Chords for Four Hammond B3's playing The Cat

Weird choice, right?
I don't care.
Tonight we got to do it.
Now, ladies and gentlemen, I'm telling you,
we're gonna do a number that I think could only be done on Canadian television because it is so hip.
The producer of this show, her name is Louise Wood, and I remember because it was my mother's maiden name,
she was Shirley Wood from Toronto, Canada.
Louise came to me and said, I'd like you to do,
what do you think about doing an organ summit with you and the three greatest organ players alive?
And I said, holy cow, what an idea.
And she made it happen.
She knew who to call.
She called the greatest organists, and it's a dying art, but we got them here tonight,
and you're gonna hear something that I don't think you'll ever hear again.
Ladies and gentlemen, first, it gives me a great deal of pleasure to introduce my friend,
the last of the best and one of the greatest, funkiest, downest soul organ players on the planet,
Dr.
Lonnie Smith, ladies and gentlemen.
Doctor, thank you for being here.
Over here, a man who I studied when I was supposed to be studying sociology at University of Toronto
from where I graduated in about 1971 or 2.
I can't exactly remember.
If you remember the 70s, you weren't there.
But I was mostly at Georgia Spaghetti House listening to this man play funky soul organ with the best of them.
Ladies and gentlemen, Canada's own Doug Riley.
They used to call him Dr.
Music, so we got two, really three doctors.
I hold the doctorate from Lincoln University up in Thunder Bay.
And this man came from Philadelphia, PA, to blow us all away.
Ladies and gentlemen, the greatest, Mr.
Joey DeFrancesco.
Joey, thank you for being here.
I got an organ up here myself.
This is a Hammond B3 organ.
We're going to do a little tribute, the four of us and the great Orrin Isaacson, the house band.
How about that band, ladies and gentlemen?
This is by the late, great Jimmy Smith.
It's called The Cat.
Here we go.
One, two, three, four, [Cm] what [Dm] _ _ _ [F] _ _ [C] up?
Here we go.
Let's go.
[F] _ [C] _ [Bb] _ _ [F] _ _
_ _ [Bb] _ _ _ [Fm] _ [F] _ _
_ _ [Cm] _ _ [Bb] _ [Ab] _ [F] _ _
Let's hear the horns.
_ [Bb] _ _ [F] _ _
_ [Fm] _ [Bb] _ _ _ [Fm] _ [F] _ _
[Ab] _ _ [Cm] _ _ _ [E] _ [F] _
[Ab] Dr.
Lonnie Smith, ladies and gentlemen. _ _ _ _
_ _ [D] _ _ _ _ _ [Ab] _
_ _ [C] _ _ _ [Fm] _ _
Go again, doctor, go again. _ _ _ _ _
Listen to that man blow.
_ Lonnie Smith, ladies and gentlemen.
[Bb] _ [E] _ _ [D] _ [F] Doug Riley, let's hear from you.
Hit it, Doug.
_ [Fm] Dr. _ _
[Bb] _ _ _ _ _ _ _ [F] _
_ [Eb] _ _ [Gm] _ _ [Fm] _ [F] _ _
_ _ _ _ _ _ _ _
_ _ [Gm] _ _ _ [E] _ [Fm] _ [Dm] _
Music, [Gm] Doug Riley, [Bb] everybody.
[F] Now, Joey _ DeFrancesco.
Make [Fm] _ _ [Dm] _ _
[Fm] _ _ [Bb] _ _ [Fm] _ _ _ _
_ _ _ _ _ _ [F] _
another one, Joey.
[Ab] _ _ _ [F] _ _ _
_ _ [Fm] _ _ _ [Ab] _ [F] _ _
[Gm] Great, Joey DeFrancesco, [Bb] come on.
Let him hear [F] it.
[Bb] Let me hear your horns.
[F] Let's [Fm] _ _ _ [F] _ _
_ _ [Bb] _ _ _ _ [F] _ _
_ _ [Bb] _ _ _ _ [F] _ _
_ _ _ _ _ _ _ _
_ _ [Bb] _ _ _ _ [F] _ _
_ _ [C] _ [Ab] _ [Bb] _ [F] _ _
take it home, everybody.
Here we go.
_ [Bb] _ [Fm] _ _ _
_ _ [Bb] _ _ [Fm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Bb] _ [Fm] _ _ _
_ [Bb] _ _ [Fm] _ _ _ _ _
_ [Cm] _ _ [Fm] _ _ _ [C] _ _
[Fm] _ [Cm] _ _ _ [Ab] _ [F] _ _ [Cm] _
_ _ _ [Ab] _ [Fm] _ _ [Eb] Dr.
Lonnie Smith, let me hear [D] you.
[Fm] Let me hear you.
Joey DeFrancesco, everybody.
_ [F] My name is Paul Saper.
[Fm] Thank you, Canada.
Thank you for my induction [Bb] into Canada's [Ab] Wagamam, [Am] ho!
[B] _ _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ _
_ _ [G] _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ That's the way to back up fame right there.
Thank you, Dan Hackford.
I want to say one thing about friendship and loyalty.
_ Danny and I met in 1972.
We hung out once