G#] [F#]
[C#]
[F#]
[D#]
[G#m] [C#]
[F#] [Fm] [F#]
Eddie Cochran and Sitting in the Balcony, again Eddie's producer, Jerry Capehart.
That was Eddie's first [A] hit.
[F#] Johnny Man, by the way, did the arrangements on that.
With Eddie playing guitar and Connie Smith, or Eddie's bass player, Guybo, who was also Eddie's best friend,
and myself playing on a cardboard box.
Back in 1958, [A#] Eddie cut his biggest hit, an anthem of teenage [E] frustration.
Eddie came by [N] my apartment and we were having rehearsal the evening before.
Recording was scheduled the next day.
So I said, well, why don't we write something?
So summer's coming, okay, there's never been a blues song written about summer, so let's write a song, as I told him, called Summertime [D#] Blues.
So Eddie says, hey, [D#] you know, I've got this really great riff on the guitar, and [A#] that's the part of [D#] Summertime Blues where it goes
[G#] [D#m]
[D#]
[G#] [D#]
[G#]
[D#] and
you gotta work, [G#] please.
Sometimes I wonder what I'm gonna do, but there ain't no [Dm] cure for the [D#] summertime blues.
[G#] [A#] [D#]
[G#] [A#] [D#]
[G#] [A#] [D#] Everything [G#] Eddie Cochran ever did in his life had to have humor in it or he [A] wouldn't do it.
For [G#] example, his favorite performer at that time [N] was the Kingfish from the Amos and Andy days.
And the low voice that you heard on [Gm] Eddie's version of Summertime Blues was really his salute to the [E] Kingfish.
Summertime Blues, which clocks in at just under two [B] minutes, is often used as an example of the essence of [E] rock and roll.
Direct, natural, powerful communication through simple musical means.
I think Summertime Blues was [F#] really indicative of Eddie's [A] image with his fans.
[C] I think that song gave him his individuality.
[F#] We had no [E] idea that his image would become what it has become.
Eddie was, as you know, at the time of [A] his death, he just really had become a [E] superstar.
At that moment in time, it seems that he was just snatched away at the time that he made it.
Had Eddie lived, he would have probably [G] been as important a name in the industry as [A] you could really mention today.
The 1960 [B] car crash that claimed Eddie Cochran's life essentially ended the Rockabilly era, the era of Buddy Holly [F#] and Gene Vinson.
[G#m] It's all [C#] for [G#m] you.
[C#]
[F#] Well, you go your way and I'll go [C#] mine.
Now and forever, till the end of time, [F#] I'll find somebody new.
Baby, we'll say we're through [C#] and you won't matter [F#]
anymore.
[C#] You won't matter [F#] anymore.
[C#]
[F#]
It [Cm] Really Doesn't Matter Anymore, written [G] by Paul Anka [F] and sung [F#] by Buddy Holly.
Then on [D#m] February 3rd, 1959, Buddy Holly was killed in a plane crash, [E] along with Richie Valens and the [F#] Big Bopper.
[B] More than a decade later, Don [F] McLean was to call it The [A#m] Day The Music [F] Died in [F#] American Pie, a song dedicated to the memory of Buddy [B] Holly.
An even more personal tribute came from a close friend, who [F#] himself would later be killed in an auto crash.
Look up in the sky, [E] [Bm] up towards the north, [B]
there are three stars, [C#] brightly [F#] shining forth.
[B] They're shining oh so bright, from heaven [E] above.
Gee, we're gonna [B] miss you, [F#] everybody [B] sends their love.
Well, Eddie was crying when he [F#] recorded it, he really was.
He was in tears himself.
[B] And it was a tremendously moving thing to be in the booth listening to it.
Eddie Cochran's producer, Jerry Capehart.
Three Stars was written about Buddy Holly, Richie Valens and the Big Bopper.
You recall they were killed in an airplane accident.
[F#] Eddie was supposed to have been on that plane with them and wasn't, so he [B] always felt that he was, I guess, on borrowed time at that point.
Gee, [C#] we're gonna miss you, [F#] everybody [B] sends their love.
A story of Buddy
[G#] [F#]
[C#]
[F#]
[D#]
[G#m] [C#]
[F#] [Fm] [F#]
Eddie Cochran and Sitting in the Balcony, again Eddie's producer, Jerry Capehart.
That was Eddie's first [A] hit.
[F#] Johnny Man, by the way, did the arrangements on that.
With Eddie playing guitar and Connie Smith, or Eddie's bass player, Guybo, who was also Eddie's best friend,
and myself playing on a cardboard box.
