Ella Mae Morse, Johnny Mercer, & The Pied Pipers - Blues In The Night Chords

Well, fellas, moving on to a few score and seven more APO and FPO numbers,
we are delivering the young lady who has jumped into the top ranks of your favorite girlfriends during the past year.
Gentlemen of the AAF, another command performance for Ella Mae Moss.
_ _ _ Thank you, Marlene.
And hi, fellas.
You know, I'm packing around a bit of that terrific GI mail of yours, so let's play a neat 30 seconds of post office.
A quick hello to Snowy Beck and Gunga Dan [A#m] Wohler, two Australian helping guards.
They are guarding an important sea lane somewhere between the North and South Pole.
I'm also calling on E.H. Maxiner of the Navy to say, Max,
hey, ask command performance for lots of things, but believe me, you're the first one to ever ask for a redheaded nurse.
Regards from Corporal Jerry Wilhelm to 15 Yankee Dandies at 715.
Hello, Alaska, and the gang at Hot Springs, [B] Iceland.
Ditto to Greenland and the [F] Aleutians.
But, fellas, I'm running into overtime in the talk department.
My main message to all of you everywhere is, aided and abetted by those five pied pipers,
I'm joining up with the silver-toned tenor voice of [N] Johnny Mercer for a turn on one of your favorite deadies, Blues in the Night.
[G#m] _ _ _ [A#] _
[G#] _ _ _ _ _ [F#] _ _ _
_ [B] _ [C#] _ _ [G#m] _ [F#] _ _ _
_ _ _ [B] My mama done told [C#m]
me [B] when I was in [E] knee pants, [B] my mama done [C#m] told me, _ [B] son, _ _
_ [G#] a woman will sweet talk and give you the glad _ [B] eye, _ but when that sweet talking's done,
_ _ [F#] a woman's a two-faced, [C#] a worrisome [F#] thing who'll leave you to [G#m] sing the blues _ _ in the night.
[C] _ [E] _ _ _ _ Now the rains are [A] falling, hear the train a [E]-calling, hoo-wee, _ my mama done told me,
hear _ [A] that lonesome whistle [N] blowing across the trestle, hoo-wee, _ [C#m] my mama done told me, [B] ah, hoo-wee, doo-doo-wee,
[F#] oh, clickety [C]-clacks echoing [E] back the blues [Bm] _ _ [E] in the night.
_ _ The evening [B] breeze _ [A]
will stop [D] the [Am] trees to cry, [G] _
and the moon will [F#] hide its _ line.
[Dm] _ _ _ [C#] _ _ _ [B] _
_ [F#] _ _ _ [B] _ _ [A] Take _ _ [G#m] _ _ _ _ [Em] _ _
my word, [D] the _ mockingbird'll sing the saddest [D#] kind of [E] _ _
song.
_ [C#] _ He knows [Em] things are [F#] wrong, [D#] and he's wrong.
_ [E] _ _ _ _ _ [F#] _
_ [Gm] _ _ [A] _ _ [D] _ [F#] _ [Fm] _
_ [G#] _ [C#m] From Manchester to [D] Mobile, _ [E] from Memphis to St.
[D] Joe, _ _ [E] _ [D] wherever the four winds [A] _ blow,
_ _ [Am]
[Em] and in some great [Am] town I've [F#m] heard me some big talk, _ but [Bm] there is one [A] thing I know,
_ [E] a woman's a two-faced, _ [D] _ _ _ [E] _ [A] a worrisome thing who'll leave you to sing the blues
_ _ _ _ _ _ _ _
[G#] _ [A] _ [Cm] _ [A] _ _ _ _ [G] _
[F#m] _ [D] in the night.
So let me give [Dm] you fair warning, _ _ [C#m] you may feel [A] fine in [F#] the morning,
but [D#] look out for _ [A] those _ blues in the night.
[Fm] _ _ _ _
[A] _ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _