Chords for Fleetwood Mac ~ "Angel" studio outtakes

Tempo:
137.05 bpm
Chords used:

D

G

C

E

Bm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Fleetwood Mac ~ "Angel" studio outtakes chords
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[E]
[D] [C] [G] [E]
Sometimes the most beautiful thing, the most innocent thing, and many of those dreams pass us [Ab] by.
Keep passing me [E] by.
[C] [D]
Angel.
[G]
Those are backgrounds.
Those angels are deaf.
[Bm]
Angel.
[E]
Angels in the background.
You're feeling it, huh?
Yeah, all right.
Last one's here.
But on the end of it, the end thing, there's some better things than the other thing.
Let's listen to the first one all the way through.
[D]
[A] [Am] Sounds neat, huh?
[D] Sounds loud.
A [C] percussionist.
[D]
[G] [C]
[Bm] [G]
[C] [G] She's ready to take your place, Mick.
She's got the percussion in, down.
[E] If you want to, you can probably Watch me.
You can probably
Where's the band?
49, 47.
You could maybe
Set the headphones [G] on 80.
Steve?
Yeah?
Yeah, I'm gonna do it.
One little mistake.
I just wanted it, actually, as hot as possible.
Okay, that's fine.
Sing the melody for a second, because I just want to see if it sounds any good at all to
If we left your melody on there and I just sang the lower part
Okay.
I don't think it will.
[C]
You [Bm] feel [G] good
[C] Saying it's funny that you [E]
under
No, you're going to
Funny that you understood
That's not the melody, though, right?
That was good.
Funny that you understood
I just rewrote it.
No, that's not good.
That's the way we [G] were just doing it.
[C] You feel [Bm] [G] good
[C] It's funny that [D] you [G] understood
[C] I knew [D] you [G] would
When you [C] were good
You [D] were very, very [C] good
[G]
[C] [D] I knew [E] that girl was
Can you write out some of the
Yes.
I see you left out a section.
Yes, I did.
Well, because I wasn't thinking on having you sing it.
Maybe since you're singing so good there, I'll be thinking about it.
The one thing is that you want to do the ooh part, too.
It's too much?
Yes.
In a word.
[C] I'm a country.
Yes.
[D]
Melody
That was more of [C] a
You feel [D] good
[G] Saying it's [C] funny [G] that you understood
I knew you [E] would
When you were good
You were very, very good
[D] [E] I still look up
When you walk in the room Can?
Let's take that much of it.
Okay.
As we figure out what to do and then figure out the rest.
I know it's hard.
Why don't we get a music stand out here so we just sit them in?
If you just refer to them, you'll remember.
Yes.
We doubled the first set already.
Okay, here we go.
Doubling.
[D] You are [C] an angel
In [D]
my [G] [D] dreams
You [G] said you [D] feel [G] good
No, [E] that needs to stop singing.
[D] You [C]
said you [D] feel [G] good
Said it's funny [D] that you [G] understood
[C] I [D] knew you [G] would
When you [C] were good
You [D] were very,
[A] very [Em] good
Don't [N] you think if they put a different sound on them
Because they're real like a sort of Mills Brothers.
No, in a weird sort of way.
You know, real low and very close low harmonies
That aren't really like out there taking away from anything
But they're real intense.
But then real, nobody understands at all what I mean.
I played you some real early Mills Brothers.
No, this was real early when one of the guys was still playing guitar.
It was like boom, boom.
Oh, the world is sweet to me
[Bm] [C] [G]
[D] Oh
[Bm] [D]
[Cm]
[Dm] [A] [D]
If you are [C] so bright as you told me
Then [G] I'll [D] be gone, but out of the way
To me, the most [C] important thing at stake is remaining ourselves musically.
[D] And caring, really caring.
Because most artists, I think, have [G] a lot of limitations.
And they work around them because [D] they really care.
And it's a passion, and that's [G] why we get up in the morning.
[C]
[G] [D] The least you can do [Em] is give the very best you think you're [C] capable of.
And I mean, Fleetwood Mac has always done [D] that.
Even if it might have been not pleasing to some.
Then at least [G]
we walk [D] away from that [G] album
Knowing that we really, really did the best we could.
[D] [G]
You never know when [D] you tour, when you do a big tour to promote [Em] an album.
There's no way that you [Ab] can ever really know
Whether or not that [E] will be the last tour or not.
So you have to always [Gm] gather that.
This special [E] tour, which will be these new songs, these 18 new songs from [C] everyone.
[D] You have to gather this very closely now
Because [E] it might not ever happen again.
And if it doesn't, then this must [N] be the best.
Key:  
D
1321
G
2131
C
3211
E
2311
Bm
13421112
D
1321
G
2131
C
3211
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[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D] _ _ [C] _ _ [G] _ _ _ [E] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
Sometimes the most beautiful thing, _ _ the most innocent _ thing, _ _ _ and many of those _ dreams _ _ _ _ _ pass us [Ab] _ by. _ _
