GQ - Disco Nights (Rock-Freak) Chords
Tempo:
121.65 bpm
Chords used:
Cm
Db
Eb
Fm
Bbm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
But the important part, I guess all the artwork was taken outside that disco.
This is the music of GQ.
[Db]
[Gm]
[Db] [Cm]
[Fm] [Eb]
[Fm] [Cm]
[Fm]
[Cm]
[Fm] [Cm]
[Db] [Cm] [Eb]
[Db] [Cm]
[Fm] [Cm]
[Db] [Cm]
[Db] [Cm] It's called, I don't [Db] know, I don't know.
[Eb]
[Db] [Ab] [Cm] Just [Db] [Cm] [Eb]
[Dm]
[Cm] [F] [C]
[Bbm] [Eb] say you
[Bbm] will.
[Cm]
[Bbm] Just do what you [Cm] feel.
[Bbm] [Fm] [Cm] For [Fm] real.
[Cm]
[Fm] [Eb]
[Db] You're full [Eb] of joy and laughter.
[Db] And such [Cm] a thrill.
[Db] Free your mind [Cm] from all the pressure.
[Db] Head on up [Cm] the hill.
[Db] You said you wanna [Cm] reach the sky.
[Db] So get up.
[Cm]
[Db] The feeling's right.
[Cm] The movement's tight.
[Db] [Eb]
[Bb] [Ab]
[Eb] [Bbm] [Bm]
[Cm] [D] [Eb] [D] [Eb]
[F]
[Cm]
[Dm] [Eb]
[E] Cry.
Break.
Walk.
[Dbm] Swing.
[E] Cry.
[D] [Eb]
[F]
[Gm] [F]
[Cm] [Dm]
[Cm] [Dm] [C]
[Bbm] [Cm] [Eb] Don't take a [Bbm] wheel.
Just [Cm]
[Fm] do what you [Eb] feel.
[Bb] [Bbm] [Fm] For [Cm]
[Fm] real.
[Cm]
[Fm] [Eb]
[Fm] [Eb]
[Db] [Cm]
[Bbm] The feeling's right.
[Cm] And the music's tight.
[Db] On the disco [Eb] night.
[Fm] The feeling's right.
[Cm] And the music's tight.
[G] [N]
Oh, man.
We welcome you.
Raheem LeBlanc.
I got it.
I got Raheem Sabu.
Whatever happened to George Charlie Sam?
Please introduce me formally.
Let's start over here.
We have Sabu on bass.
Nice to have you with us, Sabu.
Way back.
On the drums we have Paul.
Don, I gotta memorize Paul.
Over here, please.
We have Herb.
Herb, nice to have you aboard.
You wanna talk about New York.
Now, before you get into that, it always used to bother me on a show like this where we do lip syncs.
There's no question about that.
We do all of that.
And there was no cord running from the guitar to the machinery back here.
Now, that isn't necessary anymore.
No.
Because there's all kind of technical stuff you can do now.
Yeah, I mean, it's all remote-controlled stuff.
Don't you ever pick up police calls or anything?
No.
You ever been to a concert, though, and the guys are not using a wire?
It's like, calling 493.
I've got an accident in the corner of Whatever.
How did all this start?
Well, it dates back about 11 years.
Sabu and I from the same neighborhood.
Where is that?
Bronx.
Oh, yeah.
Oh, yeah.
And
We got one guy from the Bronx, that's all.
All these kids here all knew that California discotheque.
And they tell you, well, maybe they're Californians.
But you're not.
You're New Yorkers.
Right, New Yorkers, right.
How old were you at this time when you ran into each other?
Probably about 12, something like that.
You've been at it that long?
Yeah.
How did you get
I mean, that's an Arista record.
It's a big hit and all of that.
And you're only 13 now.
Thank you.
Give or take.
How does it happen?
Well, endurance.
Just sticking in there and having patience and knowing that you're going to make it.
If you're going to make it, then you just map it out.
Who was the first heavyweight guy that came to see you?
And where did he see you and what did you do?
Because there are half a million groups in the country now trying to do what you're doing, get a hit.
