Chords for Glen & John Wayne - The Glen Campbell Goodtime Hour (14 Sept 1971) - John Wayne's Career
Tempo:
125.95 bpm
Chords used:
D
Bb
C
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
Next week for more of Sergeant Swell!
[C]
[Bb] You know when I appeared in True Grit with John Wayne, I looked up to him because he had the biggest darn horse you ever saw.
I looked up to him in every scene we did together because I was on the littlest horse you ever saw.
was the main feature and who was the short subject.
gentlemen, it's my turn tonight.
[D]
Hey, Glenn?
[C]
[Bb] You know when I appeared in True Grit with John Wayne, I looked up to him because he had the biggest darn horse you ever saw.
I looked up to him in every scene we did together because I was on the littlest horse you ever saw.
was the main feature and who was the short subject.
gentlemen, it's my turn tonight.
[D]
Hey, Glenn?
100% ➙ 126BPM
D
Bb
C
E
D
Bb
C
E
Next week for more of Sergeant Swell! _ _ _
_ _ _ _ [C] _ _ _ _
_ [Bb] You know when I appeared in True Grit with John Wayne, I looked up to him because he had the biggest darn horse you ever saw.
In fact, I looked up to him in every scene we did together because I was on the littlest horse you ever saw.
_ _ _ You could really tell who was the main feature and who was the short subject.
So ladies and gentlemen, it's my turn tonight.
Here is John Wayne! _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Hey, Glenn?
Yeah?
I think you better get this horse some elevated shoes.
Never mind the horse.
I think I'm going to need some when we get down.
_ There you go, big fella.
_ _ Well, that's more like it.
Yeah, we're right back where we started.
You're the main attraction and I'm the short subject.
_ Never mind, kids.
You ride tall in the saddle.
Well, that's because I'm too sore to sit down.
_ Hey, you know, the last time we worked together, that was fun.
It was at the premiere of your new movie, Big Jake.
Yeah, I got a kick out of that because of the new theater.
The premiere was at the John Wayne Theater, built at Knoxberry [D] Farm as a [Bb] tribute to the Duke here. _ _ _ _ _
_ _ _ _ _ Well, that _ _ evening was a real thrill and it's a nice thing about that place.
I can get in free now. _
I tell you what, if you're ever [D] down that way, don't miss it because around the lobby, there's this place showing all the original costumes, the props, and well, everything from Duke's biggest movies.
I don't know where they dug up half of that stuff.
Some of it I don't even remember. _
This is the rifle I used in the stagecoach way back in 1939.
Had that put on so I could twirl it.
I've seen you do that.
_ All right, mister, drop it right where you are, you're dead where you sit.
Do a better impression than that or get another gun.
This is really a great collection, Duke.
Yeah, it brings back a lot of memories.
_ That case over there, for instance, has a wardrobe from Shura Yellow Ribbon, Captain _ Brittles, I guess my favorite character.
Yeah.
Over there is some more of the gun collection. _ _
There's a saddle and some of the riding gear that I've used in a few westerns.
_ Those are some of the awards that people have been nice enough to give me over the years. _ _
And that's my wardrobe from Green Berets.
[E] As dedicated and competent [C] an outfit as the world [N] has ever had.
_ _ _ You know, [D] the displays just keep on going.
Say, how many movies you made?
Oh, I guess over 200.
And I'm going to keep on making them until I make one right.
_ _ _ Duke, did it all begin with stagecoach?
Well, a good one started with stagecoach, but I'd done about 130 pictures before that. _
Including one that I still have bad dreams about.
It was that bad, huh?
Would you believe a picture called Singing Sandy?
[Bb] I played the singing cowboy.
No, I don't believe I would believe that.
Well, it happened, so by the time John Ford asked me to do stagecoach, I was about ready for something with a little meat to it.
[D] Hey, let's look at some more of the film, okay? Good.
_ _ _ This was a great picture, Duke.
Red River.
Yeah, that's some of the wardrobe and gear from it.
_ I did that one for Howard Hawks. _
The Silver Fox, we called him.
When he turned these steely blues on you, you knew he knew what he was talking about. _
While I was doing this picture, I found a hat, not that hat.
An old cavalry hat that I've kind of used as a good luck piece.
It's been kind of a trademark in a lot of movies.
Like your hair is your trademark.
Yeah, but so far my hair has only been in two pictures. _ _ _
Did you get an Oscar nomination for this picture, Duke? _
Yeah, Sands of Iwo Jima.
I didn't get the Oscar. _
But you sure got an Oscar for this one, and I gotta say I was mighty proud to ride along beside you, Duke.
That's right, you were the kid on the short horse.
That was a thrill for me to be in a movie with John Wayne.
Well, Duke, I gotta say one thing.
You deserve the Oscar, but I can't help believing if I'd have had a bigger horse, things might have been different.
_ _ _ You never know.
