Chords for Entangled
Tempo:
87.05 bpm
Chords used:
D
B
F#m
E
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi there, Steve Hackett here, going to play you something from Trick of the Tail.
[Bm] Sped up guitar on the introduction, I was playing [D] at half speed, and then [E] he gets joined
by [B] Mike and Tony.
Very sort [Bm] of typical, [B] [D] typical Genesis [Bm] feel on this [B] one.
Guitars chiming away.
[G] Freudian slumber.
I was [G#m] thinking about a [E] psychiatrist at [F#m] the time, hypnotising a patient and [D] taking him
back into a world [A] of troubling dreams.
[F#m] Phil Collins at the time, I [B] think with the Over the Roost Lots and Houses thing, said
he thought it [F#m] had a Mary Poppins feel, [B] maybe a sort of Jim [G] Chimery Taru thing, but I think
it was dealing [F#] with [E] deeper issues than that.
[G#m]
The song, the lyrics are basically mine.
What sounds like a chorus is really Tony Banks, but nonetheless it's my lyric that wraps the
whole thing together and then flips off into something much bigger towards the end.
You've got [D#m] issues of [E] psychiatrists and couches and a guy being [D#m] hypnotised.
Many [D] years later, [D] after I'd been playing thousands of shows, I hit a reef and I started to get
stage fright after I'd played with an orchestra live.
I saw a [F#m] psychiatrist myself who gave me some hypnotherapy and I didn't realise [Em] that I was
actually very successfully [B] hypnotised.
[A]
[E] The more this guy [D] talked about positives and about how good I was at what I was [F#m] doing,
[D] I started weeping openly [F#m] in front of this guy and I said, well that [D] must be very unusual.
[G] And he said, actually it's very common because when you're hypnotised you [A] don't have the
usual [E] emotional blocks.
Because I don't normally burst into tears in front [F#m] of complete strangers, [B] but I remember
Terry Jones of Monty Python was doing exactly the same when he was hypnotised on TV.
Anyway, I hope you still love the song.
I
[Bm] Sped up guitar on the introduction, I was playing [D] at half speed, and then [E] he gets joined
by [B] Mike and Tony.
Very sort [Bm] of typical, [B] [D] typical Genesis [Bm] feel on this [B] one.
Guitars chiming away.
[G] Freudian slumber.
I was [G#m] thinking about a [E] psychiatrist at [F#m] the time, hypnotising a patient and [D] taking him
back into a world [A] of troubling dreams.
[F#m] Phil Collins at the time, I [B] think with the Over the Roost Lots and Houses thing, said
he thought it [F#m] had a Mary Poppins feel, [B] maybe a sort of Jim [G] Chimery Taru thing, but I think
it was dealing [F#] with [E] deeper issues than that.
[G#m]
The song, the lyrics are basically mine.
What sounds like a chorus is really Tony Banks, but nonetheless it's my lyric that wraps the
whole thing together and then flips off into something much bigger towards the end.
You've got [D#m] issues of [E] psychiatrists and couches and a guy being [D#m] hypnotised.
Many [D] years later, [D] after I'd been playing thousands of shows, I hit a reef and I started to get
stage fright after I'd played with an orchestra live.
I saw a [F#m] psychiatrist myself who gave me some hypnotherapy and I didn't realise [Em] that I was
actually very successfully [B] hypnotised.
[A]
[E] The more this guy [D] talked about positives and about how good I was at what I was [F#m] doing,
[D] I started weeping openly [F#m] in front of this guy and I said, well that [D] must be very unusual.
[G] And he said, actually it's very common because when you're hypnotised you [A] don't have the
usual [E] emotional blocks.
Because I don't normally burst into tears in front [F#m] of complete strangers, [B] but I remember
Terry Jones of Monty Python was doing exactly the same when he was hypnotised on TV.
Anyway, I hope you still love the song.
