Chords for FROG LEAP BAND: THE BRIGHTON REHERSALS
Tempo:
132.8 bpm
Chords used:
Eb
F
A
D
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D]
[G]
[D]
[E] [D] [C]
[G] [A]
If you want to play Ache to Break Your Heart, I have the lyrics for it.
You [G] can tell the [D] world, [E] you were never my [A] girl.
You [C] can burn my clothes when I'm [F] gone.
[A] Or you can tell your friends,
[E] just the fool I've been.
[A] And laugh and joke about me when I'm [C] on the phone.
Alright, we're here at Brighton Electric Studios [F] and doing some, what do you call it, pre-rehearsals?
Pre-prod.
Pre-prod for [Eb] our gig.
And this is an awesome [Cm] place.
It's [Eb] big, we don't have anything like this in Norway.
And yeah, just sounding really good.
And we have
[F]
[G]
[E]
[C] [A]
[Em] [G]
[A] [E]
[C] [E]
Let's [Eb] do a quick run through the gear we're using.
[A] [Eb] So both me and [F] Rubija is [A] using the same [Eb] things.
Exactly [F] the same.
[Eb] We have two Helix'ers and [D] [Ebm] each of us has a Variax guitar.
Yeah, sure I can.
[Eb] You're gonna use also a
Baritone Chapman.
Chapman guitar.
And yeah, it just sounds great, because we're using in-ears also.
So it sounds like a studio recording when we're [Db] rehearsing and when we're gonna [F] play live.
So it's [Eb] really good.
I have my dual mic setup.
One radio effect mic and one standard.
Normal, yeah.
With a Blue Snack.
[F] And Erik is running [Eb] some
Two Darkglass pedals.
Oh yeah.
[A]
Sounds [Eb] really good.
Filthy.
[G] Filthy.
So we're all going directly into [Ebm] [D] the [Bb] mix.
So we don't have [A] any [Eb] cabinets [Bb] or [D] speakers.
[Gb]
[D] [Bb] [C]
You're using [Bb] at the moment
I rented a [F] borrowed kit from Gretsch.
I have no idea what brand.
I got a model.
But you're endorsed by
I'm endorsed by Tama drums and Meinl cymbals.
So I got Meinl's.
I got a 20 and a 20 China, 20 [Bb]
crash.
[Eb] A 17 crash and an 18 crash and a 12 splash, I think.
Yes.
And a 22 inch Soundcast, a Fusion Powerful ride.
Powerful.
Yeah, it's [F] so powerful.
And we have
And I have some pedals.
Since [B] I'm endorsed by [A] Tama, I can show the pedals.
I [Ebm] got some double pedals.
[D] [Eb] That looks pearl.
Make it better.
[Ab] [A] And we're running some backing tracks through [Eb] the Cymatic Audio LP [G]-16.
Which works really good.
It does actually [Ab] work really [C] cool.
What exactly does it do?
Because I actually don't know.
So
[F] Just plays tracks, I guess.
Yeah.
[Ebm] I load in two [D]
monos.
[Eb] Like the left channel and the right channel.
Right.
[G] And then [Eb] it goes out and you just pan them.
And then I have
On the other side I have the [F] click [A] coming out.
[Ebm] So we can direct it wherever.
[D] There's 16 [C] outs on this.
[G] So you can basically
[Gb] almost [G] take every single track from the [Gb] backing track to [B] [F]
[G] control each thing.
[B] [C] It's legit.
[F]
[C]
[Ab] You guys have to have these.
This is the [Ebm] ACS in-ears.
[F] Thank you Han-Tech [Eb] in Oslo.
[B] Thank you Shure [A] for sending ours.
[F] This is also pretty incredible.
We can control our own mixes in [Eb] our in-ears [Eb] through an app on the iPhone.
[F] So we [A] can have [Eb] this on stage.
Each and every [Bm] one of us.
[F] Just controlling levels and [Db] whatever. Yes.
[E]
[Em]
[E]
[F] [Eb] We moved the rehearsal [Gm] rooms to [A] room 11.
[Gb] Which [Eb] is a [F] pretty nice room.
Cozy.
[A] Cozy.
[Eb] It doesn't matter for us because we use in-ears anyway.
[F] [A] And it sounds [Eb] weird if you're not having them in your ears.
It sounds like this.
[D] Hello.
[F] Hello.
[A]
This [Eb] is our sound guy.
How [Ab] long have you been doing your thing?
[A] With sound.
[Eb] With sound?
[D] Eight years.
[F] Two years.
[A] Wonderful years.
