Chords for God You're So Good - Passion - Acoustic Tutorial

Hey, welcome to Worship Tutorials.
In this video, we're going to learn how to play the song God,
You're So Good by Passion from the live version from the Whole Hearts album on acoustic guitar.
We're going to do it in the same key as the album, which is the key of A.
I've got a capo on my
second fret, and I'm playing key of G chords.
The chords in this song very well may be the first
chords [A] you ever learned, and that is G, C, [E] D, and E [F#m] minor.
Just four chords and a plan.
That's all this song needs.
Now, this song is at 70 BPM.
It's in 4-4 time, so the strumming pattern
that you're going to want to use, it [B] goes like this.
It's a pretty basic strumming pattern as
well.
All right, I'll count it out.
_ One, two, three, four.
One, two, three, four.
[G#] Down, up,
down, up, down.
Up, down, [N] up, down.
Down, up, down.
Up, down, up, down.
Up, down, up, down.
Before we go any further, if you hit the link below to go to worshiptutorials.com, you can see
me do this song on acoustic guitar using exactly these chord voicings, capo, second fret, same key,
and everything.
So, you know, you can see how you might do it in a really stripped down
setting if it's just maybe you and a couple instrumentalists or vocalists at your church.
I'll link to where you can get the chord charts as well at worshiptutorials.com there if you follow
that link.
You get all that stuff, chord diagrams, strumming patterns are written out, everything
like that.
Everything you're going to need to play this [F] song.
All right, the intro is very simple.
[A] It's G.
_ And now it's on piano on the album, [D] C, but you can do it on guitar as well, of [A] course.
Back to G to D.
[E] _ _ And the first verse is almost the same.
[A] Goes like this.
G, amazing love, [D] C, [A] that welcomes me.
[E] Back to G, the kindness of [B] mercy, D.
_ [E] The last half is a little [A] different, okay, G, that bought with blood,
_ [D] _ _ C, wholeheartedly, [F#m] here's where it's different, E minor, _ my soul [B] undeserving.
_ _ And then to the chorus.
Let's just do the chorus.
We'll do it all in one [A] pass, all right?
G, God, you're [B] so good, D.
_ [E] Stay on the D.
_ God, you're so G, good.
_ To the E [F#m] minor.
God, you're so [A] C, good. _
You're so G, good.
To [E] D, two.
Back to G.
[A] _ _ _ _ Then you need a verse two.
Behold the [D] cross, which is actually, this is a duet, isn't it, now that I think about it?
And so the female vocalist comes in on the second verse, or maybe it's the other way around.
I think
it's first verse is a male vocal, second verse is a female vocal.
You can do it all as a male vocal
if you want to.
It's not going to take away from the song.
All right, [F] I'm going to play the intro and
the verse, the first verse, and [A] the chorus.
_ _ _ _ This is a really easy song, really [D] singable song too.
[A] I really like it.
All right, _ [B] _ here comes the verse.
_ _ [A] _
_ Amazing [D] love that welcomes [A] me, _ the kindness of [B]
mercy.
_ Back [A] to G. _ _
Embodied with [D] love, _ _ _ [F#m] wholeheartedly.
E minor.
My soul _ [B] unreserving.
Here's the chorus.
_ [A] God, _ [E] you're so good.
This is pretty low, you can tell.
[B] _ _ _ _ God, you're so [A] good.
_ _ _ [F#m] _
God, you're so [A] good. _
You're so good _ [E] to [A] me.
_ Make sure you can sing it comfortably that low.
Sometimes, you know, we always talk about
singing a song, the songs are too high to sing.
Sometimes they're too low, and the problem when
a song is really low is it's really hard to get energy into your voice if it's too low out of your
range.
Moving on, we'll go into the second verse.
You play it exactly the same as the first.
Behold [D] the cross, age [A] to age.
Okay, hour by hour.
That is the female lead on [G#] that verse.
So when you get
to the chorus again, the second chorus, it's actually a double chorus.
What you can do, and
what I did in the acoustic [Am] video I did, is I sang the first one [A] down the octave.
God, [E] you're so good.
God, you're so good.
And then the second time through, I did it up [A] the octave.
God, _ you're [B] so good. _ _ _
Okay.
God, you're [Am] so good.
And that's where you're going to [E] really bring that energy in
with your voice.
After you do the chorus the second time through, or you repeat the chorus
on the second time into the chorus, you're going to hit the bridge, which is the most powerful,
biggest [A] part of the song.
Okay?
And it goes like this.
[B] I am D.
Blessed I am called.
I am E [F#m] minor.
Healed I am whole.
I am [A] C.
Saved in Jesus name.
G.
_ _ [B] Highly D.
Favored.
Anointed.
[F#m] E minor.
Filled with
your power for the [A] glory.
C.
Of Jesus name.
G.
When you repeat it, it's slightly different.
[B] I'm D.
Blessed.
I am called.
[F#m] I am E minor.
I am healed.
I am whole.
This is all the same.
[A] I am C.
Saved in Jesus name.
G.
_ _ Highly favored is D.
[B] _ Favored.
Anointed.
E minor.
[F#m] Filled with your power for the C.
[A] Glory.
Here's where it's different.
Of Jesus [B] name.
D.
And that's how you end the bridge.
Then you go back [A] into
it should this lie.
The last verse.
So the [F#m] last line of the chorus in Debrea.
God, you're so [A]
good.
_ You're so good [B] to _ _ me.
I am [B] blessed.
I am called.
I [F#m] am healed.
I am whole.
I am [A] saved in Jesus name. _ _
_ Highly [B] favored.
Anointed.
[F#m] Filled with your power for the [A] glory of [N] Jesus. _ _ _ _ _ _ _
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