Chords for Goran Bregovic - Champagne For Gypsies (album trailer)
Tempo:
105.6 bpm
Chords used:
C
D
F
Bb
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
[F]
[C] [Bb] Look, look the way he's dancing.
[Bbm] Oh, this boy [C] surely has [F] [Bb] some gypsy blood.
[Ebm]
[C] You can't [F] really stand this stupidity that [Gb] you throw away gypsies just because they are gypsies.
[C] You [Bbm] can't really digest such [F] things.
So it [C] was like, [Bb] let's toast to this talent that [Eb] inspired me all my [E] life.
[F] The main idea is [Bb] to celebrate [Eb] the gypsy talent.
Some people who I think left their [Bb] traces in popular culture.
[Ab] It's difficult to find any serious [Db] composer in history that wasn't influenced or [D] at least impressed by the gypsy talent.
[Gm]
The [F] action begins.
[Gm] [F] The trombone is playing, the band is dancing, [Gm] the control is [D] dancing.
[Gm]
[F] Oh, Presidente.
[Gm] Oh, Presidente.
[F] Oh, [Gm]
Presidente.
[A] Presidente.
Good, good, good.
Presidente.
Trickster and seductress we, tap dancing on minefield every [C] day.
[D] In volatile [C] sway.
[D] I was [Ab] already living in the States, but when you transplant yourself, you start digging back for your roots and getting new perspective and all that stuff.
So I was really into Bella Bartok and studying all the musicology.
[D] I saw Underground [Am] movie and I was like, fuck, this is very close to the madness [E] of that music.
[A]
[Em] Sing with me with globes [F] of moon.
[Am] You can love me less.
[C]
[D] Oh, you [Am] can love me more.
[C]
[D] Tomorrow [Am] is a lady's choice, baby.
[D] [C] Oh, [E] [Am] you can.
But I'll [D] always be [A] the best you.
Tip tip tip tip yo.
Yeah yeah yeah.
[C]
[Dm] [E] Yeah yeah yeah.
[C]
[A] [E] Good morning, good [E] evening, [Am] good evening, [G]
good evening, good evening, good evening, good evening.
[C] [G] [C] [G]
[C] [G] Good morning, good evening, good [G] evening, good evening, good evening, good evening, good evening, good evening, [C]
good evening, [D]
[G]
good [C] [G]
[C] evening.
I learned it very late [G] that my grandfather, my grandmother are Gipsies, because it was like a huh, don't ever tell, just never tell.
I remember when I was like 12, there were my father, his brothers and [D] his parents sitting
on a table and talking in a language I never heard.
Balkan, Balkan, Balkan, [Eb] the Balkaneros, [D] vamos!
[Eb] [Bb] [D] I [Gm] consider this album as a second part of Alcohol Record.
It's just a little bit lighter alcohol, it's not for sure, [Bb] but still it's a [D] dancing and drinking record.
[Gm] [Eb] [C]
[Gm] [Bb] [A]
[Gm] [C]
[D] [Eb] [Bb]
[Gbm] [Gm] This is what makes [Eb] difference between cultures, what they use as a drug.
From [Ab] India to South America and Europe.
[F] [Gm]
[D]
[A] [Cm] [Bb]
[A] [Eb]
[G] [D]
[G] [D] We [G] [N]
[Cm] [F]
[F]
were just in Moscow, we just came back from there.
I mentioned, we just recorded a couple of songs with you.
And they were [Bb] like, what do you mean, didn't you do that like 10 years ago?
[Ab] It's really strange that [D] we haven't met.
Yeah, the [Eb] idea in collective [F] psyche is that this already happened.
It's like, it already happened a long [Db] time ago.
[Ab]
South America, [Gb] we're fine.
Music, we're fine.
Balkan, [C] [Cm] Balkan,
[C] Balkan.
[F] [Bb] [C]
[C] [Bb] Look, look the way he's dancing.
[Bbm] Oh, this boy [C] surely has [F] [Bb] some gypsy blood.
[Ebm]
[C] You can't [F] really stand this stupidity that [Gb] you throw away gypsies just because they are gypsies.
[C] You [Bbm] can't really digest such [F] things.
So it [C] was like, [Bb] let's toast to this talent that [Eb] inspired me all my [E] life.
