Chords for Everything Wrong With Taylor Swift - "Look What You Made Me Do"

Tempo:
131.05 bpm
Chords used:

F

E

C

Am

Db

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Everything Wrong With Taylor Swift - "Look What You Made Me Do" chords
Start Jamming...
[F] [C] Look what you made me do.
So what's this supposed to be?
Post apocalyptic?
Horror?
Fantasy?
Really just kinda looks like CGI [Ab] shit soup.
Ok, here's the problem with this video right at the [N] beginning.
Taylor Swift may get some shit for all the guys she dates, but overall her reputation is stellar.
The only way this makes sense is that she intentionally wrote a shit song in order to
make people think she doesn't give a fuck.
And if that's the case, I've officially been outsmarted and should retire.
Also couldn't she afford a tombstone that at least gave us the years it was alive so
we can properly mourn?
Also here lies Taylor Swift's reputation would have been a much better title for this song.
We're jumping on the zombie bandwagon, 14 years too late, but hey, cool makeup I guess.
The Walking Red.
Also Taylor told the zombie makeup guy to make her undead but not like super ugly.
Also also, come the fuck on.
Taylor writing a straight diss track just seems extra petty.
Leave that shit to Remy Ma and Nicki Minaj and Katy Perry.
What happened to the subtle digs at Ex Boyfriends or the 8 Mile style self deprecation?
[Am] Don't like your tilted stage.
Ah, I see, because everything was tilted and whatnot.
I don't remember rockstar battles being this on the nose back in the day.
Maybe Tay-Tay just needs to listen to No Vaseline.
Maybe Tay-Tay needs to do a cover of No [F] Vaseline.
Just stick Katy Perry's name in place of Easy Ease and you should be good to go.
And Taylor is giving us [E] some deep cuts from her scandal diary.
[Bb] However, the feud with Calvin Harris this is referencing is so petty and uninteresting
she should have just left it alone.
Writing credit drama isn't Shondaland worthy.
[Ebm] The role you made [Ab] me play.
Jesus, the song should just be titled Swifting Blame.
The look on Taylor's face leads me to believe this is definitely not the first time she's
been in a bathtub full of expensive jewelry.
And this is likely just a regular [N] Tuesday night.
Careful, you won't like Taylor when she's hangry.
Oh I don't like you.
Sounds like Taylor got some notes on lyrical subtlety from Jacob Sartorius.
Not to belabor the CGI argument, but this scene makes you really appreciate all the
practical makeup and effects from videos of yesteryear like Thriller.
Because CGI is lazy and just sinful as sh**.
Based on the yet too brutae sh** scrawled on the throne, it's apparent Taylor's persecution
complex is even bigger than Julius f***ing Caesar.
Also, Taylor may need to rethink what her sophomore lit tutor taught her about Shakespeare.
This metaphorical riff feels like something more suitable for [G] Lady Macbeth.
I rose up from the dead, I do it all the time.
[F] Bullsh**, we just saw you do it the one time at the beginning of this video.
I got a list of names and yours is in red [E] underlined.
I check it once, then I check it twice.
[C] So if you've already underlined the name in red, then the checks just seem to be overkill.
Also how many f***ing lists does Taylor need?
She's got the long list of ex-lovers from Blank Space, now she's got another one [Em] specifically for disses?
Oh, [N] look what you made me do.
Yeah, you made me write a terrible song.
Suck it!
Look what you just made me do.
Gotta respect Taylor's commitment to the performance, even lip syncing during a f***ing car crash.
Also, this scene is an excellent metaphor for this song.
To make it into this paparazzi crew, all you need is proper dinner attire, a shirtless
vest, or a sturdy pair of zubaz.
What's Taylor trying to say here?
That she's rich and famous and has awards?
And that she's damaging her reputation in front of the paparazzi by becoming the bad girl?
Because Lady Gaga has already released this song back in 2009.
Wait, is that s*** on fire?
I get that the paparazzi want shots of celebrities, but I don't think they're willing to get
burned alive for it.
Also, are we just gonna let this cheetah burn alive or is this some weird jab at that time
Chester Cheetah called Taylor out in the press?
I don't like your kingdom, Kate.