Well, a lot of people have seen us.
Like, for instance, James Brown and Barry White have seen us somewhere.
Barry White's daughter [E] is here today.
I want you to meet [G] my friend Bridget a little bit later on.
That's an aside.
Who put you on the label?
Our manager.
His name is Tony Lopez.
Where did they have you audition?
I thought it was a basement somewhere.
Yes, it was.
In our rehearsal hall, you know, the drummer's house in the Bronx.
In the basement of your house?
That's where it
This is the music of GQ.
[Db]
[Gm]
[Db] [Cm]
[Fm] [Eb]
[Fm] [Cm]
[Fm]
[Cm]
[Fm] [Cm]
[Db] [Cm] [Eb]
[Db] [Cm]
[Fm] [Cm]
[Db] [Cm]
[Db] [Cm] It's called, I don't [Db] know, I don't know.
[Eb]
[Db] [Ab] [Cm] Just [Db] [Cm] [Eb]
[Dm]
[Cm] [F] [C]
[Bbm] [Eb] say you
[Bbm] will.
[Cm]
[Bbm] Just do what you [Cm] feel.
[Bbm] [Fm] [Cm] For [Fm] real.
[Cm]
[Fm] [Eb]
[Db] You're full [Eb] of joy and laughter.
[Db] And such [Cm] a thrill.
[Db] Free your mind [Cm] from all the pressure.
[Db] Head on up [Cm] the hill.
[Db] You said you wanna [Cm] reach the sky.
[Db] So get up.
[Cm]
[Db] The feeling's right.
[Cm] The movement's tight.
[Db] [Eb]
[Bb] [Ab]
[Eb] [Bbm] [Bm]
[Cm] [D] [Eb] [D] [Eb]
[F]
[Cm]
[Dm] [Eb]
[E] Cry.
Break.
Walk.
[Dbm] Swing.
[E] Cry.
[D] [Eb]
[F]
[Gm] [F]
[Cm] [Dm]
[Cm] [Dm] [C]
[Bbm] [Cm] [Eb] Don't take a [Bbm] wheel.
Just [Cm]
[Fm] do what you [Eb] feel.
[Bb] [Bbm] [Fm] For [Cm]
[Fm] real.
[Cm]
[Fm] [Eb]
[Fm] [Eb]
[Db] [Cm]
[Bbm] The feeling's right.
[Cm] And the music's tight.
[Db] On the disco [Eb] night.
[Fm] The feeling's right.
[Cm] And the music's tight.
[G] [N]
Oh, man.
We welcome you.
Raheem LeBlanc.
I got it.
I got Raheem Sabu.
Whatever happened to George Charlie Sam?
Please introduce me formally.
Let's start over here.
We have Sabu on bass.
Nice to have you with us, Sabu.
Way back.
On the drums we have Paul.
Don, I gotta memorize Paul.
Over here, please.
We have Herb.
Herb, nice to have you aboard.
You wanna talk about New York.
Now, before you get into that, it always used to bother me on a show like this where we do lip syncs.
There's no question about that.
We do all of that.
And there was no cord running from the guitar to the machinery back here.
Now, that isn't necessary anymore.
No.
Because there's all kind of technical stuff you can do now.
Yeah, I mean, it's all remote-controlled stuff.
Don't you ever pick up police calls or anything?
No.
You ever been to a concert, though, and the guys are not using a wire?
It's like, calling 493.
I've got an accident in the corner of Whatever.
How did all this start?
Well, it dates back about 11 years.
Sabu and I from the same neighborhood.
Where is that?
Bronx.
Oh, yeah.
Oh, yeah.
And
We got one guy from the Bronx, that's all.
All these kids here all knew that California discotheque.
And they tell you, well, maybe they're Californians.
But you're not.
You're New Yorkers.
Right, New Yorkers, right.
How old were you at this time when you ran into each other?
Probably about 12, something like that.
You've been at it that long?
Yeah.
How did you get
I mean, that's an Arista record.
It's a big hit and all of that.
And you're only 13 now.
Thank you.
Give or take.
How does it happen?
