Chords for Ghost's Tobias Forge Plays His Favorite Riffs

Tempo:
131.6 bpm
Chords used:

E

D

G

C

Em

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Ghost's Tobias Forge Plays His Favorite Riffs chords
Start Jamming...
Hi, this is Tobias Forge.
You're watching Loudwire.
[Bb] [N]
For as long as I can remember playing guitar, I've always done so playing to music.
If we start with Kiss, that was very early for me.
It could have been Strutter.
[E]
[C] [G]
[D] [E] I was more of a rhythmical player.
Some guitars that I know are just like
If you just say, the song is in A minor, and then it just goes.
Whereas I'm a little bit more compositional in my [G] soloing, so that's a little bit different.
One riff that just out of nowhere is one of the most economical riffs I've ever heard.
[N]
It's so fun because I can really hear James laughing when he came up with it.
It's [Em] [Ab] the
[C]
[E] [B] [E]
[Gb]
[E] Like
[Ab] That's funny.
That's a funny riff.
James Hetfield is definitely one of the best guitar players that have ever walked this [B] earth.
Even though I know sort of theoretically how to play [Gb] Master of Puppets,
it's impossible to play Downstrokes the way that he does from start to finish for seven minutes.
[Eb]
Truly mind-blowing.
Most ghost songs, you have to remember, I write them and then record them, and then I never play them again.
If you ask me to play Elizabeth, I will have to sit for five minutes and try to figure it out.
And then it's sort of like, oh yeah, that was clever.
Oh, that was dumb.
I should have done it this way instead.
[B] The [G] first one [Em] was
[E]
[G] [E]
[Em] [E]
[Bb] [Em] [E]
[Bb] [Em] [E]
[Bb] [B] That was sort of the thing that
That was the riff that originated everything.
And then it [G] was [Db] the
[G] [Db]
[G] That's the bridge into the chorus.
[Fm]
The chorus is one half note up, which is kind of strange.
[Eb] [Bb]
[Fm] [Eb] [Bb]
[Bbm] [Ab] [Eb]
[Fm] [Eb] [Bb]
All the songs from the first record were supposed to be very pre -metal, very basic.
[E]
[Bb] [E]
[Bb] [Em]
Like the most primordial, like, caveman sort of riffing, but still sort of to the point.
The band that I had in mind, that I heard in my head being Ghost, was [Gb] very much a sort of a 70s band.
Maybe slightly older.
You know, they were in their 30s, so they had played 60s music.
You know, they had done that.
[D]
[Gb] [E] [D]
[A] [E] So you had one little dumber sort of guitar player [G] on one hand.
He came up [E] with a
[Bb] [E]
[Ab] But then you had the smarter guitar player next to [C] him who [Bm] like
[A] [G]
[D] There you go.
[E] And that transformed it.
[E]
[B] [D] [E] [E]
[Gb] [D]
On a real guitar, like on an electric guitar, this pull [G]-off is kind of important.
[C] [E] [Gb]
[D] [E] [B]
[D] [E] [B]
[D] [C] [Gb]
[D] [E] And essentially the verse is basically the same riff.
[G] [B] [Dm]
[E] [C] [B] [D]
[E] [C] [B] [A]
[Gb] [E] [B] [D]
[Em] [C] This [Bm]
[D] [C] [Bm]
is a [A] typical me thing.
[Ab] I go astray on the third row, third line, and just do something that's longer than the previous two,
so that it lands on the fourth segment.
[Gb] So it comes to
[Em] be
[C] [Bm]
[D] [Em] [C] [Bm]
[D] [Em] [C] [Bm]
[D] [E] [B]
[D] [A] So it becomes
In there you have a lot of information.
