Chords for Giorgio Moroder Promo Video
Tempo:
130.35 bpm
Chords used:
Eb
Ab
Bb
Abm
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Ab] Take the human touch, combine it with a digital computer, and you've got composer [Bb]-producer Giorgio Moroder.
Plugged in, turned on, and creating musical [Eb] magic from thin air and solid-state electronics.
[Cm] [Gb] [Ab]
From his disco [Bb] hits for Donna Summer to [Eb] his Academy Award for the score of Midnight Express,
[Db] Moroder's an innovator, [Ab] performing in his favorite place, a [Abm] cluttered studio.
[Gm]
[C] [Fm] I don't like to perform live.
[Eb] I toured part of [Bb] Europe about seven, eight years ago [Ab] when I had a hit there.
[Abm] And every night it was [Bb] a little nightmare, so I [C] decided not to do it.
[F] [Ab]
[Eb] The end
[Ab] result of Moroder's computer [F] composing is a new record album, appropriately [Eb] called E equals MC squared.
Aside from a [G] drummer, the sound is strictly [Bb] Moogs, memory banks, and Moroder.
[Eb] Okay, I think it [G] sounds okay.
[N] Okay, now I'm going to use the vocoder to add kind of a flavor to my voice.
There are two components.
[Bb] One is the voice, the other one is the synthesizer, [C] and the vocoder mixes both things together.
For example, if I would play these two notes, you wouldn't hear anything.
But if I talk in the mic, you would hear one, two, three, four, five.
I could have a kind of a computer voice.
For [F]
[C] [A]
[E] example, Baby Blue, the song [Eb] I just did is
[Ab] [Abm]
[Db] [Gm] [C]
[F] [Bb]
[Eb]
[Abm]
[Eb] Giorgio Moroder.
There's a limit to computerized electronic [Ab] music.
He hasn't found [Eb] it yet.
[Abm] But he's looking, [Eb] and looking in places where only his special kind of [Db] imagination can take him.
[Ab] Reporting from a recording [Abm] studio that even [Eb] NASA can't match, I'm Chuck [Bbm] Ashmore.
[Ab] [N]
Plugged in, turned on, and creating musical [Eb] magic from thin air and solid-state electronics.
[Cm] [Gb] [Ab]
From his disco [Bb] hits for Donna Summer to [Eb] his Academy Award for the score of Midnight Express,
[Db] Moroder's an innovator, [Ab] performing in his favorite place, a [Abm] cluttered studio.
[Gm]
[C] [Fm] I don't like to perform live.
[Eb] I toured part of [Bb] Europe about seven, eight years ago [Ab] when I had a hit there.
[Abm] And every night it was [Bb] a little nightmare, so I [C] decided not to do it.
[F] [Ab]
[Eb] The end
[Ab] result of Moroder's computer [F] composing is a new record album, appropriately [Eb] called E equals MC squared.
Aside from a [G] drummer, the sound is strictly [Bb] Moogs, memory banks, and Moroder.
[Eb] Okay, I think it [G] sounds okay.
[N] Okay, now I'm going to use the vocoder to add kind of a flavor to my voice.
There are two components.
[Bb] One is the voice, the other one is the synthesizer, [C] and the vocoder mixes both things together.
For example, if I would play these two notes, you wouldn't hear anything.
But if I talk in the mic, you would hear one, two, three, four, five.
I could have a kind of a computer voice.
For [F]
[C] [A]
[E] example, Baby Blue, the song [Eb] I just did is
[Ab] [Abm]
[Db] [Gm] [C]
[F] [Bb]
[Eb]
[Abm]
[Eb] Giorgio Moroder.
There's a limit to computerized electronic [Ab] music.
He hasn't found [Eb] it yet.
[Abm] But he's looking, [Eb] and looking in places where only his special kind of [Db] imagination can take him.
[Ab] Reporting from a recording [Abm] studio that even [Eb] NASA can't match, I'm Chuck [Bbm] Ashmore.
[Ab] [N]
Key:
Eb
Ab
Bb
Abm
C
Eb
Ab
Bb
[Ab] Take the human touch, combine it with a digital computer, and you've got composer [Bb]-producer Giorgio Moroder.
Plugged in, turned on, and creating musical [Eb] magic from thin air and solid-state electronics.
