Chords for Erik Satie Scale - analysis and uses in Jazz improvisation
Tempo:
115.85 bpm
Chords used:
Em
Am
E
B
Cm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] [Am] [A]
[Am] [Em]
[Dm]
Eric Sarti's style.
[Cm] Hi there.
I, like a lot of people, have been quite [C] greatly influenced by the [Cm] music of Eric Sarti.
I [E] particularly like [Dm] the space, the subtlety and the colours he uses.
[Cm]
[Gm] It's ironic [Em] to think that in [C] 1879, [D] Sarti, when he entered the Paris [Gm] Conservatoire, [Cm] was [Am] labelled as untalented [C] by his [Em] teachers.
Yet his music lives on so much still [G] today.
[D] I sense that he [G] really felt each note, [D] and that is why perhaps [F#m] he was able to make such memorable music with so few notes.
[B]
[Em]
[Fm] He referred to himself as a phonometrician, meaning someone who measures sounds, preferring this designation to that of musician.
After having been called a clumsy but subtle technician [F] in a book on [Cm] contemporary French composers published in 1911,
[B] [D] [E]
[C] [C#] [E]
[C#m] [E] [B] [E]
[B] [F#]
[A] his [Am] Nocion No.
3 attracts the attention, perhaps [Em] because of the exotic scale that it uses.
Putting it under the magnifying [A] glass, we can see that it uses [Am] a scale that is not at all widely known,
and is worth perhaps learning if you [Em] improvise and are looking for more colours.
Here is the scale of the minor chord.
[Am]
So you can see that it has the 1, [C] 2, the [Am] minor 3rd, the flat 3rd, sharp 4, natural 5, natural 6.
If you look at this, you can see that it's based on two triads.
A minor, [B]
B major.
[Am] [B]
[Cm] [Am]
[B] [Am]
Well now I'm going to noodle around on the sound, on the saxophone.
And sometimes I'm going to hang on to those notes.
The flat 5.
You might notice that after a while it starts sounding normal.
Anyway, see what you think.
It's really up to you, it's just a colour and ingredient that you can use.
Hope you enjoy.
[A] [Am]
[Em]
[E] [Em]
[E] [Em]
[E] [Em]
[E] [Em]
[E] [Em]
[Am] [Em]
[Dm]
Eric Sarti's style.
[Cm] Hi there.
I, like a lot of people, have been quite [C] greatly influenced by the [Cm] music of Eric Sarti.
I [E] particularly like [Dm] the space, the subtlety and the colours he uses.
[Cm]
[Gm] It's ironic [Em] to think that in [C] 1879, [D] Sarti, when he entered the Paris [Gm] Conservatoire, [Cm] was [Am] labelled as untalented [C] by his [Em] teachers.
Yet his music lives on so much still [G] today.
[D] I sense that he [G] really felt each note, [D] and that is why perhaps [F#m] he was able to make such memorable music with so few notes.
[B]
[Em]
[Fm] He referred to himself as a phonometrician, meaning someone who measures sounds, preferring this designation to that of musician.
After having been called a clumsy but subtle technician [F] in a book on [Cm] contemporary French composers published in 1911,
[B] [D] [E]
[C] [C#] [E]
[C#m] [E] [B] [E]
[B] [F#]
[A] his [Am] Nocion No.
3 attracts the attention, perhaps [Em] because of the exotic scale that it uses.
Putting it under the magnifying [A] glass, we can see that it uses [Am] a scale that is not at all widely known,
and is worth perhaps learning if you [Em] improvise and are looking for more colours.
Here is the scale of the minor chord.
[Am]
So you can see that it has the 1, [C] 2, the [Am] minor 3rd, the flat 3rd, sharp 4, natural 5, natural 6.
If you look at this, you can see that it's based on two triads.
A minor, [B]
B major.
[Am] [B]
[Cm] [Am]
[B] [Am]
Well now I'm going to noodle around on the sound, on the saxophone.
And sometimes I'm going to hang on to those notes.
The flat 5.
You might notice that after a while it starts sounding normal.
Anyway, see what you think.
It's really up to you, it's just a colour and ingredient that you can use.
Hope you enjoy.
[A] [Am]
[Em]
[E] [Em]
[E] [Em]
[E] [Em]
[E] [Em]
[E] [Em]
Key:
Em
Am
E
B
Cm
Em
Am
E
[A] _ _ _ [Am] _ _ _ [A] _ _
[Am] _ _ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ [Dm] _
Eric Sarti's style. _ _ _ _ _
_ _ _ [Cm] _ _ Hi there.
I, like a lot of people, have been quite [C] greatly influenced by the [Cm] music of Eric Sarti.
_ _ _ I [E] particularly like [Dm] the space, the subtlety and the colours he uses.
_ _ _ _ [Cm] _ _ _ _
[Gm] It's ironic [Em] to think that in [C] 1879, [D] Sarti, when he entered the Paris [Gm] Conservatoire, [Cm] was [Am] labelled as untalented [C] by his [Em] teachers.
