Chords for Fleetwood Mac - Tusk documentary - Lindsey Buckingham 1979

Tempo:
118.15 bpm
Chords used:

Gm

F

C

D

E

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Fleetwood Mac - Tusk documentary - Lindsey Buckingham 1979 chords
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[D] [C#] I still wouldn't mind trying that square one that Stevie uses [D] on stage.
Alright.
What, this one you want?
Yep.
Alright.
[C#]
[D] What I'm doing in the studio takes up so much of my energy, really.
You know, and [Gm] more so that's probably the main thing that I contribute to the band.
[F#] Not as a guitar player, or even [D] necessarily as a writer,
[F] but as someone who can take [A#] X amount of energy, you know,
[Gm] and flowing through different people [C] and sort of somehow formulate
to some degree how things should [F] sound in the studio.
[Gm]
[C]
[F]
[Gm]
[C]
[F]
[Gm]
[C]
[A#] [C] [F] Singing
As far as the experience of the studio goes, it's very subjective.
It's different for everyone.
[Gm] John, you know, he does his bass parts [C] and spends [A#] a lot of time waiting.
[F] That's not a lot of fun because I've done that.
[Gm]
[Em] [C]
[F] [Fm]
[F]
[Gm]
[Em] [C]
[Gm] [F]
[Gm]
[C]
[F]
[Gm]
Singing
John is really very [E] creative and very sensitive to the nuances of the songs.
When it comes time [D] for him to work on them,
[E] and the time that we do spend working together is really very enjoyable for me.
[F#m]
Singing
[B]
[E]
[F#m]
[B]
[E]
[F#m]
[B]
Singing
[F#m]
[B] [E] [A#] For me and for John, we're a couple of old gigsters really.
I'm really happy being on the road.
[Fm] That is the final
Key:  
Gm
123111113
F
134211111
C
3211
D
1321
E
2311
Gm
123111113
F
134211111
C
3211
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[D] _ _ _ _ [C#] I still wouldn't mind trying that square one that Stevie uses [D] on stage.
Alright.
What, this one you want?
Yep.
Alright.
[C#] _ _ _ _
_ _ _ _ [D] What I'm doing in the studio takes up so much of my energy, really.
You know, and [Gm] more so that's probably the main thing that I contribute to the band.
[F#] Not as a guitar player, or even [D] necessarily as a writer,
[F] but _ as someone who can take [A#] X amount of energy, you know,
[Gm] and flowing through different people [C] and sort of somehow formulate
to some degree how things should [F] sound in the studio. _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Gm] _ _ _ _
_ _ _ _ [C] _ _ _ _
_ _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Gm] _ _ _ _ _
_ _ _ _ [C] _ _ _ _
_ _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Gm] _ _ _ _
_ _ _ _ [C] _ _ _ _
[A#] _ _ [C] _ _ [F] _ _ Singing
As far as the experience of the studio goes, it's very subjective.
It's different for everyone.
[Gm] John, you know, _ he does his bass parts _ [C] and spends [A#] a lot of time waiting.
[F] That's not a lot of fun because I've done that. _ _ _ _ _
_ _ _ _ [Gm] _ _ _ _
_ _ _ _ [Em] _ [C] _ _ _
_ _ _ _ _ _ _ _
_ _ [F] _ _ _ _ [Fm] _ _
_ _ _ _ _ _ [F] _ _
_ _ _ _ _ _ _ [Gm] _
_ _ _ _ _ _ [Em] _ [C] _
_ _ _ _ [Gm] _ _ [F] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Gm] _
_ _ _ _ _ _ [C] _ _
_ _ _ _ _ _ [F] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Gm]
Singing
John is _ really very [E] creative and very sensitive to the nuances of the songs.
When it comes time [D] for him to work on them,
[E] and the time that we do spend working together is really very enjoyable for me.
[F#m] _
_ _ Singing
_ _ _ [B] _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [F#m] _ _
_ _ _ _ _ [B] _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F#m] _ _ _ _
_ _ _ _ [B] _ _ _
Singing
_ _ _ _ _ [F#m] _ _
[B] _ _ [E] _ _ [A#] _ _ For me and for John, we're a couple of old gigsters really.
I'm really happy being on the road.
_ [Fm] That is the final

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