Well, endurance.
Just sticking in there and having patience and knowing that you're going to make it.
If you're going to make it, then you just map it out.
Who was the first heavyweight guy that came to see you?
And where did he see you and what did you do?
Because there are half a million groups in the country now trying to do what you're doing, get a hit.
Well, a lot of people have seen us.
Like, for instance, James Brown and Barry White have seen us somewhere.
Barry White's daughter [E] is here today.
I want you to meet [G] my friend Bridget a little bit later on.
That's an aside.
Who put you on the label?
Our manager.
His name is Tony Lopez.
Where did they have you audition?
I thought it was a basement somewhere.
Yes, it was.
In our rehearsal hall, you know, the drummer's house in the Bronx.
In the basement of your house?
That's where it
Key:
Cm
Db
Eb
Fm
Bbm
Cm
Db
Eb
But the important part, I guess all the artwork was taken outside that disco.
This is the music of GQ. _ _ _
_ _ _ _ _ [Db] _ _ _
[Gm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Db] _ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ [Eb] _ _ _ _
[Fm] _ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ _ _ _ _
_ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ [Cm] _ _ _ _
[Db] _ _ _ _ [Cm] _ _ _ [Eb] _
[Db] _ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ [Cm] _ _ _ _
[Db] _ _ _ _ [Cm] _ _ _ _
[Db] _ _ _ _ [Cm] _ It's called, I don't [Db] know, I don't know.
_ _ [Eb] _ _ _ _
[Db] _ _ [Ab] _ _ [Cm] _ _ Just [Db] _ _ _ _ [Cm] _ [Eb] _ _ _
_ _ _ _ [Dm] _ _ _ _
[Cm] _ _ _ _ [F] _ _ _ [C] _
[Bbm] _ _ _ _ _ [Eb] say you _
[Bbm] will.
_ _ _ [Cm] _ _
[Bbm] Just do what you _ _ [Cm] feel. _
[Bbm] _ _ _ _ [Fm] [Cm] For _ [Fm] real.
_ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ _ _ _ [Eb] _
[Db] _ You're full [Eb] of joy and laughter.
[Db] _ And such [Cm] a thrill. _ _
[Db] Free your mind [Cm] from all the pressure.
[Db] _ Head on up [Cm] the hill. _
[Db] You said you wanna [Cm] reach the sky.
[Db] So get up.
_ _ [Cm] _ _ _ _
[Db] The feeling's right.
[Cm] The movement's tight.
[Db] _ _ _ _ [Eb] _ _ _ _
_ _ [Bb] _ _ _ [Ab] _ _ _
[Eb] _ _ [Bbm] _ _ _ _ _ [Bm] _
_ [Cm] _ [D] _ [Eb] _ _ _ [D] _ [Eb] _
_ _ _ _ [F] _ _ _ _
_ _ [Cm] _ _ _ _ _ _
_ _ _ _ _ [Dm] _ [Eb] _ _
[E] _ Cry.
_ Break. _ _
_ Walk. _ _ _ _ _
_ _ _ [Dbm] _ Swing. _ _
_ [E] Cry.
_ _ [D] _ _ [Eb] _
_ _ _ _ [F] _ _ _ _
[Gm] _ _ _ _ [F] _ _ _ _
_ [Cm] _ _ _ [Dm] _ _ _ _
[Cm] _ _ _ _ [Dm] _ _ _ [C] _
_ [Bbm] _ _ _ [Cm] [Eb] Don't take a [Bbm] wheel.
_ Just [Cm] _ _ _ _
[Fm] _ do what you _ [Eb] feel. _ _
[Bb] _ _ [Bbm] _ _ [Fm] For _ [Cm]
[Fm] real.
_ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ _ _ _ [Eb] _
_ [Fm] _ _ _ [Eb] _ _ _ _
[Db] _ _ _ _ [Cm] _ _ _ _
[Bbm] The feeling's right.
[Cm] And the music's tight.
[Db] On the disco _ [Eb] night. _ _ _
[Fm] The feeling's right.
[Cm] And the music's tight.
