Blue Monday Chords by Flunk

Tempo:
91.85 bpm
Chords used:

Dm

C

G

F

D

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Flunk - Blue Monday chords
Start Jamming...
It's me like you do
[C] [Dm]
[G] [C] [A]
[Dm] [F] [C] [Dm]
[G] [Dm] How does it feel?
[F] [C] [Dm]
[G] [D]
[Dm] [F] [C] [Dm]
[A] It's me like you [Dm] do
[F] How [G] does [D] it feel?
[Dm] [G] To treat me like [Dm] you do
[F] When you laid [G] your hands [D] upon me
[Dm] [G] To tell me who [D] you are
I [Dm] [F] thought [C] I was [Dm] mistaken
I [G] thought I
[D]
[Dm] [F] Tell me how [C] do [D] I feel?
[Dm] [G] Tell me now [C] how do [D] I feel?
Tell me how [Dm] do I [F] [C] [D]
[Dm] [G] feel?
[Dm]
[F] [C] Tell me [D] now [Dm] [G] how do I feel?
[Dm]
[F] How [C] does [D] it feel?
[Dm] [G] To treat [C] me like you [D] do
[F] When you laid [C] your hands [D] upon [Dm] me
[G] To tell [C] me who you [D] are
[Dm] [F] I thought [G] I was [Dm] mistaken
[G] I thought I
[D]
[F] Tell me how [G] do [D] I [Dm] feel?
[G] Tell me now how do I feel?
[F] Girls [C] who came [D] before [Dm] me
[G] Lived from their [Dm] vocations
[F] The past [C] is too [Dm] complete to show
[G] Time out, [C] ain't no [Dm] more
I [F] feel you [C] find it [Dm] so hard
[G] To say what [C] I need to [Dm] say
[F] I'm quite [C] sure that you [D] tell me
[Dm] [G] This heart should feel [Dm] today
[F] I see [C] you sleeping [Am] in the harbor
[Dm] And [A] you [C] can't understand [Dm] why
That [F] if it wasn't [C] for your [D] misfortune
[Dm] I'd [Gm] be a heavenly [C] person [A] today
[F] And I thought [G] I was [Dm] mistaken
[G] And I thought [C] I heard you [A] speak
[Dm] [C] Tell me how do [Dm] I feel?
Tell me now [C] how should I [A] feel?
[Dm] [F] [C] [Dm]
[G] [C] [Dm]
[F] [C] [D]
[Gm] [C] [Dm]
Key:  
Dm
2311
C
3211
G
2131
F
134211111
D
1321
Dm
2311
C
3211
G
2131
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Chords
NotesBeta

To learn Flunk - Blue Monday chords, focus on the sequence of these chords: Dm, C, Dm, F, C, G and C. Begin your practice at a relaxed 46 BPM, then work your way up to the song's BPM of 92. Fine-tune the capo based on your vocal range, ensuring it complements the key of D Minor.

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It's me like you do
_ [C] _ _ [Dm] _ _
_ _ [G] _ _ [C] _ _ [A] _ _
[Dm] _ _ [F] _ _ [C] _ _ [Dm] _ _
_ _ [G] _ _ _ [Dm] How does it feel?
_ [F] _ _ [C] _ _ [Dm] _ _
_ _ [G] _ _ _ _ [D] _ _
[Dm] _ _ [F] _ _ [C] _ _ [Dm] _ _
_ _ [A] _ It's me like you [Dm] do _
_ _ [F] How [G] does [D] it feel?
[Dm] _ [G] To treat me like [Dm] you do
_ [F] When you laid [G] your hands [D] upon me
[Dm] _ [G] To tell me who [D] you are
I [Dm] _ _ [F] thought [C] I was [Dm] mistaken
I [G] thought I_
[D] _ _
[Dm] _ [F] Tell me how [C] do [D] I feel?
[Dm] _ [G] Tell me now [C] how do [D] I feel?
Tell me how [Dm] do I _ [F] _ _ [C] _ _ [D] _ _
[Dm] _ _ [G] _ _ feel?
[Dm] _ _
_ _ [F] _ [C] Tell me _ [D] now [Dm] _ _ [G] how do I feel?
[Dm] _ _
_ _ [F] How [C] does [D] it feel?
[Dm] _ [G] To treat [C] me like you [D] do
_ [F] When you laid [C] your hands [D] upon [Dm] me
[G] To tell [C] me who you [D] are
[Dm] _ [F] I thought [G] I was [Dm] mistaken
_ [G] I thought I_
_ [D] _ _
_ [F] Tell me how [G] do [D] I [Dm] feel?
[G] Tell me now how do I feel?
_ _ [F] Girls [C] who came [D] before [Dm] me
_ [G] Lived from their [Dm] vocations
_ [F] The past [C] is too [Dm] complete to show
_ [G] Time out, [C] ain't no [Dm] more
I _ [F] feel you [C] find it [Dm] so hard
_ [G] To say what [C] I need to [Dm] say
_ [F] I'm quite [C] sure that you [D] tell me
[Dm] _ [G] This heart should feel [Dm] today _
_ [F] I see [C] you sleeping [Am] in the harbor
[Dm] And [A] you [C] can't understand [Dm] why
That [F] if it wasn't [C] for your [D] misfortune _
[Dm] I'd [Gm] be a heavenly [C] person [A] today
_ [F] And I thought [G] I was [Dm] mistaken
_ [G] And I thought [C] I heard you [A] speak
[Dm] _ [C] Tell me how do [Dm] I feel?
Tell me now [C] how should I [A] feel? _
[Dm] _ _ [F] _ _ [C] _ _ [Dm] _ _
_ _ [G] _ [C] _ _ _ [Dm] _ _
_ _ [F] _ _ [C] _ _ [D] _ _
_ _ [Gm] _ _ [C] _ _ [Dm] _ _

Facts about this song

Among the compositions on the album Natural Ibiza, written by Peter Hook, Stephen Morris, Bernard Sumner and Gillian Gilbert, this one shines.

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