_ Keep passing me [E] by. _
_ _ _ [C] _ _ [D] _ _ _
_ Angel.
[G] _ _ _ _ _
Those are backgrounds.
Those angels are deaf.
[Bm] _
_ _ _ _ Angel.
[E] _ _
_ _ _ _ Angels in the background.
_ _ _ You're feeling it, huh?
Yeah, all right.
Last one's here.
_ But on the end of it, the end thing, there's some better things than the other thing.
Let's listen to the first one all the way through.
_ [D] _ _ _
[A] _ _ [Am] _ _ _ Sounds _ _ _ neat, huh?
[D] _ _ Sounds loud.
_ A [C] _ percussionist.
[D] _
_ _ [G] _ _ _ _ _ [C] _
_ [Bm] _ [G] _ _ _ _ _ _
[C] _ _ _ [G] _ _ _ She's ready to take your place, Mick.
She's got the percussion in, down.
_ _ _ _ _ [E] If you want to, you can probably_ Watch me.
You can _ probably_
Where's the band?
_ _ _ 49, 47.
_ _ _ You could _ maybe_
Set the headphones [G] on 80. _ _ _
Steve?
_ Yeah?
Yeah, I'm gonna do it.
One little mistake.
_ _ I just wanted it, actually, as hot as possible.
Okay, that's fine.
_ _ _ Sing the melody for a second, because I just want to see if it sounds any good at all _ to_
_ If we left your melody on there and I just sang the lower part_
Okay.
I don't think it will.
_ [C] _
You [Bm] feel _ _ [G] _ good
_ _ [C] Saying it's funny that you [E] _
under_
No, you're going to_
Funny that you _ understood
_ That's not the melody, though, right? _
That was good.
_ _ _ Funny that you understood
I just rewrote it. _ _ _
_ _ _ No, that's not good.
That's the way we [G] were just doing it.
[C] _ You feel _ [Bm] _ [G] good
_ _ _ _ [C] It's funny that [D] you [G] understood _ _ _ _ _
[C] I knew [D] you _ [G] would _
When you [C] _ were good
_ _ _ _ You [D] were very, _ _ _ _ _ very _ [C] good
_ [G] _ _ _
[C] _ _ _ _ _ [D] I knew _ _ _ _ _ [E] that girl _ was_
Can you write out some of _ the_
Yes.
I see you left out a section.
Yes, I did.
Well, because I wasn't thinking on having you sing it.
Maybe since you're singing so good there, I'll be thinking about it.
The one thing _ is that you want to do the ooh part, too.
_ It's too much?
Yes.
In a word.
[C] _ I'm a country.
Yes.
_ [D] _ _
_ Melody
That was more of [C] a_
You feel [D] good
[G] _ Saying _ it's [C] funny [G] that you _ understood
_ _ _ I knew you [E] would
_ When you were _ good
_ _ You were _ very, _ _ _ very _ _ _ good _ _ _ _ _
[D] _ _ _ [E] _ I _ _ still look _ up _ _
When you walk in the room Can?
_ _ _ Let's take that much of it.
Okay.
As we figure out what to do and then _ figure out the rest.
I know it's hard. _ _
_ _ _ _ _ Why don't we get a music stand out here so we just sit them in?
If you just refer to them, you'll remember.
Yes.
We doubled the first set already.
Okay, here we go.
Doubling.
_ [D] You are [C] an angel
_ _ In _ _ [D]
my [G] _ _ [D] dreams _ _
You [G] said you [D] feel [G] good
No, [E] _ _ _ _ _ that needs to stop singing.
[D] _ _ _ You [C]
said you [D] feel [G] good _ _
Said it's funny [D] that you [G] understood _ _
_ _ [C] I [D] knew you [G] would
_ When you [C] were _ _ good
_ _ _ You [D] were very, _
_ _ _ [A] very [Em] good
Don't [N] you think if they put a different sound on them
Because they're real like a _ _ _ sort of Mills Brothers.
_ _ _ _ _ No, in a weird sort of way.
You know, real low and very close low harmonies
That aren't really like out there taking away from anything
But they're real intense.
But then real, nobody understands at all what I mean. _ _
I played you some real early Mills Brothers.
No, this was real early when one of the guys was still playing guitar.
It was like boom, boom.
_ _ _ Oh, the world is sweet to me
_ [Bm] _ _ [C] _ _ [G] _ _ _
[D] _ _ _ Oh _ _ _
[Bm] _ _ _ _ [D] _ _ _ _
_ _ _ _ [Cm] _ _ _ _
[Dm] _ _ _ [A] _ _ [D] _ _ _
If you are [C] so bright as you told me
Then [G] I'll [D] be gone, but out of the way
To me, the most [C] important thing at stake is remaining ourselves musically.
[D] And caring, really caring.
Because most artists, I think, have [G] a lot of limitations.
And they work around them because [D] they really care.
And it's a passion, and that's [G] why we get up in the morning.
[C] _ _ _ _ _
_ [G] _ _ [D] _ _ _ The least you can do [Em] is give the very best you think you're [C] capable of.
And I mean, Fleetwood Mac has always done [D] that.
Even if it might have been not pleasing to some.
Then at least [G]
we walk [D] away from that [G] album
Knowing that we really, really did the best we could.
[D] _ [G] _ _
You never know when [D] you tour, when you do a big tour to promote [Em] an album.
There's no way that you [Ab] can ever really know
Whether or not that [E] will be the last tour or not.
So you have to always [Gm] gather that.
This special [E] tour, which will be these new songs, these 18 new songs from [C] everyone.
[D] You have to gather this very closely now
Because [E] it might not ever happen again.
And if it doesn't, then this must [N] be the best. _

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