Chords for Elvis Presley "Return to Sender" - Easy Rhythm Guitar Songs Lesson

Tempo:
115.45 bpm
Chords used:

Bb

Eb

Ab

G

Cm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Elvis Presley "Return to Sender" - Easy Rhythm Guitar Songs Lesson chords
Start Jamming...
Hey everybody, Rob coming to you today from Summers Point, New Jersey.
A few days ago I got a request for one of my all-time favorite songs.
It's called Return to Sender.
It was made famous by Elvis Presley,
originally written by [B] Winfield Scott and Otis Blackwell.
So [Gm] I thought I'd give you a quick introduction to this tune.
Of course
I'll be doing a more robust lesson on it later.
[A]
So we have a capo on fret 3 [Eb] and we're going to be playing seemingly
in the key of C, but because of that capo we'll actually be in the key of E
flat.
All right we're standard tuning.
Let's
jump into the intro section first.
It's [C] going to look and sound like this.
[Eb] Return [Cm] to sender, [Gm] [Fm] return [Bb] to sender.
[Bb] Okay so right there we have the main strumming pattern, chord [Gm] progression,
and a little riff that's going to be repeating itself throughout the tune.
Let's start with that little riff.
We're on the third fret relative to the capo,
low E string, then to the open A, [C]
then to the second
[D] fret, open A again, and back to the third fret [Bb] low E.
All right you put that together and we [C] have.
[Bb] It's going to sound great if you
palm mute [G] it.
Okay it depends on what effect you're
going for there.
All right from there we're into [Eb] a basic
chord progression.
C major to A [Cm] minor,
D [Fm] minor, [Bb] and G dominant [Bb] 7.
[Gm] Okay so this is a [Eb] 1, minor [Cm] 6,
minor [Fm] 2, [Bb] 5 progression.
All right and we're going to apply a
basic [G] calypso pattern.
[Eb] Down, down, up, up, [Cm] down, up, down, down,
up, up, [Fm] down, up, down, down, up, down, [Bb] up, down, up,
up, down, up.
Now you may have just caught me do something there
that's a little bit different.
One [E] option you have as a rhythm guitarist
[Eb] is to separate the bass from the treble.
So we can play
bass, down, up, up, [Cm] down, up, bass, down, up, up, down, up, D string, [Fm] bass,
down, up, up, down, [Bb] up, low E string.
Very basic chord progression there.
All
right now jumping into the verse we're going to use that same exact chord
progression for line one and then a variation of it on [Eb] line two.
So I gave a letter [Cm] to the postman, [Fm]
he put it in [Bb] his sack.
Now line two is going to be a little bit different.
[Eb] [Cm]
[C] [Gm]
[Cm] [Bb] So basically we just sped up the [Eb] chords a little bit.
So with C major, one,
two, three, [Cm] four, A minor, two, three, four, [Fm] and D, [Bb] G,
[Bb] and C with a stop there and then optional riff.
[C] Same exact thing
that we played in the beginning of the tune
and you can sing over top of it.
[C]
[Bb] That gets you into the chorus section which is very simple,
but [Ab] it is going to introduce an [Eb] F major bar chord shape.
Making this a really
good tune to practice [Bb] if you're trying to reach that
beginner intermediate level.
So I'm barring the first fret relative to the
[Eb] capo.
I've got third fret A, third fret D, second fret G string, the thumb nice
and low so the index finger straightens, pulling back with both [Ab] arms for extra
pressure.
That should give you a nice clean bar chord sound.
Okay, getting started [G] with the chorus.
We're going to have F going to G dominant
seven for line one.
[Bb]
Repeat that.
[Ab] [Bb] Same strumming pattern.
Okay now line two is a little bit different.
Starts off the same.
[Ab] [Bb]
All right now go to C major [Gm] to C dominant [Eb] seven.
No such zone.
All right on to line three.
It's F to [Ab] G7 again.
[Bb]
Okay now the final line of this chorus we're going to [Eb] D dominant [F] seven.
[G] [Ab] And [G] [Eb] I like to throw in a little walk down there at the end.
So we'd have that
D dominant seven and we're just going to play [A] base down up up down up base down
up up down up [F] base down up [G] down up G with a [Ab] short stop.
And if you like you
can walk down with me third fret of the D [G] string down to the second [F] open [Eb] D
right to the C [Ab] major chord.
[F] [Eb] Okay you put that together and I write I'm sorry but
my letter keeps coming [Bb] [G] [C] G320 [F] right back to the C major chord for [F] verse number two
which we played the exact same way as verse [Eb] number one.
So then I dropped it [Cm] in the mailbox
[Fm]