And two [Eb] wonderful days of you.
[Gb] Two years.
Good [F] [A] job.
[Ebm] Thanks bro.
I've never met him before but [F] he's a good guy.
[Eb] He gets awesome sound [Ebm] and he's really dedicated.
[Eb] I like it.
[N] Hi [Bb]
guys.
So I'm back in Norway.
I didn't film much more this weekend.
I was so dedicated to making everything sound good.
And just make the most out of the rehearsals.
That was a little sneak peek into our little pre-production for the upcoming shows.
The first one is on May 12th.
As I've said several times before, I'll link everything up in the video description.
And we're announcing some new shows abroad soon.
But if you want to come to the first with a special guest and a special everything,
just follow the links.
And I'll see you later.
[E] [Bb]
[N]
[G]
[D]
[E] [D] [C]
[G] [A]
If you want to play Ache to Break Your Heart, I have the lyrics for it.
You [G] can tell the [D] world, [E] you were never my [A] girl.
You [C] can burn my clothes when I'm [F] gone.
[A] Or you can tell your friends,
[E] just the fool I've been.
[A] And laugh and joke about me when I'm [C] on the phone.
Alright, we're here at Brighton Electric Studios [F] and doing some, what do you call it, pre-rehearsals?
Pre-prod.
Pre-prod for [Eb] our gig.
And this is an awesome [Cm] place.
It's [Eb] big, we don't have anything like this in Norway.
And yeah, just sounding really good.
And we have
[F]
[G]
[E]
[C] [A]
[Em] [G]
[A] [E]
[C] [E]
Let's [Eb] do a quick run through the gear we're using.
[A] [Eb] So both me and [F] Rubija is [A] using the same [Eb] things.
Exactly [F] the same.
[Eb] We have two Helix'ers and [D] [Ebm] each of us has a Variax guitar.
Yeah, sure I can.
[Eb] You're gonna use also a
Baritone Chapman.
Chapman guitar.
And yeah, it just sounds great, because we're using in-ears also.
So it sounds like a studio recording when we're [Db] rehearsing and when we're gonna [F] play live.
So it's [Eb] really good.
I have my dual mic setup.
One radio effect mic and one standard.
Normal, yeah.
With a Blue Snack.
[F] And Erik is running [Eb] some
Two Darkglass pedals.
Oh yeah.
[A]
Sounds [Eb] really good.
Filthy.
[G] Filthy.
So we're all going directly into [Ebm] [D] the [Bb] mix.
So we don't have [A] any [Eb] cabinets [Bb] or [D] speakers.
[Gb]
[D] [Bb] [C]
You're using [Bb] at the moment
I rented a [F] borrowed kit from Gretsch.
I have no idea what brand.
I got a model.
But you're endorsed by
I'm endorsed by Tama drums and Meinl cymbals.
So I got Meinl's.
I got a 20 and a 20 China, 20 [Bb]
crash.
[Eb] A 17 crash and an 18 crash and a 12 splash, I think.
Yes.
And a 22 inch Soundcast, a Fusion Powerful ride.
Powerful.
Yeah, it's [F] so powerful.
And we have
And I have some pedals.
Since [B] I'm endorsed by [A] Tama, I can show the pedals.
I [Ebm] got some double pedals.
[D] [Eb] That looks pearl.
Make it better.
[Ab] [A] And we're running some backing tracks through [Eb] the Cymatic Audio LP [G]-16.
Which works really good.
It does actually [Ab] work really [C] cool.
What exactly does it do?
Because I actually don't know.
So
[F] Just plays tracks, I guess.
Yeah.
[Ebm] I load in two [D]
monos.
[Eb] Like the left channel and the right channel.
Right.
[G] And then [Eb] it goes out and you just pan them.
And then I have
On the other side I have the [F] click [A] coming out.
[Ebm] So we can direct it wherever.
[D] There's 16 [C] outs on this.
[G] So you can basically
[Gb] almost [G] take every single track from the [Gb] backing track to [B] [F]
[G] control each thing.
[B] [C] It's legit.
[F]
[C]
[Ab] You guys have to have these.
This is the [Ebm] ACS in-ears.
[F] Thank you Han-Tech [Eb] in Oslo.
[B] Thank you Shure [A] for sending ours.
[F] This is also pretty incredible.
We can control our own mixes in [Eb] our in-ears [Eb] through an app on the iPhone.
[F] So we [A] can have [Eb] this on stage.
Each and every [Bm] one of us.
[F] Just controlling levels and [Db] whatever. Yes.