Back in 1958, [A#] Eddie cut his biggest hit, an anthem of teenage [E] frustration.
Eddie came by [N] my apartment and we were having rehearsal the evening before.
Recording was scheduled the next day.
So I said, well, why don't we write something?
So summer's coming, okay, there's never been a blues song written about summer, so let's write a song, as I told him, called Summertime [D#] Blues.
So Eddie says, hey, [D#] you know, I've got this really great riff on the guitar, and [A#] that's the part of [D#] Summertime Blues where it goes
[G#] [D#m]
[D#]
[G#] [D#]
[G#]
[D#] and
you gotta work, [G#] please.
Sometimes I wonder what I'm gonna do, but there ain't no [Dm] cure for the [D#] summertime blues.
[G#] [A#] [D#]
[G#] [A#] [D#]
[G#] [A#] [D#] Everything [G#] Eddie Cochran ever did in his life had to have humor in it or he [A] wouldn't do it.
For [G#] example, his favorite performer at that time [N] was the Kingfish from the Amos and Andy days.
And the low voice that you heard on [Gm] Eddie's version of Summertime Blues was really his salute to the [E] Kingfish.
Summertime Blues, which clocks in at just under two [B] minutes, is often used as an example of the essence of [E] rock and roll.
Direct, natural, powerful communication through simple musical means.
I think Summertime Blues was [F#] really indicative of Eddie's [A] image with his fans.
[C] I think that song gave him his individuality.
[F#] We had no [E] idea that his image would become what it has become.
Eddie was, as you know, at the time of [A] his death, he just really had become a [E] superstar.
At that moment in time, it seems that he was just snatched away at the time that he made it.
Had Eddie lived, he would have probably [G] been as important a name in the industry as [A] you could really mention today.
The 1960 [B] car crash that claimed Eddie Cochran's life essentially ended the Rockabilly era, the era of Buddy Holly [F#] and Gene Vinson.
[G#m] It's all [C#] for [G#m] you.
[C#]
[F#] Well, you go your way and I'll go [C#] mine.
Now and forever, till the end of time, [F#] I'll find somebody new.
Baby, we'll say we're through [C#] and you won't matter [F#]
anymore.
[C#] You won't matter [F#] anymore.
[C#]
[F#]
It [Cm] Really Doesn't Matter Anymore, written [G] by Paul Anka [F] and sung [F#] by Buddy Holly.
Then on [D#m] February 3rd, 1959, Buddy Holly was killed in a plane crash, [E] along with Richie Valens and the [F#] Big Bopper.
[B] More than a decade later, Don [F] McLean was to call it The [A#m] Day The Music [F] Died in [F#] American Pie, a song dedicated to the memory of Buddy [B] Holly.
An even more personal tribute came from a close friend, who [F#] himself would later be killed in an auto crash.
Look up in the sky, [E] [Bm] up towards the north, [B]
there are three stars, [C#] brightly [F#] shining forth.
[B] They're shining oh so bright, from heaven [E] above.
Gee, we're gonna [B] miss you, [F#] everybody [B] sends their love.
Well, Eddie was crying when he [F#] recorded it, he really was.
He was in tears himself.
[B] And it was a tremendously moving thing to be in the booth listening to it.
Eddie Cochran's producer, Jerry Capehart.
Three Stars was written about Buddy Holly, Richie Valens and the Big Bopper.
You recall they were killed in an airplane accident.
[F#] Eddie was supposed to have been on that plane with them and wasn't, so he [B] always felt that he was, I guess, on borrowed time at that point.
Gee, [C#] we're gonna miss you, [F#] everybody [B] sends their love.
A story of Buddy
Key:
F#
D#
B
G#
C#
F#
D#
B
_ _ _ _ _ [C#m] _ _ _
_ _ [G#] _ _ _ [F#] _ _ _
_ _ _ _ _ _ [C#] _ _
_ _ _ _ _ _ _ [F#] _
_ _ _ [D#] _ _ _ _ _
[G#m] _ _ _ [C#] _ _ _ _ _
[F#] _ _ _ _ [Fm] _ _ [F#] _
Eddie Cochran and Sitting in the Balcony, again Eddie's producer, Jerry Capehart.
That was Eddie's first [A] hit.
[F#] Johnny Man, by the way, did the arrangements on that.
With _ Eddie playing guitar and Connie Smith, or Eddie's bass player, Guybo, who was also Eddie's best friend,
and myself playing on a cardboard box.
Back in 1958, [A#] Eddie cut his biggest hit, an anthem of teenage [E] frustration.
Eddie came by [N] my apartment and we were having rehearsal the evening before.
Recording was scheduled the next day.
_ _ So I said, well, why don't we write something?
So summer's coming, okay, there's never been a blues song written about summer, so let's write a song, as I told him, called Summertime [D#] Blues.
So Eddie says, hey, [D#] you know, I've got this really great riff on the guitar, and [A#] that's the part of [D#] Summertime Blues where it goes_
[G#] _ _ _ [D#m] _ _ _
_ _ _ [D#] _ _ _ _ _
_ _ [G#] _ _ _ [D#] _ _ _
_ _ _ _ _ _ _ _
_ _ [G#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [D#] _ _and
you gotta work, [G#] please.
_ Sometimes I wonder what I'm gonna do, but there ain't no [Dm] cure for the [D#] summertime blues.
_ _ _ _ _ _ _ _
[G#] _ _ [A#] _ _ [D#] _ _ _ _
[G#] _ _ [A#] _ _ [D#] _ _ _ _
[G#] _ _ [A#] _ [D#] _ _ Everything [G#] Eddie Cochran ever did in his life had to have humor in it or he [A] wouldn't do it.
For [G#] example, his favorite _ performer at that time _ [N] was the Kingfish from the Amos and Andy days.
And the low voice that you heard on [Gm] Eddie's version of Summertime Blues was really his salute to the [E] Kingfish.
Summertime Blues, which clocks in at just under two [B] minutes, is often used as an example of the essence of [E] rock and roll.
Direct, natural, powerful communication through simple musical means.
I think Summertime Blues was [F#] really indicative of Eddie's _ [A] _ image with his fans.
[C] I think that song gave him his individuality.
[F#] We had no [E] idea that his image would become what it has become.
_ Eddie was, as you know, at the time of [A] his death, he just really had become a [E] superstar.
At that moment in time, it seems that he was just snatched away at the time that he made it.
Had Eddie lived, he would have probably [G] been as important a name in the industry as [A] you could really mention today.
The 1960 [B] car crash that claimed Eddie Cochran's life essentially ended the Rockabilly era, the era of Buddy Holly [F#] and Gene Vinson.
[G#m] It's all [C#] for _ [G#m] you.
_ [C#] _ _ _ _ _
[F#] _ Well, you go your way and I'll go [C#] mine.
Now and forever, till the end of time, [F#] I'll find somebody new.
Baby, we'll say we're through [C#] and you won't matter [F#] _
anymore.
_ _ _ [C#] You won't matter [F#] anymore.
_ _ _ _ [C#] _
_ _ _ _ [F#] _ _ _ _
_ It [Cm] Really Doesn't Matter Anymore, written [G] by Paul Anka [F] and sung [F#] by Buddy Holly.
Then on [D#m] February 3rd, _ 1959, Buddy Holly was killed in a plane crash, [E] along with Richie Valens and the [F#] Big Bopper.
[B] _ More than a decade later, Don [F] McLean was to call it The [A#m] Day The Music [F] Died in [F#] American Pie, a song dedicated to the memory of Buddy [B] Holly.
An even more personal tribute came from a close friend, who [F#] himself would later be killed in an auto crash.
_ Look up in the sky, _ _ _ [E] _ [Bm] up towards the north, _ _ [B]
there are three _ stars, _ [C#] brightly _ _ [F#] shining _ forth.
[B] _ They're _ shining oh so bright, from _ heaven _ [E] _ _ above. _
Gee, _ we're gonna [B] miss you, [F#] _ everybody _ _ [B] sends their love.
_ _ Well, Eddie was crying when he [F#] recorded it, he really was.
He was in tears himself.
[B] And _ it was a tremendously moving thing to _ _ be in the booth listening to it.
Eddie Cochran's producer, Jerry Capehart.
Three Stars was written about Buddy Holly, _ Richie Valens and the Big Bopper.
You recall they were killed in an airplane accident.
[F#] Eddie was supposed to have been on that plane with them and wasn't, so he [B] always felt that he was, I guess, on borrowed time at that point.
_ Gee, _ [C#] we're gonna miss you, [F#] _ everybody _ _ [B] sends their love.
A story of Buddy
_ _ [G#] _ _ _ [F#] _ _ _
_ _ _ _ _ _ [C#] _ _
_ _ _ _ _ _ _ [F#] _
_ _ _ [D#] _ _ _ _ _
[G#m] _ _ _ [C#] _ _ _ _ _
[F#] _ _ _ _ [Fm] _ _ [F#] _
Eddie Cochran and Sitting in the Balcony, again Eddie's producer, Jerry Capehart.