and sent special [Bb] D so on and so forth.
[Gm] Okay let's see if we can play all the chorus together.
Ready get and start with that F chord a one two three [Ab] four.
[Bb]
[Ab] [Bb]
[Ab] [Bb]
C major.
[Eb]
G7.
[Ab] [Bb]
[Bb]
[F]
[G] [Bb]
[Eb] Then I dropped it in the [Cm] mailbox D minor [Fm] sent it special D back to C [Eb] right and early [Cm] next morning
[Fm] it came [Bb] right back [Eb] to me [Bb] she wrote upon it.
Okay that'll get you to [Gm] chorus two which is a half
chorus.
So just the first two lines and then that'll get us to a bridge section which is unique.
Okay so chorus [Ab] two return [Bb]
send a sing along with [Ab] me address [Bb]
unknown F [Ab] major no [Bb] such person C [Eb] major
no such C7 and to the [Ab] F major chord to start the bridge it'll look and sound like this.
This time I'm gonna take it myself [Eb] and put it right in her hands.
And [F] if it comes back
the very next [D] day then I'll understand [Bb] she wrote upon it gets you into chorus number three.
So that
bridge [G] section is pretty simple we have the F major chord for two rounds of that calypso strumming
[Ab] pattern.
This time I'm gonna take it myself then on to the next line C major to [Eb] C7 and put it right
in her hands.
All right then two rounds of the strumming pattern on [G] D7 for line three [F] and if it
comes back the very next day all right then to the G7 [Gm] for a quick stop then I'll understand she wrote
[Bb] upon it.
You can throw in the riff there if you like and then get into chorus three which is going
to kind of fade out.
All right [Ab] so return [Bb]
sender you know all [Ab] this [G] address [Bb] unknown line [Ab] two no [Bb] such
number C [Eb] chord no such zone.
All right then you're just going to finish the tune up kind of like a
coda just fading out with return to sender F to G7 until the end of the song.
[Ab] So [Gm] return sender
[Ab] return [Bb] to sender
[Ab] return to sender.
[Eb] All right you can resolve on a C major chord whenever you [G] like.
Congratulations [E] everybody you've just added another great tune to your repertoire you're
ready to
Key:  
Bb
12341111
Eb
12341116
Ab
134211114
G
2131
Cm
13421113
Bb
12341111
Eb
12341116
Ab
134211114
Show All Diagrams
Chords
NotesBeta
Download PDF
Download Midi
Edit This Version
Hide Lyrics Hint
Hey everybody, Rob coming to you today from Summers Point, New Jersey.
A few days ago I got a request for one of my all-time favorite songs.
It's called Return to Sender.
It was made famous by Elvis Presley,
originally written by [B] Winfield Scott and Otis Blackwell.
So [Gm] I thought I'd give you a quick introduction to this tune.
Of course
I'll be doing a more robust lesson on it later.
_ [A]
So we have a capo on fret 3 _ [Eb] and we're going to be playing seemingly
in the key of C, but because of that capo we'll actually be in the key of E
flat.
_ All right we're standard tuning.
Let's
jump into the intro section first.
It's [C] going to look and sound like this. _
_ [Eb] _ _ _ _ Return [Cm] to sender, _ _ [Gm] _ [Fm] _ return _ [Bb] to sender. _ _ _ _
[Bb] Okay so right there we have the main strumming pattern, chord [Gm] progression,
and a little riff that's going to be repeating itself throughout the tune.
Let's start with that little riff.
We're on the third fret relative to the capo,
low E string, then to the open A, [C] _
then to the second
[D] fret, open A again, and back to the third fret [Bb] low E.
_ All right you put that together and we [C] have.
_ _ [Bb] It's going to sound great if you
palm mute [G] it.
_ _ Okay it depends on what effect you're
going for there.
All right from there we're into [Eb] a basic
chord progression.
C major to A [Cm] minor,
_ D [Fm] minor, _ _ [Bb] and G dominant [Bb] 7.
[Gm] Okay so this is a [Eb] 1, minor [Cm] 6, _ _
minor [Fm] 2, _ [Bb] 5 progression. _
All right and we're going to apply a
basic [G] calypso pattern.
[Eb] Down, down, up, up, [Cm] down, up, down, down,
up, up, [Fm] down, up, down, down, up, down, [Bb] up, down, up,
up, down, up.
Now you may have just caught me do something there
that's a little bit different.
One [E] option you have as a rhythm guitarist
[Eb] is to separate the bass from the treble.
So we can play
bass, down, up, up, [Cm] down, up, bass, down, up, up, down, up, D string, [Fm] bass,
down, up, up, down, [Bb] up, low E string. _ _ _
_ _ Very basic chord progression there.
All
right now jumping into the verse we're going to use that same exact chord
progression for line one and then a variation of it on [Eb] line two.
