Chords for Frank Marino Mahogany Rush 1992 Jimi Hendrix Weekend Canadian T.V.Special Short Clip
Tempo:
135.2 bpm
Chords used:
Eb
B
A
G
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[E] [G]
[A]
[C] [Gb] [Em]
[B] Today's definition of a guitar player is different than the 60s or 70s [G] definition.
When we say someone is the best, today a lot of kids think it means technically, [A] you know.
I mean, you can play with [Abm] two hands, you can, you [A] know, [N] you can do all this stuff, you're good.
But that doesn't make you good.
Jimi Hendrix by those standards was not nearly the best.
[C] Even at the time there were guys who were faster, Alvin Leans, [Am] Johnny Winter, there
were faster [G] players, there were shorter players, but [E] nobody invented [N] a style quite so strongly
as Jimi Hendrix.
And for me, being the best is being the first and being the best at that.
[Eb] [B]
[Eb] [E]
[Eb] [B] [G]
[D] [B] Jimi Hendrix was probably my earliest influence, musical influence.
He was not really a guitar influence for me because he influenced me musically long before
I even played guitar.
I was influenced by that music [Eb] and I was a drummer at the time, I was a young kid.
[Eb]
Jimi playing with his teeth and [B] playing on one leg and burning his guitar, these things
were not [Ab] really expressions of his emotional [Db] dedication to the music.
They were
[Ab] entertainment ploys of the time.
As a matter of fact, it wasn't Jimi who thought about [Db] burning his guitar, it was Arodi who
thought about burning his guitar.
[Gb] And the way that that happened was they were playing at the Monterey Pop Festival and they
knew that The Who was going to smash their equipment.
And of [Eb] course nobody wanted to go on after The Who, The Who didn't want to go on after
Jimi and Jimi didn't want to go on after [B] The Who.
I think what ended up happening is Townsend went on before Jimi and [A] they smashed their equipment.
So [G] Arodi came into the dress room and he said, [B] if they broke their equipment, why don't you
burn [A] your guitar?
And someone said, that's a great idea, you know, have you got any lighter fluid?
[Eb]
[B] [Eb]
[B] [Bb]
[D] Except Red House.
There's a red house for [F] me on the bay, [Bbm] [Eb]
[Bb]
where my baby stays.
[D]
He did [Abm] one blues song, with the possible exception of maybe covers [A] that he would do of Blue Suede
Shoes or Johnny B.
Goode.
And he played one blues song and he played it very well.
I mean, just amazing lines.
But that's his expressiveness coming out.
It wasn't that he was performing a blues to blow [E] anybody's mind.
He was expressing in blues the way he expressed in his music.
But the basis of Jimi's playing was rhythm and blues.
[Eb] [Gb] [Db] [Gb] [N]
[A]
[C] [Gb] [Em]
[B] Today's definition of a guitar player is different than the 60s or 70s [G] definition.
When we say someone is the best, today a lot of kids think it means technically, [A] you know.
I mean, you can play with [Abm] two hands, you can, you [A] know, [N] you can do all this stuff, you're good.
But that doesn't make you good.
Jimi Hendrix by those standards was not nearly the best.
[C] Even at the time there were guys who were faster, Alvin Leans, [Am] Johnny Winter, there
were faster [G] players, there were shorter players, but [E] nobody invented [N] a style quite so strongly
as Jimi Hendrix.
And for me, being the best is being the first and being the best at that.
[Eb] [B]
[Eb] [E]
[Eb] [B] [G]
[D] [B] Jimi Hendrix was probably my earliest influence, musical influence.
He was not really a guitar influence for me because he influenced me musically long before
I even played guitar.
I was influenced by that music [Eb] and I was a drummer at the time, I was a young kid.
[Eb]
Jimi playing with his teeth and [B] playing on one leg and burning his guitar, these things
were not [Ab] really expressions of his emotional [Db] dedication to the music.
They were
[Ab] entertainment ploys of the time.