[G] _ _ _ _ [N] _ _ _ _
_ Oh, man. _ _ _ _ _
We welcome you.
_ Raheem LeBlanc.
I got it.
I _ _ _ got Raheem Sabu.
Whatever happened to George Charlie Sam?
Please introduce me formally.
Let's start over here.
We have Sabu on bass.
Nice to have you with us, Sabu.
_ Way back.
On the drums we have Paul.
Don, I gotta memorize Paul.
Over here, please.
We have Herb.
Herb, nice to have you aboard.
You wanna talk about New York.
Now, before you get into that, it always used to bother me on a show like this where we do lip syncs.
There's no question about that.
We do all of that.
And there was no cord running from the guitar to the machinery back here.
Now, that isn't necessary anymore.
No.
Because there's all kind of technical stuff you can do now.
Yeah, I mean, it's all remote-controlled stuff.
Don't you ever pick up police calls or anything?
_ No.
You ever been to a concert, though, and the guys are not using a wire?
It's like, calling 493.
I've got an accident in the corner of_ Whatever.
How did all this start?
Well, it dates back about 11 years.
Sabu and I from the same neighborhood.
Where is that?
Bronx.
Oh, yeah.
Oh, yeah.
_ And_
We got one guy from the Bronx, that's all.
All these kids here all knew that California discotheque.
And they tell you, well, maybe they're Californians.
But you're not.
You're New Yorkers.
Right, New Yorkers, right.
How old were you at this time when you ran into each other?
Probably about 12, something like that.
You've been at it that long?
Yeah.
_ How did you get_
I mean, that's an Arista record.
It's a big hit and all of that.
And you're only 13 now. _ _ _
Thank you.
Give or take.
How does it happen?
Well, endurance.
Just sticking in there and having patience and knowing that you're going to make it.
If you're going to make it, then you just _ map it out.
Who was the first heavyweight guy that came to see you?
And where did he see you and what did you do?
Because there are half a million groups in the country now trying to do what you're doing, get a hit.
Well, _ a lot of people have seen us.
Like, for instance, James Brown and _ Barry White have seen us somewhere.
_ _ Barry White's daughter [E] is here today.
I want you to meet [G] my friend Bridget a little bit later on.
That's an aside.
Who put you on the label?
Our manager.
His name is Tony Lopez.
Where did they have you audition?
I thought it was a basement somewhere.
Yes, it was.
In our rehearsal hall, you know, the drummer's house in the Bronx.
In the basement of your house?
That's where it
This is the music of GQ. _ _ _
_ _ _ _ _ [Db] _ _ _
[Gm] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[Db] _ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ [Eb] _ _ _ _
[Fm] _ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ _ _ _ _
_ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ [Cm] _ _ _ _
[Db] _ _ _ _ [Cm] _ _ _ [Eb] _
[Db] _ _ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ [Cm] _ _ _ _
[Db] _ _ _ _ [Cm] _ _ _ _
[Db] _ _ _ _ [Cm] _ It's called, I don't [Db] know, I don't know.
_ _ [Eb] _ _ _ _
[Db] _ _ [Ab] _ _ [Cm] _ _ Just [Db] _ _ _ _ [Cm] _ [Eb] _ _ _
_ _ _ _ [Dm] _ _ _ _
[Cm] _ _ _ _ [F] _ _ _ [C] _
[Bbm] _ _ _ _ _ [Eb] say you _
[Bbm] will.
_ _ _ [Cm] _ _
[Bbm] Just do what you _ _ [Cm] feel. _
[Bbm] _ _ _ _ [Fm] [Cm] For _ [Fm] real.
_ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ _ _ _ [Eb] _
[Db] _ You're full [Eb] of joy and laughter.
[Db] _ And such [Cm] a thrill. _ _
[Db] Free your mind [Cm] from all the pressure.
[Db] _ Head on up [Cm] the hill. _
[Db] You said you wanna [Cm] reach the sky.
[Db] So get up.
_ _ [Cm] _ _ _ _
[Db] The feeling's right.
[Cm] The movement's tight.