[E]
[Em]
[E]
[F] [Eb] We moved the rehearsal [Gm] rooms to [A] room 11.
[Gb] Which [Eb] is a [F] pretty nice room.
Cozy.
[A] Cozy.
[Eb] It doesn't matter for us because we use in-ears anyway.
[F] [A] And it sounds [Eb] weird if you're not having them in your ears.
It sounds like this.
[D] Hello.
[F] Hello.
[A]
This [Eb] is our sound guy.
How [Ab] long have you been doing your thing?
[A] With sound.
[Eb] With sound?
[D] Eight years.
[F] Two years.
[A] Wonderful years.
And two [Eb] wonderful days of you.
[Gb] Two years.
Good [F] [A] job.
[Ebm] Thanks bro.
I've never met him before but [F] he's a good guy.
[Eb] He gets awesome sound [Ebm] and he's really dedicated.
[Eb] I like it.
[N] Hi [Bb]
guys.
So I'm back in Norway.
I didn't film much more this weekend.
I was so dedicated to making everything sound good.
And just make the most out of the rehearsals.
That was a little sneak peek into our little pre-production for the upcoming shows.
The first one is on May 12th.
As I've said several times before, I'll link everything up in the video description.
And we're announcing some new shows abroad soon.
But if you want to come to the first with a special guest and a special everything,
just follow the links.
And I'll see you later.
[E] [Bb]
[N]
Key:
Eb
F
A
D
G
Eb
F
A
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ [E] _ _ _ [D] _ _ [C] _ _
_ _ _ [G] _ _ _ _ [A] _
_ _ _ If you want to play Ache to Break Your Heart, I have the lyrics for it.
_ You [G] can tell the [D] world, _ [E] _ you were never my [A] girl. _ _
_ You [C] can burn my clothes when I'm [F] gone.
_ _ [A] Or you can tell your friends, _
_ [E] just the fool I've been. _ _ _
[A] And laugh and joke about me when I'm [C] on the phone.
Alright, we're here at Brighton _ Electric Studios [F] and doing some, what do you call it, pre-rehearsals?
Pre-prod.
Pre-prod for [Eb] our gig.
And this is an awesome [Cm] place.
It's [Eb] big, we don't have anything like this in Norway.
And yeah, just sounding really good.
And we _ have_
[F] _
_ _ _ [G] _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [C] _ _ _ [A] _ _
_ [Em] _ _ _ _ _ [G] _ _
_ [A] _ _ _ [E] _ _ _ _
_ [C] _ _ _ [E] _ _ _
Let's _ [Eb] do a quick run through the gear we're using.
[A] _ _ [Eb] So both me and [F] Rubija is [A] using _ the same [Eb] things. _
_ Exactly [F] the same.
[Eb] We have two Helix'ers and [D] _ [Ebm] _ each of us has a Variax guitar.
Yeah, sure I can.
[Eb] You're gonna use also a_
Baritone Chapman.
Chapman guitar.
_ And yeah, it just sounds great, because we're using in-ears also.
So it sounds like a studio recording when we're [Db] rehearsing and when we're gonna [F] play live.
So it's [Eb] really good.
I have my dual mic setup.
_ One radio effect mic and _ one _ standard.
Normal, yeah.
With a Blue Snack.
_ _ [F] And Erik is running _ [Eb] _ _ some_
Two Darkglass pedals.
Oh yeah.
[A] _ _
Sounds [Eb] _ really good.
Filthy.
[G] Filthy.
So we're all going directly into [Ebm] _ [D] the [Bb] mix.
So we don't have [A] any _ _ [Eb] cabinets [Bb] or [D] speakers.
_ [Gb] _ _ _
[D] _ _ _ [Bb] _ _ _ [C] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ You're using [Bb] at the moment_
_ I rented a [F] borrowed kit from Gretsch.
I have no idea what brand.
I got a _ model.
But you're endorsed by_
I'm endorsed by Tama drums and Meinl cymbals.
So I got Meinl's.
I got a 20 and a 20 China, 20 [Bb]
crash.
[Eb] A 17 crash and an 18 crash and a 12 splash, I think.
Yes.
_ And a 22 inch Soundcast, a Fusion Powerful ride.
_ Powerful.
Yeah, it's [F] so powerful. _
And we have_
And I have some pedals.
Since [B] I'm endorsed by [A] Tama, I can show the pedals.
I [Ebm] got some double pedals. _
_ [D] _ [Eb] That looks pearl. _
Make it better.