_ _ _ Your new movie, Big Jake, I really liked it.
I saw it down there that night.
Well, nobody's mentioned the fact that Big Jake is a two-generation picture.
My son Mike produced it, Pat co-starred in it, and my youngest son, John Ethan, stole a picture right out of Munderall.
Of all the pictures that you've made, tell me, which one is your favorite?
Well, you like each picture for a different reason, but I think my favorite will always be the next one.
Well, I'll sure be there to see it, Duke.
And once again, thank you very much.
Appreciate
_ _ _ _ [C] _ _ _ _
_ [Bb] You know when I appeared in True Grit with John Wayne, I looked up to him because he had the biggest darn horse you ever saw.
In fact, I looked up to him in every scene we did together because I was on the littlest horse you ever saw.
_ _ _ You could really tell who was the main feature and who was the short subject.
So ladies and gentlemen, it's my turn tonight.
Here is John Wayne! _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Hey, Glenn?
Yeah?
I think you better get this horse some elevated shoes.
Never mind the horse.
I think I'm going to need some when we get down.
_ There you go, big fella.
_ _ Well, that's more like it.
Yeah, we're right back where we started.
You're the main attraction and I'm the short subject.
_ Never mind, kids.
You ride tall in the saddle.
Well, that's because I'm too sore to sit down.
_ Hey, you know, the last time we worked together, that was fun.
It was at the premiere of your new movie, Big Jake.
Yeah, I got a kick out of that because of the new theater.
The premiere was at the John Wayne Theater, built at Knoxberry [D] Farm as a [Bb] tribute to the Duke here. _ _ _ _ _
_ _ _ _ _ Well, that _ _ evening was a real thrill and it's a nice thing about that place.
I can get in free now. _
I tell you what, if you're ever [D] down that way, don't miss it because around the lobby, there's this place showing all the original costumes, the props, and well, everything from Duke's biggest movies.
I don't know where they dug up half of that stuff.
Some of it I don't even remember. _
This is the rifle I used in the stagecoach way back in 1939.
Had that put on so I could twirl it.
I've seen you do that.
_ All right, mister, drop it right where you are, you're dead where you sit.
Do a better impression than that or get another gun.
This is really a great collection, Duke.
Yeah, it brings back a lot of memories.
_ That case over there, for instance, has a wardrobe from Shura Yellow Ribbon, Captain _ Brittles, I guess my favorite character.
Yeah.
Over there is some more of the gun collection. _ _
There's a saddle and some of the riding gear that I've used in a few westerns.
_ Those are some of the awards that people have been nice enough to give me over the years. _ _
And that's my wardrobe from Green Berets.
[E] As dedicated and competent [C] an outfit as the world [N] has ever had.
_ _ _ You know, [D] the displays just keep on going.
Say, how many movies you made?
Oh, I guess over 200.
And I'm going to keep on making them until I make one right.
_ _ _ Duke, did it all begin with stagecoach?
Well, a good one started with stagecoach, but I'd done about 130 pictures before that. _
Including one that I still have bad dreams about.
It was that bad, huh?
Would you believe a picture called Singing Sandy?
[Bb] I played the singing cowboy.
No, I don't believe I would believe that.
Well, it happened, so by the time John Ford asked me to do stagecoach, I was about ready for something with a little meat to it.
[D] Hey, let's look at some more of the film, okay? Good.
_ _ _ This was a great picture, Duke.
Red River.
Yeah, that's some of the wardrobe and gear from it.
_ I did that one for Howard Hawks. _
The Silver Fox, we called him.
When he turned these steely blues on you, you knew he knew what he was talking about. _
While I was doing this picture, I found a hat, not that hat.
An old cavalry hat that I've kind of used as a good luck piece.
It's been kind of a trademark in a lot of movies.
Like your hair is your trademark.
Yeah, but so far my hair has only been in two pictures. _ _ _
Did you get an Oscar nomination for this picture, Duke? _
Yeah, Sands of Iwo Jima.
I didn't get the Oscar. _
But you sure got an Oscar for this one, and I gotta say I was mighty proud to ride along beside you, Duke.
That's right, you were the kid on the short horse.
That was a thrill for me to be in a movie with John Wayne.
Well, Duke, I gotta say one thing.
You deserve the Oscar, but I can't help believing if I'd have had a bigger horse, things might have been different.
_ _ _ You never know.
_ _ _ Your new movie, Big Jake, I really liked it.
I saw it down there that night.
Well, nobody's mentioned the fact that Big Jake is a two-generation picture.
My son Mike produced it, Pat co-starred in it, and my youngest son, John Ethan, stole a picture right out of Munderall.
Of all the pictures that you've made, tell me, which one is your favorite?
Well, you like each picture for a different reason, but I think my favorite will always be the next one.
Well, I'll sure be there to see it, Duke.
And once again, thank you very much.
Appreciate