Okay, so this video has some references to Taylor's beefs with Katy, Kanye, and Calvin.
But [F] this is a clear reference to Miley's Can't Be Tamed video.
So is a Taylor-Miley beef a thing?
Another f***ing thing?
[N] Jesus, it must be exhausting keeping up with all this s***.
You [C] asked me for a place to sleep, locked me out, and threw a feast.
I know I've sinned the lyrics of this song already, but if Taylor's gonna keep vomiting
up this word salad, I'm contractually obligated to keep calling it [Eb] out.
Taylor shows [Am] the growth of her character by now ripping off Lady Gaga's Judas video.
I don't trust nobody and nobody trusts me.
Yeah, it's a real shock that there's a lack of open and honest dialogue, given Taylor's
history of complete confidentiality.
[F] Taylorgy.
I'll be the [E] actress starring in your bad dreams.
Um, no thanks.
I've seen [N] Valentine's Day, so the role of Taylor in this dream will be played by Ruby Rose.
What is with this weird trend of female singers repeating the same thing over and over for
several seconds in their song, then showing shots of them continuously falling?
We got it in Paramore's Hard Times, and more recently in Miley's Younger Now.
It's as if they said, this third verse [G] guess rap s***.
We're starting our own uninteresting trend, damn it.
I'm sorry, the old [F] Taylor can't come to the phone right now.
Why?
[E] Oh, [N] cause she's dead.
I'm sorry, but considering we just saw about 50 versions of Taylor Swift, I'm gonna have
to be way more specific about which one is dead.
Also, you know, it's really gonna be awkward when Taylor opens her concerts with this song
that references the severance of her former self, then immediately goes in to shake it off.
Look what you made me do.
Look what you made me do.
Grab your boobs and do a squat?
Sweet, I haven't been able to make anyone do that for years.
Also, who exactly made Taylor dress up like a second rate 1983 Jennifer Beals?
Video wastes 37 seconds neglecting to look what you made me do.
Please stop making that surprise face, it's so annoying.
This little skit at the end that pokes fun at Taylor's previous personas suggests some
sort of self-awareness, while the song and the video definitely do not.
You know what people love about pop music?
Cognitive dissonance.
Great job, Tay-Tay.
I should warn you, Taylor, old school zombie fans almost had an aneurysm when fast zombies were created.
If they see a zombie talk, you might be personally responsible for a slew of 40-somethings having
seizures in their parents' basements.
Also, are we killing off all these Taylors?
I mean, Ballerina Taylor was just from a few years ago on that song that was also supposed
to be about Taylor shaking off criticism.
And with that in mind, isn't this just shake it off with less light and a lot more sexual
tension and leg warmers?
Well, there she goes, playing the victim again.
Hey, I don't blame her.
There are eight Taylors here from this video alone, which totally outnumber the former Taylors.
No wonder she's upset.
What are you doing?
Getting receipts.
Considering this is a direct response to Katy's swish swish lyric, this video just became
a f***ing reply to a Facebook comment.
Specifically pedantic and definitely not funny.
I would very much like to be excluded from this narrative.
So would we, but I had to suffer through four plus minutes of it.
Also, Taylor's really hammering everyone with the image makeover, but it also feels
like she's holding back a bit with this last minute qualifying bulls***.
Her new name should be Sasha Not So Fierce.
[F]
[A] [Am] Why you gotta be [E] so mean?
[Db] [Abm] [Dbm] [N]
I'd rather be a snake.
[E]
I check it once, then I check it [C] twice.
Sail across Scotland to [B] dance.
I don't like your kingdom, Katy.
Peace on [Db] this kingdom.
[Ebm] God hates your guts.
[Db] I would like you all to welcome our newest citizen to Stepford, Joanna.
Good morning, Joanna.
Cause she's dead.
You wanna kill me like a man?
Or you wanna kill me [B]
like a sheep?
Cool guys [Gb] don't look [B] at explosions.
[E] They blow things up and then walk away.
[N] You guys!
Stop making that surprised face.
It's so annoying.
I can't stop giving you that surprise all the time.
What's with that face?
Don't call me that.
No, stop acting like you're all nice.
You are so fake.
Key:  
F
134211111