As a matter of fact, it wasn't Jimi who thought about [Db] burning his guitar, it was Arodi who
thought about burning his guitar.
[Gb] And the way that that happened was they were playing at the Monterey Pop Festival and they
knew that The Who was going to smash their equipment.
And of [Eb] course nobody wanted to go on after The Who, The Who didn't want to go on after
Jimi and Jimi didn't want to go on after [B] The Who.
I think what ended up happening is Townsend went on before Jimi and [A] they smashed their equipment.
So [G] Arodi came into the dress room and he said, [B] if they broke their equipment, why don't you
burn [A] your guitar?
And someone said, that's a great idea, you know, have you got any lighter fluid?
[Eb]
[B] [Eb]
[B] [Bb]
[D] Except Red House.
There's a red house for [F] me on the bay, [Bbm] [Eb]
[Bb]
where my baby stays.
[D]
He did [Abm] one blues song, with the possible exception of maybe covers [A] that he would do of Blue Suede
Shoes or Johnny B.
Goode.
And he played one blues song and he played it very well.
I mean, just amazing lines.
But that's his expressiveness coming out.
It wasn't that he was performing a blues to blow [E] anybody's mind.
He was expressing in blues the way he expressed in his music.
But the basis of Jimi's playing was rhythm and blues.
[Eb] [Gb] [Db] [Gb] [N]
Key:
Eb
B
A
G
E
Eb
B
A
_ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ [G] _ _
_ _ _ _ _ _ _ [A] _
_ _ [C] _ _ [Gb] _ _ _ [Em] _
_ [B] Today's definition of a guitar player is different than _ _ the 60s or 70s [G] definition.
When we say someone is the best, _ _ _ _ today a lot of kids think it means technically, [A] you know.
I mean, you can play with [Abm] two hands, you can, you [A] know, _ [N] you can do all this stuff, you're good.
_ But that doesn't make you good.
Jimi Hendrix by those standards was not _ nearly _ the best.
[C] Even at the time there were guys who were faster, Alvin Leans, [Am] Johnny Winter, there
were faster [G] players, there were shorter players, _ but [E] nobody _ _ invented _ [N] a style quite so strongly
as Jimi Hendrix.
And for me, _ being the best is being the first and being the best at that.
[Eb] _ _ [B] _ _ _
_ _ [Eb] _ _ [E] _ _ _ _
[Eb] _ _ [B] _ _ _ _ [G] _ _
_ _ _ _ _ _ _ _
_ [D] _ _ [B] Jimi Hendrix was _ probably my earliest _ _ _ _ influence, _ musical influence.
He was not _ _ really a guitar influence for me because he influenced me musically long before
I even played guitar.
_ _ I was influenced by that music _ _ _ [Eb] and I was a drummer at the time, I was a young kid. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Eb] _
_ _ Jimi playing with his teeth and [B] playing on one leg and burning his guitar, these things
were not [Ab] really expressions of his emotional [Db] dedication to the music.
They were _
[Ab] entertainment ploys of the time.
As a matter of fact, it wasn't Jimi who thought about [Db] burning his guitar, it was Arodi who
thought about burning his guitar.
[Gb] And the way that that happened was they were playing at the Monterey Pop Festival and they
knew that The Who was going to smash their equipment.
And of [Eb] course nobody wanted to go on after The Who, The Who didn't want to go on after
Jimi and Jimi didn't want to go on after [B] The Who.
I think what ended up happening is Townsend went on before Jimi and [A] they smashed their equipment.
So [G] Arodi came into the dress room and he said, [B] _ if they broke their equipment, why don't you
burn [A] your guitar?
And someone said, that's a great idea, you know, have you got any lighter fluid?
[Eb] _ _
[B] _ _ _ _ _ [Eb] _ _ _
[B] _ _ _ _ [Bb] _ _ _ _
_ [D] Except Red House.
_ There's a red house for [F] me on the bay, _ [Bbm] _ _ [Eb] _ _
_ _ _ _ [Bb] _ _ _
where my baby stays.
