She Got Dressed Chords by Fleet Foxes
Tempo:
134.8 bpm
Chords used:
C#
F#
G#
Fm
A#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
He's [C#] medicine, not flesh and not bone.
[D#] He's as good as the seeds he's sown.
But he [E] loves you [A#m] so, [G#] like no [D#m] one [C#] can.
[G#]
Put your wedding [F#] dress [C#]
[F#] [Fm]
[F#] [C#] [G#]
[A#]
on the [F#] tip of my [C#] toe.
As the [F#] backbeat cracks, I [Fm] hit my drum.
I get [F#] into the car.
[C#] [G#]
[A#] My interrogation starts in the [F#] passenger seat.
[C#]
There's a tone [F#] of mess, a [Fm] tase of ease, and a [F#] broken [C#] ring.
Grim will [A#] reign at her feet.
And the [C#] beat, it goes on.
She got, [A#m] she got dressed up.
[C#] She got dressed up.
She got, she [A#m] got [A#m] dressed up.
[C#] She got dressed up.
And the beat, it goes [Fm] on.
[F#]
[Fm] [F#]
[C#] [A#]
Is he quick [F#] on his feet?
[Fm] Does he [F#] ever look past you [Fm] on the street?
Is he [F#] ever on [C#] time?
[A#] Where's he getting home at night?
At the [F#] opposite [C#] side.
At the [F#] argument deep in [Fm] every night.
Is it what [F#] she'd accept?
[C#] Is [A#] there anything that's left?
And the [C#] beat, it goes on.
She got, she got dressed [D#] up.
[C#] She got dressed up.
And the beat, it goes on.
She got, [A#m] she got dressed [D#] up.
[C#] She got dressed up.
[G#]
He will go on.
Yeah, the beat will go on.
For the king and the plot.
Yeah, the beat will go on.
He will go on.
Yeah, the beat will go on.
For the king and the plot.
Yeah, the beat will go on.
He will go on over and over still.
Out of the garden [C#] and [G#] over the hill.
He will go on over and over still.
[D#] Out [G#] of the garden [C#] and [G#] over the hill.
[D#] He's as good as the seeds he's sown.
But he [E] loves you [A#m] so, [G#] like no [D#m] one [C#] can.
[G#]
Put your wedding [F#] dress [C#]
[F#] [Fm]
[F#] [C#] [G#]
[A#]
on the [F#] tip of my [C#] toe.
As the [F#] backbeat cracks, I [Fm] hit my drum.
I get [F#] into the car.
[C#] [G#]
[A#] My interrogation starts in the [F#] passenger seat.
[C#]
There's a tone [F#] of mess, a [Fm] tase of ease, and a [F#] broken [C#] ring.
Grim will [A#] reign at her feet.
And the [C#] beat, it goes on.
She got, [A#m] she got dressed up.
[C#] She got dressed up.
She got, she [A#m] got [A#m] dressed up.
[C#] She got dressed up.
And the beat, it goes [Fm] on.
[F#]
[Fm] [F#]
[C#] [A#]
Is he quick [F#] on his feet?
[Fm] Does he [F#] ever look past you [Fm] on the street?
Is he [F#] ever on [C#] time?
[A#] Where's he getting home at night?
At the [F#] opposite [C#] side.
At the [F#] argument deep in [Fm] every night.
Is it what [F#] she'd accept?
[C#] Is [A#] there anything that's left?
And the [C#] beat, it goes on.
She got, she got dressed [D#] up.
[C#] She got dressed up.
And the beat, it goes on.
She got, [A#m] she got dressed [D#] up.
[C#] She got dressed up.
[G#]
He will go on.
Yeah, the beat will go on.
For the king and the plot.
Yeah, the beat will go on.
He will go on.
Yeah, the beat will go on.
For the king and the plot.
Yeah, the beat will go on.
He will go on over and over still.
Out of the garden [C#] and [G#] over the hill.
He will go on over and over still.
[D#] Out [G#] of the garden [C#] and [G#] over the hill.
Key:
C#
F#
G#
Fm
A#
C#
F#
G#
_ _ _ He's [C#] _ medicine, _ not flesh and not bone.
[D#] He's as good as the seeds he's sown.
_ But he [E] loves you [A#m] so, [G#] like no _ [D#m] one _ _ [C#] can. _
_ [G#] _ _ _ _ _ _ _
_ _ _ _ Put your wedding [F#] dress _ _ [C#] _ _ _ _
_ _ [F#] _ _ _ [Fm] _ _ _
_ [F#] _ _ _ [C#] _ _ [G#] _ _
_ _ [A#] _ _ _ _ _
on the [F#] tip of my _ [C#] toe. _
As the [F#] backbeat cracks, I [Fm] hit my drum.