That was Eddie's first [A] hit.
[F#] Johnny Man, by the way, did the arrangements on that.
With _ Eddie playing guitar and Connie Smith, or Eddie's bass player, Guybo, who was also Eddie's best friend,
and myself playing on a cardboard box.
Back in 1958, [A#] Eddie cut his biggest hit, an anthem of teenage [E] frustration.
Eddie came by [N] my apartment and we were having rehearsal the evening before.
Recording was scheduled the next day.
_ _ So I said, well, why don't we write something?
So summer's coming, okay, there's never been a blues song written about summer, so let's write a song, as I told him, called Summertime [D#] Blues.
So Eddie says, hey, [D#] you know, I've got this really great riff on the guitar, and [A#] that's the part of [D#] Summertime Blues where it goes_
[G#] _ _ _ [D#m] _ _ _
_ _ _ [D#] _ _ _ _ _
_ _ [G#] _ _ _ [D#] _ _ _
_ _ _ _ _ _ _ _
_ _ [G#] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [D#] _ _and
you gotta work, [G#] please.
_ Sometimes I wonder what I'm gonna do, but there ain't no [Dm] cure for the [D#] summertime blues.
_ _ _ _ _ _ _ _
[G#] _ _ [A#] _ _ [D#] _ _ _ _
[G#] _ _ [A#] _ _ [D#] _ _ _ _
[G#] _ _ [A#] _ [D#] _ _ Everything [G#] Eddie Cochran ever did in his life had to have humor in it or he [A] wouldn't do it.
For [G#] example, his favorite _ performer at that time _ [N] was the Kingfish from the Amos and Andy days.
And the low voice that you heard on [Gm] Eddie's version of Summertime Blues was really his salute to the [E] Kingfish.
Summertime Blues, which clocks in at just under two [B] minutes, is often used as an example of the essence of [E] rock and roll.
Direct, natural, powerful communication through simple musical means.
I think Summertime Blues was [F#] really indicative of Eddie's _ [A] _ image with his fans.
[C] I think that song gave him his individuality.
[F#] We had no [E] idea that his image would become what it has become.
_ Eddie was, as you know, at the time of [A] his death, he just really had become a [E] superstar.
At that moment in time, it seems that he was just snatched away at the time that he made it.
Had Eddie lived, he would have probably [G] been as important a name in the industry as [A] you could really mention today.
The 1960 [B] car crash that claimed Eddie Cochran's life essentially ended the Rockabilly era, the era of Buddy Holly [F#] and Gene Vinson.
[G#m] It's all [C#] for _ [G#m] you.
_ [C#] _ _ _ _ _
[F#] _ Well, you go your way and I'll go [C#] mine.
Now and forever, till the end of time, [F#] I'll find somebody new.
Baby, we'll say we're through [C#] and you won't matter [F#] _
anymore.
_ _ _ [C#] You won't matter [F#] anymore.
_ _ _ _ [C#] _
_ _ _ _ [F#] _ _ _ _
_ It [Cm] Really Doesn't Matter Anymore, written [G] by Paul Anka [F] and sung [F#] by Buddy Holly.
Then on [D#m] February 3rd, _ 1959, Buddy Holly was killed in a plane crash, [E] along with Richie Valens and the [F#] Big Bopper.
[B] _ More than a decade later, Don [F] McLean was to call it The [A#m] Day The Music [F] Died in [F#] American Pie, a song dedicated to the memory of Buddy [B] Holly.
An even more personal tribute came from a close friend, who [F#] himself would later be killed in an auto crash.
_ Look up in the sky, _ _ _ [E] _ [Bm] up towards the north, _ _ [B]
there are three _ stars, _ [C#] brightly _ _ [F#] shining _ forth.
[B] _ They're _ shining oh so bright, from _ heaven _ [E] _ _ above. _
Gee, _ we're gonna [B] miss you, [F#] _ everybody _ _ [B] sends their love.
_ _ Well, Eddie was crying when he [F#] recorded it, he really was.
He was in tears himself.
[B] And _ it was a tremendously moving thing to _ _ be in the booth listening to it.
Eddie Cochran's producer, Jerry Capehart.
Three Stars was written about Buddy Holly, _ Richie Valens and the Big Bopper.
You recall they were killed in an airplane accident.
[F#] Eddie was supposed to have been on that plane with them and wasn't, so he [B] always felt that he was, I guess, on borrowed time at that point.
_ Gee, _ [C#] we're gonna miss you, [F#] _ everybody _ _ [B] sends their love.
A story of Buddy