Chords for gary moore and his band at n.o 73

_ _ Just go in and what?
_ Come on.
_ _ _ Yeah, that's alright.
I'll have the new bell.
It looks like Ozzy Osbourne.
Between you and me, it's up for the chop.
But say nothing, eh?
Come through here to the cellar.
Alright, through there, lads.
Straight down the bottom, turn right.
Hello.
Hello, mate.
Alright, hey, listen.
Well, you're around.
You're an expert on sound, aren't you?
What do you think?
Kind of, yeah.
What do you think would make a good sound for a doorbell?
Well, have you thought about trying a guitar sound for a doorbell?
That might be good.
Hey, I never thought of that.
Can we use one of yours?
Yeah.
Brilliant.
Let's have a look down there.
Hey, look at these lines.
They're beautiful, aren't they?
How many have you got altogether?
About 25.
25?
Yeah.
And why have you got these in your collection?
What's special about these ones?
These are some of my old favourites.
This one here is my oldest guitar.
It's a 1959 Les Paul.
I've had this for about 12 years.
And it used to belong to Peter Green.
You know Albatross?
You know this tune?
No, don't know it.
_ [E] Oh, yeah, I remember [Gb] that one.
Yeah, you know this one?
Yeah.
Do you use that guitar for recording?
Yeah, I used it on Parisian Walkways as well, which was a hit that we had before.
Do you know this one?
Yeah.
_ [D] _ _ _
[N] I love it.
What about that one?
I've seen you use that occasionally.
This one is a 1955 Les Paul Jr.
It used to belong to the guitarist from the Sex Pistols, Steve Jones.
Oh, right, yeah.
What about that one?
It looks like a bit of a jazz guitar.
Yeah, that's an old ES5 Gibson that I got from Greg Lake.
From Emerson Lake and Palmer?
That's the one, yeah.
Yeah, an old band that.
Pink one?
Strat?
The pink one's an old 1961 Salmon Pink Strat like the Shadows used to play.
Yeah, now I've seen a lot of guys play Strat and yet they all seem to make it sound different.
How come?
Well, different players can make guitars sound completely different just by the way they touch the strings and the fingering techniques and all that.
It's down to the individual player.
And I notice you've got a lot of old guitars here.
Has that got anything to do with the sound?
Yeah, well, older guitars tend to sort of mellow with age, you know, as they get older they get a warmer tone, so I like them.
What about the little one?
Is that a bit of a joke guitar or a challenge guitar?
Yeah, that's really just like a novelty.
I picked it up in Tokyo for about two bob, you know, I was sort of sitting in a shop there.
But you can't really play it properly.
What do you think is a good age to start?
Is that an ideal guitar for a starter?
No, because if you look at the neck on this guitar, it's a very short scale neck.
It's a whole miniature guitar and this is the proper length of the neck.
So even if you're very young and you've got small fingers, you should learn on the proper scale neck. Sure.
And then when you move on to other guitars, it's always going to be the same.
Now I'm thinking of buying a new Alecki.
Can you give me some tips?
Because the service isn't usually very good in the shops, is it?
No, the trouble is what they do is with kids when they go and they put them through a bunch of effects and they sound great, even with a tiny cheap guitar.
You should pick a guitar up and play it without even plugging it into the amplifier.
And if it sounds good then, it's going to sound better when you plug it in.
It sounds good when it's bad.
It's going to sound great.
Exactly.
That's right.
What about the acoustic?
Is that part of your collection?
Well, that was like a present.
But the thing about that is I haven't got anywhere to put this.
And as you said, I've got a vast collection of guitars.
So I was thinking_
You're not giving it away, are you?
Well, I was thinking about it actually.
You're joking!
I couldn't take that off you, mate, because I've already got an acoustic.
But I know someone who will.
Do you hear that then?
Gary Moore, the man himself, is going to give away his guitar.
So what I'm going to do, if it's a Gary Moore guitar, we're going to have to have a Gary Moore competition.
I'll think of a question to ask you.
I know, obvious one, isn't it?
What was the old famous band that Gary used to be in before he formed his own band?
Quite an easy one, so you've got to cast your mind back.
I promise you I won't enter the competition, because I fancy that guitar myself.
If you think you know the answer, stick it on a postcard and send it to me, Neil, here at the house.
And just put on the bottom, Guitar Competition.
It helps Kim sort the mail out.
And send it to the usual address.
That's number 73, PO Box 73, Maidstone, Kent.
ME [G] 15 6RS.
What was Gary's old band?
Good luck with that competition.
Right, doorbell.
Give us a few little effects on that.
I know you just don't play straight on stage.
You've got some tricks lined up.
Yeah, I use some different sound effects.
Let's hear some tricks then.
This is like a police siren. _ _ _ _ _
[N] _ So that's one of them.
And I've got this one which is sort of like a Honda 500.
_ _ _ _ _ _ _ _
_ _ [E] It's one of those.
Go on, another one.
This is one like, it's kind of like a dive bomber effect.
You just hit one of these harmonics.
[N] _ _ _ _
_ _ [Ab] That's so realistic.
Have you got anything that might be a bit more doorbell-ish?
Well, I've got these harmonics which might sound like a bell if you [Em] play it like_
_ [A] _ _
_ [D] _ [A] Police siren.
[B] That's the one.
You play it, I'll record it.
[C] [D] I _ _ [F] _ _ _ [Am] _
_ [D] _ _ _ [F] _ _ _ _
[Dm] _ know the reason you turn your back on things that [F] you don't want to hear.
I [Dm] know this feeling I get from you when you try to act so sincere.
_ [G] _
_ _ Smoking [Bb] you, me and the smoke. _
I'm gonna go [Gm] and never [Bb] view what I said in my [Dm] room.
You take a little from the show me.
You [F] let me down. _
[Dm] You gotta [D] take a little from the show me.
[F] _ _ _ _
[D] _ _ _ _ [F] _ _ _ _
[D] _ _ _ _ [F] _ _ _ _
[D] _ You're danger.
You're holding all my hearts.
Because [F] I'm waiting.
_ _ [D] You're like a stranger.
You've had the show before.
[F] _ _ _ _
[Gm] _ I'm making you [Bb] be half as sweet. _ _
[Gm] _ _ _ [Bb] Just walk away.
You don't live [D] there.
You show me.
[F] _ _ _ _
[Dm] _ You show me you're [F] still there for me. _ _
[D] _ Show me you let [Am] me go.
Yeah, but my life goes [C] so much slower.
Take a [D] little time. _ _
_ _ _ [F] _ _ _ _ _
[G] _ [A] Don't have me open _
[G] _ _ _ [A] _ _ _ my [G] mouth.
Don't give [A] me all your lies.
I [G] _ _ _ [A] didn't love you. _
[D] _ _ _ _ [F] _ _ _ [D]
Take a little time.
_ _ [F] _ _ _ _ [D] _ _ _ _ _ _ _ _