I get [F#] into the car.
[C#] _ _ [G#] _
_ [A#] My interrogation starts in the [F#] passenger seat.
[C#] _ _
There's a tone [F#] of mess, a [Fm] tase of ease, and a [F#] broken _ [C#] ring. _ _
Grim will [A#] reign at her feet. _
And the [C#] beat, it goes on.
She got, [A#m] she got dressed up.
[C#] She got dressed up.
_ She got, she [A#m] got [A#m] dressed up.
[C#] She got dressed up.
_ _ And the beat, it goes _ [Fm] on.
_ _ _ _ [F#] _ _
_ [Fm] _ _ _ _ [F#] _ _ _
_ _ _ _ [C#] _ _ [A#] _ _
_ _ Is he quick [F#] on his feet?
_ [Fm] _ _ Does he [F#] ever look past you [Fm] on the street?
Is he [F#] ever on [C#] time?
_ _ _ [A#] Where's he getting home at night?
At the [F#] opposite _ [C#] side.
_ At the [F#] argument deep in [Fm] every night.
Is it what [F#] she'd accept?
[C#] _ _ _ Is [A#] there anything that's left?
And the [C#] beat, it goes on.
She got, she got dressed [D#] up.
[C#] She got dressed up.
And the beat, it goes on.
She got, [A#m] she got dressed [D#] up.
[C#] She got dressed up. _ _ _ _
_ [G#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ He will go on.
Yeah, the beat will go on.
For the king and the plot.
Yeah, the beat will go on.
He will go on.
Yeah, the beat will go on.
For the king and the plot.
Yeah, the beat will go on.
He _ will go on over and over still.
_ _ Out of the garden [C#] and [G#] over the hill.
_ _ He will go on over _ and over _ still.
_ [D#] Out [G#] of the garden [C#] and [G#] over the hill.
_ _ _ _ _ _ _ _
[D#] He's as good as the seeds he's sown.
_ But he [E] loves you [A#m] so, [G#] like no _ [D#m] one _ _ [C#] can. _
_ [G#] _ _ _ _ _ _ _
_ _ _ _ Put your wedding [F#] dress _ _ [C#] _ _ _ _
_ _ [F#] _ _ _ [Fm] _ _ _
_ [F#] _ _ _ [C#] _ _ [G#] _ _
_ _ [A#] _ _ _ _ _
on the [F#] tip of my _ [C#] toe. _
As the [F#] backbeat cracks, I [Fm] hit my drum.
I get [F#] into the car.
[C#] _ _ [G#] _
_ [A#] My interrogation starts in the [F#] passenger seat.
[C#] _ _
There's a tone [F#] of mess, a [Fm] tase of ease, and a [F#] broken _ [C#] ring. _ _
Grim will [A#] reign at her feet. _
And the [C#] beat, it goes on.
She got, [A#m] she got dressed up.
[C#] She got dressed up.
_ She got, she [A#m] got [A#m] dressed up.
[C#] She got dressed up.
_ _ And the beat, it goes _ [Fm] on.
_ _ _ _ [F#] _ _
_ [Fm] _ _ _ _ [F#] _ _ _
_ _ _ _ [C#] _ _ [A#] _ _
_ _ Is he quick [F#] on his feet?
_ [Fm] _ _ Does he [F#] ever look past you [Fm] on the street?
Is he [F#] ever on [C#] time?
_ _ _ [A#] Where's he getting home at night?
At the [F#] opposite _ [C#] side.
_ At the [F#] argument deep in [Fm] every night.
Is it what [F#] she'd accept?
[C#] _ _ _ Is [A#] there anything that's left?
And the [C#] beat, it goes on.
She got, she got dressed [D#] up.
[C#] She got dressed up.
And the beat, it goes on.
She got, [A#m] she got dressed [D#] up.
[C#] She got dressed up. _ _ _ _
_ [G#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ He will go on.
Yeah, the beat will go on.
For the king and the plot.
Yeah, the beat will go on.
He will go on.
Yeah, the beat will go on.
For the king and the plot.
Yeah, the beat will go on.
He _ will go on over and over still.
_ _ Out of the garden [C#] and [G#] over the hill.
_ _ He will go on over _ and over _ still.
_ [D#] Out [G#] of the garden [C#] and [G#] over the hill.
_ _ _ _ _ _ _ _