[F] The main idea is [Bb] to celebrate [Eb] the gypsy talent.
Some people who I think left their [Bb] traces in popular culture.
[Ab] It's difficult to find any serious [Db] composer in history that wasn't influenced or [D] at least impressed by the gypsy talent.
[Gm]
The [F] action begins.
[Gm] [F] The trombone is playing, the band is dancing, [Gm] the control is [D] dancing.
[Gm]
[F] Oh, Presidente.
[Gm] Oh, Presidente.
[F] Oh, [Gm]
Presidente.
[A] Presidente.
Good, good, good.
Presidente.
Trickster and seductress we, tap dancing on minefield every [C] day.
[D] In volatile [C] sway.
[D] I was [Ab] already living in the States, but when you transplant yourself, you start digging back for your roots and getting new perspective and all that stuff.
So I was really into Bella Bartok and studying all the musicology.
[D] I saw Underground [Am] movie and I was like, fuck, this is very close to the madness [E] of that music.
[A]
[Em] Sing with me with globes [F] of moon.
[Am] You can love me less.
[C]
[D] Oh, you [Am] can love me more.
[C]
[D] Tomorrow [Am] is a lady's choice, baby.
[D] [C] Oh, [E] [Am] you can.
But I'll [D] always be [A] the best you.
Tip tip tip tip yo.
Yeah yeah yeah.
[C]
[Dm] [E] Yeah yeah yeah.
[C]
[A] [E] Good morning, good [E] evening, [Am] good evening, [G]
good evening, good evening, good evening, good evening.
[C] [G] [C] [G]
[C] [G] Good morning, good evening, good [G] evening, good evening, good evening, good evening, good evening, good evening, [C]
good evening, [D]
[G]
good [C] [G]
[C] evening.
I learned it very late [G] that my grandfather, my grandmother are Gipsies, because it was like a huh, don't ever tell, just never tell.
I remember when I was like 12, there were my father, his brothers and [D] his parents sitting
on a table and talking in a language I never heard.
Balkan, Balkan, Balkan, [Eb] the Balkaneros, [D] vamos!
[Eb] [Bb] [D] I [Gm] consider this album as a second part of Alcohol Record.
It's just a little bit lighter alcohol, it's not for sure, [Bb] but still it's a [D] dancing and drinking record.
[Gm] [Eb] [C]
[Gm] [Bb] [A]
[Gm] [C]
[D] [Eb] [Bb]
[Gbm] [Gm] This is what makes [Eb] difference between cultures, what they use as a drug.
From [Ab] India to South America and Europe.
[F] [Gm]
[D]
[A] [Cm] [Bb]
[A] [Eb]
[G] [D]
[G] [D] We [G] [N]
[Cm] [F]
[F]
were just in Moscow, we just came back from there.
I mentioned, we just recorded a couple of songs with you.
And they were [Bb] like, what do you mean, didn't you do that like 10 years ago?
[Ab] It's really strange that [D] we haven't met.
Yeah, the [Eb] idea in collective [F] psyche is that this already happened.
It's like, it already happened a long [Db] time ago.
[Ab]
South America, [Gb] we're fine.
Music, we're fine.
Balkan, [C] [Cm] Balkan,
[C] Balkan.
[F] [Bb] [C]
Key:
C
D
F
Bb
Gm
C
D
F
_ _ _ [F] _ _ _ _ _
_ _ [C] _ _ [Bb] Look, look the way he's _ dancing. _ _ _ _
_ _ [Bbm] Oh, this boy [C] surely has [F] _ [Bb] some gypsy blood.
_ _ [Ebm] _
_ _ [C] _ You can't [F] really stand this stupidity that [Gb] you throw away gypsies just because they are gypsies. _ _
[C] You [Bbm] can't really digest such [F] things.
So it [C] was like, _ [Bb] let's toast to this talent that [Eb] inspired me all my [E] life.
[F] The main idea is [Bb] to _ celebrate [Eb] the gypsy talent.
Some people who I think left their [Bb] traces in popular culture.
[Ab] It's difficult to find any serious [Db] composer in history that wasn't influenced or [D] at least impressed by the gypsy talent.
_ _ _ [Gm] _ _ _ _ _
_ The [F] action _ begins. _
[Gm] _ [F] The trombone is playing, the band is dancing, [Gm] _ _ the control is [D] dancing.