Yet his music lives on so much still [G] today.
_ _ [D] I sense that he [G] really felt each note, [D] and that is why perhaps [F#m] he was able to make such memorable music with so few notes.
_ [B] _ _ _
[Em] _ _ _ _ _ _ _
[Fm] He referred to himself as a _ phonometrician, meaning someone who measures sounds, preferring this designation to that of musician.
_ After having been called a clumsy but subtle technician [F] in a book on [Cm] contemporary French composers published in 1911,
[B] _ _ [D] _ _ [E] _ _
_ [C] _ [C#] _ _ _ [E] _ _ _
_ [C#m] _ _ [E] _ [B] _ _ _ [E] _
_ [B] _ _ [F#] _ _ _ _ _
[A] _ his [Am] Nocion No.
3 attracts the attention, perhaps [Em] because of the exotic scale that it uses.
_ _ _ Putting it under the magnifying [A] glass, we can see that it uses [Am] a scale that is not at all widely known,
and is worth perhaps learning if you [Em] improvise and are looking for more colours.
_ _ _ Here is the scale of the minor chord.
[Am] _ _ _ _ _ _ _
_ _ _ _ _ _ So you can see that it has the 1, _ [C] 2, the [Am] minor 3rd, the flat 3rd, sharp 4, _ _ _ natural 5, _ natural 6. _
_ _ _ _ _ _ _ _
_ _ _ If you look at this, you can see that it's based on two triads.
_ _ A minor, _ [B] _
_ B major.
[Am] _ _ _ [B] _
_ _ _ [Cm] _ _ [Am] _ _ _
[B] _ _ _ [Am] _ _ _ _ _
Well now I'm going to noodle around on the sound, on the saxophone.
_ _ And sometimes I'm going to hang on to those notes.
The flat 5.
You might notice that after a while it starts sounding normal.
Anyway, see what you think.
It's really up to you, it's just a colour and ingredient that you can use.
Hope you enjoy. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ [Am] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [E] _ _ [Em] _ _ _
_ [E] _ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
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_ _ _ [E] _ _ [Em] _ _ _
_ _ _ [E] _ _ [Em] _ _ _
_ _ _ [E] _ _ [Em] _ _ _
_ _ _ _ _ _ _ _
[Am] _ _ _ [Em] _ _ _ _ _
_ _ _ _ _ _ _ [Dm] _
Eric Sarti's style. _ _ _ _ _
_ _ _ [Cm] _ _ Hi there.
I, like a lot of people, have been quite [C] greatly influenced by the [Cm] music of Eric Sarti.
_ _ _ I [E] particularly like [Dm] the space, the subtlety and the colours he uses.
_ _ _ _ [Cm] _ _ _ _
[Gm] It's ironic [Em] to think that in [C] 1879, [D] Sarti, when he entered the Paris [Gm] Conservatoire, [Cm] was [Am] labelled as untalented [C] by his [Em] teachers.
Yet his music lives on so much still [G] today.
_ _ [D] I sense that he [G] really felt each note, [D] and that is why perhaps [F#m] he was able to make such memorable music with so few notes.
_ [B] _ _ _
[Em] _ _ _ _ _ _ _
[Fm] He referred to himself as a _ phonometrician, meaning someone who measures sounds, preferring this designation to that of musician.
_ After having been called a clumsy but subtle technician [F] in a book on [Cm] contemporary French composers published in 1911,
[B] _ _ [D] _ _ [E] _ _
_ [C] _ [C#] _ _ _ [E] _ _ _
_ [C#m] _ _ [E] _ [B] _ _ _ [E] _
_ [B] _ _ [F#] _ _ _ _ _
[A] _ his [Am] Nocion No.
3 attracts the attention, perhaps [Em] because of the exotic scale that it uses.
_ _ _ Putting it under the magnifying [A] glass, we can see that it uses [Am] a scale that is not at all widely known,
and is worth perhaps learning if you [Em] improvise and are looking for more colours.
_ _ _ Here is the scale of the minor chord.
[Am] _ _ _ _ _ _ _
_ _ _ _ _ _ So you can see that it has the 1, _ [C] 2, the [Am] minor 3rd, the flat 3rd, sharp 4, _ _ _ natural 5, _ natural 6. _
_ _ _ _ _ _ _ _
_ _ _ If you look at this, you can see that it's based on two triads.
_ _ A minor, _ [B] _
_ B major.
[Am] _ _ _ [B] _
_ _ _ [Cm] _ _ [Am] _ _ _
[B] _ _ _ [Am] _ _ _ _ _
Well now I'm going to noodle around on the sound, on the saxophone.
_ _ And sometimes I'm going to hang on to those notes.
The flat 5.
You might notice that after a while it starts sounding normal.
Anyway, see what you think.
It's really up to you, it's just a colour and ingredient that you can use.
Hope you enjoy. _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [A] _ [Am] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ [E] _ _ [Em] _ _ _
_ [E] _ _ [Em] _ _ _ _ _
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_ _ _ [E] _ _ [Em] _ _ _
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