_ [D] _ _
He did [Abm] one blues song, _ with the possible exception of maybe covers [A] that he would do of Blue Suede
Shoes or Johnny B.
Goode.
And _ he played one blues song and he played it very well.
I mean, just _ amazing lines.
But that's his expressiveness coming out.
It wasn't that he was performing a blues to blow [E] anybody's mind.
He was _ _ expressing in blues the way he expressed in his music.
But the basis of Jimi's playing was rhythm and blues.
_ [Eb] _ [Gb] _ _ _ _ _ _ _ _ _
[Db] _ _ _ [Gb] _ _ _ [N] _ _
[E] _ _ _ _ _ _ [G] _ _
_ _ _ _ _ _ _ [A] _
_ _ [C] _ _ [Gb] _ _ _ [Em] _
_ [B] Today's definition of a guitar player is different than _ _ the 60s or 70s [G] definition.
When we say someone is the best, _ _ _ _ today a lot of kids think it means technically, [A] you know.
I mean, you can play with [Abm] two hands, you can, you [A] know, _ [N] you can do all this stuff, you're good.
_ But that doesn't make you good.
Jimi Hendrix by those standards was not _ nearly _ the best.
[C] Even at the time there were guys who were faster, Alvin Leans, [Am] Johnny Winter, there
were faster [G] players, there were shorter players, _ but [E] nobody _ _ invented _ [N] a style quite so strongly
as Jimi Hendrix.
And for me, _ being the best is being the first and being the best at that.
[Eb] _ _ [B] _ _ _
_ _ [Eb] _ _ [E] _ _ _ _
[Eb] _ _ [B] _ _ _ _ [G] _ _
_ _ _ _ _ _ _ _
_ [D] _ _ [B] Jimi Hendrix was _ probably my earliest _ _ _ _ influence, _ musical influence.
He was not _ _ really a guitar influence for me because he influenced me musically long before
I even played guitar.
_ _ I was influenced by that music _ _ _ [Eb] and I was a drummer at the time, I was a young kid. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Eb] _
_ _ Jimi playing with his teeth and [B] playing on one leg and burning his guitar, these things
were not [Ab] really expressions of his emotional [Db] dedication to the music.
They were _
[Ab] entertainment ploys of the time.
As a matter of fact, it wasn't Jimi who thought about [Db] burning his guitar, it was Arodi who
thought about burning his guitar.
[Gb] And the way that that happened was they were playing at the Monterey Pop Festival and they
knew that The Who was going to smash their equipment.
And of [Eb] course nobody wanted to go on after The Who, The Who didn't want to go on after
Jimi and Jimi didn't want to go on after [B] The Who.
I think what ended up happening is Townsend went on before Jimi and [A] they smashed their equipment.
So [G] Arodi came into the dress room and he said, [B] _ if they broke their equipment, why don't you
burn [A] your guitar?
And someone said, that's a great idea, you know, have you got any lighter fluid?
[Eb] _ _
[B] _ _ _ _ _ [Eb] _ _ _
[B] _ _ _ _ [Bb] _ _ _ _
_ [D] Except Red House.
_ There's a red house for [F] me on the bay, _ [Bbm] _ _ [Eb] _ _
_ _ _ _ [Bb] _ _ _
where my baby stays.
_ [D] _ _
He did [Abm] one blues song, _ with the possible exception of maybe covers [A] that he would do of Blue Suede
Shoes or Johnny B.
Goode.
And _ he played one blues song and he played it very well.
I mean, just _ amazing lines.
But that's his expressiveness coming out.
It wasn't that he was performing a blues to blow [E] anybody's mind.
He was _ _ expressing in blues the way he expressed in his music.
But the basis of Jimi's playing was rhythm and blues.
_ [Eb] _ [Gb] _ _ _ _ _ _ _ _ _
[Db] _ _ _ [Gb] _ _ _ [N] _ _