[Db] _ _ _ _ [Eb] _ _ _ _
_ _ [Bb] _ _ _ [Ab] _ _ _
[Eb] _ _ [Bbm] _ _ _ _ _ [Bm] _
_ [Cm] _ [D] _ [Eb] _ _ _ [D] _ [Eb] _
_ _ _ _ [F] _ _ _ _
_ _ [Cm] _ _ _ _ _ _
_ _ _ _ _ [Dm] _ [Eb] _ _
[E] _ Cry.
_ Break. _ _
_ Walk. _ _ _ _ _
_ _ _ [Dbm] _ Swing. _ _
_ [E] Cry.
_ _ [D] _ _ [Eb] _
_ _ _ _ [F] _ _ _ _
[Gm] _ _ _ _ [F] _ _ _ _
_ [Cm] _ _ _ [Dm] _ _ _ _
[Cm] _ _ _ _ [Dm] _ _ _ [C] _
_ [Bbm] _ _ _ [Cm] [Eb] Don't take a [Bbm] wheel.
_ Just [Cm] _ _ _ _
[Fm] _ do what you _ [Eb] feel. _ _
[Bb] _ _ [Bbm] _ _ [Fm] For _ [Cm]
[Fm] real.
_ _ _ [Cm] _ _ _ _
[Fm] _ _ _ _ _ _ _ [Eb] _
_ [Fm] _ _ _ [Eb] _ _ _ _
[Db] _ _ _ _ [Cm] _ _ _ _
[Bbm] The feeling's right.
[Cm] And the music's tight.
[Db] On the disco _ [Eb] night. _ _ _
[Fm] The feeling's right.
[Cm] And the music's tight.
[G] _ _ _ _ [N] _ _ _ _
_ Oh, man. _ _ _ _ _
We welcome you.
_ Raheem LeBlanc.
I got it.
I _ _ _ got Raheem Sabu.
Whatever happened to George Charlie Sam?
Please introduce me formally.
Let's start over here.
We have Sabu on bass.
Nice to have you with us, Sabu.
_ Way back.
On the drums we have Paul.
Don, I gotta memorize Paul.
Over here, please.
We have Herb.
Herb, nice to have you aboard.
You wanna talk about New York.
Now, before you get into that, it always used to bother me on a show like this where we do lip syncs.
There's no question about that.
We do all of that.
And there was no cord running from the guitar to the machinery back here.
Now, that isn't necessary anymore.
No.
Because there's all kind of technical stuff you can do now.
Yeah, I mean, it's all remote-controlled stuff.
Don't you ever pick up police calls or anything?
_ No.
You ever been to a concert, though, and the guys are not using a wire?
It's like, calling 493.
I've got an accident in the corner of_ Whatever.
How did all this start?
Well, it dates back about 11 years.
Sabu and I from the same neighborhood.
Where is that?
Bronx.
Oh, yeah.
Oh, yeah.
_ And_
We got one guy from the Bronx, that's all.
All these kids here all knew that California discotheque.
And they tell you, well, maybe they're Californians.
But you're not.
You're New Yorkers.
Right, New Yorkers, right.
How old were you at this time when you ran into each other?
Probably about 12, something like that.
You've been at it that long?
Yeah.
_ How did you get_
I mean, that's an Arista record.
It's a big hit and all of that.
And you're only 13 now. _ _ _
Thank you.
Give or take.
How does it happen?
Well, endurance.
Just sticking in there and having patience and knowing that you're going to make it.
If you're going to make it, then you just _ map it out.
Who was the first heavyweight guy that came to see you?
And where did he see you and what did you do?
Because there are half a million groups in the country now trying to do what you're doing, get a hit.
Well, _ a lot of people have seen us.
Like, for instance, James Brown and _ Barry White have seen us somewhere.
_ _ Barry White's daughter [E] is here today.
I want you to meet [G] my friend Bridget a little bit later on.
That's an aside.
Who put you on the label?
Our manager.
His name is Tony Lopez.
Where did they have you audition?
I thought it was a basement somewhere.
Yes, it was.
In our rehearsal hall, you know, the drummer's house in the Bronx.
In the basement of your house?
That's where it