_ _ _ [Ab] _ [A] And we're running some backing tracks through [Eb] the Cymatic _ _ Audio LP [G]-16.
Which works really good.
It does actually [Ab] work really [C] cool.
What exactly does it do?
Because I actually don't know.
_ So_
[F] Just plays tracks, I guess.
Yeah.
[Ebm] I load in two _ [D]
monos.
[Eb] _ Like the left channel and the right channel.
Right.
[G] And then [Eb] it goes out and you just pan them.
And then I have_
On the other side I have the [F] click [A] coming out.
[Ebm] So we can direct it wherever.
[D] There's 16 [C] outs on this.
[G] So you can basically _
[Gb] _ almost [G] take every single track from the [Gb] backing track to [B] _ [F] _ _
[G] control each thing.
[B] _ _ [C] It's legit.
_ [F] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
_ [Ab] You guys have to have these.
This is the [Ebm] ACS in-ears.
_ [F] _ Thank you Han-Tech [Eb] in Oslo.
_ [B] _ Thank you Shure [A] for sending ours.
[F] This is also pretty incredible.
We can control our own mixes in [Eb] our in-ears _ [Eb] through an app on the iPhone.
[F] So we [A] can have [Eb] this on stage.
Each and every [Bm] one of us.
[F] Just controlling levels and [Db] whatever. Yes.
_ _ _ _ [E] _ _
_ _ _ _ _ _ [Em] _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ [F] _ _ _ [Eb] We moved the rehearsal [Gm] rooms to [A] room 11.
_ _ _ [Gb] Which [Eb] is a [F] pretty nice room.
Cozy.
[A] Cozy.
[Eb] _ It doesn't matter for us because we use in-ears anyway.
[F] _ [A] And it sounds [Eb] weird if you're not having them in your ears.
It sounds like this. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] Hello.
_ [F] Hello.
_ [A]
This [Eb] is our sound guy.
_ How [Ab] long have you been doing your thing?
_ [A] With sound.
[Eb] With sound?
[D] Eight years.
[F] Two years.
[A] Wonderful years.
And two [Eb] wonderful days of you.
[Gb] Two years.
Good [F] _ [A] job.
_ [Ebm] Thanks bro.
I've never met him before but [F] he's a good guy.
_ [Eb] He gets awesome sound [Ebm] and he's really dedicated.
[Eb] I like it.
[N] Hi _ [Bb] _ _
_ guys.
So I'm back in Norway.
I didn't film much more this weekend.
I was so dedicated to making everything sound good.
And just _ make the most out of the rehearsals.
That was a little sneak peek into our little pre-production for the upcoming shows.
The first one is on May 12th.
As I've said several times before, I'll link everything up in the video description.
And we're announcing some new shows abroad soon.
But if you want to come to the first with a special guest and a special everything,
just _ follow the links.
And I'll see you later.
[E] _ _ _ _ _ _ _ _ _ _ _ _ _
_ [Bb] _ _ _ _ _ _ _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ [E] _ _ _ [D] _ _ [C] _ _
_ _ _ [G] _ _ _ _ [A] _
_ _ _ If you want to play Ache to Break Your Heart, I have the lyrics for it.
_ You [G] can tell the [D] world, _ [E] _ you were never my [A] girl. _ _
_ You [C] can burn my clothes when I'm [F] gone.
_ _ [A] Or you can tell your friends, _
_ [E] just the fool I've been. _ _ _
[A] And laugh and joke about me when I'm [C] on the phone.
Alright, we're here at Brighton _ Electric Studios [F] and doing some, what do you call it, pre-rehearsals?
Pre-prod.
Pre-prod for [Eb] our gig.
And this is an awesome [Cm] place.
It's [Eb] big, we don't have anything like this in Norway.
And yeah, just sounding really good.
And we _ have_
[F] _
_ _ _ [G] _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ [C] _ _ _ [A] _ _
_ [Em] _ _ _ _ _ [G] _ _
_ [A] _ _ _ [E] _ _ _ _
_ [C] _ _ _ [E] _ _ _
Let's _ [Eb] do a quick run through the gear we're using.
[A] _ _ [Eb] So both me and [F] Rubija is [A] using _ the same [Eb] things. _
_ Exactly [F] the same.
[Eb] We have two Helix'ers and [D] _ [Ebm] _ each of us has a Variax guitar.
Yeah, sure I can.
[Eb] You're gonna use also a_
Baritone Chapman.
Chapman guitar.
_ And yeah, it just sounds great, because we're using in-ears also.
So it sounds like a studio recording when we're [Db] rehearsing and when we're gonna [F] play live.