[Gm] _ _
[F] _ _ Oh, Presidente. _ _ _
_ _ [Gm] Oh, Presidente.
[F] Oh, [Gm] _
Presidente.
[A] _ _ _ _ Presidente.
Good, good, good.
_ _ _ Presidente.
Trickster and seductress we, tap dancing on minefield every [C] day.
_ _ [D] _ In volatile [C] sway.
_ _ _ [D] I was [Ab] already living in the States, but when you transplant yourself, you start digging back for your roots and getting new perspective and all that stuff.
So I was really into Bella Bartok and studying all the musicology.
[D] I saw Underground [Am] movie and I was like, fuck, this is very close to the madness [E] of that music.
[A] _ _
[Em] Sing with me with globes [F] of moon. _ _
_ [Am] You can love me less.
[C] _ _
[D] Oh, you [Am] can love me more.
[C] _ _
[D] Tomorrow [Am] is a lady's choice, baby.
[D] _ [C] Oh, _ [E] _ [Am] you can.
But I'll [D] always be [A] the best you.
Tip tip tip tip yo.
_ Yeah yeah yeah.
[C] _ _
[Dm] _ _ [E] Yeah yeah yeah.
[C] _ _
_ [A] _ _ [E] _ Good morning, good [E] evening, [Am] good evening, _ [G] _ _
good evening, good evening, good evening, good evening. _ _ _ _
[C] _ _ [G] _ _ [C] _ _ [G] _ _
[C] _ _ [G] _ Good morning, good evening, good [G] evening, good evening, good evening, good evening, good evening, good evening, [C] _ _
good evening, [D] _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ good _ [C] _ _ [G] _ _
[C] evening.
I learned it very late [G] that my grandfather, my grandmother are Gipsies, because it was like a huh, don't ever tell, just never tell.
I remember when I was like 12, there were my father, his brothers and [D] his parents sitting
on a table and talking in a language I never heard.
Balkan, Balkan, Balkan, [Eb] the Balkaneros, [D] vamos!
_ _ [Eb] _ _ [Bb] _ [D] I [Gm] consider this album as a second part of Alcohol Record.
It's just a little bit lighter alcohol, it's not for sure, [Bb] but still it's a [D] dancing and drinking record.
_ _ [Gm] _ _ [Eb] _ _ [C] _ _
_ _ [Gm] _ _ _ [Bb] _ _ [A] _
_ _ [Gm] _ _ _ _ [C] _ _
[D] _ _ [Eb] _ _ _ [Bb] _ _ _
[Gbm] _ [Gm] This is what makes [Eb] difference between cultures, what they use as a drug.
From [Ab] India to South America and Europe.
_ [F] _ _ _ [Gm] _ _ _
_ _ _ _ _ _ _ [D] _
_ _ [A] _ _ [Cm] _ _ [Bb] _ _
_ [A] _ _ _ [Eb] _ _ _ _
_ _ [G] _ _ _ _ [D] _ _
_ _ _ [G] _ _ [D] _ We [G] _ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Cm] _ _ _ _ [F] _ _ _ _
[F] _ _ _ _ _ _ _ _
_ were just in Moscow, we just came back from there.
I mentioned, we just recorded a couple of songs with you.
And they were [Bb] like, what do you mean, didn't you do that like 10 years ago? _ _
[Ab] _ It's really strange that [D] we haven't met.
Yeah, the [Eb] _ idea in collective [F] psyche is that this already happened.
It's like, it already happened a long [Db] time ago. _
[Ab] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ South America, [Gb] we're fine.
Music, we're fine.
Balkan, [C] _ _ _ [Cm] Balkan, _ _
_ _ [C] Balkan.
_ _ [F] _ _ _ _ _ [Bb] _ _ _ [C] _ _
_ _ [C] _ _ [Bb] Look, look the way he's _ dancing. _ _ _ _
_ _ [Bbm] Oh, this boy [C] surely has [F] _ [Bb] some gypsy blood.
_ _ [Ebm] _
_ _ [C] _ You can't [F] really stand this stupidity that [Gb] you throw away gypsies just because they are gypsies. _ _
[C] You [Bbm] can't really digest such [F] things.