I
Key:
D
B
F#m
E
Bm
D
B
F#m
_ Hi there, Steve Hackett here, going to play you something from Trick of the Tail. _ _ _ _ _ _ _
[Bm] Sped up guitar on the introduction, I was playing [D] at half speed, and then [E] he gets joined
by [B] Mike and Tony.
Very sort [Bm] of typical, [B] _ _ [D] typical Genesis [Bm] feel on this [B] one. _
Guitars chiming away.
_ _ [G] Freudian slumber.
I was [G#m] thinking about a [E] psychiatrist at [F#m] the time, _ hypnotising a patient and [D] taking him
back into a world [A] of troubling dreams.
_ [F#m] Phil Collins at the time, I [B] think with the Over the Roost Lots and Houses thing, said
he thought it [F#m] had a Mary Poppins feel, [B] maybe a sort of Jim [G] Chimery Taru thing, but I think
it was dealing [F#] with [E] deeper issues than that.
[G#m] _
_ _ The song, the lyrics are basically mine.
What sounds like a chorus is really Tony Banks, but _ nonetheless it's my lyric that wraps the
whole thing together and then flips off into something much bigger towards the end.
You've got [D#m] issues of [E] psychiatrists and couches and a guy being [D#m] hypnotised.
Many [D] years later, [D] after I'd been playing thousands of shows, I hit a reef and I started to get
stage fright after I'd played with an orchestra live.
I saw a [F#m] _ psychiatrist myself who _ gave me some hypnotherapy and I didn't realise _ [Em] that I was
actually very successfully _ [B] hypnotised.
[A] _
_ [E] The more this guy _ _ [D] talked about positives and about how good I was at what I was [F#m] doing, _
[D] I started weeping openly [F#m] in front of this guy and I said, well that [D] must be very unusual.
[G] And he said, actually it's very common because when you're hypnotised you [A] don't have the
usual _ [E] emotional blocks.
Because I don't normally burst into tears in front [F#m] of complete strangers, [B] but I remember
Terry Jones of Monty Python was doing exactly the same when he was hypnotised on TV.
Anyway, I hope you still love the song.
I
[Bm] Sped up guitar on the introduction, I was playing [D] at half speed, and then [E] he gets joined
by [B] Mike and Tony.
Very sort [Bm] of typical, [B] _ _ [D] typical Genesis [Bm] feel on this [B] one. _
Guitars chiming away.
_ _ [G] Freudian slumber.
I was [G#m] thinking about a [E] psychiatrist at [F#m] the time, _ hypnotising a patient and [D] taking him
back into a world [A] of troubling dreams.
_ [F#m] Phil Collins at the time, I [B] think with the Over the Roost Lots and Houses thing, said
he thought it [F#m] had a Mary Poppins feel, [B] maybe a sort of Jim [G] Chimery Taru thing, but I think
it was dealing [F#] with [E] deeper issues than that.
[G#m] _
_ _ The song, the lyrics are basically mine.
What sounds like a chorus is really Tony Banks, but _ nonetheless it's my lyric that wraps the
whole thing together and then flips off into something much bigger towards the end.
You've got [D#m] issues of [E] psychiatrists and couches and a guy being [D#m] hypnotised.
Many [D] years later, [D] after I'd been playing thousands of shows, I hit a reef and I started to get
stage fright after I'd played with an orchestra live.
I saw a [F#m] _ psychiatrist myself who _ gave me some hypnotherapy and I didn't realise _ [Em] that I was
actually very successfully _ [B] hypnotised.
[A] _
_ [E] The more this guy _ _ [D] talked about positives and about how good I was at what I was [F#m] doing, _
[D] I started weeping openly [F#m] in front of this guy and I said, well that [D] must be very unusual.
[G] And he said, actually it's very common because when you're hypnotised you [A] don't have the
usual _ [E] emotional blocks.
Because I don't normally burst into tears in front [F#m] of complete strangers, [B] but I remember
Terry Jones of Monty Python was doing exactly the same when he was hypnotised on TV.
Anyway, I hope you still love the song.
I