E
2311
C
3211
Am
2311
Db
12341114
F
134211111
E
2311
C
3211
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_ [F] _ _ [C] _ _ _ Look what you made me do.
_ _ So what's this supposed to be?
Post apocalyptic?
Horror?
Fantasy?
Really just kinda looks like CGI [Ab] shit soup.
Ok, here's the problem with this video right at the [N] beginning.
Taylor Swift may get some shit for all the guys she dates, but overall her reputation is stellar.
The only way this makes sense is that she intentionally wrote a shit song in order to
make people think she doesn't give a fuck.
And if that's the case, I've officially been outsmarted and should retire.
Also couldn't she afford a tombstone that at least gave us the years it was alive so
we can properly mourn?
Also here lies Taylor Swift's reputation would have been a much better title for this song.
We're jumping on the zombie bandwagon, 14 years too late, but hey, cool makeup I guess. _ _ _ _ _ _ _
_ The Walking Red.
Also Taylor told the zombie makeup guy to make her undead but not like super ugly.
Also also, come the fuck on.
Taylor writing a straight diss track just seems extra petty.
Leave that shit to Remy Ma and Nicki Minaj and Katy Perry.
What happened to the subtle digs at Ex Boyfriends or the 8 Mile style self deprecation?
[Am] Don't like your tilted stage.
Ah, I see, because everything was tilted and whatnot.
I don't remember rockstar battles being this on the nose back in the day.
Maybe Tay-Tay just needs to listen to No Vaseline.
Maybe Tay-Tay needs to do a cover of No [F] Vaseline.
Just stick Katy Perry's name in place of Easy Ease and you should be good to go.
And Taylor is giving us [E] some deep cuts from her scandal diary.
[Bb] However, the feud with Calvin Harris this is referencing is so petty and uninteresting
she should have just left it alone.
Writing credit drama isn't Shondaland worthy.
[Ebm] The role you made [Ab] me play.
Jesus, the song should just be titled Swifting Blame.
The look on Taylor's face leads me to believe this is definitely not the first time she's
been in a bathtub full of expensive jewelry.
And this is likely just a regular [N] Tuesday night.
Careful, you won't like Taylor when she's hangry.
Oh I don't like you.
Sounds like Taylor got some notes on lyrical subtlety from Jacob Sartorius.
Not to belabor the CGI argument, but this scene makes you really appreciate all the
practical makeup and effects from videos of yesteryear like Thriller.
Because CGI is lazy and just sinful as sh**.
Based on the yet too brutae sh** scrawled on the throne, it's apparent Taylor's persecution
complex is even bigger than Julius f***ing Caesar.
Also, Taylor may need to rethink what her sophomore lit tutor taught her about Shakespeare.
This metaphorical riff feels like something more suitable for [G] Lady Macbeth.
I rose up from the dead, I do it all the time.
[F] Bullsh**, we just saw you do it the one time at the beginning of this video.
I got a list of names and yours is in red [E] underlined.
I check it once, then I check it twice.
[C] So if you've already underlined the name in red, then the checks just seem to be overkill.
Also how many f***ing lists does Taylor need?
She's got the long list of ex-lovers from Blank Space, now she's got another one [Em] specifically for disses?
Oh, [N] look what you made me do.
Yeah, you made me write a terrible song.
Suck it!
Look what you just made me do.
Gotta respect Taylor's commitment to the performance, even lip syncing during a f***ing car crash.
Also, this scene is an excellent metaphor for this song.
To make it into this paparazzi crew, all you need is proper dinner attire, a shirtless
vest, or a sturdy pair of zubaz.
What's Taylor trying to say here?
That she's rich and famous and has awards?
And that she's damaging her reputation in front of the paparazzi by becoming the bad girl?
Because Lady Gaga has already released this song back in 2009.
Wait, is that s*** on fire?
I get that the paparazzi want shots of celebrities, but I don't think they're willing to get
burned alive for it.
Also, are we just gonna let this cheetah burn alive or is this some weird jab at that time
Chester Cheetah called Taylor out in the press?
I don't like your kingdom, Kate.
Okay, so this video has some references to Taylor's beefs with Katy, Kanye, and Calvin.