So it [C] was like, _ [Bb] let's toast to this talent that [Eb] inspired me all my [E] life.
[F] The main idea is [Bb] to _ celebrate [Eb] the gypsy talent.
Some people who I think left their [Bb] traces in popular culture.
[Ab] It's difficult to find any serious [Db] composer in history that wasn't influenced or [D] at least impressed by the gypsy talent.
_ _ _ [Gm] _ _ _ _ _
_ The [F] action _ begins. _
[Gm] _ [F] The trombone is playing, the band is dancing, [Gm] _ _ the control is [D] dancing.
[Gm] _ _
[F] _ _ Oh, Presidente. _ _ _
_ _ [Gm] Oh, Presidente.
[F] Oh, [Gm] _
Presidente.
[A] _ _ _ _ Presidente.
Good, good, good.
_ _ _ Presidente.
Trickster and seductress we, tap dancing on minefield every [C] day.
_ _ [D] _ In volatile [C] sway.
_ _ _ [D] I was [Ab] already living in the States, but when you transplant yourself, you start digging back for your roots and getting new perspective and all that stuff.
So I was really into Bella Bartok and studying all the musicology.
[D] I saw Underground [Am] movie and I was like, fuck, this is very close to the madness [E] of that music.
[A] _ _
[Em] Sing with me with globes [F] of moon. _ _
_ [Am] You can love me less.
[C] _ _
[D] Oh, you [Am] can love me more.
[C] _ _
[D] Tomorrow [Am] is a lady's choice, baby.
[D] _ [C] Oh, _ [E] _ [Am] you can.
But I'll [D] always be [A] the best you.
Tip tip tip tip yo.
_ Yeah yeah yeah.
[C] _ _
[Dm] _ _ [E] Yeah yeah yeah.
[C] _ _
_ [A] _ _ [E] _ Good morning, good [E] evening, [Am] good evening, _ [G] _ _
good evening, good evening, good evening, good evening. _ _ _ _
[C] _ _ [G] _ _ [C] _ _ [G] _ _
[C] _ _ [G] _ Good morning, good evening, good [G] evening, good evening, good evening, good evening, good evening, good evening, [C] _ _
good evening, [D] _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ good _ [C] _ _ [G] _ _
[C] evening.
I learned it very late [G] that my grandfather, my grandmother are Gipsies, because it was like a huh, don't ever tell, just never tell.
I remember when I was like 12, there were my father, his brothers and [D] his parents sitting
on a table and talking in a language I never heard.
Balkan, Balkan, Balkan, [Eb] the Balkaneros, [D] vamos!
_ _ [Eb] _ _ [Bb] _ [D] I [Gm] consider this album as a second part of Alcohol Record.
It's just a little bit lighter alcohol, it's not for sure, [Bb] but still it's a [D] dancing and drinking record.
_ _ [Gm] _ _ [Eb] _ _ [C] _ _
_ _ [Gm] _ _ _ [Bb] _ _ [A] _
_ _ [Gm] _ _ _ _ [C] _ _
[D] _ _ [Eb] _ _ _ [Bb] _ _ _
[Gbm] _ [Gm] This is what makes [Eb] difference between cultures, what they use as a drug.
From [Ab] India to South America and Europe.
_ [F] _ _ _ [Gm] _ _ _
_ _ _ _ _ _ _ [D] _
_ _ [A] _ _ [Cm] _ _ [Bb] _ _
_ [A] _ _ _ [Eb] _ _ _ _
_ _ [G] _ _ _ _ [D] _ _
_ _ _ [G] _ _ [D] _ We [G] _ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Cm] _ _ _ _ [F] _ _ _ _
[F] _ _ _ _ _ _ _ _
_ were just in Moscow, we just came back from there.
I mentioned, we just recorded a couple of songs with you.
And they were [Bb] like, what do you mean, didn't you do that like 10 years ago? _ _
[Ab] _ It's really strange that [D] we haven't met.
Yeah, the [Eb] _ idea in collective [F] psyche is that this already happened.
It's like, it already happened a long [Db] time ago. _
[Ab] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ South America, [Gb] we're fine.
Music, we're fine.
Balkan, [C] _ _ _ [Cm] Balkan, _ _
_ _ [C] Balkan.
_ _ [F] _ _ _ _ _ [Bb] _ _ _ [C] _ _