Chords for Etude XIII (Scale Etude) by Emilio Pujol | Guitar Etudes with Gohar Vardanyan

Tempo:
73.625 bpm
Chords used:

F#

F#m

G#

E

B

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Etude XIII (Scale Etude) by Emilio Pujol | Guitar Etudes with Gohar Vardanyan chords
Jam Along & Learn...
Hi, I'm Gohar Vardanyan, and welcome to the second video for the Guitar Etude Series.
In this video, we're going to explore Emilio Pujol's Etude No.
13, which appears in Book
3 of his Guitar School.
[F#]
[E] [F#]
[G#] [F#]
[B] [G#]
[F#] [F#m]
[Em] [F#m]
[F#] [F#m]
[F#m]
[E] [F#m] [G#] [F#]
[F#m] [Bm] [F#]
[F#m]
[N] I like to use this etude as a supplement to practicing scales.
So whenever I get tired of playing just the regular old two or three octave scales up
and down, I turn to this etude to introduce some variety.
And this is actually good for us because when we encounter a passage in a piece of music
that we have to use the scale-ier technique to play it, we don't necessarily have to play
a scale up and down.
Usually, actually, we don't have to play a scale up and down in a piece, but we do have
to play something that's chromatic, something that has leaps, something that skips strings
or stays on the same string for a while.
So this etude has all of that, and it's good to introduce it before you actually see it
in a piece of music.
When I played it for you, I just played the most regular way, which is I and M and rest stroke.
So I [F#] played it here.
[G#]
[F#] But I also practiced this entire etude from the beginning to the end with A and M, and
that works on the independence of the two fingers, and it improves I and M, actually,
even though you're playing A and M.
[Cm] [F#]
[Bm] And as I said, I played it rest stroke.
However, you should practice it free stroke as well because sometimes you're going to
encounter a piece of [D] music that you can't really use [G] rest stroke scales in, so it's
good to have your free stroke up to [F#] par as well.
[D#] [F#] If you want to, you can also practice free stroke with A and M.
[G#] [F#] [B]
[E] A lot of people I know [F#] practice scales with A and I.
I don't usually do that on a regular basis, but you could do that as well, just for variety's sake.
[G#] [F#]
[G#m] And [F#] [G] you can do the same thing free stroke.
So I hope this helps you introduce some variety into your scale practice, and I will see you
in the next video with another etude.
Thank you so much for watching.
100%  ➙  74BPM
F#
134211112
F#m
123111112
G#
134211114
E
2311
B
12341112
F#
134211112
F#m
123111112
G#
134211114
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_ _ _ Hi, I'm Gohar Vardanyan, and welcome to the second video for the Guitar Etude Series.
In this video, we're going to explore Emilio Pujol's Etude No.
13, which appears in Book
3 of his Guitar School.
_ [F#] _ _ _ _
_ _ _ [E] _ [F#] _ _ _ _
_ _ [G#] _ _ [F#] _ _ _ _
_ _ _ _ _ _ _ _
[B] _ _ _ _ _ [G#] _ _ _
[F#] _ _ _ _ [F#m] _ _ _ _
_ _ _ _ _ _ [Em] _ [F#m] _
[F#] _ _ _ _ [F#m] _ _ _ _
[F#m] _ _ _ _ _ _ _ _
_ _ [E] _ [F#m] _ [G#] _ [F#] _ _ _
[F#m] _ _ _ [Bm] _ [F#] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F#m] _ _ _ _
_ [N] _ I like to use this etude as a supplement to practicing scales.
So whenever I get tired of playing just the regular old two or three octave scales up
and down, I turn to this etude to introduce some variety.
And this is actually good for us because when we encounter a passage in a piece of music
that we have to use the scale-ier technique to play it, we don't necessarily have to play
a scale up and down.
Usually, actually, we don't have to play a scale up and down in a piece, but we do have
to play something that's chromatic, something that has leaps, something that skips strings
or stays on the same string for a while.
So this etude has all of that, and it's good to introduce it before you actually see it
in a piece of music.
When I played it for you, I just played the most regular way, which is I and M and rest stroke.
So I [F#] played it here.
_ _ [G#] _
[F#] _ _ _ _ _ But I also practiced this entire etude from the beginning to the end with A and M, and
that works on the independence of the two fingers, and it improves I and M, actually,
even though you're playing A and M.
_ _ [Cm] _ [F#] _
_ _ _ _ [Bm] And as I said, I played it rest stroke.
However, you should practice it free stroke as well because sometimes you're going to
encounter a piece of [D] music that you can't really use [G] rest stroke scales in, so it's
good to have your free stroke up to [F#] par as well. _ _
[D#] _ [F#] _ _ _ _ If you want to, you can also practice free stroke with A and M.
_ _ [G#] _ [F#] _ _ [B] _
_ [E] A lot of people I know [F#] practice scales with A and I.
I don't usually do that on a regular basis, but you could do that as well, just for variety's sake.
_ _ [G#] _ [F#] _
[G#m] And [F#] _ [G] you can do the same thing free stroke.
So I hope this helps you introduce some variety into your scale practice, and I will see you
in the next video with another etude.
Thank you so much for watching. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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