Chords for for KING + COUNTRY | RELATE - Behind The Scenes

_ _ _ _ _ _ Lights out.
_ _ _ _ [Gm] _ _ _ [C] _
_ _ _ _ [Bb] _ _ _ [F]
[Eb] Shooting in Los Angeles at a really dingy old industrial complex that they [F] now use for
some studios, but I'm about to take you to the rooftop.
Can you come with me?
Picture this.
[Bb] Joel and Luke on the rooftop.
It's dusk.
We're going to [Eb] have an elevator shaft over here that Joel's going to enter into, and
then Luke will be on the opposite side of the building in a different [F] elevator shaft,
and they descend 25 to 30 stories.
And camera?
[Eb] Rolling? Rolling.
I've hit you so hard that you've been locked.
_ [F]
I've been so close, you'll never be found.
[Eb] In short, we're going [Dm] to travel down through the [Bb] stories of a building, but it's also the
stories of different [Eb] cultures and people and [Bb] life experiences, provoking the question of
what if we're all more similar than we give ourselves, [Eb] most of the time give ourselves credit for.
[F] All of those stories to me are in the music video, and it's interspersed with maybe a
total [Eb] of 55 seconds of the film.
So what you're already in this video is the_
[Bb] In this particular moment where you're on the [Gm] upper level, [Eb] you're seeing something,
like is it a lot of Lucy or is it just either just kind of Lucy or what's going on?
[F] We'll shoot some of that stuff too, and I'll shoot [Bb] it without lyrics so we have flexibility.
[Ab] Alright, look into the lens and [Gm] reach out, you're feeling for that woman, like, [Bbm] hey,
I feel like I, oh my goodness.
And going through that, I can relate to that, but [Cm] then the glass stops them, their hands
on the glass.
[D] As soon as we get this done, I've got that other camera sitting over here, standby, I'm
[N] going to do the little light camera, I'll do it going down with him.
So it starts up high and literally lowers with him and goes underground.
Maybe the first [D] part moves slower, [Eb]
looking [C] around, _ [Bb] and I feel like it stops, it's [F] like,
yeah, absolutely.
[Bb] And then this part, not even about the story, it's just about life, like going through [G] it.
I think it's [Bb] safe to say we're on to better [C] days, can you relate?
[Gm]
Do you know the lyrics?
I've been real, I've been fake, [G] been home, been a sinner, been a sinner.
[Bb] Done.
Don't be fooled, it looks [F] very reminiscent of like a regular [B] fluorescent light, but it's
actually [Bb] an LED light.
We're using it as a light source to create the [Eb] feeling of the levels moving, the different
[G] stories [Bb] moving up past the elevators.
Magic tricks of the trailer.
We're going to do a tight on you, we're going to get you from the front here, and then tomorrow
at the other studio, that's where we're going to do the glass break.
Yeah, just like that.
Practice.
I like things that crack, [C] break, especially when you're doing it in a controlled, safe environment.
[N] I've never done anything like this.
Ben, what are we going to do now?
Alright, great, let's get out of here guys, and then you [B] say, bravo.
Alright guys, [N] let's get out of here.
Bravo, man.
No, your pause was too pregnant, you gotta say it like_
No, but you're like doing all these weird things with your jaw, so it's not, you need
to probably practice again.
Okay, um_
You'll notice.
Let's get out of here guys.
_ _ Prompt home ahead.
Man, we'd be terrible [Bb] actors.
I see, so we_
_ Where are we for the run?
The sound stage.
We are at [G] Film Studio_
We are filming, so Joel and I are going to film some shots of us_
Blah, just freaking blah.
And there's a bunch of [Bb] other storylines that happen as well, and those are being filmed today.
Don't tilt your [G] head back with her as much.
Use your eyes to go with her, and once you get straight [Bb] at her, just let your eyes do it.
[Eb] Yeah, there you go.
So [G] the idea here is that Joel is [Gb] descending 30 stories [Bb] into a building, and he's seeing
literal stories playing out in front of him.
And so we have characters from those stories literally doing squats to sell the effect
of [Bb] them being in an elevator on a floor separate to him, and they're raising as he lowers [B] into
the basement of the building.
Really good [Ab] exercise.
I haven't done my squats yet today, so [Bb] I don't envy these poor people and what we're putting them through.
[Gm]
Okay!
[Eb] _ _ [Cm] _ _ [E] Cool.
Alright, let's put the glass [F] in.
Here's the thing about breaking glass.
[Gm] It's actually not glass at [Bb] all.
It's sugar.
Oh, they're terrified. _
It's really expensive, and they only have two shots per person, so they get two pieces
of glass per loop.
So if they bust it before [Ebm] they get a chance to [F] use it, [Ab] we're out of the shot.
I think it's good.
Let's walk away.
How do you feel about me?
Walk away.
Okay.
If you want to touch or adjust?
[C] Nope, it's good. _
Alright, here we go.
_ [Bb] _ [N] Action! _ _
[Bbm] I don't know what [Bb] it's like to be_
_ Oh, [Gm] good!
I love both hands.
That's it for me.
That's it for Luke.
That's [Bb] a wrap.
That's a wrap for Dolan's Loop.
Oh, wow.
[Eb] They [Gb] told us that our work here is [Bb] done.
The portal, which I think is beautiful and amazing, we have to say goodbye to it.
The good news is, it's actually a real portal.
It's a real portal.
So it'll just go everywhere.
You don't have to dismantle it, you don't have to break it down, it's not made of plywood.
It just transports itself.
Yeah, that's great.
[Gb] I'm excited for you to see this music video for Relate, the first foray of album four.
Foray of album four.
Oh.
[F] And we're off from LA.
[Bb] Let's go home.
_ _ _ [Gm] _