But _ [F] this is a clear reference to Miley's Can't Be Tamed video.
So is a Taylor-Miley beef a thing?
Another f***ing thing?
[N] Jesus, it must be exhausting keeping up with all this s***.
You [C] asked me for a place to sleep, locked me out, and threw a feast.
I know I've sinned the lyrics of this song already, but if Taylor's gonna keep vomiting
up this word salad, I'm contractually obligated to keep calling it [Eb] out.
Taylor shows [Am] the growth of her character by now ripping off Lady Gaga's Judas video.
I don't trust nobody and nobody trusts me.
Yeah, it's a real shock that there's a lack of open and honest dialogue, given Taylor's
history of complete confidentiality.
[F] Taylorgy.
I'll be the [E] actress starring in your bad dreams.
Um, no thanks.
I've seen [N] Valentine's Day, so the role of Taylor in this dream will be played by Ruby Rose.
What is with this weird trend of female singers repeating the same thing over and over for
several seconds in their song, then showing shots of them continuously falling?
We got it in Paramore's Hard Times, and more recently in Miley's Younger Now.
It's as if they said, this third verse [G] guess rap s***.
We're starting our own uninteresting trend, damn it.
I'm sorry, the old [F] Taylor can't come to the phone right now.
_ _ Why?
[E] _ Oh, _ [N] cause she's dead.
I'm sorry, but considering we just saw about 50 versions of Taylor Swift, I'm gonna have
to be way more specific about which one is dead.
Also, you know, it's really gonna be awkward when Taylor opens her concerts with this song
that references the severance of her former self, then immediately goes in to shake it off.
Look what you made me do.
Look what you made me do.
Grab your boobs and do a squat?
Sweet, I haven't been able to make anyone do that for years.
Also, who exactly made Taylor dress up like a second rate 1983 Jennifer Beals?
_ _ _ Video wastes 37 seconds neglecting to look what you made me do. _
Please stop making that surprise face, it's so annoying.
This little skit at the end that pokes fun at Taylor's previous personas suggests some
sort of self-awareness, while the song and the video definitely do not.
You know what people love about pop music?
Cognitive dissonance.
Great job, Tay-Tay.
I should warn you, Taylor, old school zombie fans almost had an aneurysm when fast zombies were created.
If they see a zombie talk, you might be personally responsible for a slew of 40-somethings having
seizures in their parents' basements.
Also, are we killing off all these Taylors?
I mean, Ballerina Taylor was just from a few years ago on that song that was also supposed
to be about Taylor shaking off criticism.
And with that in mind, isn't this just shake it off with less light and a lot more sexual
tension and leg warmers?
Well, there she goes, playing the victim again.
Hey, I don't blame her.
There are eight Taylors here from this video alone, which totally outnumber the former Taylors.
No wonder she's upset.
What are you doing?
Getting receipts.
Considering this is a direct response to Katy's swish swish lyric, this video just became
a f***ing reply to a Facebook comment.
Specifically pedantic and definitely not funny.
I would very much like to be excluded from this narrative.
So would we, but I had to suffer through four plus minutes of it.
Also, Taylor's really hammering everyone with the image makeover, but it also feels
like she's holding back a bit with this last minute qualifying bulls***.
Her new name should be Sasha Not So Fierce.
_ _ [F] _ _ _ _ _
[A] _ [Am] Why you gotta be [E] so mean?
_ [Db] _ [Abm] _ _ _ [Dbm] _ _ [N] _
_ _ I'd rather be a snake.
[E] _
I check it once, then I check it [C] twice. _
Sail across Scotland to [B] dance.
I don't like your kingdom, Katy.
Peace on [Db] this kingdom.
_ [Ebm] God hates your guts.
[Db] _ _ _ _ _ I would like you all to welcome our newest citizen to Stepford, Joanna.
Good morning, Joanna.
Cause she's dead.
You wanna kill me like a man?
Or you wanna kill me [B]
like a sheep?
Cool guys [Gb] don't look [B] at explosions.
[E] _ They blow things up and then walk away.
[N] _ You guys!
Stop making that surprised face.
It's so annoying.
I can't stop giving you that surprise all the time.
What's with that face?
Don't call me that.
No, stop acting like you're all nice.
You are so fake. _ _

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