And it sort of gets you the brain to understand [E] that by the time that this happens, [D] [G] you flip sides.
And then, you know, I wanted it to be a very, very straight chorus.
So I [Ab] turned to the most [Em] used chord progression, if [Ab] you want to write a [Gb] song in minor.
And it's the [Em] most used because it's the best.
[G] [D]
[Em] It's the most [C] effective [G] song, like [D] chord [Em] progression ever.
And this is why you've seen [C] probably YouTube clips [G]
of [D] Jokers on TV singing 50 songs over that.
[Ab] But it's because it's the most effective ever.
So I will continue writing [E] songs with that.
But it needed [Gb] a little bit of flair, so I did this little addition [G] to the riff.
That sounds really good on an electric guitar.
[A] And it sounds really cool when it's like two [E] guitars playing at the same time,
because it becomes this sort of
It sounds way more complicated and more like a movement than it [A] actually is.
[G]
[D] [Eb] But you know, the whole vibe of the song was supposed to be very power pop.
Power pop as in cheap trick, the cars.
And this feels to me very cheap [A] trick-ish.
Besides being an actual cheap trick.
[C]
[Bb] [A]
[C] [E] [Db]
Key:  
E
2311
D
1321
G
2131
C
3211
Em
121
E
2311
D
1321
G
2131
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Hi, this is Tobias Forge.
You're watching Loudwire.
_ _ [Bb] _ _ [N] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ For as long as I can remember playing guitar, I've always done so playing _ to _ music.
If we start with Kiss, that was very early for me.
It could have been _ _ Strutter.
_ _ _ [E] _ _
_ _ [C] _ _ _ _ [G] _ _
_ _ [D] _ _ _ [E] I was _ _ more of a rhythmical player.
Some guitars that I know are just _ _ _ like_
_ If you just say, the song is in A minor, and _ _ then it just goes. _
_ Whereas I'm a little bit more compositional in _ my [G] _ soloing, so that's a little bit different.
One riff that just _ out of nowhere is one of the most economical riffs I've ever heard.
_ [N] _
_ It's so fun because I can really hear _ _ James laughing when he came up with it.
It's [Em] _ [Ab] the_
_ [C] _ _ _
[E] _ _ [B] _ _ [E] _ _ _ _
[Gb] _ _ _ _ _ _ _ _
_ _ [E] Like_
_ _ [Ab] That's funny.
That's a funny riff.
James Hetfield is definitely _ _ one of the best guitar players that have ever walked this [B] earth.
Even though I know sort of theoretically how to play _ [Gb] _ Master of Puppets, _
it's impossible to play Downstrokes the way that he does from start to finish for seven minutes. _ _
_ _ [Eb] _ _ _ _ _ _
_ _ Truly mind-blowing.
Most ghost songs, you have to remember, I write them and then record them, and then I never play them again.
If you ask me to play Elizabeth, I will have to sit for five minutes and try to figure it out.
And then it's sort of like, oh yeah, that was clever.
Oh, that was dumb.
I should have done it this way instead.
_ [B] _ _ The [G] first one _ _ _ [Em] was_
_ [E] _ _
_ _ _ _ [G] _ _ [E] _ _
_ _ _ [Em] _ _ _ [E] _ _
_ _ [Bb] _ _ [Em] _ _ [E] _ _
_ _ [Bb] _ _ [Em] _ _ [E] _ _
_ _ [Bb] _ _ [B] _ That was sort of the thing that_
That was the riff that originated everything.
And then it [G] was [Db] the_ _ _ _
_ _ [G] _ _ [Db] _ _ _ _
_ _ [G] _ That's the bridge _ _ into the chorus.
_ [Fm] _ _ _
The chorus is one half note up, which is kind of strange. _ _