[Cm] _ _ _ [Gb] _ [Ab] _
_ _ _ From his disco [Bb] hits for Donna Summer to [Eb] his Academy Award for the score of Midnight Express,
[Db] Moroder's an innovator, [Ab] performing in his favorite place, a [Abm] cluttered studio.
_ [Gm] _ _ _ _ _
[C] _ _ _ [Fm] _ _ I don't like to perform live.
[Eb] I toured part of [Bb] Europe about seven, eight years ago [Ab] when I had a hit there.
[Abm] And every night it was [Bb] a little nightmare, so I [C] decided not to do it.
_ _ [F] _ _ _ _ [Ab] _
_ _ _ [Eb] The end _ _
_ _ _ [Ab] result of Moroder's computer [F] composing is a new record album, appropriately [Eb] called E equals MC squared.
Aside from a [G] drummer, the sound is strictly [Bb] Moogs, memory banks, and Moroder. _ _
[Eb] Okay, I think it [G] sounds okay.
[N] Okay, now I'm going to use the vocoder to add kind of a flavor to my voice.
There are two components.
[Bb] One is the voice, the other one is the synthesizer, [C] and the vocoder mixes both things together.
For example, if I would play these two notes, you wouldn't hear anything.
But if I talk in the mic, you would hear one, two, three, four, five.
I could have a kind of a computer voice.
_ For _ _ _ _ _ _ [F] _ _
_ _ _ [C] _ _ _ _ [A] _
_ [E] example, _ Baby Blue, the song [Eb] I just did is_ _ _ _ _
_ _ _ [Ab] _ _ _ _ [Abm] _
[Db] _ _ _ [Gm] _ _ _ _ [C] _
_ _ _ [F] _ _ _ _ [Bb] _
_ [Eb] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Abm] _
_ _ [Eb] Giorgio Moroder.
There's a limit to computerized electronic [Ab] music.
He hasn't found [Eb] it yet.
[Abm] But he's looking, [Eb] and looking in places where only his special kind of [Db] imagination can take him.
[Ab] Reporting from a recording [Abm] studio that even [Eb] NASA can't match, I'm Chuck [Bbm] Ashmore. _
_ _ _ [Ab] _ _ _ [N] _ _
Plugged in, turned on, and creating musical [Eb] magic from thin air and solid-state electronics.
[Cm] _ _ _ [Gb] _ [Ab] _
_ _ _ From his disco [Bb] hits for Donna Summer to [Eb] his Academy Award for the score of Midnight Express,
[Db] Moroder's an innovator, [Ab] performing in his favorite place, a [Abm] cluttered studio.
_ [Gm] _ _ _ _ _
[C] _ _ _ [Fm] _ _ I don't like to perform live.
[Eb] I toured part of [Bb] Europe about seven, eight years ago [Ab] when I had a hit there.
[Abm] And every night it was [Bb] a little nightmare, so I [C] decided not to do it.
_ _ [F] _ _ _ _ [Ab] _
_ _ _ [Eb] The end _ _
_ _ _ [Ab] result of Moroder's computer [F] composing is a new record album, appropriately [Eb] called E equals MC squared.
Aside from a [G] drummer, the sound is strictly [Bb] Moogs, memory banks, and Moroder. _ _
[Eb] Okay, I think it [G] sounds okay.
[N] Okay, now I'm going to use the vocoder to add kind of a flavor to my voice.
There are two components.
[Bb] One is the voice, the other one is the synthesizer, [C] and the vocoder mixes both things together.
For example, if I would play these two notes, you wouldn't hear anything.
But if I talk in the mic, you would hear one, two, three, four, five.
I could have a kind of a computer voice.
_ For _ _ _ _ _ _ [F] _ _
_ _ _ [C] _ _ _ _ [A] _
_ [E] example, _ Baby Blue, the song [Eb] I just did is_ _ _ _ _
_ _ _ [Ab] _ _ _ _ [Abm] _
[Db] _ _ _ [Gm] _ _ _ _ [C] _
_ _ _ [F] _ _ _ _ [Bb] _
_ [Eb] _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Abm] _
_ _ [Eb] Giorgio Moroder.
There's a limit to computerized electronic [Ab] music.
He hasn't found [Eb] it yet.
[Abm] But he's looking, [Eb] and looking in places where only his special kind of [Db] imagination can take him.
[Ab] Reporting from a recording [Abm] studio that even [Eb] NASA can't match, I'm Chuck [Bbm] Ashmore. _
_ _ _ [Ab] _ _ _ [N] _ _