So it's [Eb] really good.
I have my dual mic setup.
_ One radio effect mic and _ one _ standard.
Normal, yeah.
With a Blue Snack.
_ _ [F] And Erik is running _ [Eb] _ _ some_
Two Darkglass pedals.
Oh yeah.
[A] _ _
Sounds [Eb] _ really good.
Filthy.
[G] Filthy.
So we're all going directly into [Ebm] _ [D] the [Bb] mix.
So we don't have [A] any _ _ [Eb] cabinets [Bb] or [D] speakers.
_ [Gb] _ _ _
[D] _ _ _ [Bb] _ _ _ [C] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ You're using [Bb] at the moment_
_ I rented a [F] borrowed kit from Gretsch.
I have no idea what brand.
I got a _ model.
But you're endorsed by_
I'm endorsed by Tama drums and Meinl cymbals.
So I got Meinl's.
I got a 20 and a 20 China, 20 [Bb]
crash.
[Eb] A 17 crash and an 18 crash and a 12 splash, I think.
Yes.
_ And a 22 inch Soundcast, a Fusion Powerful ride.
_ Powerful.
Yeah, it's [F] so powerful. _
And we have_
And I have some pedals.
Since [B] I'm endorsed by [A] Tama, I can show the pedals.
I [Ebm] got some double pedals. _
_ [D] _ [Eb] That looks pearl. _
Make it better.
_ _ _ [Ab] _ [A] And we're running some backing tracks through [Eb] the Cymatic _ _ Audio LP [G]-16.
Which works really good.
It does actually [Ab] work really [C] cool.
What exactly does it do?
Because I actually don't know.
_ So_
[F] Just plays tracks, I guess.
Yeah.
[Ebm] I load in two _ [D]
monos.
[Eb] _ Like the left channel and the right channel.
Right.
[G] And then [Eb] it goes out and you just pan them.
And then I have_
On the other side I have the [F] click [A] coming out.
[Ebm] So we can direct it wherever.
[D] There's 16 [C] outs on this.
[G] So you can basically _
[Gb] _ almost [G] take every single track from the [Gb] backing track to [B] _ [F] _ _
[G] control each thing.
[B] _ _ [C] It's legit.
_ [F] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
_ [Ab] You guys have to have these.
This is the [Ebm] ACS in-ears.
_ [F] _ Thank you Han-Tech [Eb] in Oslo.
_ [B] _ Thank you Shure [A] for sending ours.
[F] This is also pretty incredible.
We can control our own mixes in [Eb] our in-ears _ [Eb] through an app on the iPhone.
[F] So we [A] can have [Eb] this on stage.
Each and every [Bm] one of us.
[F] Just controlling levels and [Db] whatever. Yes.
_ _ _ _ [E] _ _
_ _ _ _ _ _ [Em] _ _
_ _ _ _ _ _ _ _
_ [E] _ _ _ _ _ _ _
_ _ _ [F] _ _ _ [Eb] We moved the rehearsal [Gm] rooms to [A] room 11.
_ _ _ [Gb] Which [Eb] is a [F] pretty nice room.
Cozy.
[A] Cozy.
[Eb] _ It doesn't matter for us because we use in-ears anyway.
[F] _ [A] And it sounds [Eb] weird if you're not having them in your ears.
It sounds like this. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] Hello.
_ [F] Hello.
_ [A]
This [Eb] is our sound guy.
_ How [Ab] long have you been doing your thing?
_ [A] With sound.
[Eb] With sound?
[D] Eight years.
[F] Two years.
[A] Wonderful years.
And two [Eb] wonderful days of you.
[Gb] Two years.
Good [F] _ [A] job.
_ [Ebm] Thanks bro.
I've never met him before but [F] he's a good guy.
_ [Eb] He gets awesome sound [Ebm] and he's really dedicated.
[Eb] I like it.
[N] Hi _ [Bb] _ _
_ guys.
So I'm back in Norway.
I didn't film much more this weekend.
I was so dedicated to making everything sound good.
And just _ make the most out of the rehearsals.
That was a little sneak peek into our little pre-production for the upcoming shows.
The first one is on May 12th.
As I've said several times before, I'll link everything up in the video description.
And we're announcing some new shows abroad soon.
But if you want to come to the first with a special guest and a special everything,
just _ follow the links.
And I'll see you later.
[E] _ _ _ _ _ _ _ _ _ _ _ _ _
_ [Bb] _ _ _ _ _ _ _
_ _ _ _ [N] _ _ _ _