_ _ _ [Eb] _ _ _ [Bb] _ _
[Fm] _ _ _ _ [Eb] _ _ [Bb] _ _
[Bbm] _ _ _ _ [Ab] _ _ [Eb] _ _
_ [Fm] _ _ _ [Eb] _ _ [Bb] _ _
_ All the songs from the first record were supposed to be very pre _ -metal, _ very basic.
_ _ _ [E] _ _
_ _ _ [Bb] _ _ _ [E] _ _
_ _ _ [Bb] _ _ _ [Em] _
Like the most _ _ primordial, like, caveman sort of riffing, _ _ but still sort of to the point.
The band that I had in mind, that I heard in my head being Ghost, _ was _ [Gb] very much a sort of a 70s band. _
Maybe slightly older.
You know, they were in their 30s, so they had played 60s music.
You know, they had done that.
[D] _ _
[Gb] _ _ [E] _ _ _ _ [D] _ _
[A] _ _ [E] _ _ So you had one little dumber sort of guitar player [G] on one hand.
He came up [E] with a_
_ _ _ [Bb] _ _ [E] _ _
_ _ _ _ [Ab] _ But then you had the smarter guitar player next to [C] him who _ [Bm] like_ _
_ _ _ _ _ _ _ _
_ _ _ [A] _ _ _ [G] _ _
_ _ _ _ [D] _ There you go.
_ [E] And that transformed it.
_ [E] _ _
[B] _ _ [D] _ _ [E] _ _ [E] _ _
[Gb] _ _ [D] _ _ _ _ _
On a real guitar, like on an electric guitar, this pull [G]-off is kind of important.
_ [C] _ _ [E] _ _ [Gb] _ _
[D] _ _ _ _ [E] _ _ [B] _ _
[D] _ _ _ _ [E] _ _ [B] _ _
[D] _ _ _ _ [C] _ _ [Gb] _ _
[D] _ _ _ [E] And essentially the verse is basically the same riff.
_ [G] _ _ [B] _ _ [Dm] _ _
[E] _ _ [C] _ _ [B] _ _ [D] _ _
[E] _ _ [C] _ _ [B] _ _ [A] _ _
[Gb] _ _ [E] _ _ [B] _ _ [D] _ _
_ [Em] _ _ _ [C] This [Bm] _ _
[D] _ _ _ _ [C] _ _ [Bm] _ _
_ is a [A] typical me thing.
[Ab] I go astray on the third row, third line, and just do something _ that's _ longer than the previous two,
so that it lands on the fourth segment.
_ [Gb] So it comes to _
[Em] be_
_ _ [C] _ _ [Bm] _ _
[D] _ _ [Em] _ _ [C] _ _ [Bm] _ _
[D] _ _ [Em] _ _ [C] _ _ [Bm] _ _
[D] _ _ _ [E] _ _ _ [B] _ _
[D] _ _ _ [A] So it _ becomes_
In there you have a lot of information.
And it sort of gets you the brain to understand [E] that by the time that this happens, _ [D] _ _ _ [G] _ you flip sides.
And then, you know, I wanted it to be a very, very straight chorus.
_ _ So I _ [Ab] turned to the most _ [Em] used _ chord progression, if [Ab] you want to write a [Gb] song in minor.
_ And it's the [Em] most used because it's the best.
_ _ _ [G] _ _ _ [D] _
_ _ [Em] _ It's the most [C] effective [G] song, like [D] chord [Em] progression ever.
_ And this is why you've seen [C] probably YouTube clips [G] _
of [D] _ _ Jokers on TV _ singing _ _ 50 songs over that. _
[Ab] But it's because it's the most effective ever.
So I will continue writing [E] songs with that. _ _
But it needed [Gb] a little bit of flair, so I did this little _ _ _ _ addition [G] to the riff.
_ _ That sounds really good on an electric guitar.
_ _ [A] And it sounds really cool when it's like two [E] guitars playing at the same time,
because it becomes this _ sort of_
It sounds way more complicated _ and more like a movement than it [A] actually is.
_ _ _ _ [G] _ _ _
[D] _ _ _ [Eb] But you know, the whole vibe of the song was supposed to be very power pop. _
Power pop as in cheap trick, the cars.
And this feels to me very cheap [A] trick-ish.
_ _ Besides being an actual cheap trick. _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [C] _ _
_ _ [Bb] _ _ [A] _ _ _ _
[C] _ _ _ _ [E] _ _ [Db] _ _