So I gave a letter [Cm] to the postman, _ [Fm]
he put it in [Bb] his sack. _ _
Now line two is going to be a little bit different.
[Eb] _ _ _ _ [Cm] _
_ _ _ [C] _ _ _ [Gm] _ _
_ [Cm] _ _ [Bb] _ So basically we just sped up the [Eb] chords a little bit.
So with C major, one,
two, three, [Cm] four, A minor, two, three, four, [Fm] and D, _ [Bb] G,
[Bb] and C with a stop there and then optional riff.
_ [C] _ _ _ Same exact thing
that we played in the beginning of the tune
and you can sing over top of it.
_ [C] _ _
_ [Bb] _ That gets you into the chorus section which is very simple,
but [Ab] it is going to introduce an [Eb] F major bar chord shape.
Making this a really
good tune to practice [Bb] if you're trying to reach that
beginner intermediate level.
So I'm barring the first fret relative to the
[Eb] capo.
I've got third fret A, third fret D, second fret G string, the thumb nice
and low so the index finger straightens, pulling back with both [Ab] arms for extra
pressure.
That should give you a nice clean bar chord sound.
Okay, getting started [G] with the chorus.
We're going to have F going to G dominant
seven for line one.
_ _ _ _ [Bb] _ _
Repeat that.
[Ab] _ _ _ _ [Bb] Same strumming pattern.
_ _ Okay now line two is a little bit different.
Starts off the same.
[Ab] _ _ _ _ [Bb] _ _ _
_ All right now go to C major [Gm] to C dominant [Eb] seven. _
No such zone. _ _ _
All right on to line three.
It's F to [Ab] G7 again. _
_ _ _ _ _ _ _ _
_ _ _ [Bb] _ _ _ _ _
Okay now the final line of this chorus we're going to [Eb] D dominant [F] seven. _ _ _ _ _ _
_ _ _ _ _ [G] _ [Ab] And _ [G] _ _ [Eb] I like to throw in a little walk down there at the end.
So we'd have that
D dominant seven and we're just going to play [A] base down up up down up base down
up up down up [F] base down up [G] down up G with a [Ab] short stop.
And if you like you
can walk down with me third fret of the D [G] string down to the second [F] _ open [Eb] D
right to the C [Ab] major chord.
_ [F] _ _ [Eb] _ Okay you put that together and I write I'm sorry but
my letter keeps coming [Bb] _ _ [G] _ [C] G320 _ [F] right back to the C major chord for [F] verse number two
which we played the exact same way as verse [Eb] number one.
So then I dropped it [Cm] in the mailbox
_ [Fm]
and sent special [Bb] D so on and so forth.
[Gm] Okay let's see if we can play all the chorus together.
Ready get and start with that F chord a one two three [Ab] four.
_ _ _ [Bb] _
_ _ _ [Ab] _ _ _ _ [Bb] _
_ _ _ [Ab] _ _ _ _ [Bb]
C major.
[Eb] _ _ _ _
G7.
_ [Ab] _ _ _ _ [Bb] _ _
_ _ _ _ _ [Bb] _ _ _
_ [F] _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ [Bb] _
_ [Eb] Then I dropped it in the [Cm] mailbox D minor [Fm] sent it special D back to C [Eb] right and early [Cm] next morning
[Fm] it came [Bb] right back [Eb] to me [Bb] she wrote upon it.
Okay that'll get you to [Gm] chorus two which is a half
chorus.
So just the first two lines and then that'll get us to a bridge section which is unique.
Okay so chorus [Ab] two _ return [Bb]
send a sing along with [Ab] me address [Bb]
unknown F [Ab] major no [Bb] such person C [Eb] major
no such C7 and to the [Ab] F major chord to start the bridge it'll look and sound like this.
This time I'm gonna take it myself [Eb] and put it right in her hands.
And _ [F] if it comes back
the very next [D] day then I'll understand _ _ [Bb] she wrote upon it gets you into chorus number three.
So that
bridge [G] section is pretty simple we have the F major chord for two rounds of that calypso strumming
[Ab] pattern.
This time I'm gonna take it myself then on to the next line C major to [Eb] C7 and put it right
in her hands.
_ All right then two rounds of the strumming pattern on [G] D7 for line three [F] and if it
comes back the very next day all right then to the G7 [Gm] for a quick stop then I'll understand she wrote
[Bb] upon it.
You can throw in the riff there if you like and then get into chorus three which is going
to kind of fade out.
All right [Ab] so return [Bb] _
sender you know all [Ab] this [G] address [Bb] unknown line [Ab] two no [Bb] such
number C [Eb] chord _ no such zone.
All right then you're just going to finish the tune up kind of like a
coda just fading out with return to sender F to G7 until the end of the song.
[Ab] So _ [Gm] return sender _
_ [Ab] _ return [Bb] to sender _
_ [Ab] return to sender. _
[Eb] _ All right you can resolve on a C major chord whenever you [G] like.
Congratulations [E] everybody you've just added another great tune to your repertoire you're
ready to